The Undercover Man


1h 24m 1949
The Undercover Man

Brief Synopsis

A treasury agent tries to convict a ruthless mobster of tax evasion.

Photos & Videos

The Undercover Man - Movie Posters
The Undercover Man - Lobby Card Set
The Undercover Man - Behind-the-Scenes Photos

Film Details

Genre
Drama
Crime
Documentary
Release Date
Apr 1949
Premiere Information
New York opening: 20 Apr 1948
Production Company
Columbia Pictures Corp.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the article "Undercover Man: He Trapped Capone" by Frank J. Wilson in Collier's (26 Apr 1947) and a story outline by Jack Rubin.

Technical Specs

Duration
1h 24m

Synopsis

Treasury agent Frank Warren attempts to contact Manny Zanger, a man with access to information that would prove that mobster "The Big Fellow," the head of a major crime syndicate, is guilty of tax evasion, but Zanger is killed before the meeting takes place. Although the police capture the killer, they are unable to hold him because none of the witnesses will testify against him. The Treasury Department hopes to apprehend The Big Fellow on tax evasion charges, and to this end, confiscates bookkeeping records from his low-level associates. The T-men then arrest all the bookkeepers who work for the syndicate in order to compare their signatures to those on certain bank deposit cards. Before the T-men can complete this effort, however, Edward O'Rourke, the syndicate lawyer, obtains the bookkeepers' release. In frustration, Inspector Herzog, a police captain, quits the force. Sergeant Shannon, a policeman who, years earlier, abandoned his attempt to fight The Big Fellow, then shows Frank the record of Salvatore Rocco, a bookkeeper for the mob, whom he arrested before he was demoted to a desk job. When Frank learns that Rocco lives in the same neighborhood as Zanger's contact, he visits the apartment. Rocco's wife, angry because he has left her for another woman, admits that Rocco knew Zanger, but adds that she does not know Rocco's current whereabouts. She shows Frank a letter from Rocco, and Frank is pleased to discover that Rocco's handwriting matches that on the bank deposit cards. Frank and his associate persuade Rocco's girlfriend, Gladys LaVerne, to talk to Rocco. Gladys tells Frank that Rocco will testify if he gets federal protection and the reward. In exchange, Rocco asks his young daughter Rosa to bring him a notebook he had hidden at his former apartment, which contains the records of deposits he made for the mob. Before she can deliver it, however, Rocco is killed by the mob. When Frank returns from Rocco's funeral, his room has been searched and two waiting men beat him severely. Later, O'Rourke tries to make a deal with The Big Fellow and subtly threatens Judy, Frank's wife, who is staying at her parent's nearby farm. Deeply disturbed, Frank takes the next train to visit Judy and tells her that he intends to quit his job. After Frank's return to the city, Rosa and her grandmother visit Frank. Rosa's grandmother tells Frank that her husband died defying the Mafia in Italy, then gives him Rocco's book. A contrite Frank agrees to stay and fight The Big Fellow. The book contains almost all the evidence the Treasury Department needs to prosecute The Big Fellow. They then track down Sidney Gordon, another mob bookkeeper, in Los Angeles, and arrest him and his wife Muriel. Gordon agrees to cooperate and his testimony leads to the indictment of The Big Fellow and his associates. O'Rourke then sets out to buy off the grand jury. After O'Rourke is subpoenaed, he meets secretly with Frank and offers him a complete account of The Big Fellow's financial arrangements and also reveals that the jury has been bought. The mobsters discover his betrayal and kill him. Frank then uses O'Rourke's information to substitute a new jury for the corrupt one and The Big Fellow is sentenced to twenty years in prison.

