The Rabbit Trap


1h 12m 1959
The Rabbit Trap

Brief Synopsis

A working stiff risks his job to save a rabbit left behind during his family's vacation.

Film Details

Genre
Drama
Adaptation
Release Date
Jun 1959
Premiere Information
not available
Production Company
Canon Productions
Distribution Company
United Artists Corp.
Country
United States
Screenplay Information
Based on a teleplay "The Rabbit Trap" by J. P. Miller on Goodyear Television Playhouse (NBC, 13 Feb 1955).

Technical Specs

Duration
1h 12m
Sound
Mono
Color
Black and White
Film Length
6,922ft

Synopsis

In Los Angeles, construction draftsman Eddie Colt chafes at the demands of his single-minded boss, Everett Spellman. Despite Eddie's dedication, he continues to struggle to make ends meet, prompting his wife Abby to restrain her longing for another child to join their eight-year-old son Duncan. Realizing that he has allowed his job to take precedent over his family for too long, Eddie demands a vacation, the family's first in years, and the Colts go to the country. When Duncan expresses interest in acquiring a pet, Eddie agrees and while a happy Abby prepares a celebratory meal, father and son rig a rabbit trap that they leave in the woods. Meanwhile, back in town, Spellman's pretty young secretary Judy makes constant romantic overtures to him, despite knowing he is married. When Spellman comes under pressure from clients to begin immediate work on a new contract, he begins drinking and he and Judy become involved. Unable to placate his anxious clients, Spellman telephones Eddie to insist that he cut short his vacation and return to work immediately. Abby is furious over the demand, but Eddie and the family hurry home. There, Duncan realizes that they have forgotten about the rabbit trap and pleads with Eddie to return to save the rabbit that may have been caught. Abby joins in the request and Eddie considers overnight, then asks Spellman for a day off to return to the country. When Eddie explains his dilemma, Spellman offers to buy Duncan a rabbit, but Eddie insists he must return to the country. Distraught by the thought of a captured rabbit languishing in the trap, Duncan tries to go back to the vacation retreat on his own, but is returned home by a suspicious bus driver. After Spellman angrily refuses to allow Eddie the day off, the draftsman threatens to quit, prompting his boss to offer him a raise, the first in years. Eddie refuses the raise and when Spellman still will not comply, Eddie quits and returns home. Although surprised, Abby supports Eddie's action and the family returns to the country where they find the rabbit trap empty.

Film Details

Genre
Drama
Adaptation
Release Date
Jun 1959
Premiere Information
not available
Production Company
Canon Productions
Distribution Company
United Artists Corp.
Country
United States
Screenplay Information
Based on a teleplay "The Rabbit Trap" by J. P. Miller on Goodyear Television Playhouse (NBC, 13 Feb 1955).

Technical Specs

Duration
1h 12m
Sound
Mono
Color
Black and White
Film Length
6,922ft

Articles

The Rabbit Trap


Ernest Borgnine could have been typecast, quite profitably, as villains, for the rest of his life if he hadn't accepted a $5,000 pay check to play the title role in Marty (1955). His Oscar®-winning performance gave him a second identity on-screen as a spokesperson for the average Joe. That's exactly what he played in The Rabbit Trap, a 1959 drama about a man caught between his duty to his family and the demands of his job when his boss calls him back from vacation early. The result was a tidy little drama held together by Borgnine's natural and unpretentious performance.

Like Marty, The Rabbit Trap was an adaptation of a television drama. J.P. Miller's one-hour teleplay had aired on the Goodyear Television Playhouse in 1955, with Philip Abbott as Eddie. The medium was Miller's bread and butter at the start of his career, when he earned credits on such dramatic anthologies as Kraft Television Theatre, Producers' Showcase and Playhouse 90, the latter producing his most famous script, The Days of Wine and Roses (1958).

