The Russians Are Coming The Russians Are Coming


2h 6m 1966
The Russians Are Coming The Russians Are Coming

Brief Synopsis

When a Russian sub runs aground in New England, it creates a local panic.

Film Details

Genre
Comedy
Adaptation
Release Date
Jan 1966
Premiere Information
New York opening: 25 May 1966
Production Company
Mirisch Corp.
Distribution Company
United Artists
Country
United States
Screenplay Information
Based on the novel The Off-Islanders by Nathaniel Benchley (New York, 1961).

Technical Specs

Duration
2h 6m
Sound
Mono, Mono (Westrex Recording System)
Color
Color (DeLuxe)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

Early one September morning a Russian submarine draws too close to the New England coast when its captain wants to take a good look at America and runs aground on a sandbar near an island off Cape Cod. A 9-man landing party headed by timorous Lieutenant Rozanov is sent in search of a motor launch to help free the submarine. The men arrive at the house of Walt Whittaker, a New York City playwright anxious to get his wife and two children off the forever-damp island now that summer is over. Failing to convince the Whittakers that his group are Norwegians, Rozanov draws a gun and promises no harm to Walt if he will simply tell them how to get a boat so that they can quietly go away. Walt agrees and the Russians depart, leaving a young sailor, Kolchin, to guard the Whittakers and their attractive 18-year-old neighbor, Alison Palmer. The Russians steal an old sedan from Muriel Everett, the postmistress; she calls Alice Foss, the gossipy telephone switchboard operator, and before long, wild rumors throw the entire island into confusion. As levelheaded Sheriff Mattocks and his bumbling assistant Norman Jonas try to squelch the civil resistance movement of blustering Fendall Hawkins, the Russians run into Walt, who has escaped from Kolchin, and together they obtain a boat. As the remaining Russians race back to their submarine, Rozanov goes to find Kolchin, who by now is falling in love with Alison. The captain takes his submarine into the small harbor and threatens to blow up the town unless Rozanov and Kolchin are returned to him. As tension mounts, a small boy falls from his perch on the church steeple and hangs perilously from a gutter. Forgetting their differences, islanders and Russians unite to form a human pyramid and rescue the child. With peace and harmony enveloping everyone, the Russians leave the island--with a convoy of villagers in small boats protecting the submarine from overhead Navy planes until it reaches safe waters.

Film Details

Genre
Comedy
Adaptation
Release Date
Jan 1966
Premiere Information
New York opening: 25 May 1966
Production Company
Mirisch Corp.
Distribution Company
United Artists
Country
United States
Screenplay Information
Based on the novel The Off-Islanders by Nathaniel Benchley (New York, 1961).

Technical Specs

Duration
2h 6m
Sound
Mono, Mono (Westrex Recording System)
Color
Color (DeLuxe)
Theatrical Aspect Ratio
2.35 : 1

Award Nominations

Best Actor

1966
Alan Arkin

Best Editing

1966
Hal Ashby

Best Picture

1966

Best Writing, Screenplay

1967

Articles

The Russians Are Coming, The Russians Are Coming


United Artists and director Norman Jewison had a major hit in 1966 with The Russians Are Coming, the Russians Are Coming, a send-up of American-Soviet relations. A Russian sub commander, wishing to get a better glimpse of the U.S., runs his vessel aground near a sleepy New England vacation island. The commander sends a small crew ashore, led by Lieutenant Rozanov, to find a power boat strong enough to tow the sub off the sandbar before an international incident occurs. A series of hilarious misunderstandings and near disasters occurs as one by one the villagers realize their tiny island has been "invaded."

The large ensemble cast and zany plotting are clearly inspired by the success of Stanley Kramer's frenzied satire of greed and corruption, It's a Mad, Mad, Mad, Mad World (1963). But critics at the time noted that this movie had much more fully developed and sympathetic characters and so was able to achieve its comic aims with more narrative integrity without losing any of the hilarity. As a result, it has much of the feel of the classic 1940s satires created by Preston Sturges. The New York Times called it "a rousingly funny - and perceptive - motion picture about a desperately unfunny world situation...The cold war was owed us all a good laugh for a long, long time."

A lot of the credit goes to the outstanding ensemble cast, especially Alan Arkin in his film debut. Already a success on the Broadway stage and as a comedy performer with the legendary Second City troupe, Arkin earned an Academy Award® nomination for Best Actor as the alternately polite and menacing Russian military man trying to squeeze through a bad situation while dealing with an island population he finds "complete and utter not sane." The film also got Oscar® nods for Best Picture, Best Editing (for future film director Hal Ashby), and Best Screenplay.

The movie was based on the comic novel The Off-Islanders by Nathaniel Benchley, son of famed humorist Robert Benchley. Ironically, the same New England coastline setting (although the film was actually shot in northern California) would be menaced by another type of threat from off shore in a novel by Nathaniel's son Peter that became the blockbuster movie Jaws (1975).

Arkin went on to a long and distinguished career that varied between playing heavies, comic roles, dramas, and unusual character parts. Few people know that he is also a talented writer (of children's books - Tony's Hard Work Day, Some Fine Grampa! - and self-help accounts like Halfway Through the Door: First Steps on a Path Toward Enlightenment), an Off-Broadway director, a member of the folk group The Tarriers and the composer and performer of a hit 1956 tune "The Banana Boat Song."

