Hollywood Bound


1946

Film Details

Release Date
Jan 1946
Premiere Information
not available
Production Company
Astor Pictures Corp.
Distribution Company
Astor Pictures Corp.
Country
United States

Synopsis

In 1927, when Betty Grable, who lives in a home for girls in New York, takes a field trip on a Staten Island ferry, she meets a musical trio led by Gene Austin, which makes its living by performing for the passengers and "passing the hat." After the ferry returns to New York, Betty, an aspiring entertainer, hides in a compartment and does not disembark with the other girls. Instead, she tries to prove her talent to Austin, but he is not interested in making his trio a foursome. Austin soon gains some recognition, while Betty travels across country to Hollywood, procuring food and lodging along the way. In Hollywood, Betty secures some film bit parts, but her career fails to take off. Later, at a party, Betty and some young friends are involved in a scavenger hunt, and Betty is assigned to get nightclub band leader Jimmie Grier's baton. After Betty finally comes up with the baton, she learns that if she had asked, she would have gotten it right away. Some time later. Betty and Walter King appear in an operetta about the utopian society of 1976 when citizens no longer have to work. However, the people, who have numbers instead of names, are tired of playing and revolt, eventually winning the right to work again.

Crew

Val Burton

Composer

John Cass

Rec for {q}A Night at the Biltmore Bowl{q}

Newell Chase

Composer

Sam Coslow

Composer

Henry Creamer

Composer

Dan Cutler

Rec for {q}A Night at the Biltmore Bowl{q}

Maurice Depackh

Orch Arrangements for "The Spirit of 1976"

Walter Donaldson

Composer

Charles R. Dunne

Assistant Director for "The Spirit of 1976"

George Ellis

Rec for {q}Ferry-Go-Round{q}

Joseph A. Fields

Story for "Ferry-Go-Round" and "A Night at the Biltmore Bowl"

Bert Gilroy

Associate prod of "Ferry-Go-Round," "A Night at the Biltmore Bowl" and "The Spirit of 1976"

Alf Goulding

Director of "Night at the Biltmore Bowl"

John Grey

Story for "Ferry-Go-Round"

Jimmie Grier

Composer

J. Roy Hunt

Photographer for "The Spirit of 1976"

Leigh Jason

Director of "The Spirit of 1976"

Leigh Jason

Story for "The Spirit of 1976"

Will Jason

Composer

James P. Johnson

Composer

J. Turner Layton

Composer

John Lockert

Editor for "Ferry-Go-Round" and "The Spirit of 1976"

Cecil Mack

Composer

Edward Mann

Editor for "A Night at the Biltmore Bowl"

Lee Marcus

Prod of "Ferry-Go-Round," "A Night at the Biltmore Bowl" and "The Spirit of 1976"

Hugh Mcdowell

Rec for {q}A Night at the Biltmore Bowl{q}

Hugh Mcdowell

Rec for {q}The Spirit of 1976{q}

Billy Meyers

Composer

Nicholas Musuraca

Photographer for "A Night at the Biltmore Bowl"

Ernest Pagano

Story for "The Spirit of 1976"

Jack Pettis

Composer

Jack Rieger

Presented By

Elmer Schoebel

Composer

Charles Warfield

Composer

Roy Webb

Music Director for "A Night at the Biltmore Bowl" and "The Spirit of 1976"

Harold Wenstrom

Photographer for "Ferry-Go-Round"

Sam White

Director of "Ferry-Go-Round"

George Whiting

Composer

Clarence Williams

Composer

Jean Yarbrough

Assistant Director for "Ferry-Go-Round," "A Night at the Biltmore Bowl" and "The Spirit of 1976"

Film Details

Release Date
Jan 1946
Premiere Information
not available
Production Company
Astor Pictures Corp.
Distribution Company
Astor Pictures Corp.
Country
United States

Quotes

Trivia

Notes

Hollywood Bound is a compilation of three, two-reel shorts made by Betty Grable early in her career at RKO Radio Pictures: "Ferry-Go-Round" (1934), "A Night at the Biltmore Bowl" (1935) and "The Spirit of 1976" (1935). The compilation was released at a time when Grable was one of the top-ten box office stars. As indicated by a copyright continuity, "A Night at the Biltmore Bowl" features cutaway shots of RKO celebrities attending the nightclub: Preston Foster, Anne Shirley, Bert Wheeler, Pert Kelton, Erik Rhodes and Edgar Kennedy. Hollywood Bound was submitted to the New York State censor board in mid-December 1946. A credit sheet deposited with the board and contained in the NYSA file on the film includes a 1946 copyright registration date, but the title was not found in the Copyright Catalog.