The Rag Man


1h 7m 1925
The Rag Man

Brief Synopsis

In this silent film, a runaway orphan helps a junk dealer make his fortune.

Film Details

Genre
Comedy
Drama
Silent
Release Date
Feb 16, 1925
Premiere Information
not available
Production Company
Metro-Goldwyn Pictures Corp.
Distribution Company
Metro-Goldwyn Distributing Corp.
Country
United States

Technical Specs

Duration
1h 7m
Sound
Silent
Color
Black and White
Theatrical Aspect Ratio
1.33 : 1
Film Length
5,968ft (6 reels)

Synopsis

When a fire breaks out in an orphanage on the East Side of New York, little Timothy Patrick Aloysius Michael Kelly runs away wearing only his nightclothes. Chased by a policeman, Tim takes refuge in the junk wagon of Max Ginsberg. The next morning, the lonely old man is impressed by Tim's honesty for returning his coin purse, which had fallen onto the street, and offers him a five-cent reward, but Tim declines, asking for a job instead. Max at first refuses, but takes pity on the boy, who soon becomes his constant, loving companion and a partner in Max's rag and bottle business. One day, Max relates the story of what happened to him fifteen years before: Working as a sewing machine operator in Greenberg's factory, Max impresses his boss with a new invention.

Following his boss's advice to see a lawyer and obtain a patent, Max signs papers drawn up by unscrupulous lawyers Bernard and Winkler, who cheat him out of his invention and force him into poverty while they become millionaires. For years, honest attorney Richard L. Scott has been trying to help Max, but lack of written proof of Max's claim has thwarted him. Max sadly admits to Tim that he does not even know where Bernard and Winkler are.

Unknown to Max, Winkler has died, but Bernard is still alive and lives in a posh New York neighborhood. One day, when Max's rheumatism prevents him from taking his cart out to collect junk, Tim convinces him to let him do the work. At Bernard's house, his wife and the maid are so enamored of little Tim that Mrs. Bernard gives the boy some of her husband's old clothes, unaware that one jacket contains a 1910 letter written to Bernard by Winkler. In the letter, Winkler reveals that he is dying and feels guilty over what they have done to Max and implores his former partner to make amends. Not understanding the significance of the letter, Tim uses it to plug a hole in their horse Dynamite's feedbag. Later, Scott comes to visit and explains that he has learned that Bernard is living somewhere in New York under the name Bishop.

Overhearing some of the details of Bernard and Winkler's fraud, Tim realizes that the letter is proof of Max's claim, but when he goes to get it, the feedbag only contains blackened scraps. Without saying anything to Max, Tim goes to the home where he had received the coat and asks to see "Mr. Bernard." Ashamed, Mrs. Bernard says nothing and shows Tim in to see her husband. Bernard is unmoved by Tim's pleas and tells him that he has no legal proof of the claim after Tim reveals that Winkler's letter has been destroyed. Because he has failed to help his beloved Max, Tim sadly goes home and removes the name "Kelly" from the "Ginzberg and Kelly" sign on the wagon. Although not explaining why, Tim then tells Max that he has to go back to the orphanage. Max is broken-hearted, and begs him to stay, but Tim insists he must leave.

Just then, Bernard arrives. Following Max's strong rebukes, Bernard says that he wants to make amends and plans to give him $200,000 for the invention because Tim made him realize that he has been wrong. When Tim says that Bernard also owes interest, they laugh, and Bernard promises to return the next day with the money and the interest. Tim, who has just discovered that the letter was not destroyed after all, is about to tear it up but secretly decides to keep it in a safe place, just in case. Tim and Max joyfully embrace after Bernard leaves, and Max agrees to let their partnership be changed from "Ginsberg and Kelly" to "Kelly and Ginsberg." Some time later, Max and Tim have become the largest antiques dealers in New York and enjoy playing golf at a swank country club.

Film Details

Genre
Comedy
Drama
Silent
Release Date
Feb 16, 1925
Premiere Information
not available
Production Company
Metro-Goldwyn Pictures Corp.
Distribution Company
Metro-Goldwyn Distributing Corp.
Country
United States

Technical Specs

Duration
1h 7m
Sound
Silent
Color
Black and White
Theatrical Aspect Ratio
1.33 : 1
Film Length
5,968ft (6 reels)

Articles

The Rag Man


TCM's screening of the silent comedy The Rag Man (1925) marks the movie's premiere with its new score by Linda Martinez, winner of our 2003 Young Film Composers Competition. Chosen from a field of over 600 entrants, Martinez became the first female winner in the competition's history. Her prize included the opportunity to create a score for the film with mentoring from renowned composer Elmer Bernstein, plus a cash prize of $10,000.