Producer/Director: Norman Jewison
Screenplay: William Rose, based on the book The Off-Islanders by Nathaniel Benchley
Cinematography: Joseph F. Biroc
Editing: Hal Ashby
Art Direction: Robert F. Boyle
Original Music: Johnny Mandel
Cast: Carl Reiner (Walt Whitaker), Eva Marie Saint (Elspeth Whitaker), Alan Arkin (Rozanov), Theodore Bikel (Submarine Captain), Jonathan Winters (Norman Jones), Brian Keith (Sheriff Mattocks).
C-126m. Letterboxed.

by Rob Nixon
The Russians Are Coming, The Russians Are Coming

The Russians Are Coming, The Russians Are Coming

United Artists and director Norman Jewison had a major hit in 1966 with The Russians Are Coming, the Russians Are Coming, a send-up of American-Soviet relations. A Russian sub commander, wishing to get a better glimpse of the U.S., runs his vessel aground near a sleepy New England vacation island. The commander sends a small crew ashore, led by Lieutenant Rozanov, to find a power boat strong enough to tow the sub off the sandbar before an international incident occurs. A series of hilarious misunderstandings and near disasters occurs as one by one the villagers realize their tiny island has been "invaded." The large ensemble cast and zany plotting are clearly inspired by the success of Stanley Kramer's frenzied satire of greed and corruption, It's a Mad, Mad, Mad, Mad World (1963). But critics at the time noted that this movie had much more fully developed and sympathetic characters and so was able to achieve its comic aims with more narrative integrity without losing any of the hilarity. As a result, it has much of the feel of the classic 1940s satires created by Preston Sturges. The New York Times called it "a rousingly funny - and perceptive - motion picture about a desperately unfunny world situation...The cold war was owed us all a good laugh for a long, long time." A lot of the credit goes to the outstanding ensemble cast, especially Alan Arkin in his film debut. Already a success on the Broadway stage and as a comedy performer with the legendary Second City troupe, Arkin earned an Academy Award® nomination for Best Actor as the alternately polite and menacing Russian military man trying to squeeze through a bad situation while dealing with an island population he finds "complete and utter not sane." The film also got Oscar® nods for Best Picture, Best Editing (for future film director Hal Ashby), and Best Screenplay. The movie was based on the comic novel The Off-Islanders by Nathaniel Benchley, son of famed humorist Robert Benchley. Ironically, the same New England coastline setting (although the film was actually shot in northern California) would be menaced by another type of threat from off shore in a novel by Nathaniel's son Peter that became the blockbuster movie Jaws (1975). Arkin went on to a long and distinguished career that varied between playing heavies, comic roles, dramas, and unusual character parts. Few people know that he is also a talented writer (of children's books - Tony's Hard Work Day, Some Fine Grampa! - and self-help accounts like Halfway Through the Door: First Steps on a Path Toward Enlightenment), an Off-Broadway director, a member of the folk group The Tarriers and the composer and performer of a hit 1956 tune "The Banana Boat Song." Producer/Director: Norman Jewison Screenplay: William Rose, based on the book The Off-Islanders by Nathaniel Benchley Cinematography: Joseph F. Biroc Editing: Hal Ashby Art Direction: Robert F. Boyle Original Music: Johnny Mandel Cast: Carl Reiner (Walt Whitaker), Eva Marie Saint (Elspeth Whitaker), Alan Arkin (Rozanov), Theodore Bikel (Submarine Captain), Jonathan Winters (Norman Jones), Brian Keith (Sheriff Mattocks). C-126m. Letterboxed. by Rob Nixon

Quotes

I counted them. There are nine of 'em!
- Pete Whittaker
Oh, come on, Pete.
- Walt Whittaker
Two of them got tommyguns. And they're all talking some foreign language. They could be Russians or something!
- Pete Whittaker
Pete, will you sit down and eat your breakfast, please?
- Elspeth Whittaker
Ask them if they're Russians!
- Pete Whittaker
Peter, be quiet.
- Walt Whittaker
Very clever little boy. Very, very clever, to see that my friend and I are foreigners here, but of course not Russian, naturally. What would the Russians be doing on United States of America island, with so many animosities and hatreds between these two countries? It is too funny an idea, is it not? No, we, we are of course... Norwegians. On a small training exercise for the Nyaato countries--
- Lieutenant Rozanov
NATO.
- Alexei Kolchin
NATO countries, of course, yes. Ah, to reach place of power motorboats it is necessary to make borrowings of automobile, for a short time only, sir.
- Lieutenant Rozanov
Don't tell them anything! He hasn't even tortured you yet!
- Pete Whittaker
Well, I'm sorry to bother you, Chief Mattocks, but I just had a call from Muriel Everett.
- Alice Foss, Telephone Operator
What is it, what's she want?
- Police Chief Link Mattocks
She was shouting that I should call you, because according to her -- well, Muriel said the Russians have landed!
- Alice Foss, Telephone Operator
Want to give me that again, Alice?
- Police Chief Link Mattocks
Muriel said the Russians have landed, whatever that means, Chief. And she said they were attacking her personally!
- Alice Foss, Telephone Operator
Remember last time, when she called about that Peeping Tom -- you know who that was, don't you? It was that Luther Grilk's horse.
- Police Chief Link Mattocks
Look, can I give you some advice? You'll never make it down to the harbor. Why don't you all give yourselves up? Either you'll kill somebody, or you'll get killed. Either way -- you could start a war!
- Walt Whittaker
What is your name?
- Lieutenant Rozanov
Whittaker. Walt--
- Walt Whittaker
Remark to this, Whittaker Walt. We must have boat. Even now may be too late. This is your island, I make your responsibility you help us get boat quickly, otherwise there is World War III, and everybody is blaming YOU!
- Lieutenant Rozanov

Trivia

Notes

Filmed in Mendocino County, California.

Miscellaneous Notes

Voted One of the Year's Ten Best English-Language Films by the 1966 National Board of Review.

Voted One of the Year's Ten Best Films by the 1966 New York Times Film Critics Assoc.

Released in United States 1966

Released in USA on video.

Released in United States 1966