The 27th Day


1h 15m 1957

Brief Synopsis

Aliens give five people from different nations the power to destroy their enemies.

Film Details

Genre
Adaptation
Sci-Fi
Release Date
Jul 1957
Premiere Information
not available
Production Company
Romson Productions, Inc.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the novel The 27th Day by John Mantley (London, 1956).

Technical Specs

Duration
1h 15m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
9 reels

Synopsis

A shadowy extraterrestrial emissary summons English woman Eve Wingate, Los Angeles reporter Jonathan Clark, German scientist Professor Klaus Bechner, Chinese villager Su Tan and Russian soldier Ivan Godofsky onto a flying saucer. Once aloft, the alien explains to his incredulous passengers that he has come from a nearby planet on the verge of extinction. The aliens have chosen Earth as their new world, but because their moral code forbids violence, the aliens have chosen to give the power of life or death to the five humans assembled aboard the space craft, thus placing the possibility of destruction in their hands. The five are then presented with a case containing three capsules, each capsule capable of emitting lethal radiation that will kill all human life within a 3,000 mile radius. The alien then states that only the capsules' recipients can trigger them, and that they will be deactivated in twenty-seven days. The alien also discloses that if the five can keep the peace for that time span, the Earth will be spared. The five are then sent back to Earth with their weapons and Eve immediately casts hers into the sea. Su Tan, observing her village in flames from an enemy attack, promptly commits suicide, thus de-activating her capsules. Jonathan returns to his newspaper office, and soon after, Eve phones from England to inform him that she is on her way to California. The professor, meanwhile, flies to California to address a conference. To increase the chance of havoc, the aliens interrupt a national television broadcast to describe the lethal capsules and announce the names of their five recipients, thus touching off a nationwide panic. After meeting Eve at the airport, Jonathan goes into hiding with her at an abandoned race track. The professor, startled by the broadcast, steps off a curb and is run down by a car. As the professor lies unconscious in his hospital bed, the U.S. government sends for Dr. Karl Neuhaus, a prominent atomic scientist, to examine the weapon. The Russian military, meanwhile, seizes Ivan's capsules, but Ivan, desperate to preserve peace, refuses to divulge any information about them. As waves of panic wash across the Earth, Jonathan rails against human nature. While the Russians try to torture Ivan into submission, the U.S. confiscates the professor's capsules. One day, Jonathan learns that a man resembling him has been killed by an angry crowd. Feeling responsible for the man's death, Jonathan and Eve decide to surrender to the authorities. Their torture having failed, the Russians administer a truth serum to Ivan, forcing him to reveal the secrets of the capsules. As word spreads that the Soviets have discovered how to activate the capsules, the U.S. government prods Jonathan, Eve and the professor to share the information with them. With only twelve days remaining, the professor uses his mental projection to open the case, and Dr. Neuhaus then suggests testing the efficacy of one of the capsules on a single man at sea. When the Soviets issue an ultimatum that the U.S. withdraw its troops from all foreign soil or face extinction, the government approves a test of the capsules. After dosing himself with lethal radiation, thus insuring certain death, Dr. Neuhaus volunteers to be the test subject. When Neuhaus disintegrates after the capsule is launched, the U.S. pulls its troops home from around the world. As the twenty-seventh day arrives, however, there are still fears that the Soviets will launch their capsules at the last moment, thus wiping out the free world. With just five hours remaining, the professor realizes that the capsules contain a mathematical code and asks Jonathan for his set. As the professor attempts to decipher the code, the Soviets plan their attack. Coming to the realization that the capsules can bring life as well as death, the professor pre-empts the Russian attack by launching his capsules against the enemies of freedom. With evil destroyed, mankind unites in peace and harmony and invites the aliens to live in the uninhabited parts of the Earth. Pleased that the Earthlings have finally overcome their warlike tendencies, the aliens accept.

Film Details

Genre
Adaptation
Sci-Fi
Release Date
Jul 1957
Premiere Information
not available
Production Company
Romson Productions, Inc.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the novel The 27th Day by John Mantley (London, 1956).

Technical Specs

Duration
1h 15m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
9 reels

Articles

The 27th Day


For a nation firmly trapped in the icy grip of the American-Soviet Cold War of the 1950s, The 27th Day (1957) offered audiences a suitably chilling movie experience. Sharing some themes with the better known sci-fi classic The Day the Earth Stood Still (1951), The 27th Day poses a tantalizing end-of-the-world scenario, on a much more modest budget, that played off the fears – and prejudices – of contemporary Americans, circa 1957.

The 27th Day began life as a novel by Canadian-born writer John Mantley who, after completing service in the Royal Canadian Air Force during WWII, decided to try acting as a career. He may have been influenced by his second cousin, former silent movie superstar Mary Pickford, whose name still commanded huge respect in Hollywood. After working at the famous Pasadena Playhouse and, with other theatrical roles soon under his belt, he turned away from acting to behind-the-camera work in early live television in New York City. After moving to Rome and working in the movie industry there as both a director and a writer, Mantley returned to the U.S. to primarily pursue a writing career. Earlier philosophical discussions with Pickford had given him the idea for his first novel, which he called The 27th Day. Mantley is probably best known for his years behind the helm of the classic TV western series Gunsmoke. He helped revitalize the franchise when it was in a ratings slump after its first decade, and was credited with keeping it on the air during the last ten of its twenty-season run.

