Walter Matthau


Actor
Walter Matthau

About

Birth Place
New York City, New York, USA
Born
October 01, 1920
Died
July 01, 2000
Cause of Death
Heart Attack

Biography

Specializing in playing curmudgeonly cranks, actor Walter Matthau parlayed his rumpled, hangdog features into a long career in film and on television. Matthau started on the stage and enjoyed lasting success on Broadway, before making the transition to villainous supporting roles in films like "King Creole" (1958) and "Charade" (1963). Following more supporting roles in the comedy sequel...

Photos & Videos

The Odd Couple - Movie Poster
The Fortune Cookie - Lobby Card Set
The Sunshine Boys - Publicity Stills

Family & Companions

Grace Geraldine Johnson
Wife
Divorced; has two children with Matthau.
Carol Marcus
Wife
Actor, writer. Met while both were acting on Broadway in "Will Success Spoil Rock Hunter" (1955); married on August 17, 1959; previously married to William Saroyan, with whom she had two children; wrote memoir, "Among the Porcupines" (1992); mother of Matthau's son Charles; died July 2003.

Bibliography

"Walter Matthau"
Allan Hunter

Notes

On directing: "Too much work. Anyway, I have no talent for telling people what to do. Once when I was a staff sergeant in the army, I told some corporal what to do and he said, 'fuck you, do it yourself.' And I said, 'Alright, I will.' So much for my authority." --Walter Matthau quoted in Interview, January 1996

"Years ago Carol [Matthau's wife] talked Walter into going to Dachau [a Nazi death camp]. They started fighting on the train about something or other. They went through Dachau, still not speaking. They were still arguing when they got back to the hotel. When they got up to their rooms, Walter said to her, absolutely straight-faced, 'I just want you to know that you ruined my trip to Dachau!'"Now that's funny. And I'm sure underneath, whether Walter was serious or not, he knew it was funny." --Jack Lemmon to Jess Cagle in Entertainment Weekly, January 28, 1994

Biography

Specializing in playing curmudgeonly cranks, actor Walter Matthau parlayed his rumpled, hangdog features into a long career in film and on television. Matthau started on the stage and enjoyed lasting success on Broadway, before making the transition to villainous supporting roles in films like "King Creole" (1958) and "Charade" (1963). Following more supporting roles in the comedy sequel "Ensign Pulver" (1964) and the tense political thriller "Fail-Safe" (1964), Matthau partnered for the first time with Jack Lemmon in Billy Wilder's caustic comedy, "The Fortune Cookie" (1966). The pair would go on to star opposite each other in their most famous partnership, "The Odd Couple" (1968), while Matthau branched off as the lead in a number of classic crime thrillers, including "Charlie Varrick" (1973) and "The Taking of Pelham One Two Three" (1974). He forged another successful, albeit brief partnership with George Burns for "The Sunshine Boys" (1975) and delivered his most popular performance as the beer-swilling manager of a misfit Little League baseball team in "The Bad News Bears" (1976). Matthau reunited with Lemmon for the surprisingly successful "Grumpy Old Men" (1993), which spawned the sequel "Grumpier Old Men" (1995) and the unrelated "Out to Sea" (1997). Matthau left behind a last legacy that included numerous hit comedies, surprisingly well-acted thrillers, and one of the greatest onscreen partnerships in cinema history.

Born on Oct. 1, 1920 in New York City, Matthau was raised by his Jewish immigrant parents, Milton, an electrician and street peddler, and Rose, who toiled away in a sweatshop. When he was three years old, Matthau's father abandoned the family, leaving his mother to singlehandedly care for him and his brother, Henry. Interested in performing at a young age, he made his professional debut at 11 years old in the musical "The Dishwasher" (1931). Though he played bit parts in local Yiddish theater productions as a child, Matthau did not pursue acting in earnest until later in life. Meanwhile, he graduated from Seward Park High School in 1939 and joined the U.S. Army Air Force, where he served as a radio operator and cryptographer in the same bombardment group as James Stewart. Stationed in England, France and Germany, Matthau reached the rank of staff sergeant before his discharge in 1945. Upon his return to the United States, he moved to Reno, NV, where he worked at the Railway Express, before moving back to Manhattan.

Once back home, Matthau briefly attended the School of Journalism at Columbia University, before studying acting at the Dramatic Workshop of the New School for Social Research, where he counted Tony Curtis, Rod Steiger and Marlon Brando among his classmates. Matthau took to the stage in 1946, performing in a summer stock production of "Ten Nights in a Bar Room" in Pennsylvania, and becoming a stock player for the Orange County Playhouse in New York. After becoming an understudy for "Anne of the Thousand Days" in 1948, Matthau made his Broadway debut in the play as the 85-year-old Bishop Fisher, marking the first of 18 plays in which he would act on the Great White Way. While finding success on Broadway in productions like "The Liar" (1950), Matthau made his television debut in the "Last Cruise" episode of the long-running anthology series, "Studio One" (CBS, 1948-1958). After playing Iago in a "Philco Television Playhouse" (NBC, 1948-1955) presentation of "Othello," he made his feature debut as a villainous, whip-cracking saloon-keeper in "The Kentuckian" (1955), starring and directed by Burt Lancaster.

