A Man Could Get Killed
Cast & Crew
William Beddoes arrives in Lisbon to investigate financial interests for his American bank. He is mistaken by British embassy official Hatton-Jones for an agent on a secret mission concerning a fortune in missing industrial diamonds. Despite his efforts to prove his total ignorance regarding the gems, Beddoes is pursued by adventuress Aurora-Celeste, the paramour of the murdered man he supposedly is replacing, and by Steve-Antonio, a bogus Portuguese who describes himself to Beddoes as an amateur smuggler and who himself is pursued by Amy Franklin, a former acquaintance from the United States. Soon Beddoes and Aurora-Celeste are being followed by international spies, all on the trail of the hidden diamonds. After being arrested and bailed out by Hatton-Jones, Beddoes decides to ignore his amateur status and solve the mystery. Beddoes, Steve, Amy, and Aurora are invited aboard the yacht of Dr. Mathieson, an Englishman, who reveals himself to be the real thief and Hatton-Jones to be the real agent. Beddoes then engineers an escape and recovers the missing diamonds. He takes his reward money and reluctantly says goodby to Aurora-Celeste. She, however, is fully confident that they will meet once again; she has purloined his passport.
Pasquale Carmo Fasciano
T. E. B. Clarke
John De Cuir
Waldon O. Watson
Ernest B. Wehmeyer
Sandra Dee, 1944-2005
She was born Alexandra Cymboliak Zuck on April 23, 1944 (conflicting sources give 1942, but the actual birth year has been verified by the family) in Bayonne, New Jersey. She was abandoned by her father by age five, and her mother, Mary Douvan, lied about Sandra's age so that she could put her in school and get a job. She was only five when she entered the 2nd grade. Mature for her age, Sandra's mother kept the lie going when she began her modeling career. With her fetching blonde curls and pretty face, Dee found herself moving up quickly on the modeling ladder. By the time she was 10, she was one of the top child models in the country, and by age 13, she met producer Ross Hunter, who signed her to a seven-year contract for Universal. She had her named changed to Sandra Dee (a stage name combining her shortened first name and using her stepfather's surname initial D to sign vouchers) and made her film debut in Until They Sail (1957), starring Joan Fontaine, John Gavin.
Her next film, The Reluctant Debutante, a bubbly romantic comedy with Rex Harrison, Kay Kendall and John Saxon, proved Dee to be adept in light comedy. Yet she would prove her versatility as a performer the following year - 1959, when she scored in the three biggest films of the year:A Summer Place, a brooding melodrama with fellow teen-heartthrob, Troy Donohue; Imitation of Life, a glossy, Ross Hunter sudser; and of course Gidget, the archetypical, sand and surf movie. By the dawn of the '60s, Sandra Dee mania ruled the movie fanzines worldwide.
Her personal life took a surprising turn when she hooked up with singer Bobby Darin. She met Darin in 1960 in Portofino, Italy, where they were both cast in Come September with Rock Hudson and Gina Lollobrigida as the older romantic couple. They eventually married and she gave birth to a son, Dodd Mitchell Darin in 1961. All the while, Dee still plugged away with a series of hit films over the next few years: Romanoff and Juliet a charming satirical comedy directed by Peter Ustinoff; Tammy Tell Me True with John Gavin (both 1961; If a Man Answers (1962) a surprisingly sharp comedy of manners with husband Bobby Darin; Tammy and the Doctor, another corn-fed entry that was her leading man's Peter Fonda's big break; and Take Her, She's Mine (1963), a rather strained generation-gap comedy with James Stewart.
Her success was not to last. By the late `60s, as "youth culture" movies became more confrontational and less frivolous with references to open sexuality and drugs in the American landscape, Dee's career began to peter out. Her few films of that period : Rosie, and Doctor, You've Got To Be Kidding (both 1967) were pretty dreadful and were disasters at the box-office; and her divorce from Bobby Darin that same year, put a dent in her personal life, so Dee wisely took a sabbatical from the limelight for a few years.
The '70s actually saw Dee improve as an actress. Although by no means a classic, her role as woman falling pray to a warlock (Dean Stockwell) who sexually and psychologically dominates her in the The Dunwich Horror (1970), was nothing short of startling. Yet despite her competency as actress, her career never regained its footing, and she appeared in only a few television movies later on: The Daughters of Joshua Cabe (1972), Fantasy Island (1977).
Dee resurfaced in 1991, when she gave an interview with People magazine about her personal demons: molestation by her stepfather, anorexia, drug use and alcoholism, that had haunted her her entire life. That same year, much to the delight of her fans, she resurfaced briefly when she starred in a stage production of Love Letters at the Beverly Hill's Canon Theatre with her friend and former co-star, John Saxon. Since she was diagnosed with throat cancer and kidney failure in 2000, Dee had been in and out of hospitals for her failing health. She is survived by her son Dodd; and two granddaughters -Alexa and Olivia.
by Michael T. Toole
Sandra Dee, 1944-2005
Bert Kaempfert's soundtrack for this movie features the first appearance of his most famous composition "Strangers in the Night" here still without lyrics and title but clearly recognizable.
Location scenes filmed in Rome and Lisbon. The working title of this film is Welcome, Mr. Beddoes.
Released in United States 1966
Released in United States 1966