The 27th Day is the story of what happens when a representative of a much-advanced alien race comes to Earth and forces its inhabitants to come to grips with possible annihilation, courtesy of a set of capsules which contain the power to kill everyone on the planet. It had some real success as a novel, including being chosen a Book-of-the-Month Club selection. In light of the rising interest in science fiction, unidentified flying objects and American-Soviet relations in the fifties, the novel was quickly optioned by Columbia Pictures. A year earlier the studio had produced the UFO-themed Earth vs. the Flying Saucers (1956), and its positive reception made The 27th Day an ideal follow-up. In fact footage from the earlier film would be used in The 27th Day.

Producers for the movie were Lewis Rachmil and Helen Ainsworth. Rachmil had worked in movies since the early 1930s in a variety of capacities, moving from Art Direction to Production Management to Producing, first with B-Westerns and moving upwards; his next-to-last feature credit was 1984's Footloose. Ainsworth, who had started her career as an actress, transitioned into a career as an actor's agent, and is credited with starting the success stories of such personalities as Marilyn Monroe, Rhonda Fleming, Howard Keel, Guy Madison and others. She also dabbled in writing, mostly in the western genre.

Chosen to direct The 27th Day was veteran William Asher, a second-generation show biz kid – his mother was an actress, his father a well-known producer who worked extensively for Mack Sennett – who began his career producing and directing a low-budget fight picture called Leather Gloves in 1948, then moved into directing live television shows such as The Colgate Comedy Hour which shot Dean Martin and Jerry Lewis to stardom. In later years he would direct the original Beach Party (1963) movie and several sequels, and undoubtedly his greatest fame came from his production and direction of the Bewitched TV series starring his then-wife Elizabeth Montgomery.

Production on The 27th Day began in early September of 1956, and filming had finished by the end of the same month. The movie was photographed by the veteran cinematographer Henry Freulich, a long-time Columbia employee who had lensed some of The Three Stooges best shorts, including Punch Drunks (1934), Three Little Pigskins (1934), and Pop Goes the Easel (1935).

Leading man Gene Barry was no stranger to science fiction, having starred in George Pal's classic 1953 film The War of the Worlds, as well as less-known SF title The Atomic City the year before. Barry's primary success – and it was huge – came for his television role as the suave Bat Masterson in the long-running Western series, and TV would continue to offer Barry continued work in hundreds of appearances.

Another key player in The 27th Day was actor Paul Birch, who is remembered for his role as one of the captured Earth astronauts in 1958's Queen of Outer Space, and in other cult favorites such as The Beast with a Million Eyes (1955), Day the World Ended (1955), and Not of This Earth (1957). Arnold Moss played the alien leader who comes to earth; he is no doubt best remembered for his role as murderous tyrant-turned-Shakespearean actor Anton Karidian in an episode of the original Star Trek. English-born beauty Valerie French played Gene Barry's love interest, and the dastardly Russian official was played by Stefan Schnabel, a German-born actor who specialized in European types but later appeared in the soap opera The Guiding Light for over seventeen years.

The 27th Day was released in July of 1957, but soon disappeared into relative obscurity, despite its science fiction hook. Reviewers of today reassessing the film give credit to its almost unparalleled literacy and clearly the film is ripe for rediscovery. Despite its modest production values, The 27th Day is a dandy little science fiction tale completely infused with the inescapable political zeitgeist of the time.

Producer: Helen Ainsworth
Director: William Asher
Screenplay: John Mantley (novel and screenplay); Robert M. Fresco (uncredited)
Cinematography: Henry Freulich
Art Direction: Ross Bellah
Music: Mischa Bakaleinikoff (uncredited)
Film Editing: Jerome Thoms
Cast: Gene Barry (Jonathan Clark), Valerie French (Eve Wingate), George Voskovec (Prof. Klaus Bechner), Arnold Moss (The Alien), Stefan Schnabel (The Soviet General), Ralph Clanton (Mr. Ingram), Friedrich von Ledebur (Dr. Karl Neuhaus), Paul Birch (Admiral).
BW-75m.

