The Man in the Net


1h 37m 1959
The Man in the Net

Brief Synopsis

An artist falsely accused of ransacking his own house is proved innocent by the children of the neighborhood.

Film Details

Genre
Drama
Adaptation
Release Date
Apr 1959
Premiere Information
not available
Production Company
The Mirisch Company, Inc.
Distribution Company
United Artists Corp.
Country
United States
Location
Connecticut, USA; Connecticut, United States; Massachusetts, United States
Screenplay Information
Based on the novel The Man in the Net by Patrick Quentin (New York, 1956).

Technical Specs

Duration
1h 37m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.66 : 1

Synopsis

In the small town of Stoneville, Connecticut, former commercial artist John Hamilton pursues his dream of becoming a successful creative artist, sketching and painting several local children, including Emily and Angel Jones, Buck Ritter, Timmie Moreland and Leroy. Having left behind a hectic position in nearby New York City to realize his ambitions and help his high-strung wife Linda combat her dependence on alcohol, John nevertheless finds himself an outsider with the townspeople. One afternoon, a bored Linda criticizes John for spending all his time with the children and complains about their sedate country life. When John reveals he has refused a job offer with a substantial salary from the Charles Raines agency in New York, Linda is furious and demands he reconsider. John reminds Linda that the stress of their lives in the city drove her to drink, but she remains inconsolable. In spite of their argument, Linda insists that John attend a party given by Brad and Vickie Carey. John reluctantly goes and although uncomfortable with the unpleasant gossip of the other guests, including Brad's wealthy father, Mr. Carey, and Timmie's parents, Gordon and Roz Moreland, he stays out of consideration for Vickie. Just before dinner, a drunken Linda, sporting a black eye, arrives at the Careys where she derides John as a failure and claims that he struck her during an argument over his refusal of the job offer. The guests are startled when, in explanation, John reveals that Linda has long been an alcoholic. As the Hamiltons take their leave, Vickie offers to help if she can. In the car, Linda confesses that she received the bruised eye after falling in the woods. Later at home, Linda admits that she called Raines to set up a meeting with John the next day in New York. When an angry John hesitates, Linda becomes hysterical, declaring that she and Buck's father, policeman Steve Ritter, have been having an affair, prompting the necessity to leave Stoneville. John agrees to meet with Raines on the condition that Linda resumes seeing a psychiatrist. The next day, while John packs for his overnight trip, Linda apologizes and admits that she lied about Ritter. On the train, John runs into Brad, who is also making a business trip, and agrees to meet him later in the city for cocktails. In the city, John refuses Raines's offer, then goes to the offices of Linda's former doctor, Dr. Allistor, but learns he is on a long vacation. Upon returning home the next day, John is shocked to find the house and his studio in shambles and Linda missing. John then finds a typewritten note from Linda declaring she has left him, and telephones Vickie for help. Later, Gordon calls John to inform him that a suitcase with Linda's clothes has been found at the dump. John joins Ritter and the Morelands there, but there is no sign of Linda. Ritter summons Capt. Green, who meets them at the Hamilton house to begin an investigation. Ritter and Green, aware of the revelations made at the Carey party, question John harshly and imply that he is lying about not knowing Linda's whereabouts. When a pair of John's pants is found with holes and stains on them, Green insists on taking them for police analysis and orders John to remain at home. Later that evening, Vickie visits John to relay the rumor spreading throughout town that he killed Linda. The next morning, young Emily delivers John's mail and describes overhearing everyone discussing John's guilt. Among his mail, John is puzzled to find a bill from an out-of-town hardware store for a large amount of quick-dry cement. Suspicious, John searches the house and, near the shed that houses his art studio, finds a trail of cement powder that leads to a wood pile, under which he finds a large hole cemented over. Vickie calls John to warn him that an agitated group of men from town are heading toward his home. The men arrive and begin throwing rocks at the house, calling John a murderer. Frightened, John manages to escape out of the back door just as Ritter arrives and organizes the men into search parties. Hurrying through the woods, John is spotted by Emily, who takes him to a secret cave that she and Angel have discovered. John asks Emily to tell Ritter that she loaned him her bike to ride out of town and after she leaves, Angel surprises John by calling Linda a liar. At John's prompting, Angel reveals coming upon Linda two weeks earlier leaving an abandoned house known by everyone as "the chimney house" with a man Angel could not identify. Linda asked Angel not to tell anyone about seeing her and when the child admired a fancy gold bracelet with letters spelling out Linda's name, the woman promised to get her one. After telling Ritter that John bicycled out of town, Emily rounds up the other children and takes them to the cave, where they all agree to help John. The next day, John asks Buck and Leroy to go with him to search his house for the bracelet Angel described, as he believes Linda's lover and murderer gave it to her. The boys accompany John to his house where each boy distracts the police guard while John finds the bracelet, along with other pieces of jewelry and an audio tape reel. Upon listening to a portion of the tape, John hears Linda addressing a man endearingly and suspects the man's voice belongs to Gordon. Later at the cave, John asks Emily to hide the box with the jewelry and a blank tape reel at the chimney house, then attend Timmie's birthday party, where she is to make sure Gordon sees the bracelet and tell him she found it while playing at the abandoned house. At the party, after Emily loudly shows off the bracelet, attracting the attention of all the adults, Timmie inadvertently mentions John, and Gordon forces his son to reveal John's location. Emily tells Vickie that John wants to meet her at the chimney house, and they hasten to get John. At the chimney house, John, Vickie and Emily wait to see if Gordon will arrive to get the incriminating tape, and all are stunned when Brad appears and takes it. Meanwhile, Ritter stops Buck near the cave and demands he lead them to John. The entire group confronts John at the chimney house but he refuses to surrender until they hear the entire contents of the tape. On the tape Brad declares his love for Linda and that his father made him marry Vickie for her money to save the family business. Ritter then orders those involved to go to headquarters where, in front of Green, John accuses Brad of having help in killing the demanding Linda. Mr. Carey breaks down and admits he killed Linda for the weak, incompetent Brad and framed John. Months later, just after winning an award for his painting of the children, John picnics happily in the park with Vickie and the youngsters.

