Steve Golin


Producer

About

Also Known As
Steven Golin
Born
March 06, 1955
Died
April 21, 2019

Biography

Former photographer-turned-producer who teamed up with Icelander Sigurjon "Joni" Sighvatsson to found Propaganda Films, a small independent firm which gained a comfortable foothold in the entertainment industry by producing music videos and video-style commercials for TV. By 1990 Propaganda was producing about one out of every three music videos made in the United States, yielding revenu...

Notes

Golin, on the successful approach Propaganda Films has taken in the entertainment business: "The only game plan we had when we started was to establish a business that was a positive cash flow business, that would give us the ability to be more flexible, to finance our own development on our own terms. The revenue from the video and commercial business is enough to let us survive and to give us a certain credibility with directors who don't want to take a project to a studio....We also like the music video business for other reasons, and that has to do with research and development. It's a great training ground for new talent. Music video takes only three days and costs maybe $150,000, so how big a disaster can it really be, even if you put somebody really inexperienced in there? We use video as a training ground, and if the people are good, then we move them into larger projects." ("New York Times", October 15, 1990)

Biography

Former photographer-turned-producer who teamed up with Icelander Sigurjon "Joni" Sighvatsson to found Propaganda Films, a small independent firm which gained a comfortable foothold in the entertainment industry by producing music videos and video-style commercials for TV. By 1990 Propaganda was producing about one out of every three music videos made in the United States, yielding revenues of about $20 million a year for the company. Golin and Sighvatsson played a key role in making stars of rock acts like Guns N' Roses and have been much in demand by everyone from Bruce Springsteen to Prince.

Filmography

 

Producer (Feature Film)

Don't Worry, He Won't Get Far on Foot (2018)
Producer
Boy Erased (2018)
Producer
The Beach Bum (2018)
Producer
Outlaw King (2018)
Executive Producer
The Take (2016)
Producer
The Meddler (2016)
Executive Producer
Triple Nine (2016)
Executive Producer
Spotlight (2015)
Producer
Len & Co. (2015)
Executive Producer
The Age of Adaline (2015)
Executive Producer
The Revenant (2015)
Producer
Laggies (2014)
Producer
Girl Most Likely (2013)
Executive Producer
The Fifth Estate (2013)
Producer
Fun Size (2012)
Executive Producer
Seeking a Friend for the End of the World (2012)
Producer
Big Miracle (2012)
Producer
The Beaver (2011)
Producer
Case 39 (2010)
Producer
44 Inch Chest (2010)
Producer
Rendition (2007)
Producer
Married Life (2007)
Producer
Cleaner (2007)
Producer
Smiley Face (2007)
Producer
In the Land of Women (2007)
Producer
All God's Children Can Dance (2007)
Producer
Babel (2006)
Producer
Lake of Fire (2006)
Co-Executive Producer
Eternal Sunshine of the Spotless Mind (2004)
Producer
50 First Dates (2004)
Producer
Searching for the Wrong-Eyed Jesus (2004)
Executive Producer
Due East (2002)
Executive Producer
The Match (2001)
Executive Producer
Nurse Betty (2000)
Producer
Bounce (2000)
Producer
Being John Malkovich (1999)
Producer
Return to Paradise (1998)
Producer
Your Friends & Neighbors (1998)
Producer
The Game (1997)
Producer
A Thousand Acres (1997)
Producer
Sleepers (1996)
Producer
The Portrait of a Lady (1996)
Producer
Lord of Illusions (1995)
Executive Producer
Candyman: Farewell to the Flesh (1995)
Producer
A Pig's Tale (1994)
Producer
Dead Connection (1994)
Producer
Dream Lover (1993)
Executive Producer
Red Rock West (1993)
Producer
Kalifornia (1993)
Producer
Harlow: The Blonde Bombshell (1993)
Executive Producer
Ruby (1992)
Producer
A Stranger Among Us (1992)
Producer
Memphis (1992)
Executive Producer
Candyman (1992)
Producer
Madonna: Truth or Dare (1991)
Producer
A Climate For Killing (1991)
Executive Producer
Heat Wave Part 1 (1990)
Executive Producer
Heat Wave (1990)
Executive Producer
Heat Wave Part 2 (1990)
Executive Producer
Wild at Heart (1990)
Producer
Daddy's Dyin'... Who's Got the Will? (1990)
Producer
Fear, Anxiety, and Depression (1989)
Producer
Kill Me Again (1989)
Producer
The Blue Iguana (1988)
Producer
Private Investigations (1987)
Producer
American Drive-In (1987)
Associate Producer
Hard Rock Zombies (1985)
Associate Producer

Film Production - Main (Feature Film)

Nickel Mountain (1985)
Line Producer

Special Thanks (Feature Film)

The Interview (1995)
Special Thanks (Propaganda Films--Los Angeles)

Producer (Special)

Coca-Cola Pop Music "Backstage Pass to Summer" (1991)
Co-Executive Producer
Salute Your Shorts (1990)
Executive Producer

Producer (TV Mini-Series)

Celeste in the City (2004)
Executive Producer

Life Events

1981

Produced "The Penny Elf", starring Christopher Lloyd, while at the AFI

1983

Served as line producer for the feature film, "Nickel Mountain" (on which Sighvatsson also worked)

1985

Co-founded (with Sighvatsson) Propaganda Films

1987

Co-produced (with Sighvatsson) first feature film, "Private Investigations"

1988

Co-produced (with Sighvatsson) first feature film for their Propaganda Films, "The Blue Iguana"

1990

Co-executive produced TV-movie for TNT, "Heat Wave"

1999

Served as one of the producers of "Being John Malkovich"

2004

Produced second Charlie Kaufman film "Eternal Sunshine Of the Spotless Mind" starring Jim Carrey an Kate Winslet; film was nominated for a Golden Globe for Best Picture (Musical or Comedy)

2004

Executive Produced the Showtime drama "The L Word"

2006

Produced the ensemble drama, "Babel" directed and co-produced by Alejandro Gonzalez Inarritu; earned an Oscar nomination for Best Picture

Bibliography

Notes

Golin, on the successful approach Propaganda Films has taken in the entertainment business: "The only game plan we had when we started was to establish a business that was a positive cash flow business, that would give us the ability to be more flexible, to finance our own development on our own terms. The revenue from the video and commercial business is enough to let us survive and to give us a certain credibility with directors who don't want to take a project to a studio....We also like the music video business for other reasons, and that has to do with research and development. It's a great training ground for new talent. Music video takes only three days and costs maybe $150,000, so how big a disaster can it really be, even if you put somebody really inexperienced in there? We use video as a training ground, and if the people are good, then we move them into larger projects." ("New York Times", October 15, 1990)