Writer Harry Kleiner picked up the film rights to Miller's play for his newly formed Canon Productions and was wise enough to hire Miller to expand and open it up for the screen. He engaged British director Philip Leacock, who had scored directing younger actors in his native country's The Little Kidnappers (1953) and in the U.S. Take a Giant Step (1959). Leacock would move into U.S. TV production in the '60s, with credits for such dramatic series as The Alfred Hitchcock Hour and The Defenders.

Borgnine and former Warner Bros. star David Brian, cast as his boss in The Rabbit Trap, were the only established film names in the movie. The rest of the actors were stage and television veterans. Bethel Leslie, who played Borgnine's wife, had been Helen Hayes' protégée in the '50s, when she appeared on Broadway with the First Lady of the American Stage in The Wisteria Trees. She had started doing television in 1950, appearing on several live drama series before making her film debut in The Rabbit Trap. Leslie is probably best remembered on TV as a member of the repertory company who appeared in most episodes of The Richard Boone Show and as Dr. Maggie Powers during a three year run on the classic soap The Doctors. On stage, she won a Tony nomination for her performance as Jack Lemmon's wife and Kevin Spacey and Peter Gallagher's mother in Long Day's Journey Into Night.

Kevin Corcoran, cast as Borgnine and Leslie's sensitive son, was already under contract to Walt Disney when he made The Rabbit Trap. Although never a Mouseketeer, he had appeared in the serial The New Adventures of Spin and Marty, which aired on The Mickey Mouse Club. Other Disney credits include Old Yeller (1957), The Shaggy Dog (1959) and the title role in Toby Tyler (1960).

Other television regulars in the cast included character actress Jeanette Nolan, who would join Leslie on The Richard Boone Show, and comic Don Rickles in his second feature film. Rickles had labored in nightclubs for twenty years before landing a role in Run Silent, Run Deep (1958), with Clark Gable and Burt Lancaster. He would continue to act in films and on TV while also building his reputation as the world's greatest insult comic. The versatile performer would move easily from strong dramatic performances in films like The Rat Race (1960) and X: The Man with the X-Ray Eyes (1963) to comic work, particularly as a regular contributor to Dean Martin's celebrity roasts. Younger audiences would discover him in 1995 when he provided the voice of Mr. Potato Head in Toy Story.

As for Borgnine, small films like The Rabbit Trap would not be a part of the Hollywood landscape for long. He would continue with film work, most notably as one of the outlaws in The Wild Bunch (1969) and a retired cop in The Poseidon Adventure (1972), but would supplement that with frequent television appearances, including his hit series McHale's Navy, which ran from 1962 to1966.

Producer: Harry Kleiner
Director: Philip Leacock
Screenplay: J.P. Miller
Adapted from his teleplay
Cinematography: Irving Glassberg
Art Direction: Edward Carrere
Music: Jack Marshall
Cast: Ernest Borgnine (Eddie Colt), David Brian (Everett Spellman), Bethel Leslie (Abby Colt), Kevin Corcoran (Duncan Colt), Jeanette Nolan (Mrs. Colt), Russell Collins (Hughie Colt), Don Rickles (Mike O'Halloran).
BW-72m.