Film Details

Genre
Drama
Adaptation
Release Date
Apr 1959
Premiere Information
not available
Production Company
The Mirisch Company, Inc.
Distribution Company
United Artists Corp.
Country
United States
Location
Connecticut, USA; Connecticut, United States; Massachusetts, United States
Screenplay Information
Based on the novel The Man in the Net by Patrick Quentin (New York, 1956).

Technical Specs

Duration
1h 37m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.66 : 1

Articles

The Man in the Net


By the late 1950s, Michael Curtiz was having a difficult time finding worthwhile projects. The director of The Adventures of Robin Hood (1938), Casablanca (1942), and Mildred Pierce (1945) often undertook projects for the money to meet the maintenance agreements he had signed in 1954 to support illegitimate children he allegedly fathered. He may have considered The Man in the Net (1959) one such film, and it remains little more than a footnote to an illustrious career.

Alan Ladd had also seen better times. After ten years in the business doing small roles and such uncredited bits as the barely seen pipe-smoking reporter in Citizen Kane (1941), the actor broke through to stardom with the back-to-back release of two film noir classics This Gun for Hire (1942) and The Glass Key (1942). He became a mainstay of 40s films, usually as the brooding, laconic tough guy with a shadowy past, an image that reached its peak - along with Ladd's career - in the Western Shane (1953). After that, although he continued to work regularly, Ladd's popularity began to wane, contributing to his already depressive nature and increasingly severe alcoholism. By the late 50s, he needed a solid hit in a good picture so he agreed to take on The Man in the Net, having recently completed another film with Curtiz, The Proud Rebel (1958), which featured the actor's young son David (later husband of Charlie's Angels star Cheryl Ladd).

In the film, Ladd plays painter John Hamilton, whose alcoholic, mentally disturbed wife Linda keeps pressuring him to leave their cozy New England home and return to New York, where he had been a successful advertising artist. But he prefers to remain in his quiet, rural surroundings, painting the lively activities of the neighborhood kids. Returning from a day trip to the city, Hamilton finds his house ransacked, his paintings slashed, and his wife missing. All of the evidence seems to point to him, and his neighbors are ready to lynch him - except for their children who believe he's innocent.

The Man in the Net never really found an audience, and critics mainly praised the superior performances of the child actors, ignoring the leading players. Ladd was left still needing a hit; ironically, the picture was overshadowed at the box office by the re-release of Shane that year. He made five more pictures, all of them less successful than this one, and in 1962 he attempted suicide. Finally he found a good though minor role as Nevada Smith in the hit movie, The Carpetbaggers (1964). Unfortunately, he died two years later of what is believed to be an accidental overdose of alcohol and sedatives.

Ever the survivor, Curtiz kept working until shortly before his death in 1962. He made four more pictures after The Man in the Net; the last of these, The Comancheros (1961), a John Wayne Western, is generally considered a return to his former directorial glory.

Carolyn Jones, who plays Ladd's wife in this picture, appeared in about 40 feature films but is best known to today's audiences as the gothically glam Morticia on the popular Addams Family TV show of the 1960s. She was cast opposite the diminutive Ladd despite being previously rejected by him as being too tall to be his female lead in The Deep Six (1958).

After The Man in the Net, acclaimed cinematographer John Seitz worked on two more movies in 1959 and then retired, ending a 43-year career. Seitz had done outstanding work on such films as Double Indemnity (1944), The Lost Weekend (1945), and Sunset Boulevard (1950), all for director Billy Wilder, several Preston Sturges films, and much of the "Dr. Kildare" series. Seitz photographed Alan Ladd in 22 other films (they were both under contract to Paramount for many years), including This Gun for Hire and The Great Gatsby (1949).

