Free Willy


1h 52m 1993

Brief Synopsis

An orphaned boy forms a relationship with a killer whale living in captivity.

Film Details

Also Known As
Liberad a Willy, Rädda Willy, Sauvez Willy
MPAA Rating
Genre
Adventure
Drama
Family
Release Date
1993
Distribution Company
WARNER BROS. PICTURES DISTRIBUTION (WBPD)
Location
Portland, Oregon, USA; Mexico City, Mexico; Los Angeles, California, USA; Astoria, Oregon, USA

Technical Specs

Duration
1h 52m

Synopsis

A boy's best friend is his whale in this gentle coming-of-age story. Jesse (Jason James Richter) is an orphan placed in foster care after being caught vandalizing the local amusement park. When he's sentenced to cleaning up the park's whale exhibit, he finds new friends in the employees (Lori Petty, August Schellenberg) and the orca in their charge. When the whale's life is threatened by the park's greedy owner (Michael Ironside), it's up to the boy to release his unlikely friend from captivity.

Crew

Matt Alper

Camera Assistant

Jennifer Amerine

Production

Christopher Amy

Assistant Property Master

Rick Anderson

Other

Linda Arvidson

Stunts

Paul J Ary

Lighting

Kelley Balcolmb-bartok

Assistant Camera Operator

Mitchell Barham

Mechanical Special Effects

Ron Batzdorff

Photography

Shauna Beal

Assistant

John Bettis

Song

Matthew J. Birch

Assistant

Corey Blechman

Screenplay

Adam Wolohan Bogle

Production

William Boiko

Production Designer

Ty Boyce

Production Designer

Charles Brown

Dolly Grip

O Nicholas Brown

Editor

Donald Bryant

Camera Operator

Jesus Buenrostro

Construction Coordinator

Jamie Bunch-elliott

Stunts

Heather Burton

Stunts

Laura Bustamante

Other

Charles Butcher

Art Director

David Caldwell

Other

Bryan Carroll

Assistant Editor

Tim Chau

Sound Design

Jeffrey Clark

Sound Editor

Hugh Conlon

Foreman

Walt Conti

Digital Effects Supervisor

Mark Cotone

Assistant Director

Arturo Curiel

Transportation Captain

Sally Jo Dakota

Song

Nina Davidovich

Assistant

Steve Davy

Other

R. Michael De Chellis

Rigging Gaffer

Brett Decarroll

Production

Debi Derryberry

Stunts

John Desjardin

Video

Tim Desmond

Consultant

Tim Donahue

Video

Lauren Shuler Donner

Producer

Richard Donner

Executive Producer

Tawny Duel

Production Assistant

Antoine Durr

Video

Gene Duval

Mechanical Special Effects

Jerry Edemann

Assistant Sound Editor

Stephanie Englert

Other

Mike Fantasia

Location Manager

Patricia Fay

Location Manager

April Ferry

Costume Designer

David Ferry

Costumes

Scott Fieldsteel

Lighting

Pieter Folkens

Other

Alexandria Forster

Costumes

Penelope L Foster

Coproducer

Paul Frazier

Song

Harold Fuhrman

Set Designer

Primrose Y Fukuchi

Assistant Production Accountant

Gerald Gadette

Other

Laura Gary

Other

Albert Gasser

Sound Editor

Arthur Gelb

Graphic Designer

Nicole Gelbard

Casting Associate

Lenny Geschke

Sound Editor

Bruce Gfeller

Construction Coordinator

Ricardo Gil

Assistant Property Master

Gary Gillingham

Production Accountant

Daniel C Gold

Assistant Camera Operator

Heidy Gomez

Foreman

Simone Good

Other

J. Mills Goodloe

Assistant

Lynda Gordon

Casting

Robbie Greenberg

Dp/Cinematographer

Robbie Greenberg

Director Of Photography

Dewey Gene Grigg

Special Effects Foreman

Lisa Guerriero

Assistant Camera Operator

Rhonda Gunner

Video

Hugo Gutierrez

Assistant Director

Conrad W. Hall

Camera Operator

Randy Hall

Stunts

Greg Hanson

Assistant Property Master

Robert Hedland

Assistant Editor

Robert S Henderson

Special Effects

Elsa Hermoso

Accounting Assistant

Jay Herron

Assistant Camera Operator

Carmen Hocson

Assistant Sound Editor

Henner Hofmann

Camera Operator

Richard Hollander

Video

Jonathan Horton

Other

Michael Jackson

Song

Sylvester Jackson

Song

T J Jackson

Song

Taj Jackson

Song

Taryll Jackson

Song