by Frank Miller
The Rabbit Trap

The Rabbit Trap

Ernest Borgnine could have been typecast, quite profitably, as villains, for the rest of his life if he hadn't accepted a $5,000 pay check to play the title role in Marty (1955). His Oscar®-winning performance gave him a second identity on-screen as a spokesperson for the average Joe. That's exactly what he played in The Rabbit Trap, a 1959 drama about a man caught between his duty to his family and the demands of his job when his boss calls him back from vacation early. The result was a tidy little drama held together by Borgnine's natural and unpretentious performance. Like Marty, The Rabbit Trap was an adaptation of a television drama. J.P. Miller's one-hour teleplay had aired on the Goodyear Television Playhouse in 1955, with Philip Abbott as Eddie. The medium was Miller's bread and butter at the start of his career, when he earned credits on such dramatic anthologies as Kraft Television Theatre, Producers' Showcase and Playhouse 90, the latter producing his most famous script, The Days of Wine and Roses (1958). Writer Harry Kleiner picked up the film rights to Miller's play for his newly formed Canon Productions and was wise enough to hire Miller to expand and open it up for the screen. He engaged British director Philip Leacock, who had scored directing younger actors in his native country's The Little Kidnappers (1953) and in the U.S. Take a Giant Step (1959). Leacock would move into U.S. TV production in the '60s, with credits for such dramatic series as The Alfred Hitchcock Hour and The Defenders. Borgnine and former Warner Bros. star David Brian, cast as his boss in The Rabbit Trap, were the only established film names in the movie. The rest of the actors were stage and television veterans. Bethel Leslie, who played Borgnine's wife, had been Helen Hayes' protégée in the '50s, when she appeared on Broadway with the First Lady of the American Stage in The Wisteria Trees. She had started doing television in 1950, appearing on several live drama series before making her film debut in The Rabbit Trap. Leslie is probably best remembered on TV as a member of the repertory company who appeared in most episodes of The Richard Boone Show and as Dr. Maggie Powers during a three year run on the classic soap The Doctors. On stage, she won a Tony nomination for her performance as Jack Lemmon's wife and Kevin Spacey and Peter Gallagher's mother in Long Day's Journey Into Night. Kevin Corcoran, cast as Borgnine and Leslie's sensitive son, was already under contract to Walt Disney when he made The Rabbit Trap. Although never a Mouseketeer, he had appeared in the serial The New Adventures of Spin and Marty, which aired on The Mickey Mouse Club. Other Disney credits include Old Yeller (1957), The Shaggy Dog (1959) and the title role in Toby Tyler (1960). Other television regulars in the cast included character actress Jeanette Nolan, who would join Leslie on The Richard Boone Show, and comic Don Rickles in his second feature film. Rickles had labored in nightclubs for twenty years before landing a role in Run Silent, Run Deep (1958), with Clark Gable and Burt Lancaster. He would continue to act in films and on TV while also building his reputation as the world's greatest insult comic. The versatile performer would move easily from strong dramatic performances in films like The Rat Race (1960) and X: The Man with the X-Ray Eyes (1963) to comic work, particularly as a regular contributor to Dean Martin's celebrity roasts. Younger audiences would discover him in 1995 when he provided the voice of Mr. Potato Head in Toy Story. As for Borgnine, small films like The Rabbit Trap would not be a part of the Hollywood landscape for long. He would continue with film work, most notably as one of the outlaws in The Wild Bunch (1969) and a retired cop in The Poseidon Adventure (1972), but would supplement that with frequent television appearances, including his hit series McHale's Navy, which ran from 1962 to1966. Producer: Harry Kleiner Director: Philip Leacock Screenplay: J.P. Miller Adapted from his teleplay Cinematography: Irving Glassberg Art Direction: Edward Carrere Music: Jack Marshall Cast: Ernest Borgnine (Eddie Colt), David Brian (Everett Spellman), Bethel Leslie (Abby Colt), Kevin Corcoran (Duncan Colt), Jeanette Nolan (Mrs. Colt), Russell Collins (Hughie Colt), Don Rickles (Mike O'Halloran). BW-72m. by Frank Miller

Quotes

Trivia

Notes

Credits and plot information were taken from reviews and copyright records. Although all the reviews state that "Eddie" quits his job at the end of the film to return to the country, publicity information contained in the copyright file on the film states that the Colts return to complete their interrupted vacation. Reviews and publicity materials compared the small, character-driven film to the 1955 United Artists release Marty which, like The Rabbit Trap, starred Ernest Borgnine and was derived from a teleplay.
       According to a July 22, 1958 Hollywood Reporter news item, United Artists lodged a protest against Parkwood Enterprises and Heath Productions because their film The Trap, which had just gone into production for release by Paramount, bore a title too similar to The Rabbit Trap. Despite the protest, the title of The Trap (see below) was not changed.

Miscellaneous Notes

Released in United States 1959

Released in United States 1959