While he was making strides on both big and small screens, Matthau's main success still came from the stage. He had his first major Broadway hit with "Will Success Spoil Rock Hunter?" (1955) and also starred as Nathan Detroit in a 1955 revival of "Guys and Dolls." Back on the big screen, he had a supporting role in Nicholas Ray's psychological drama "Bigger than Life" (1956), which starred James Mason as a mild-mannered family man who becomes a willing participant in a drug experiment that goes awry. He went on to play a cynical newsman investigating a conniving backwoods preacher (Andy Griffiths) in "A Face in the Crowd" (1957), before returning to television to star in the short-lived syndicated series, " Tallahassee 7000" (1957). After portraying an evil crime boss who gets beat up by Elvis Presley in "King Creole" (1958), Matthau made his one and only film as a director, "Gangster Story" (1959), in which he played an up-and-coming gangster who tries to infiltrate his rival while his girlfriend (Carole Grace) attempts to reform him.

Following a supporting turn in the melodramatic "Strangers When We Meet" (1960), Matthau played a sympathetic sheriff sworn to bringing in an escaped Kirk Douglas in the allegorical Western "Lonely are the Brave" (1962). He won his first Tony Award for Best Featured Actor for his performance in Marcel Achard's "A Shot in the Dark" (1962), before turning in another fine villainous portrayal in Stanley Donen's comic mystery thriller "Charade" (1963), starring Cary Grant and Audrey Hepburn. He next co-starred opposite Robert Walker in "Ensign Pulver" (1964), rather forgettable sequel to John Ford's classic comedy "Mister Roberts" (1955), and went on to play a Henry Kissinger-like scientist opposite Henry Fonda as the U.S. president in Sidney Lumet's excellent nuclear thriller, "Fail-Safe" (1964). The following year, Matthau originated the role of Oscar Madison opposite Art Carney's Felix Unger in Neil Simon's Broadway smash, "The Odd Couple" (1965), a performance that netted him a Tony Award for Best Actor in a Play. From there, he teamed up with actor Jack Lemmon for the first time in Billy Wilder's caustic comedy, "The Fortune Cookie" (1966), where Matthau's sharp portrayal of an unethical lawyer who convinces Lemmon's injured cameraman to feign being paralyzed drew raves as well as earned the actor an Oscar for Best Supporting Actor.

After playing the husband if Inger Stevens in Gene Kelly's "A Guide for the Married Man" (1967), Matthau reprised Oscar Madison to Jack Lemmon's fastidious Felix Unger for Gene Saks' adaptation of "The Odd Couple" (1968), a role that firmly established him as a comedic leading man. Kelly then gave him his chance as a romantic leading man who sings opposite Barbra Streisand's Dolly Levi in "Hello, Dolly!" (1968), after which he reunited with Saks on the mildly amusing "Cactus Flower" (1969), featuring an Oscar-winning supporting performance by Goldie Hawn in her first significant role. Continuing their collaboration, Lemmon directed Matthau to a second Academy Award nod as Best Actor in "Kotch" (1971), a light drama where he played a curmudgeonly septuagenarian widower struggling with his family to maintain his independence. He next starred opposite Elaine May in the actress' dark romantic comedy, "A New Leaf" (1971), where he played a conniving middle-aged playboy who plans on marrying a dowdy heiress to a large fortune (May) for her money. Aside from "The Odd Couple," Matthau acted in a number of comedies adapted by Neil Simon from his plays, including appearing in all three vignettes of "Plaza Suite" (1971), directed by Arthur Hiller, scoring particularly well in the last one as the flustered father of a reluctant bride.

After starring with Carol Burnett in Martin Ritt's "Pete 'n' Tillie" (1972) and making a rare small screen appearance in "Awake and Sing" (PBS, 1972), Matthau switched gears and delivered several memorable dramatic performances. He was a cool and calculating bank robber unafraid to do what it takes to escape the law in Don Siegel's underappreciated crime thriller, "Charlie Varrick" (1973), before playing an embittered San Francisco cop on the hunt for a deranged killer in the ironically titled "The Laughing Policeman" (1973). He went on to deliver one of his strongest performances as a harried New York City cop out to nab a group of subway hijackers in Joseph Sargent's classic, "The Taking of Pelham One Two Three" (1974), before reuniting with Wilder and Lemmon for the uneven comedy "The Front Page" (1974). He followed with a return to the stage for the first - and ultimately last - time in nearly a decade for the Los Angeles production of "Juno and the Paycock" (1974), and moved on to make the first of three films directed by Herbert Ross from Neil Simon scripts, "The Sunshine Boys" (1975), in which he starred alongside George Burns as cranky vaudeville partners coaxed out of retirement for a television special.