Cast

Glenn Ford

Frank Warren

Nina Foch

Judith Warren

James Whitmore

George Pappas

Barry Kelley

Edward O'Rourke

David Wolfe

Stanley Weinberg

Frank Twiddell

Inspector Herzog

Howard St. John

Joseph S. Horan

John F. Hamilton

Sergeant Shannon

Leo Penn

Sidney Gordon

Joan Lazer

Rosa Rocco

Esther Minciotti

Maria Rocco

Angela Clarke

Theresa Rocco

Anthony Caruso

Salvatore Rocco

Robert Osterloh

Manny Zanger

Kay Medford

Gladys LaVerne

Patricia White

Muriel Gordon

Peter Brocco

Johnny

Everett Glass

Judge Parker

Joe Mantell

Newsboy

Michael Cisney

Fred Ferguson

Marcella Cisney

Alice Ferguson

Sidney Dubin

Harris

William Vedder

Druggist

Jim Drum

Policeman

Robert Malcolm

Policeman

Allen Mathews

Policeman

Esther Zeitlin

Woman in window

Tom Coffey

Gunman

William Rhinehart

Gunman

Ralph Volkie

Big Fellow/Man in white

Al Murphy

Middle-aged man

Lynn Whitney

Blonde

Ronnie Ralph

Boy

Billy Gray

Boy

Cy Malis

Slugger

Jack Gordon

Slugger

Silvio Minciotti

Vendor

Virginia Farmer

Housewife

John Butler

Grocer

Rose Plumer

Woman tenant

Richard Bartell

Court attendant

Ben Erway

Court clerk

Franklyn Farnum

Federal judge

Frank Mayo

Jury foreman

Wheaton Chambers

Male secretary

George Douglas

District Attorney

Helen Wallace

Mrs. O'Rourke

Sammy Lamarr

Customer

Peter Virgo

Cigar store proprietor

Pat Lane

Deputy

Brian O'hara

Deputy

Joe Palma

Deputy

Paul Marion

Young hoodlum

Edwin Max

Manager

Billy Nelson

Bouncer

William Stubbs

Crap dealer

Ted Jordan

Thug

Glen Thompson

Hoodlum

Roy Darmour

Hoodlum

Wally Rose

Hoodlum

Harlan Warde

Hoodlum

Saul Gorss

Hoodlum

Stella Lesaint

Storekeeper's wife

Tom Hanlon

Newsreel announcer

Ken Harvey

Big Fellow

Daniel Meyers

Franklin Parker

Alma Maison

Irene Martin

Ann Cameron

Bernard Sell

Ed Randolph

Film Details

Genre
Drama
Crime
Documentary
Release Date
Apr 1949
Premiere Information
New York opening: 20 Apr 1948
Production Company
Columbia Pictures Corp.
Distribution Company
Columbia Pictures Corp.
Country
United States
Screenplay Information
Based on the article "Undercover Man: He Trapped Capone" by Frank J. Wilson in Collier's (26 Apr 1947) and a story outline by Jack Rubin.

Technical Specs

Duration
1h 24m

Articles

The Undercover Man


The semi-documentary crime story The Undercover Man (1949) was the last of several noteworthy film noirs that the stylish director Joseph H. Lewis would craft during his tenure with Columbia Pictures' "B" unit. Taking its narrative cue from the federal government's ultimate success after countless tries to bring Al Capone to heel, the well-crafted and moody tale gave filmgoers a compelling look at the challenges presented to Treasury Department cops.

The scenario finds T-Men Frank Warren (Glenn Ford) and George Pappas (James Whitmore) charged with getting the goods on a notorious crimelord (Ralph Volkie) solely referred to as "the Big Fellow." The feds receive a tip from informant Manny Zanger (Rob Osterloh) that the Big Fellow is avoiding $3 million in tax liabilities; however, Zanger turns up murdered before the evidence is delivered. Warren then takes the fight to the syndicate by subpoenaing the ledgers of the Big Fellow's low-level associates, and hauling in all their bookkeepers to compare handwriting.

The plan gets rebuffed, however, once slick mob attorney Edward O'Rourke (Barry Kelley) engineers the accountants' immediate release. Warren is back at Square One until an embittered local cop tips him to Salvatore Rocco (Anthony Caruso), a mob accountant whom he had once unsuccessfully tried to book. In tracking Rocco down, Frank discovers that his handwriting matches various critical mob deposit slips, and ultimately corners the accountant with a deal for immunity and protection in exchange for his testimony.