Four years after Charles Chaplin's The Kid (1921) launched his career as a major child star, 11-year-old Jackie Coogan starred in The Rag Man as Tim, an orphan who goes on the lam after a fire destroys the orphanage where he had been living on New York's Lower East Side. Taken in by a kindly old "rag man" (Max Davidson), Tim proves himself an astute young businessman and helps the old man recover the patent to a sewing machine he invented years before. Finding success in the antiques trade, the two settle down to enjoy their riches.

For a few brief years, Coogan (1914-1984) had an extraordinary career as a child actor, earning a salary that was among Hollywood's highest and receiving a million and a half dollars just for switching from First National to Metro. After losing his childish charm, however, he found his career going quickly downhill, and by the mid-1930s he was all but forgotten.

Coogan's legal wrangling with his family over the fortune he earned as a child led to California's Child Actor Bill, popularly known as the Coogan Act, which protected juvenile performers by creating court-administered trust funds for them. Later in life, Coogan enjoyed a prolific career in television, where his roles included that of "Uncle Fester" in The Addams Family. The first of his four showgirl wives was future star Betty Grable.

Director: Edward F. Cline
Screenplay: Willard Mack, with titles by Robert Hopkins
Cinematography: Frank B. Good, Robert Martin
Original Music: Linda Martinez
Editing: Irene Morra
Principal Cast: Jackie Coogan (Tim Kelly), Max Davidson (Max Ginsberg), Lydia Yeamans Titus (Mrs. Mallory), Robert Edeson (Mr. Bernard), Dynamite the Horse (Himself).
BW-68m.

by Roger Fristoe
The Rag Man

The Rag Man

TCM's screening of the silent comedy The Rag Man (1925) marks the movie's premiere with its new score by Linda Martinez, winner of our 2003 Young Film Composers Competition. Chosen from a field of over 600 entrants, Martinez became the first female winner in the competition's history. Her prize included the opportunity to create a score for the film with mentoring from renowned composer Elmer Bernstein, plus a cash prize of $10,000. Four years after Charles Chaplin's The Kid (1921) launched his career as a major child star, 11-year-old Jackie Coogan starred in The Rag Man as Tim, an orphan who goes on the lam after a fire destroys the orphanage where he had been living on New York's Lower East Side. Taken in by a kindly old "rag man" (Max Davidson), Tim proves himself an astute young businessman and helps the old man recover the patent to a sewing machine he invented years before. Finding success in the antiques trade, the two settle down to enjoy their riches. For a few brief years, Coogan (1914-1984) had an extraordinary career as a child actor, earning a salary that was among Hollywood's highest and receiving a million and a half dollars just for switching from First National to Metro. After losing his childish charm, however, he found his career going quickly downhill, and by the mid-1930s he was all but forgotten. Coogan's legal wrangling with his family over the fortune he earned as a child led to California's Child Actor Bill, popularly known as the Coogan Act, which protected juvenile performers by creating court-administered trust funds for them. Later in life, Coogan enjoyed a prolific career in television, where his roles included that of "Uncle Fester" in The Addams Family. The first of his four showgirl wives was future star Betty Grable. Director: Edward F. Cline Screenplay: Willard Mack, with titles by Robert Hopkins Cinematography: Frank B. Good, Robert Martin Original Music: Linda Martinez Editing: Irene Morra Principal Cast: Jackie Coogan (Tim Kelly), Max Davidson (Max Ginsberg), Lydia Yeamans Titus (Mrs. Mallory), Robert Edeson (Mr. Bernard), Dynamite the Horse (Himself). BW-68m. by Roger Fristoe

Quotes

Trivia

Notes

The opening title card reads "Metro-Goldwyn presents Jackie Coogan in The Rag Man." Coogan's name is also listed in the Cast of Characters list, appearing last, just before the story begins. Coogan and Max Davidson revived their roles for the film Old Clothes, released in November 1925. That film was also a Metro-Goldwyn production directed by Edward F. Cline.
       In 2004, when the film was broadcast on the Turner Classic Movies cable channel, it was accompanied by a new score written by composer Linda Martinez (1976-2005), the 2003 winner of the Turner Classic Movies Young Film Composers competition.