Matthau's lovable gruffness served him well in one of the most popular roles of his career, playing a drunk, down-and-out former baseball player who takes over managing a group of misfit Little Leaguers in the beloved comedy, "The Bad News Bears" (1976). As the beer-swilling pool cleaner, Morris Buttermaker, he turns the team of hopeless losers into winners with the help of a smart-mouthed hurler (Tatum O'Neal) and a cigarette-smoking punk (Jackie Earle Haley) who can hit the ball a country mile. Chock full of vulgarities uttered by pre-pubescent kids and the occasional ethnic slur - none of which would ever occur in more contemporary films - "Bad News Bears" was a true product of its time and remained a favorite among later generations. After starring with Glenda Jackson and Art Carney in the comedy "House Calls" (1978), Matthau reunited with Ross, Simon and Elaine May for a supporting turn as a cheating husband in "California Suite" (1978). But while he enjoyed enormous critical and commercial success in the 1970s, Matthau hit a rough patch in the following decade. After starring in Billy Wilder's last film, the unfortunately subpar slapstick comedy "Buddy Buddy" (1981), Matthau was top billed in Herbert Ross' listless "I Ought to Be in Pictures" (1981), portraying a screenwriter who is visited by his teenage daughter (Dinah Manoff).

Following a turn as a Supreme Court justice in the comedic drama, "First Monday in October" (1981), Matthau co-starred with Robin Williams in the poorly received comedy, "The Survivors" (1983). His disappointing choices continued with the forgettable "Movers & Shakers" (1985), a peg-leg portrayal of the Cockney-speaking Captain Red for Roman Polanski's commercial disaster, "Pirates" (1986), and the screwball comedy about mental illness "The Couch Trip" (1988). Fed up with scripts he was receiving, Matthau turned to the small screen for to revive his career. He acted for the first time in a made-for-television movie, playing Harmon Cobb, a small-town attorney during World War II who must defend a German POW accused of murder in the Emmy-winning "The Incident" (CBS, 1990), while also appearing opposite Ellen Burstyn in "Mrs. Lambert Remembers Love" (CBS, 1991). Matthau was memorable in a cameo as a skeptical U.S. senator who sows the seeds of doubt into the mind of New Orleans District Attorney Jim Garrison (Kevin Costner) about the assassination of "JFK" (1991). Meanwhile, he reprised the small-screen role of Harmon Cobb in two well-received sequels, "Against Her Will: An Incident in Baltimore" (CBS, 1992) and "Incident in a Small Town" (CBS, 1994).

Matthau returned to leading feature roles as the long-suffering Mr. Wilson in John Hughes' "Dennis the Menace" (1993), reaching a whole new audience of pre-adolescents before dusting off the old chemistry with partner Jack Lemmon to score a major comedy hit with "Grumpy Old Men" (1993). Suddenly, the curmudgeonly basset hound was hot again. He teamed with Meg Ryan and Tim Robbins for the would-be modern screwball comedy "I.Q." (1994), garnering the film's best notices for his pleasing portrayal of Albert Einstein, and reuniting with Lemmon for the lesser sequel, "Grumpier Old Men" (1995). His son, director Charles Matthau, cast him against type as the sweet, loveable Judge Cool in "The Grass Harp" (1995), a thoughtful drama based on Truman Capote's evocative memoir of his boyhood in the South that featured a scene between Matthau and Lemmon. He then played a feisty elderly Jew who forms an unlikely friendship with a black boxer (Ossie Davis) in Herb Gardner's "I'm Not Rappaport" (1996). From there, he reteamed with Lemmon as grumpy old men in the mediocre "Out to Sea" (1997), but went a bridge too far with the ill-conceived sequel, "The Odd Couple II" (1998). Following a reunion with Carol Burnett in "The Marriage Fool" (CBS, 1998), helmed by his son Charles, he was the perfect fit as the irascible father of Diane Keaton, Meg Ryan and Lisa Kudrow in the otherwise forgettable romantic comedy "Hanging Up" (2000). That proved to be the coda to his long, venerable career, as he died on June 1, 2000 after suffering a heart attack. Matthau was 79 years old, and had earlier been diagnosed with colon cancer, which had spread to other parts of his body. His old friend and comedy partner Jack Lemmon followed almost exactly a year later.

