Hatari!


2h 39m 1962

Brief Synopsis

The arrival of a woman upsets a team of hunters capturing animals for the world's zoos.

Film Details

Genre
Comedy
Drama
Adventure
Release Date
Jan 1962
Premiere Information
Detroit opening: 20 Jun 1962
Production Company
Malabar Productions
Distribution Company
Paramount Pictures
Country
United States
Location
Lake Manyara, Tanganyika; Naberara, Tanganyika; Mount Meru, Tanganyika; Ruvu River, Tanganyika; Ngorongoro Crater, Tanganyika

Technical Specs

Duration
2h 39m
Sound
Mono (Westrex Recording System)
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.85 : 1

Synopsis

The Momella Game Farm in Tanganyika is world-famous as a source of wild animals. When its owner is killed by a rhinoceros, his French-born daughter, Brandy, decides to carry on her father's work. Assisting her are Sean Mercer, an American game catcher embittered by a previous unhappy love affair; Kurt Stahl, a former auto racer from Germany who drives the herding jeep; Bill "Indian" Vaughn, a veteran hunter; and Pockets, a former cabbie from Brooklyn. Eventually this little group of international adventurers is joined by woman photographer Dallas and French playboy Chip Maurey, who replaces Indian when the latter is badly gored by a charging rhino. Trouble begins when Kurt and Chip compete for the attentions of Brandy, and Sean becomes infuriated by Dallas' penchant for collecting baby elephants. Gradually, however, during the many hectic safaris after wild game, the tensions are resolved. The rivalry between Kurt and Chip ends when Pockets accidentally falls from a fence and Brandy betrays her true romantic feelings by rushing up to comfort him. Following the celebration of the capture of a rhinoceros, Sean discovers that Dallas has left the farm, and he sets out to find her by using her pet baby elephants as bloodhounds. After barging through the streets, alleys, and stores of the small town of Arusha, they finally corner her in the local hotel. Sean insists upon an immediate marriage, and Dallas tearfully agrees. Their wedding night is somewhat marred, however, when Dallas' three baby elephants stampede into the bedroom.

Film Details

Genre
Comedy
Drama
Adventure
Release Date
Jan 1962
Premiere Information
Detroit opening: 20 Jun 1962
Production Company
Malabar Productions
Distribution Company
Paramount Pictures
Country
United States
Location
Lake Manyara, Tanganyika; Naberara, Tanganyika; Mount Meru, Tanganyika; Ruvu River, Tanganyika; Ngorongoro Crater, Tanganyika

Technical Specs

Duration
2h 39m
Sound
Mono (Westrex Recording System)
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.85 : 1

Award Nominations

Best Cinematography

1962

Articles

Hatari!


Howard Hawks made more classic movies in a wider variety of genres than just about any other director. His early days as a writer for MGM always served him well. There are countless tales – some of them may be apocryphal - of his freewheeling approach to direction turning mediocre screenplays into gold. In essence, Hawks knew what worked, and he had the guts to throw the rest away. But even he couldn’t completely save Hatari! (1962), an African action picture that boasts several exhilarating animal-capture sequences...and virtually no plot. “There wasn’t much story (to Hatari!),” he once admitted. “I accept anything anybody says about it.”

In place of a legitimate narrative, Hawks offered John Wayne tearing after rhinos, zebras, elephants, and giraffes - all shot on location in the wilds of Tanganyika. Wayne and his co-stars go toe-to-toe with real live animals, chasing them down in suped-up trucks and wrangling them like displaced cowboys (albeit the kind that are costumed by Edith Head). Outside of that, the characters mostly just play cards, argue, and flirt with women, but the chase scenes seem to be enough for the picture’s many admirers.

Hatari! (it means “Danger!” in Swahili) was a much-needed hit for Wayne, and it still stands as one of the more realistic Hollywood films ever shot in Africa. All you need to do is watch John Huston’s The African Queen (1951) to see how badly rear projections and mismatched cutaways can corrupt the authenticity of a difficult location shoot. The audience benefits greatly from Hawks’ (and especially Wayne’s) genuine sense of adventure.

Wayne plays Sean Mercer, a macho game hunter who captures wild animals to sell to zoos around the world. Mercer’s manly-man crew consists of “Indian” (Bruce Cabot), “Pockets” (Red Buttons), and Kurt Mueller (Hardy Kruger), all of whom get a blast out of subduing beautiful creatures in their natural habitat. (Note: Wildlife fans may have trouble watching some of this.) The raging testosterone flow is interrupted, however, when a beautiful photographer named Anna Maria D’Allesandro (Elsa Martinelli) shows up to take some safari pictures. Sean develops an interest in Anna Maria, but can only show his affection by giving her a hard time for daring to be a woman.

And that’s about it. You certainly won’t lose the storyline if you decide to get up and make a sandwich, although you may miss John Wayne wrestling a giraffe.

Wayne was depressed while filming Hatari!, for several reasons. First and foremost, his dear friend, Ward Bond (who intended to make a cameo in the movie) died shortly before filming began. Wayne had even planned on performing an elaborate practical joke on Bond while he was in Africa. The goal was to get a clear photo of Bond’s rear end beside a rhino’s. Wayne would then make a poster featuring both posteriors, unveil it at drunken Hollywood parties, and have the revelers decide which beast had the biggest butt. One wonders what The Duke would have done had he not liked Bond. Wayne also had to contend with a severe bout of bad publicity concerning The Alamo (1960), an expensive epic that he had just finished directing and starring in. Without consulting anyone involved in the picture – especially Wayne, who had a lot riding on it – character actor Chill Wills instituted the most tasteless bit of grandstanding in Give-Me-An-Oscar history. Wills’ unschooled new publicist, a former prison physical education teacher named W.S. “Bow-Wow” Wojeiechowicz, took out a full-page ad in The Hollywood Reporter featuring an Alamo cast photo. Emblazoned over the photo was the message, “We of the Alamo cast are praying – harder than the real Texans prayed for their lives in the Alamo – for Chill Wills to win the Oscar as the Best Supporting Actor. Cousin Chill’s acting was great.” Whoops.

