Up the River


1h 32m 1930

Brief Synopsis

Two convicts break out to help an ex-con friend stay straight.

Film Details

Genre
Comedy
Crime
Prison
Release Date
Oct 12, 1930
Premiere Information
not available
Production Company
Fox Film Corp.
Country
United States

Technical Specs

Duration
1h 32m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,280ft (10 reels)

Synopsis

Two convicts, St. Louis and Dannemora Dan, break out of prison and split up when the former doublecrosses Dan and makes his getaway. Dan undergoes a brief religious conversion and joins the Brotherhood of Man, but upon seeing St. Louis around town with two pretty girls, he vents his wrath and both are sent back to jail. Judy, convicted on a bogus charge, falls for Steve; when paroled, he promises to wait for her. Meanwhile, Frosby, her former flame, learns of the love match and follows Steve to his New England home, threatening to expose him unless he cooperates in a swindle. Using the annual prison show as an excuse, St. Louis and Dan escape and arrive in New England to appropriate the bonds Steve's mother had turned over to Frosby, and they return in time to win the prison's annual baseball game.

Film Details

Genre
Comedy
Crime
Prison
Release Date
Oct 12, 1930
Premiere Information
not available
Production Company
Fox Film Corp.
Country
United States

Technical Specs

Duration
1h 32m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,280ft (10 reels)

Articles

Up the River


Two escaped convicts, St. Louis and Dannemora Dan, get into a brawl and are tossed back into prison where they share a cell with Steve who is serving a brief sentence for accidental manslaughter. Steve has fallen in love with Judy, a female prisoner in the adjoining women's prison who was framed for a crime by her former boyfriend Frosby. Steve vows to wait for Judy when he gets an early parole but finds himself blackmailed into helping Frosby with a new swindle. St. Louis and Dan, responding to Steve's request for help, break out of prison, put an end to Frosby's criminal career and return to their lockup in time for the prison's annual baseball game against Sing Sing.

The storyline for the prison comedy Up the River may not sound that promising or remarkable but this 1930 feature is historically important for several reasons. It marked the first and only time Spencer Tracy and Humphrey Bogart appeared together - it was Tracy's film debut and was only the second movie appearance for Bogie. More importantly, it was directed by John Ford who would go on to collaborate with Tracy once again, three decades later, in 1958's The Last Hurrah. (Tracy would also provide the narration for the 1962 epic, How the West Was Won, which featured a Civil War segment directed by Ford.)

Initially Up the River was conceived as a serious prison drama and Ford was convinced he'd found the perfect actor for the lead when he attended a performance of the play The Last Mile in New York. According to the Bill Davidson biography, Spencer Tracy: Tragic Idol, "Ford recalled that Fox gave him tickets for five plays on five different nights, but that he saw The Last Mile on the first night, and went back to see it again on each of the remaining four nights. He was enchanted with Tracy's performance. Ford, a hard-drinking Irishman...also became enchanted with Tracy's Hibernian carousing in an all-night roister at the Lambs Club. Ford took Tracy to Fox's New York headquarters and Tracy was signed to a one-picture deal, over the protests of the casting executives who remembered Tracy's Fox screen test, in which he had been made up as a bearded sailor who conversed in grunts. 'Never mind,' said Ford, 'I want him.' Almost as an afterthought, he also told them to sign another actor for the second role he had to fill for Up the River. He had seen this actor in the only matinee performance he had gone to that week. It was Humphrey Bogart."

When Tracy arrived in Hollywood to make Up the River he discovered there had been a change in plans due to the recent opening of the prison drama The Big House. Ford told him, 'Don't worry. Because of The Big House, we're going to make our prison picture into a comedy.' The director wasn't particularly upset about retooling the screenplay as a comedy because he thought Maurine Watkin's original scenario was "just a bunch of junk." Instead he hired comedian Bill Collier to write a new script and the result was an amusing B-movie.

