The 25th Hour


2h 10m 1967
The 25th Hour

Brief Synopsis

A Romanian peasant fights to get back to his family after he's imprisoned by the Nazis.

Photos & Videos

Film Details

Also Known As
La 25e heure, La venticinquesima ora
Genre
Comedy
Drama
War
Release Date
Jan 1967
Premiere Information
Los Angeles opening: 1 Feb 1967
Production Company
Avala Film; C. C. Champion; Les Films Concordia
Distribution Company
Metro-Goldwyn-Mayer, Inc.
Country
France
Screenplay Information
Based on the novel La vingt-cinquième heure by Constantin Virgil Gheorghiu (trans. from Romanian by Monique Saint-Côme; Paris, 1949).

Technical Specs

Duration
2h 10m
Sound
Mono (Westrex Recording System)
Color
Color (Metrocolor)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

At the time of the German invasion of Romania in 1939 Johann Moritz, a simple peasant, is falsely branded as a Jew and sent to a German labor camp. The man responsible for the deportation is Nicolai Dobresco, a district police officer who covets Johann's wife, Suzanna. Suzanna successfully wards off Dobresco's advances, but later she is forced to divorce Johann in order to save their home from being confiscated as Jewish property. Eighteen months later Johann escapes from the labor camp to Hungary, but Jewish refugee organizations refuse to help him because he insists that he is not a Jew. Eventually, he is captured and, ironically, selected by a Nazi colonel as the perfect example of "racially pure German stock." He is inducted into the SS and is forced to pose for photographs used on the covers of magazines circulated throughout occupied Europe. After the war he is brought to trial at Nuremberg, where he is shown little leniency by the prosecuting officer. However, a letter from Suzanna explaining her endless attempts to secure Johann's release, her rape by Russian soldiers, and the subsequent birth of an illegitimate child, so deeply moves the court that Johann is freed. After an 8-year separation, Johann is reunited with his family.

Film Details

Also Known As
La 25e heure, La venticinquesima ora
Genre
Comedy
Drama
War
Release Date
Jan 1967
Premiere Information
Los Angeles opening: 1 Feb 1967
Production Company
Avala Film; C. C. Champion; Les Films Concordia
Distribution Company
Metro-Goldwyn-Mayer, Inc.
Country
France
Screenplay Information
Based on the novel La vingt-cinquième heure by Constantin Virgil Gheorghiu (trans. from Romanian by Monique Saint-Côme; Paris, 1949).

Technical Specs

Duration
2h 10m
Sound
Mono (Westrex Recording System)
Color
Color (Metrocolor)
Theatrical Aspect Ratio
2.35 : 1

Articles

The 25th Hour


Not to be confused with the 2002 Spike Lee film of the same name, The 25th Hour (1967) follows the tribulations of a simple Romanian peasant during and after World War II. Falsely sent to a work camp by a local police captain who lusts after his gorgeous wife, Johann Moritz is first erroneously tagged as a Jew, then "rescued" by a Nazi officer who determines Moritz is a perfect Aryan specimen and forces him into service as a model for German propaganda. Imprisoned after the war, he is severely beaten by his Russian captors, then put on trial by Allied forces because of his work for the Nazis.

Moritz is played by Anthony Quinn with echoes of both his robust peasant character in Zorba the Greek (1964) and his dim-witted strongman in Fellini's La Strada (1954). As the Hollywood studio system went into decline and the majors moved more toward distribution than production, a new trend emerged: the multi-company, multi-national co-production. Whether through wisdom or good fortune, Quinn - who had played almost every conceivable ethnicity - was perfectly positioned to take advantage of this development. In fact, much of his later career was sustained as an international actor. As early as 1953, he began working in Italy, and for the rest of his life he continued to move between the U.S. and Europe. The 25th Hour was a Yugoslavian-French-Italian production, based on a highly regarded 1950 Romanian novel adapted by French and British writers, directed by a Frenchman, produced by Italian Carlo Ponti and featuring a cast of actors from Italy, Switzerland, England, Ireland, France, Czechoslovakia, Canada and, in Quinn's case, Mexico.

Many in this far-ranging cast will be familiar to viewers. Stunningly beautiful Virna Lisi (who, according to a New York Times review by Bosley Crowther, "looks and acts about as much like a peasant as Lana Turner might") was a major star in her native Italy and an occasional player in American films, particularly comedies such as How to Murder Your Wife (1965) and If It's Tuesday, This Must Be Belgium (1969). Moritz's defense lawyer is played by the distinguished British film and stage veteran Michael Redgrave (father of Vanessa and Lynn and grandfather of Natasha and Joely Richardson). Marcel Dalio (Strul) was a star in 1930s France, with important roles in the Renoir classics La Grande Illusion (1937) and La Regle du Jeu/The Rules of the Game (1939). During the war he came to America, where he became every director's favorite French character, playing supporting roles in such films as Casablanca (1942), The Song of Bernadette (1943) and To Have and Have Not (1944). Canadian-born Alexander Knox played scores of supporting roles but had his finest hour (and earned an Academy Award nomination) as the eponymous American president in Wilson (1944).