By Shawn Dwyer

Filmography

 

Director (Feature Film)

Gangster Story (1959)
Director

Cast (Feature Film)

Hanging Up (2000)
Neil Simon's Odd Couple II (1998)
The Life and Times of Hank Greenberg (1998)
Himself
The Marriage Fool (1998)
Frank Walsh
Out to Sea (1997)
Jack Lemmon: America's Everyman (1996)
Interviewee
I'm Not Rappaport (1996)
Grumpier Old Men (1995)
The Grass Harp (1995)
Incident in a Small Town (1994)
I.Q. (1994)
Albert Einstein
Grumpy Old Men (1993)
Max Goldman
Dennis The Menace (1993)
Beyond JFK: The Question of Conspiracy (1992)
Himself
Against Her Will: An Incident in Baltimore (1992)
Mrs. Lambert Remembers Love (1991)
JFK (1991)
JFK (Director's Cut) (1991)
The Incident (1990)
The Couch Trip (1988)
The Little Devil (1988)
Maurice
Pirates (1986)
Movers And Shakers (1985)
Joe Mulholland
The Survivors (1983)
I Ought to Be in Pictures (1982)
Herbert Tucker
Buddy, Buddy (1981)
Trabucco
First Monday in October (1981)
Portrait of a 60% Perfect Man (1980)
Himself
Hopscotch (1980)
Little Miss Marker (1980)
Sorrowful Jones
Casey's Shadow (1978)
House Calls (1978)
Dr Charley Nichols
California Suite (1978)
The Bad News Bears (1976)
Gentleman Tramp (1975)
Narrator
The Sunshine Boys (1975)
The Taking of Pelham One Two Three (1974)
The Front Page (1974)
Charley Varrick (1973)
The Laughing Policeman (1973)
Pete 'n' Tillie (1972)
Pete [Seltzer]
A New Leaf (1971)
Henry Graham
Plaza Suite (1971)
Roy Hubley/Jesse Kiplinger/Sam Nash
Kotch (1971)
Joseph P. Kotcher
Hello, Dolly! (1969)
Horace Vandergelder
Cactus Flower (1969)
Julian Winston
Candy (1968)
General Smight
The Secret Life of an American Wife (1968)
Movie Star "Charlie"
The Odd Couple (1968)
Oscar Madison
A Guide for the Married Man (1967)
Paul Manning
The Fortune Cookie (1966)
Willie Gingrich
Mirage (1965)
Ted Caselle
Fail Safe (1964)
Groeteschele
Ensign Pulver (1964)
Doc
Goodbye Charlie (1964)
Sir Leopold Sartori
Charade (1963)
Hamilton Bartholomew/Carson Dyle
Island of Love (1963)
Tony Dallas
Lonely Are the Brave (1962)
Sheriff Johnson
Who's Got the Action? (1962)
Tony Gagoots
Strangers When We Meet (1960)
Felix Anders
Gangster Story (1959)
Jack Martin
Ride a Crooked Trail (1958)
Judge Kyle
Voice in the Mirror (1958)
Dr. Leon Karnes
King Creole (1958)
Maxie Fields
Onionhead (1958)
"Red" Wildoe
Slaughter on Tenth Avenue (1957)
Al Dahlke
A Face in the Crowd (1957)
Mel Miller
Bigger Than Life (1956)
Wally Gibbs
The Indian Fighter (1955)
Wes Todd
The Kentuckian (1955)
Stan Bodine

Producer (Feature Film)

Little Miss Marker (1980)
Executive Producer

Special Thanks (Feature Film)

Chaplin (1992)
Thanks

Misc. Crew (Feature Film)

Beyond JFK: The Question of Conspiracy (1992)
Other

Cast (Special)

Neil Simon: The People's Playwright (1999)
The Lives of Lillian Hellman (1999)
The 70th Annual Academy Awards (1998)
Presenter
Billy Wilder: The Human Comedy (1998)
Narrator
Private Screenings: Lemon/Matthau (1998)
Interviewee
The GI Bill: The Law That Changed America (1997)
Jack Lemmon (1996)
The 21st Annual People's Choice Awards (1995)
Presenter
1994 People's Choice Awards (1994)
Presenter
A Menace Called Dennis (1993)
The First Annual Comedy Hall of Fame (1993)
Performer
What Is This Thing Called Love? (1993)
Elvis: His Life and Times (1993)
Laurel & Hardy: A Tribute to the Boys (1992)
The Movie Awards (1991)
Presenter
The 48th Annual Golden Globe Awards (1991)
Presenter
The 16th Annual People's Choice Awards (1990)
Performer
The 62nd Annual Academy Awards Presentation (1990)
Presenter
The Kennedy Center Honors: A Celebration of the Performing Arts (1990)
Performer
Neil Simon: Not Just For Laughs (1989)
The 61st Annual Academy Awards Presentation (1989)
Performer
The 3rd Annual American Comedy Awards (1989)
Performer
The American Film Institute Salute to Jack Lemmon (1988)
Performer
The 2nd Annual American Comedy Awards (1988)
Performer
James Stewart: A Wonderful Life (1987)
The 1st Annual American Comedy Awards (1987)
Performer
We the People 200: The Constitutional Gala (1987)
The American Film Institute Salute to Barbara Stanwyck (1987)
Performer
A Beverly Hills Christmas (1987)
George Burns' 90th Birthday Special (1986)
The Kennedy Center Honors: A Celebration of the Performing Arts (1986)
Performer
The American Film Institute Salute to Billy Wilder (1986)
Performer
Hollywood: The Gift of Laughter (1982)
I Love Liberty (1982)
The 48th Annual Academy Awards Presentation (1976)
Master Of Ceremonies
The George Burns Special (1976)
A Show Business Salute to Milton Berle (1973)
Super Comedy Bowl 2 (1972)