According to Scott Eyman in his biography Print the Legend: The Life and Times of John Ford, Spencer Tracy "had given his word to Herman Shumlin that he'd go back to The Last Mile after he made the movie. Script problems kept putting off production, until Tracy's contract expired. "Of course you'll stay out here?" they asked Tracy, only to be alarmed by his answer. Ford kicked into gear and shot the picture in seventeen days so as to get Tracy back to New York as soon as possible. Ford and Tracy forged a bond, one that wasn't shared by anybody else in the cast. "Spence was a natural as if he didn't know a camera was there, or as if there had always been a camera when he acted before," said Ford. "His speech was decisive. He knew a straight line from a laugh line. If he had a chance for a laugh, he played it in a way that would get it." Ford didn't take to many actors the way he took to Tracy. There was, for example, Humphrey Bogart, who made the mistake of calling Ford "Jack" without being invited to. Ford immediately set about humiliating him. After every take he would call out, "How does that seem to you, Mr. Bogart?"

Warren Hymer, who plays the part of Dannemora Dan, was also not given preferential treatment by Ford. "For one scene, the actor had to stand against a board while a knife thrower threw knives at him. Hymer was terrified and Ford walked up and asked him, "If I do it, will you?" Embarrassed, Hymer nodded weakly. Ford then took his place and the thrower did his business. One of the blades caught the director's fingertip, though. Sucking the blood from his finger, Ford asked Hymer if he was ready. Although his knees were shaking, the actor managed to pull of the scene." (The Motion Picture Guide).

Up the River was popular with Depression era-audiences even if the critics didn't think it was a masterpiece. The New York Times reviewer wrote "Whatever may be one's opinion of depicting levity in a penitentiary, this screen offering often proved to be violently funny to the thousands who filled the seats in the big theatre yesterday afternoon. It has a number of clever incidents and lines, but now and again it is more than a trifle too slow."

As for Spencer Tracy, he often said Up the River was one of his most pleasant working experiences. The film was later remade in 1938 by director Alfred L. Werker with Preston Foster and Arthur Treacher in the roles played respectively by Tracy and Hymer and Tony Martin and Phyllis Brooks appear as the young couple helped by the convicts. Jane Darwell, a veteran of several Ford pictures, is also in the remake.

Producer: William Fox
Director: John Ford
Screenplay: William Collier, Sr., John Ford, Maurine Dallas Watkins
Cinematography: Joseph H. August
Film Editing: Frank E. Hull

Music: James Hanley, Joseph McCarthy
Cast: Spencer Tracy (Saint Louis), Claire Luce (Judy), Warren Hymer (Dannemora Dan), Humphrey Bogart (Steve), William Collier, Sr. (Pop), Joan Marie Lawes (Jean).
BW-92m.

by Jeff Stafford

SOURCES:
Print the Legend: The Life and Times of John Ford by Scott Eyman
John Ford: The Man and His Films by Tag Gallagher
Bogart by A.M. Sperber and Eric Lax
www.afi.com
Spencer Tracy: A Bio-Bibliography by James Fisher
Spencer Tracy: Tragic Idol by Bill Davidson
Up The River