Cousin Duke was rightfully livid, and had to perform as much spin control as he could from the far reaches of Africa. He took out trade paper ads stressing that no one involved in The Alamo supported Wills’ actions, ending his statement with “I refrain from using stronger language because I am sure his intentions were not as bad as his taste.” Wills did not win his Oscar, and was, in fact, made into a laughing stock by various comedians and industry types. He’s lucky Wayne was busy with that giraffe. He may have ended up in a cage himself.

Director: Howard Hawks
Producer: Howard Hawks
Screenplay: Leigh Brackett (based on a story by Harry Kurnitz)
Cinematography: Russell Harlan and Joseph Brun
Editing: Stuart Gilmore
Music: Henry Mancini
Art Design: Hal Pereira and Carl Anderson
Set Design: Sam Comer and Claude Carpenter
Stunts: Carey Loftin
Costumes: Edith Head
Principal Cast: John Wayne (Sean Mercer), Elsa Martinelli (Dallas), Hardy Kruger (Kurt), Gerard Blain (Chips), Red Buttons (Pockets), Michele Girardon (Brandy), Bruce Cabot (Indian), Valentin de Vargas (Luis).
C-159 min. Letterboxed. Closed captioning.

by Paul Tatara

Hatari!

Hatari!

Howard Hawks made more classic movies in a wider variety of genres than just about any other director. His early days as a writer for MGM always served him well. There are countless tales – some of them may be apocryphal - of his freewheeling approach to direction turning mediocre screenplays into gold. In essence, Hawks knew what worked, and he had the guts to throw the rest away. But even he couldn’t completely save Hatari! (1962), an African action picture that boasts several exhilarating animal-capture sequences...and virtually no plot. “There wasn’t much story (to Hatari!),” he once admitted. “I accept anything anybody says about it.” In place of a legitimate narrative, Hawks offered John Wayne tearing after rhinos, zebras, elephants, and giraffes - all shot on location in the wilds of Tanganyika. Wayne and his co-stars go toe-to-toe with real live animals, chasing them down in suped-up trucks and wrangling them like displaced cowboys (albeit the kind that are costumed by Edith Head). Outside of that, the characters mostly just play cards, argue, and flirt with women, but the chase scenes seem to be enough for the picture’s many admirers. Hatari! (it means “Danger!” in Swahili) was a much-needed hit for Wayne, and it still stands as one of the more realistic Hollywood films ever shot in Africa. All you need to do is watch John Huston’s The African Queen (1951) to see how badly rear projections and mismatched cutaways can corrupt the authenticity of a difficult location shoot. The audience benefits greatly from Hawks’ (and especially Wayne’s) genuine sense of adventure. Wayne plays Sean Mercer, a macho game hunter who captures wild animals to sell to zoos around the world. Mercer’s manly-man crew consists of “Indian” (Bruce Cabot), “Pockets” (Red Buttons), and Kurt Mueller (Hardy Kruger), all of whom get a blast out of subduing beautiful creatures in their natural habitat. (Note: Wildlife fans may have trouble watching some of this.) The raging testosterone flow is interrupted, however, when a beautiful photographer named Anna Maria D’Allesandro (Elsa Martinelli) shows up to take some safari pictures. Sean develops an interest in Anna Maria, but can only show his affection by giving her a hard time for daring to be a woman. And that’s about it. You certainly won’t lose the storyline if you decide to get up and make a sandwich, although you may miss John Wayne wrestling a giraffe. Wayne was depressed while filming Hatari!, for several reasons. First and foremost, his dear friend, Ward Bond (who intended to make a cameo in the movie) died shortly before filming began. Wayne had even planned on performing an elaborate practical joke on Bond while he was in Africa. The goal was to get a clear photo of Bond’s rear end beside a rhino’s. Wayne would then make a poster featuring both posteriors, unveil it at drunken Hollywood parties, and have the revelers decide which beast had the biggest butt. One wonders what The Duke would have done had he not liked Bond.

Quotes

Trivia

According to director Howard Hawks, all the animal captures in the picture were performed by the actual actors; no stuntmen or animal handlers were substituted onscreen. The rhino really did escape, and the actors really did have to recapture it-- and Hawks included the sequence for its realism.

Congo, the baby elephant in the filming, died in November 2000 at the Dubbo Zoo. He was the only male elephant in captivity in Australia at the time.

Hatari means "danger" in Swahili.

Composer Henry Mancini wrote a brief piece of incidental music to go with a scene where a baby elephant is taken for a walk. The simple little song became an international hit as "Baby Elephant Walk", and has been recorded by a large number of artists and in many different styles.

Notes

Location scenes filmed at Mt. Meru, Lake Manyara, Ngorongoro Crater, Naberara, and on the Ruvu River.

Miscellaneous Notes

Released in United States June 20, 1962

Released in United States Winter December 31, 1961

Released in United States Winter December 31, 1961

Released in United States June 20, 1962