Cast (Short)

The Lion Roars Again (1975)
Himself

Life Events

1931

Professional stage debut at age 11 in "The Dishwasher", a musical comedy (date approximate)

1942

Served in US Army Air Force as radio operator and cryptographer; stationed in England, France and Germany

1945

Upon Army discharge went to Reno, Nevada, to work for Railway Express; eventually moved back to NYC

1946

Appeared in summer stock with Erie County Playhouse (Pennsylvania) in "Ten Nights in a Bar Room"

1947

Was stock player with Orange County Playhouse (New York)

1948

Hired as an understudy for the Broadway production of "Anne of the Thousand Days"; eventually made Broadway debut as the 85-year-old Bishop Fisher

1950

TV debut in "Last Cruise", an episode of "Studio One" (CBS)

1953

Played Iago in "Philco Television Playhouse" (NBC) presentation of "Othello"

1955

Appeared in first hit show, as co-star of Broadway production of "Will Success Spoil Rock Hunter?"

1955

Film acting debut as an evil saloon keeper in "The Kentuckian", directed by and co-starring Burt Lancaster

1956

Played James Mason's family friend in the underrated "Bigger Than Life", a forceful, realistic tale exposing both the good and bad of the wonder drug cortisone; produced by Mason

1957

Played a cynical newsman investigating Andy Griffith's character in "A Face in the Crowd"

1957

Starred in short-lived syndicated TV series, "Tallahassee 7000"

1958

Portrayed evil crime boss in Michael Curtiz's "King Creole", starring Elvis Presley

1959

Sole film as director, "The Gangster Story"; also co-starred

1963

Turned in another fine, villainous turn in Stanley Donen's "Charade", starring Cary Grant and Audrey Hepburn

1965

Originated role of Oscar Madison on Broadway in Neil Simon's "The Odd Couple" opposite Art Carney as Felix Unger

1965

Slowed down by a serious heart attack; would have a quadruple by-pass operation in 1977

1966

First film with Jack Lemmon and first collaboration with writer-director Billy Wilder, "The Fortune Cookie"; won Best Supporting Actor Oscar

1967

Reteamed with Carney in Gene Kelly's "A Guide for the Married Man"

1968

Reprised "Odd Couple" role opposite Lemmon's Felix in film version directed by Gene Saks

1969

Reteamed with Saks for "Cactus Flower", acting opposite Ingrid Bergman and Goldie Hawn (who won a Best Supporting Actress Oscar in her first significant film role)

1969

Played romantic lead in Kelly's film version of the musical "Hello, Dolly!"; Barbra Streisand played Dolly Levi

1971

Second film version of a Neil Simon play, "Plaza Suite"

1971

Portrayed "gold digger" with murder on his mind in Elaine May's "A New Leaf"

1971

Starred as "Kotch", directed by Lemmon; earned first Oscar nomination as Best Actor

1972

Acted opposite Carol Burnett in Martin Ritt's "Pete 'n' Tillie"

1972

Made rare TV appearance in "Awake and Sing" (PBS)

1974

Reunited with Wilder, Lemmon and Burnett for the uneven remake of "The Front Page"

1974

Billed as Walter Matuschanskavasky for his cameo in "Earthquake", adding fuel to a flame he had fanned by jokingly telling a writer a few years before that it was his "real" name

1974

First stage appearance in almost a decade (and to date last stage role), "Juno and the Paycock" in Los Angeles

1975

First of three films directed by Herbert Ross and scripted by Simon from his plays, "The Sunshine Boys", co-starring George Burns; earned another Oscar nod as Best Actor

1976

Made a fine, irascible coach of "The Bad News Bears", directed by Michael Ritchie

1978

"House Calls", his first film with Glenda Jackson, teamed him again with Carney who offered an hysterical turn as the addle-brained head of surgery at Matthau's hospital; also acted in Ritt's "Casey's Shadow"

