Cast & Crew
J. Walter Ruben
Old Hutch, a penniless ne'er-do-well who has not worked a single day since he married his wife twenty years ago, has a brood of children to support, but would rather while away the hours fishing at his favorite spot along a nearby creek. His nagging wife tries in vain to improve things for her family, suggesting that they take up an offer from the Gunnisons, local land owners, to work on their idle farm and earn a decent living, but the lazy Hutch resists. Forced to support the family, Irene, Hutch's eldest daughter, takes a job at Elliot's drugstore, where she notices that Dave Jolly, a well-to-do college student and son of a prominent banker, has taken an interest in her. While Hutch fishes at his usual spot along the stream, locals tease him about being the town loafer, but his luck soon changes when he comes across a tin box containing $100,000. Knowing that no one would believe that he earned the money, Hutch decides to bury the treasure and come back for it after getting a job, which would allow him to pass the money off as hard-earned wages. Hutch buys a new hat and then tells his wife that he will accept Gunnison's offer to farm his land. As soon as he establishes himself at his job, however, he discovers that a construction shanty, which is to be used during the building of a new bridge across the creek, has been erected directly over his buried treasure. One night, hoping to scare off the inhabitant of the shack and regain access to his cache, Hutch approaches it dressed as a ghost, but soon flees when he is fired upon. After extorting $1,000 from Dave's father, who is financing the building of the bridge onto Gunnison's property, Hutch has enough money to carry him over until the shack is removed. Dave, who accompanied his father on the trip to the Hutchinses, is formally introduced to Irene, and before leaving, he invites her to a party. When Hutch goes to cash the banker's payment, he nearly faints when he learns that the banks are checking all the serial numbers of $1,000 bills against those known to be missing from a recent Buffalo bank heist, in which $100,000 was stolen. The panicked farmer quickly makes travel arrangements to the South Seas, where he thinks he can cash the stolen bills without risk. In need of immediate access to his money, Hutch goes to Jolly to ask if he can tear down the shack and use the wood to build a chicken coop, but he accidentally stumbles upon Dave's party, where he proceeds to create a scene during a poetry recital. Irene escorts her father home, and his wife upbraids him for ruining their daughter's evening. The dejected farmer then leaves his home and goes to dig up his treasure, but when he finds that the money has been removed from the box, he collapses. He is found the next day and, while being nursed back to health by Irene, divulges the truth about the money to her in his delirious mutterings. After his recovery, Hutch returns to the creek, where a carload of gangsters abduct him and, after informing him that they have recovered the money that they buried, force him into laundering the money for them. They make Elliot's drugstore their first stop, and Irene, noticing her father's suspicious escorts, calls the police. Hutch is unable to stall the thieves until the police arrive, and the gangsters take off with him. A chase ensues and during the escape, Hutch faints across the front seat and causes an accident. The robbers are caught, and after Hutch's innocence is proven, the farmer is hailed as a hero and rewarded $5,000 for his help. He thus earns his first honest dollar in twenty years.
J. Walter Ruben
Caroline [anne] Perkins
Julia [ellen] Perkins
Armand "curly" Wright
Dr. William Axt
Clyde De Vinna
Edwin B. Willis
Virginia Grey (1917-2004)
She was was born in Los Angeles on March 22, 1917, and was exposed to the film industry at a very young age. Her father, Ray Grey, was a Keystone Cop and acted in several other of Mack Sennett's comedies with the likes of Mabel Normand, Dorothy Gish and Ben Turpin. When her father died when she was still a child, Virginia's mother encouraged her to join the acting game and audition for the role of Eva for Uncle Tom's Cabin, a big budget picture for Universal Studios in the day. She won the role, and acted in a few more pictures at the studio: The Michigan Kid and Heart to Heart (both 1928), before she decided to temporarily leave acting to finish her schooling.
She returned to films after graduating from high school, and after bouncing around Hollywood doing bits for various studios, she hooked up with MGM in 1938. Her roles in her first few films were fairly non-descript: In Test Pilot and Ladies in Distress (both 1938), she did little more than look pretty, but in the following year she had scene-stealing parts in The Women (upstaging Joan Crawford in a delicious scene as a wisecracking perfume counter girl) and as the suffering heroine in Another Thin Man (both 1939).
Despite her versatility (she could handle comedy or drama with equal effectiveness), MGM would cast her in some above-average, but hardly starmaking movies: Whistling in the Dark, The Big Store (both 1941), and Tarzan's New York Adventure (1942). She left MGM in 1943 and became a freelance actress for several studios, but her material as a leading lady throughout the '40s were mediocre: Swamp Fire, House of Horrors (both 1946), and Mexican Hayride (1948) were sadly the more interesting films in her post-MGM period. But by the '50s she was a well-established character actress, appearing in fairly big-budget pictures: All That Heaven Allows, The Rose Tattoo (both 1955), Jeanne Eagels (1957).
In the '60s, Grey turned to television and found work on a variety of hit shows: Wagon Train, Peter Gunn, Bonanza, My Three Sons, I Spy, and several others; plus she also captured a a couple of notable supporting parts in these films: Madame X (1966), and Airport (1970), before retiring completely from acting in the early '70s. She is survived by her sister, Lorraine Grey Heindorf, two nieces and two nephews.
by Michael T. Toole
Virginia Grey (1917-2004)
Showmen's Trade Reviews lists George Kelly and Margaret Echard as the screenplay writers for this film. A Hollywood Reporter news item indicates that Kelly wrote additional dialogue for the picture. After a preview of the film in early August 1936, shooting resumed for "polishing." Another film based on the same source was the 1920 Goldwyn production Honest Hutch, with Will Rogers in the title role (see AFI Catalog of Feature Films, 1911-20; F1.2022).