Director: Michael Curtiz
Producer: Walter Mirisch
Screenplay: Reginald Rose, Hugh Wheeler
Cinematography: John F. Seitz
Editing: Richard V. Heermance
Art Direction: Hilyard M. Brown
Original Music: Hans J. Salter
Cast: Alan Ladd (John Hamilton), Carolyn Jones (Linda Hamilton), Diane Brewster (Vicki Carey), John Lupton (Brad Carey), Charles McGraw (Sheriff Steve Ritter).
BW-97m.

by Rob Nixon
The Man In The Net

The Man in the Net

By the late 1950s, Michael Curtiz was having a difficult time finding worthwhile projects. The director of The Adventures of Robin Hood (1938), Casablanca (1942), and Mildred Pierce (1945) often undertook projects for the money to meet the maintenance agreements he had signed in 1954 to support illegitimate children he allegedly fathered. He may have considered The Man in the Net (1959) one such film, and it remains little more than a footnote to an illustrious career. Alan Ladd had also seen better times. After ten years in the business doing small roles and such uncredited bits as the barely seen pipe-smoking reporter in Citizen Kane (1941), the actor broke through to stardom with the back-to-back release of two film noir classics This Gun for Hire (1942) and The Glass Key (1942). He became a mainstay of 40s films, usually as the brooding, laconic tough guy with a shadowy past, an image that reached its peak - along with Ladd's career - in the Western Shane (1953). After that, although he continued to work regularly, Ladd's popularity began to wane, contributing to his already depressive nature and increasingly severe alcoholism. By the late 50s, he needed a solid hit in a good picture so he agreed to take on The Man in the Net, having recently completed another film with Curtiz, The Proud Rebel (1958), which featured the actor's young son David (later husband of Charlie's Angels star Cheryl Ladd). In the film, Ladd plays painter John Hamilton, whose alcoholic, mentally disturbed wife Linda keeps pressuring him to leave their cozy New England home and return to New York, where he had been a successful advertising artist. But he prefers to remain in his quiet, rural surroundings, painting the lively activities of the neighborhood kids. Returning from a day trip to the city, Hamilton finds his house ransacked, his paintings slashed, and his wife missing. All of the evidence seems to point to him, and his neighbors are ready to lynch him - except for their children who believe he's innocent. The Man in the Net never really found an audience, and critics mainly praised the superior performances of the child actors, ignoring the leading players. Ladd was left still needing a hit; ironically, the picture was overshadowed at the box office by the re-release of Shane that year. He made five more pictures, all of them less successful than this one, and in 1962 he attempted suicide. Finally he found a good though minor role as Nevada Smith in the hit movie, The Carpetbaggers (1964). Unfortunately, he died two years later of what is believed to be an accidental overdose of alcohol and sedatives. Ever the survivor, Curtiz kept working until shortly before his death in 1962. He made four more pictures after The Man in the Net; the last of these, The Comancheros (1961), a John Wayne Western, is generally considered a return to his former directorial glory. Carolyn Jones, who plays Ladd's wife in this picture, appeared in about 40 feature films but is best known to today's audiences as the gothically glam Morticia on the popular Addams Family TV show of the 1960s. She was cast opposite the diminutive Ladd despite being previously rejected by him as being too tall to be his female lead in The Deep Six (1958). After The Man in the Net, acclaimed cinematographer John Seitz worked on two more movies in 1959 and then retired, ending a 43-year career. Seitz had done outstanding work on such films as Double Indemnity (1944), The Lost Weekend (1945), and Sunset Boulevard (1950), all for director Billy Wilder, several Preston Sturges films, and much of the "Dr. Kildare" series. Seitz photographed Alan Ladd in 22 other films (they were both under contract to Paramount for many years), including This Gun for Hire and The Great Gatsby (1949). Director: Michael Curtiz Producer: Walter Mirisch Screenplay: Reginald Rose, Hugh Wheeler Cinematography: John F. Seitz Editing: Richard V. Heermance Art Direction: Hilyard M. Brown Original Music: Hans J. Salter Cast: Alan Ladd (John Hamilton), Carolyn Jones (Linda Hamilton), Diane Brewster (Vicki Carey), John Lupton (Brad Carey), Charles McGraw (Sheriff Steve Ritter). BW-97m. by Rob Nixon

Quotes

Trivia

Notes

According to the Filmfacts review, The Man in the Net was shot partially on location in Massachusetts and Connecticut. The Variety and Filmfacts reviews list Harold Lavelle as the editor, but only Richard V. Heermance is listed in the onscreen credits.

Miscellaneous Notes

Released in United States 1959

Released in United States 1959