1978

Reteamed with Ross, Simon and Elaine May on "California Suite"

1980

Executive produced and starred in Walter Bernstein's remake of "Little Miss Marker"

1980

Reteamed with Jackson on "Hopscotch"

1981

Reunited with Ross and Simon for "I Ought to be in Pictures"; first film with Ann-Margret

1981

Third and last collaboration with Wilder, "Buddy Buddy", co-starring Lemmon

1983

Reteamed with Ritchie on "The Survivors", co-starring Robin Williams

1986

Played peg-leg Captain Red in Roman Polanski's "Pirates"

1988

Again collaborated with Ritchie on "The Couch Trip"; also played a priest who exorcises the devil out of a woman in Roberto Begnini's "The Little Devil" (never released in USA)

1990

Returned to the small screen as star of "The Incident" (CBS), directed by Joseph Sargent; appeared in two sequels, "Against Her Will: An Incident in Baltimore" (1992) and "Incident in a Small Town" (1994), both helmed by Delbert Mann

1991

Acted in "Mrs. Lambert Remembers Love" (CBS), directed by son Charles Matthau

1993

Co-starred with Jack Lemmon in "Grumpy Old Men", which reteamed him with Ann-Margret

1993

Portrayed the original grumpy old man, Mr. Wilson, in feature version of "Dennis the Menace"

1994

Essayed Albert Einstein for Fred Schepisi's "I.Q.", which reteamed him with Gene Saks playing one of his cronies

1995

Reprised role opposite Lemmon in sequel, "Grumpier Old Men", which again featured Ann-Margret; also co-starred Sophia Loren

1995

Reteamed with son, acting in Charles' sophomore feature as director, "The Grass Harp", based on the novel by Truman Capote; in addition to Lemmon, Roddy McDowell, Sissy Spacek, Piper Laurie and Joe Don Baker acted in film

1996

Played angry, aging Jewish radical in Herb Gardner's film version of his play "I'm Not Rappaport"; co-starred Ossie Davis

1997

Twelfth acting collaboration with Lemmon, "Out to Sea"

1998

Reprised role of Oscar to Lemmon's Felix in the ill-advised "The Odd Couple II", scripted by Simon

1998

Starred opposite Burnett in "The Marriage Fool" (CBS), directed by son Charles

2000

Cast as the ailing father in Diane Keaton's "Hanging Up", scripted by Delia and Nora Ephron; when a case of pneumonia forced him to leave the production early, son Charles stepped in and played his father's character in a few flashback scenes

Photo Collections

The Odd Couple - Movie Poster
Here is the American one-sheet movie poster for The Odd Couple (1968), starring Jack Lemmon and Walter Matthau. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
The Fortune Cookie - Lobby Card Set
Here is a set of Lobby Cards from Billy Wilder's The Fortune Cookie (1966), starring Jack Lemmon and Walter Matthau. Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.
The Sunshine Boys - Publicity Stills
Here are some Publicity Stills from The Sunshine Boys (1975). Publicity stills were specially-posed photos, usually taken off the set, for purposes of publicity or reference for promotional artwork.
The Fortune Cookie - International Movie Posters
Here are some international movie posters for Billy Wilder's The Fortune Cookie (1966), starring Jack Lemmon and Walter Matthau. The British pressbook cover features an alternate title, Meet Whiplash Willie.
The Fortune Cookie - Pressbook
Here is the campaign book (pressbook) for Billy Wilder's The Fortune Cookie (1966), starring Jack Lemmon and Walter Matthau. Pressbooks were sent to exhibitors and theater owners to aid them in publicizing the film's run in their theater.
Lonely Are the Brave - Movie Poster
Here is the American one-sheet movie poster for Lonely Are the Brave (1962), starring Kirk Douglas. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.