Rocco's decision to cooperate merely buys him a bullet. Afterwards, Frank receives a punking from the Big Fellow's hoods, and veiled threats from O'Rourke regarding the safety of his wife Judith (Nina Foch), who the T-man once believed to be safely ensconced at her parents' farm. Frank is on the precipice of turning in his badge when help--and incentive to bring the Big Fellow down--comes from unexpected corners.

Lewis' impressive string of noirs started with My Name Is Julia Ross (1945, also starring Foch) and So Dark the Night (1946) and continued with the genre classics Gun Crazy (1950) and The Big Combo (1955). The filmmaker recalled Ford's performance fondly for Peter Bogdanovich's 1997 director interview omnibus Who The Devil Made It (Knopf).

Of the scene where Frank tells Judith that he's ready to hang it up for her protection, and which was captured with a three-camera setup, Lewis stated, "This is a man crying, and it's wonderful to see a man cry--it's something rare and beautiful. I knew I could never capture this if we shot a portion of it on somebody else and then went over and over and over. I shot the rehearsal...I did not tell them how to do it. I did not tell them what I wanted. Again, this is where the talent of the actor and the actress came to me and gave me something brilliant that I could never explain to them. I sat back and I wept."

Lewis also stated to Bogdanovich that he severed his ties with Columbia over the claim to final cut made by Robert Rossen, the film's producer and co-scripter. "Immediately after I finished shooting, Bob called Harry Cohn and said, 'I'm finished with Joe Lewis, so you can knock him off salary'--or whatever terms were used. When I heard this I demanded that I be given an opportunity to edit the film and Bob said, 'Do anything you want and I'll change it my way. It's my film.'...He was wonderful to me during shooting, but the moment it was through--boom! Take it away from you. So I said, the hell with this, I'll leave. And I did. Harry Cohn had just given me a straight seven-year contract. And I left. I wouldn't stay."

Producer: Robert Rossen
Director: Joseph H. Lewis
Screenplay: Jack Rubin, Sydney Boehm; Malvin Wald (additional dialogue); Frank J. Wilson (article "Undercover Man: He Trapped Capone")
Cinematography: Burnett Guffey
Art Direction: Walter Holscher
Music: George Duning
Film Editing: Al Clark
Cast: Glenn Ford (Frank Warren), Nina Foch (Judith Warren), James Whitmore (George Pappas), Barry Kelley (Edward O'Rourke), David Wolfe (Stanley Weinburg), Frank Tweddell (Insp. Herzog), Howard St. John (Joseph S. Horan), John Hamilton (Police Sergeant Shannon), Leo Penn (Sidney Gordon), Joan Lazer (Rosa Rocco), Esther Minciotti (Maria Rocco), Angela Clarke (Theresa Rocco), Anthony Caruso (Salvatore Rocco), Robert Osterloh (Manny Zanger), Kay Medford (Gladys LaVerne)
BW-85m.