Up the River

Two escaped convicts, St. Louis and Dannemora Dan, get into a brawl and are tossed back into prison where they share a cell with Steve who is serving a brief sentence for accidental manslaughter. Steve has fallen in love with Judy, a female prisoner in the adjoining women's prison who was framed for a crime by her former boyfriend Frosby. Steve vows to wait for Judy when he gets an early parole but finds himself blackmailed into helping Frosby with a new swindle. St. Louis and Dan, responding to Steve's request for help, break out of prison, put an end to Frosby's criminal career and return to their lockup in time for the prison's annual baseball game against Sing Sing. The storyline for the prison comedy Up the River may not sound that promising or remarkable but this 1930 feature is historically important for several reasons. It marked the first and only time Spencer Tracy and Humphrey Bogart appeared together - it was Tracy's film debut and was only the second movie appearance for Bogie. More importantly, it was directed by John Ford who would go on to collaborate with Tracy once again, three decades later, in 1958's The Last Hurrah. (Tracy would also provide the narration for the 1962 epic, How the West Was Won, which featured a Civil War segment directed by Ford.) Initially Up the River was conceived as a serious prison drama and Ford was convinced he'd found the perfect actor for the lead when he attended a performance of the play The Last Mile in New York. According to the Bill Davidson biography, Spencer Tracy: Tragic Idol, "Ford recalled that Fox gave him tickets for five plays on five different nights, but that he saw The Last Mile on the first night, and went back to see it again on each of the remaining four nights. He was enchanted with Tracy's performance. Ford, a hard-drinking Irishman...also became enchanted with Tracy's Hibernian carousing in an all-night roister at the Lambs Club. Ford took Tracy to Fox's New York headquarters and Tracy was signed to a one-picture deal, over the protests of the casting executives who remembered Tracy's Fox screen test, in which he had been made up as a bearded sailor who conversed in grunts. 'Never mind,' said Ford, 'I want him.' Almost as an afterthought, he also told them to sign another actor for the second role he had to fill for Up the River. He had seen this actor in the only matinee performance he had gone to that week. It was Humphrey Bogart." When Tracy arrived in Hollywood to make Up the River he discovered there had been a change in plans due to the recent opening of the prison drama The Big House. Ford told him, 'Don't worry. Because of The Big House, we're going to make our prison picture into a comedy.' The director wasn't particularly upset about retooling the screenplay as a comedy because he thought Maurine Watkin's original scenario was "just a bunch of junk." Instead he hired comedian Bill Collier to write a new script and the result was an amusing B-movie. According to Scott Eyman in his biography Print the Legend: The Life and Times of John Ford, Spencer Tracy "had given his word to Herman Shumlin that he'd go back to The Last Mile after he made the movie. Script problems kept putting off production, until Tracy's contract expired. "Of course you'll stay out here?" they asked Tracy, only to be alarmed by his answer. Ford kicked into gear and shot the picture in seventeen days so as to get Tracy back to New York as soon as possible. Ford and Tracy forged a bond, one that wasn't shared by anybody else in the cast. "Spence was a natural as if he didn't know a camera was there, or as if there had always been a camera when he acted before," said Ford. "His speech was decisive. He knew a straight line from a laugh line. If he had a chance for a laugh, he played it in a way that would get it." Ford didn't take to many actors the way he took to Tracy. There was, for example, Humphrey Bogart, who made the mistake of calling Ford "Jack" without being invited to. Ford immediately set about humiliating him. After every take he would call out, "How does that seem to you, Mr. Bogart?" Warren Hymer, who plays the part of Dannemora Dan, was also not given preferential treatment by Ford. "For one scene, the actor had to stand against a board while a knife thrower threw knives at him. Hymer was terrified and Ford walked up and asked him, "If I do it, will you?" Embarrassed, Hymer nodded weakly. Ford then took his place and the thrower did his business. One of the blades caught the director's fingertip, though. Sucking the blood from his finger, Ford asked Hymer if he was ready. Although his knees were shaking, the actor managed to pull of the scene." (The Motion Picture Guide). Up the River was popular with Depression era-audiences even if the critics didn't think it was a masterpiece. The New York Times reviewer wrote "Whatever may be one's opinion of depicting levity in a penitentiary, this screen offering often proved to be violently funny to the thousands who filled the seats in the big theatre yesterday afternoon. It has a number of clever incidents and lines, but now and again it is more than a trifle too slow." As for Spencer Tracy, he often said Up the River was one of his most pleasant working experiences. The film was later remade in 1938 by director Alfred L. Werker with Preston Foster and Arthur Treacher in the roles played respectively by Tracy and Hymer and Tony Martin and Phyllis Brooks appear as the young couple helped by the convicts. Jane Darwell, a veteran of several Ford pictures, is also in the remake. Producer: William Fox Director: John Ford Screenplay: William Collier, Sr., John Ford, Maurine Dallas Watkins Cinematography: Joseph H. August Film Editing: Frank E. Hull Music: James Hanley, Joseph McCarthy Cast: Spencer Tracy (Saint Louis), Claire Luce (Judy), Warren Hymer (Dannemora Dan), Humphrey Bogart (Steve), William Collier, Sr. (Pop), Joan Marie Lawes (Jean). BW-92m. by Jeff Stafford SOURCES: Print the Legend: The Life and Times of John Ford by Scott Eyman John Ford: The Man and His Films by Tag Gallagher Bogart by A.M. Sperber and Eric Lax www.afi.com Spencer Tracy: A Bio-Bibliography by James Fisher Spencer Tracy: Tragic Idol by Bill Davidson

Quotes

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Miscellaneous Notes

Released in United States 1930

Released in United States 1930