Videos

Movie Clip

California Suite (1978) - Don't Go In There! The hooker that east-coaster Marvin (Walter Matthau) is trying to hide from wife Millie (Elaine May) in their L-A hotel room is stone drunk, not dead, in California Suite, 1978, from a Neil Simon script.
Taking of Pelham One Two Three, The (1974) - We Call It The Nerve Center Transit cop Zach Garber (Walter Matthau) introduces Lt. Patrone (Jerry Stiller) as he shows Tokyo subway officials the inner-workings of the New York system in The Taking of Pelham One Two Three, 1974.
Fortune Cookie, The (1966) - It's A Personal Tragedy Shyster Willie Gingrich (Walter Matthau) dazzles the defense counsel, (Harry Holcombe as O'Brien, et al) preparing for his lawsuit on behalf of his injured brother-in-law (Jack Lemmon, not seen) in Billy Wilder's The Fortune Cookie, 1966.
Fortune Cookie, The (1966) - The Next Voice You Hear "Whiplash Willie" Gingrich (Walter Matthau) realizes how to get brother-in-law Harry (Jack Lemmon) to play along when his ex-wife Sandy (Judi West) calls the hospital room in Billy Wilder's The Fortune Cookie, 1966.
Fortune Cookie, The (1966) - You Want Another Take? Fed up with the insurance scam, Harry (Jack Lemmon) performs for surveillance cameras and turns on ex-wife Sandy (Judi West), prompting brother-in-law lawyer Willie (Walter Matthau) to take a new position in The Fortune Cookie, 1966.
Fortune Cookie, The (1966) - His Sister Sister Director Billy Wilder and co-writer I.A.L. Diamond introduce Walter Matthau as lawyer Willie, with his wife and her mother (Marge Redmond, Lurene Tuttle) staking out the hospital where brother-in-law Harry (Jack Lemmon), a cameraman hurt in an NFL game is in the ER, early in The Fortune Cookie, 1966.
Cactus Flower (1969) - She's Very Efficient First scene for Ingrid Bergman as nurse Stephanie and Walter Matthau as New York dentist Julian, beginning with a call from the neighbor wanting to tell him his girlfriend (Goldie Hawn, introduced earlier) failed in her slightly kooky suicide attempt, Jack Weston his preoccupied patient, in Cactus Flower, 1969.
Cactus Flower (1969) - I'll Divorce Them Too Dentist Julian (Walter Matthau), after getting a note saying his girlfriend Toni (Goldie Hawn) was planning suicide, arrives to find her alive, then becomes doubtful until he meets neighbor Igor (Rick Lenz), who rescued her, early in Cactus Flower, 1969.
Cactus Flower (1969) - I'm No Sex Goddess Dentist Julian (Walter Matthau), who knows nothing about the personal life of his nurse Stephanie (Ingrid Bergman), explains over drinks that he needs somebody to play the wife he made up, in order to reassure his girlfriend that she’s okay with them getting married, in Cactus Flower, 1969.
Cactus Flower (1969) - You'll Meet Her! In Manhattan on their first-ever daytime date, now that they've decided to get married, dentist Julian (Walter Matthau) discovers girlfriend Toni (Goldie Hawn) will insist on meeting his fictional wife, at the Guggenheim, in Cactus Flower, 1969.
Bigger Than Life (1955) - Let's Face It, We're Dull Financially-strapped schoolteacher Ed (co-writer and producer James Mason) seems anxious as he and suspicious wife Lou (Barbara Rush) wrap a bridge party, Walter Matthau as Wally among the guests, director Nicholas Ray working the Cinemascope screen and interior lighting, in Bigger Than Life, 1956.
Bigger Than Life (1955) - Name The Five Great Lakes Assured opening from director Nicholas Ray and producer/co-writer/star James Mason, as city schoolteacher Ed Avery, Kipp Hamilton as colleague Pat, Walter Matthau as coach-buddy Wally and Rusty Lane as principal Bob, and a secret partly revealed, in Bigger Than Life, 1956.

Trailer

Odd Couple, The - (Original Trailer) "Can two divorced men share an apartment?" Find out in Neil Simon's The Odd Couple (1968) with Jack Lemmon and Walter Matthau.
Face in the Crowd, A - (Original Trailer) Television turns a folk-singing drifter (Andy Griffith) into a media celebrity in Elia Kazan's A Face in the Crowd (1957).
Ensign Pulver - (Original Trailer) In the sequel to Mister Roberts, Ensign Pulver (1964) takes his turn battling his ship's captain.
Bad News Bears, The - (Original Trailer) The coach (Walter Matthau) of a losing little league team brings in a female pitcher (Tatum O'Neal).
Sunshine Boys, The - (Original Trailer) A feuding comedy team reunites for a television comeback in Neil Simon's The Sunshine Boys (1975) with an Academy Award®-winning performance by George Burns.
Strangers When We Meet - (Original Trailer) A married architect (Kirk Douglas) and a neglected wife (Kim Novak) begin an affair in Strangers When We Meet (1960).
Charley Varrick - (Original Trailer) A band of small-time crooks accidentally steals the mob's money in Don Siegel's action-filled Charley Varrick (1973) starring Walter Matthau.
Front Page, The (1974) - (Original Trailer) Jack Lemmon and Walter Matthau star in Billy Wilder's version of the classic newspaper comedy The Front Page (1974).
Plaza Suite (Original Trailer) A New York hotel room is the setting for three stories of romantic squabbles in Neil Simon's Plaza Suite (1971) starring Walter Matthau.
Hello, Dolly! - (Original Trailer) Barbra Streisand stars as matchmaker Dolly Levi in the classic musical Hello, Dolly! (1969).
Fortune Cookie, The -- (Original Trailer) A crooked lawyer trumps up an insurance case for a cameraman injured at a pro football game in The Fortune Cookie (1966), directed by Billy Wilder and starring Jack Lemmon and Walter Matthau.
Buddy, Buddy - (Original Trailer) A suicidal neurotic (Jack Lemmon) keeps getting between a hit man (Walter Matthau) and his job in Buddy, Buddy (1981).