by Jay S. Steinberg
The Undercover Man

The Undercover Man

The semi-documentary crime story The Undercover Man (1949) was the last of several noteworthy film noirs that the stylish director Joseph H. Lewis would craft during his tenure with Columbia Pictures' "B" unit. Taking its narrative cue from the federal government's ultimate success after countless tries to bring Al Capone to heel, the well-crafted and moody tale gave filmgoers a compelling look at the challenges presented to Treasury Department cops. The scenario finds T-Men Frank Warren (Glenn Ford) and George Pappas (James Whitmore) charged with getting the goods on a notorious crimelord (Ralph Volkie) solely referred to as "the Big Fellow." The feds receive a tip from informant Manny Zanger (Rob Osterloh) that the Big Fellow is avoiding $3 million in tax liabilities; however, Zanger turns up murdered before the evidence is delivered. Warren then takes the fight to the syndicate by subpoenaing the ledgers of the Big Fellow's low-level associates, and hauling in all their bookkeepers to compare handwriting. The plan gets rebuffed, however, once slick mob attorney Edward O'Rourke (Barry Kelley) engineers the accountants' immediate release. Warren is back at Square One until an embittered local cop tips him to Salvatore Rocco (Anthony Caruso), a mob accountant whom he had once unsuccessfully tried to book. In tracking Rocco down, Frank discovers that his handwriting matches various critical mob deposit slips, and ultimately corners the accountant with a deal for immunity and protection in exchange for his testimony. Rocco's decision to cooperate merely buys him a bullet. Afterwards, Frank receives a punking from the Big Fellow's hoods, and veiled threats from O'Rourke regarding the safety of his wife Judith (Nina Foch), who the T-man once believed to be safely ensconced at her parents' farm. Frank is on the precipice of turning in his badge when help--and incentive to bring the Big Fellow down--comes from unexpected corners. Lewis' impressive string of noirs started with My Name Is Julia Ross (1945, also starring Foch) and So Dark the Night (1946) and continued with the genre classics Gun Crazy (1950) and The Big Combo (1955). The filmmaker recalled Ford's performance fondly for Peter Bogdanovich's 1997 director interview omnibus Who The Devil Made It (Knopf). Of the scene where Frank tells Judith that he's ready to hang it up for her protection, and which was captured with a three-camera setup, Lewis stated, "This is a man crying, and it's wonderful to see a man cry--it's something rare and beautiful. I knew I could never capture this if we shot a portion of it on somebody else and then went over and over and over. I shot the rehearsal...I did not tell them how to do it. I did not tell them what I wanted. Again, this is where the talent of the actor and the actress came to me and gave me something brilliant that I could never explain to them. I sat back and I wept." Lewis also stated to Bogdanovich that he severed his ties with Columbia over the claim to final cut made by Robert Rossen, the film's producer and co-scripter. "Immediately after I finished shooting, Bob called Harry Cohn and said, 'I'm finished with Joe Lewis, so you can knock him off salary'--or whatever terms were used. When I heard this I demanded that I be given an opportunity to edit the film and Bob said, 'Do anything you want and I'll change it my way. It's my film.'...He was wonderful to me during shooting, but the moment it was through--boom! Take it away from you. So I said, the hell with this, I'll leave. And I did. Harry Cohn had just given me a straight seven-year contract. And I left. I wouldn't stay." Producer: Robert Rossen Director: Joseph H. Lewis Screenplay: Jack Rubin, Sydney Boehm; Malvin Wald (additional dialogue); Frank J. Wilson (article "Undercover Man: He Trapped Capone") Cinematography: Burnett Guffey Art Direction: Walter Holscher Music: George Duning Film Editing: Al Clark Cast: Glenn Ford (Frank Warren), Nina Foch (Judith Warren), James Whitmore (George Pappas), Barry Kelley (Edward O'Rourke), David Wolfe (Stanley Weinburg), Frank Tweddell (Insp. Herzog), Howard St. John (Joseph S. Horan), John Hamilton (Police Sergeant Shannon), Leo Penn (Sidney Gordon), Joan Lazer (Rosa Rocco), Esther Minciotti (Maria Rocco), Angela Clarke (Theresa Rocco), Anthony Caruso (Salvatore Rocco), Robert Osterloh (Manny Zanger), Kay Medford (Gladys LaVerne) BW-85m. by Jay S. Steinberg

Quotes

Trivia

Notes

The film's working title was Chicago Story, according to an March 11, 1948 Los Angeles Times article, and it was to be shot on location in Chicago. The film begins with the following written and spoken foreword: "In the cracking of many big criminal cases-such as those of the John Dillinger, Lucky Luciano and Al Capone, among others-the newspaper headlines tell only of the glamorous and sensational figures involved. But behind the headlines are the untold stories of ordinary men and women, acting with extraordinary courage. This picture concerns one of these men." This film marked James Whitmore's film debut. A May 4, 1948 Los Angeles Times news item reported that some scenes were shot at Union Station in Los Angeles. Contemporary reviews noted that this film was loosely based on the events surrounding the arrest of Al Capone. CBCS credits both Ralph Volkie and Ken Harvey with the role of "The Big Fellow."