One of the writers on this project was successful British novelist-playwright-screenwriter Wolf Mankowitz who, in addition to his numerous credits, has the distinction of being the man who introduced producers Harry Saltzman and Albert R. Broccoli to each other. The two soon went on to create the hugely successful James Bond cinema franchise. The grateful team hired Mankowitz to write the first draft for their initial venture in the series, Dr. No (1962). However, the author thought the picture would be a huge flop and asked to have his name removed. Upon seeing it, he changed his opinion, but prints had already been made and it was too late to put his credit back on the picture. He eventually did write and receive credit for a Bond flick, the non-Broccoli-Saltzman spoof Casino Royale (1967), which turned out to be as dismal an effort as he feared the first picture might.

Director: Henri Verneuil
Producer: Carlo Ponti
Screenplay: Francois Boyer, Wolf Mankowitz, Henri Verneuil, based on the novel by C. Virgil Gheorghiu
Cinematography: Andreas Winding
Editing: Francoise Bonnot-Verneuil
Production Design: Robert Clavel
Original Music: Georges Delerue, Maurice Jarre
Cast: Anthony Quinn (Johann Moritz), Virna Lisi (Suzanna Moritz), Gregoire Aslan (Dobresco). C-122m. Letterboxed.

By Rob Nixon
The 25Th Hour

The 25th Hour

Not to be confused with the 2002 Spike Lee film of the same name, The 25th Hour (1967) follows the tribulations of a simple Romanian peasant during and after World War II. Falsely sent to a work camp by a local police captain who lusts after his gorgeous wife, Johann Moritz is first erroneously tagged as a Jew, then "rescued" by a Nazi officer who determines Moritz is a perfect Aryan specimen and forces him into service as a model for German propaganda. Imprisoned after the war, he is severely beaten by his Russian captors, then put on trial by Allied forces because of his work for the Nazis. Moritz is played by Anthony Quinn with echoes of both his robust peasant character in Zorba the Greek (1964) and his dim-witted strongman in Fellini's La Strada (1954). As the Hollywood studio system went into decline and the majors moved more toward distribution than production, a new trend emerged: the multi-company, multi-national co-production. Whether through wisdom or good fortune, Quinn - who had played almost every conceivable ethnicity - was perfectly positioned to take advantage of this development. In fact, much of his later career was sustained as an international actor. As early as 1953, he began working in Italy, and for the rest of his life he continued to move between the U.S. and Europe. The 25th Hour was a Yugoslavian-French-Italian production, based on a highly regarded 1950 Romanian novel adapted by French and British writers, directed by a Frenchman, produced by Italian Carlo Ponti and featuring a cast of actors from Italy, Switzerland, England, Ireland, France, Czechoslovakia, Canada and, in Quinn's case, Mexico. Many in this far-ranging cast will be familiar to viewers. Stunningly beautiful Virna Lisi (who, according to a New York Times review by Bosley Crowther, "looks and acts about as much like a peasant as Lana Turner might") was a major star in her native Italy and an occasional player in American films, particularly comedies such as How to Murder Your Wife (1965) and If It's Tuesday, This Must Be Belgium (1969). Moritz's defense lawyer is played by the distinguished British film and stage veteran Michael Redgrave (father of Vanessa and Lynn and grandfather of Natasha and Joely Richardson). Marcel Dalio (Strul) was a star in 1930s France, with important roles in the Renoir classics La Grande Illusion (1937) and La Regle du Jeu/The Rules of the Game (1939). During the war he came to America, where he became every director's favorite French character, playing supporting roles in such films as Casablanca (1942), The Song of Bernadette (1943) and To Have and Have Not (1944). Canadian-born Alexander Knox played scores of supporting roles but had his finest hour (and earned an Academy Award nomination) as the eponymous American president in Wilson (1944). One of the writers on this project was successful British novelist-playwright-screenwriter Wolf Mankowitz who, in addition to his numerous credits, has the distinction of being the man who introduced producers Harry Saltzman and Albert R. Broccoli to each other. The two soon went on to create the hugely successful James Bond cinema franchise. The grateful team hired Mankowitz to write the first draft for their initial venture in the series, Dr. No (1962). However, the author thought the picture would be a huge flop and asked to have his name removed. Upon seeing it, he changed his opinion, but prints had already been made and it was too late to put his credit back on the picture. He eventually did write and receive credit for a Bond flick, the non-Broccoli-Saltzman spoof Casino Royale (1967), which turned out to be as dismal an effort as he feared the first picture might. Director: Henri Verneuil Producer: Carlo Ponti Screenplay: Francois Boyer, Wolf Mankowitz, Henri Verneuil, based on the novel by C. Virgil Gheorghiu Cinematography: Andreas Winding Editing: Francoise Bonnot-Verneuil Production Design: Robert Clavel Original Music: Georges Delerue, Maurice Jarre Cast: Anthony Quinn (Johann Moritz), Virna Lisi (Suzanna Moritz), Gregoire Aslan (Dobresco). C-122m. Letterboxed. By Rob Nixon

Quotes

Trivia

Notes

Location scenes reportedly filmed in Munich and Budapest. Opened in Paris in April 1967 as La 25e heure. Italian title: La venticinquesima ora.

Miscellaneous Notes

Released in United States 1967

Released in United States 1967