Family

Henry Matthau
Brother
Aram Saroyan
Step-Son
Writer. Born in 1944.
Lucy Saroyan
Step-Daughter
Actor. Born in January 1946.
David Matthau
Son
Radio announcer. Mother, Grace Johnson.
Jenny Matthau
Daughter
Gourmet-cooking teacher. Mother, Grace Johnson.
Charles Matthau
Son
Actor, director, producer. Born on December 10, 1965; mother, Carol Marcus; acted with father in "Charley Varrick" (1973) and "House Calls" (1978); credited as associate producer on three 1981 films starring father, "I Ought to Be in Pictures", "Buddy Buddy" and "First Monday in October".

Companions

Grace Geraldine Johnson
Wife
Divorced; has two children with Matthau.
Carol Marcus
Wife
Actor, writer. Met while both were acting on Broadway in "Will Success Spoil Rock Hunter" (1955); married on August 17, 1959; previously married to William Saroyan, with whom she had two children; wrote memoir, "Among the Porcupines" (1992); mother of Matthau's son Charles; died July 2003.

Bibliography

"Walter Matthau"
Allan Hunter

Notes

On directing: "Too much work. Anyway, I have no talent for telling people what to do. Once when I was a staff sergeant in the army, I told some corporal what to do and he said, 'fuck you, do it yourself.' And I said, 'Alright, I will.' So much for my authority." --Walter Matthau quoted in Interview, January 1996

"Years ago Carol [Matthau's wife] talked Walter into going to Dachau [a Nazi death camp]. They started fighting on the train about something or other. They went through Dachau, still not speaking. They were still arguing when they got back to the hotel. When they got up to their rooms, Walter said to her, absolutely straight-faced, 'I just want you to know that you ruined my trip to Dachau!'"Now that's funny. And I'm sure underneath, whether Walter was serious or not, he knew it was funny." --Jack Lemmon to Jess Cagle in Entertainment Weekly, January 28, 1994

"My wife is a depraved spender and I'm a degenerate gambler. For 'Grumpy Old Men', I'm gonna make $3 million. You know how long that lasts? Six months. Money is flowing like Niagara Falls into the s---house. And if I get lucky I'll die before I go broke." --Matthau in Entertainment Weekly, January 28, 1994

"My father was a Catholic priest, Greek Orthodox, but I think he started out as a Jew, then he became a Catholic priest. Then he preached papal supremacy of the Vatican, so they kicked him out of Russia. He was from Kiev. Then he saw my mother and fell madly in love with her tits, and so he became a Jew again. Then, when he heard my mother's screaming, he left town. . . [I grew up] between First Street and Tenth Street, Second Avenue bordering First Avenue. My mother paid eight dollars a month for rent. When she had it. Mostly we were evicted, because she couldn't afford to pay the eight dollars a month. So they'd throw us out on the street, and then we'd find another place or we'd sleep in the hallways." --Matthau to Interview, December 1994

"When I did 'The Odd Couple', I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German--and I would mix them up. I did that to amuse myself, and it always worked." --Walter Matthau in Interview, December 1994

"That's where I was good--on the stage. In the movies . . . Passable. But on the stage I could move with freedom and ease. And I had something: presence. Something you're either born with or you're not. On screen, all the power is in the hands of the director or the editor." --Matthau to Frank Thompson, The Hollywood Reporter Salute to Walter Matthau, November 1, 1996

On working with Elvis Presley in "King Creole": "The first thing Elvis said to me was, 'Mr. Matthau, I sure would appreciate it if you could help me out with this acting thing.'"Elvis, I've seen you act and I don't think you need any help from me," Matthau told him."Then the next thing I remember we were having this fight scene. I hit him over the head with a chair--naturally they substitute the balsa-wood chair--and I'm left with a leg. I smashed him across the back as he was down on the floor. And he threw up.""It was just after lunch and it was warm in the studio and then all this activity and that final thing of me smacking him in the back.""We couldn't use that shot." --Matthau to Stephen Schaefer in New York Post, January 6, 1997

"I don't think it's good for actors when someone says, 'Oh, there goes so-and-so. He does those grumpy parts.' When you try to do parts that are not grumpy, a part that's Mozart, say, instead of the Beatles, then they're not happy. Neither are the producers and studio heads. They want recognizable characters that people will go see more than once. It's limiting." --Matthau to Eric Harrison in Los Angeles Times, February 21, 2000