by Lisa Mateas
The 27Th Day

The 27th Day

For a nation firmly trapped in the icy grip of the American-Soviet Cold War of the 1950s, The 27th Day (1957) offered audiences a suitably chilling movie experience. Sharing some themes with the better known sci-fi classic The Day the Earth Stood Still (1951), The 27th Day poses a tantalizing end-of-the-world scenario, on a much more modest budget, that played off the fears – and prejudices – of contemporary Americans, circa 1957. The 27th Day began life as a novel by Canadian-born writer John Mantley who, after completing service in the Royal Canadian Air Force during WWII, decided to try acting as a career. He may have been influenced by his second cousin, former silent movie superstar Mary Pickford, whose name still commanded huge respect in Hollywood. After working at the famous Pasadena Playhouse and, with other theatrical roles soon under his belt, he turned away from acting to behind-the-camera work in early live television in New York City. After moving to Rome and working in the movie industry there as both a director and a writer, Mantley returned to the U.S. to primarily pursue a writing career. Earlier philosophical discussions with Pickford had given him the idea for his first novel, which he called The 27th Day. Mantley is probably best known for his years behind the helm of the classic TV western series Gunsmoke. He helped revitalize the franchise when it was in a ratings slump after its first decade, and was credited with keeping it on the air during the last ten of its twenty-season run. The 27th Day is the story of what happens when a representative of a much-advanced alien race comes to Earth and forces its inhabitants to come to grips with possible annihilation, courtesy of a set of capsules which contain the power to kill everyone on the planet. It had some real success as a novel, including being chosen a Book-of-the-Month Club selection. In light of the rising interest in science fiction, unidentified flying objects and American-Soviet relations in the fifties, the novel was quickly optioned by Columbia Pictures. A year earlier the studio had produced the UFO-themed Earth vs. the Flying Saucers (1956), and its positive reception made The 27th Day an ideal follow-up. In fact footage from the earlier film would be used in The 27th Day. Producers for the movie were Lewis Rachmil and Helen Ainsworth. Rachmil had worked in movies since the early 1930s in a variety of capacities, moving from Art Direction to Production Management to Producing, first with B-Westerns and moving upwards; his next-to-last feature credit was 1984's Footloose. Ainsworth, who had started her career as an actress, transitioned into a career as an actor's agent, and is credited with starting the success stories of such personalities as Marilyn Monroe, Rhonda Fleming, Howard Keel, Guy Madison and others. She also dabbled in writing, mostly in the western genre. Chosen to direct The 27th Day was veteran William Asher, a second-generation show biz kid – his mother was an actress, his father a well-known producer who worked extensively for Mack Sennett – who began his career producing and directing a low-budget fight picture called Leather Gloves in 1948, then moved into directing live television shows such as The Colgate Comedy Hour which shot Dean Martin and Jerry Lewis to stardom. In later years he would direct the original Beach Party (1963) movie and several sequels, and undoubtedly his greatest fame came from his production and direction of the Bewitched TV series starring his then-wife Elizabeth Montgomery. Production on The 27th Day began in early September of 1956, and filming had finished by the end of the same month. The movie was photographed by the veteran cinematographer Henry Freulich, a long-time Columbia employee who had lensed some of The Three Stooges best shorts, including Punch Drunks (1934), Three Little Pigskins (1934), and Pop Goes the Easel (1935). Leading man Gene Barry was no stranger to science fiction, having starred in George Pal's classic 1953 film The War of the Worlds, as well as less-known SF title The Atomic City the year before. Barry's primary success – and it was huge – came for his television role as the suave Bat Masterson in the long-running Western series, and TV would continue to offer Barry continued work in hundreds of appearances. Another key player in The 27th Day was actor Paul Birch, who is remembered for his role as one of the captured Earth astronauts in 1958's Queen of Outer Space, and in other cult favorites such as The Beast with a Million Eyes (1955), Day the World Ended (1955), and Not of This Earth (1957). Arnold Moss played the alien leader who comes to earth; he is no doubt best remembered for his role as murderous tyrant-turned-Shakespearean actor Anton Karidian in an episode of the original Star Trek. English-born beauty Valerie French played Gene Barry's love interest, and the dastardly Russian official was played by Stefan Schnabel, a German-born actor who specialized in European types but later appeared in the soap opera The Guiding Light for over seventeen years. The 27th Day was released in July of 1957, but soon disappeared into relative obscurity, despite its science fiction hook. Reviewers of today reassessing the film give credit to its almost unparalleled literacy and clearly the film is ripe for rediscovery. Despite its modest production values, The 27th Day is a dandy little science fiction tale completely infused with the inescapable political zeitgeist of the time. Producer: Helen Ainsworth Director: William Asher Screenplay: John Mantley (novel and screenplay); Robert M. Fresco (uncredited) Cinematography: Henry Freulich Art Direction: Ross Bellah Music: Mischa Bakaleinikoff (uncredited) Film Editing: Jerome Thoms Cast: Gene Barry (Jonathan Clark), Valerie French (Eve Wingate), George Voskovec (Prof. Klaus Bechner), Arnold Moss (The Alien), Stefan Schnabel (The Soviet General), Ralph Clanton (Mr. Ingram), Friedrich von Ledebur (Dr. Karl Neuhaus), Paul Birch (Admiral). BW-75m. by Lisa Mateas

Quotes

Going somewhere, Private Godofsky?
- Russian Officer

Trivia

Notes

According a June 1956 Hollywood Reporter news item, Robert Fresco was to polish the script; however, the extent of his contribution to the released film has not been determined.

Miscellaneous Notes

Released in United States March 1975

Released in United States Summer July 1957

Released in United States March 1975 (Shown at FILMEX: Los Angeles International Film Exposition (Science Fiction Movie Marathon - Selection of Trailers) March 13-26, 1975.)

Released in United States Summer July 1957