William Jacobs

Sound Editor

Chris Jargo

Adr Editor

Nils C Jensen

Sound Editor

David Kelley

Other

David Kern

Sound Editor

Clark King

Sound Mixer

Robert E King

Other

William R King

Boom Operator

Robin Knight

Key Grip

Andy Kopra

Video

Stephanie Krivacek

Adr Editor

Dennis Kuneff

Best Boy

Cece Neber Labao

Assistant

Sherman Labby

Visual Effects

Marty Lamarr

Production

Gail Laule

Consultant

Cathy Lawrence

Assistant

Joseph Lawson

Production

Dan Lester

Special Effects Foreman

Kathy Liska

Assistant

Robert J Litt

Rerecording

Jack Lombar

Stunts

Hector Lopez

Production Manager

Carol Lukens

Extras Agent/Coordinator

Deborah Lukens

Extras Agent/Coordinator

Krissy Luster

Other

Raul Maldonado

Mechanical Special Effects

Austin Marcos

Transportation Captain

Mark Marshall

Associate Producer

Allister Matheson

Assistant Camera Operator

Jonas C. Matz

Other

Charles May

Video

Joe Mayer

Adr Editor

Larry Mcconkey

Steadicam Operator

Mary Olivia Mcintosh

Set Decorator

Gregory L Mcmurry

Video

Greig Mcritchie

Original Music

Russell Mead

Mechanical Special Effects

Douglas Merrifield

Associate Producer

David L Merrill

Dolly Grip

Thomas Milano

Music Editor

Arnon Milchan

Executive Producer

Enrique Morales

Best Boy

Brian Morgan

Song

Patrick Murray

Gaffer

Erik L Nelson

Property Master

Mike Nomad

Other

Thomas J. O'connell

Adr Mixer

Susanna Paloma-estrada

Animal Trainer

James Plannette

Lighting Technician

Dan Plum

Stunts

Basil Poledouris

Music

Steve Porcaro

Song

Cynthia Pusheck

Assistant Camera Operator

Patty Reid

Assistant

Jackie Resch

Stunts

Greg Richards

Mechanical Special Effects

Scott Riley

Mechanical Special Effects

Rick Rische

Video

Sol Rivera

Craft Service

John Roesch

Foley Artist

Armando Rojo

Animal Trainer

Pete Romano

Photography

Pete Romano

Dp/Cinematographer

Pete Romano

Director Of Photography

Wayne W Rose

Special Effects

Charles Rosen

Production Designer

Cheri Ruff

Hair Stylist

Greg P. Russell

Rerecording

Lisa A Satriano

Production

Marc Scaparro

Video

Dennis R. Scott

Stunt Coordinator

Ernesto Serrano

Dolly Grip

Salvador Serrano

Key Grip

Scott Sharpe

Animal Trainer

Lauren Shuler Donner

Producer

Joel Sill

Music

Charles Skouras

Unit Production Manager

Charles Ewing Smith

Sound Editor

Dennis Smith

Steadicam Operator

Marty Snyderman

Photography

Richard Solomon

Coproducer

Alisa Stateman

Assistant Director

Alicia M Stevenson

Foley Artist

David Stump

Video

Eric Sugden

Stunts

Bruce Swedien

Song

Bob Talbot

Dp/Cinematographer

Bob Talbot

Cinematographer

Judy Taylor

Casting

Mark Terzich

Mechanical Special Effects

Joseph E Thibo

Camera Operator

Peter Tomaszewicz

Sound Editor

P R Tooke

Script Supervisor

Neil Toussaint

Camera Assistant

Jennie Lew Tugend

Producer

Daniel Turk

Foreman

Elliot Tyson

Rerecording

Jim Van Wyck

Assistant Director

Jim Van Wyck

Coproducer

Christa Vausbinder

Production Associate

Rene Villarreal

Assistant Director

Theresa Wachter

Art Director

Narada Michael Walden

Song

Keith A Walker

From Story

Film Details

Also Known As
Liberad a Willy, Rädda Willy, Sauvez Willy
MPAA Rating
Genre
Adventure
Drama
Family
Release Date
1993
Distribution Company
WARNER BROS. PICTURES DISTRIBUTION (WBPD)
Location
Portland, Oregon, USA; Mexico City, Mexico; Los Angeles, California, USA; Astoria, Oregon, USA

Technical Specs

Duration
1h 52m

Articles

Free Willy


A troubled young boy and his best friend--a killer whale. What could be more heartwarming? An unlikely plot for a hit movie, to be sure, but Free Willy surprised everyone by becoming the runaway summer box office hit of 1993.

Free Willy tells the story of Jesse (Jason James Richter), a 12-year-old street kid in and out of foster care who gets nabbed by police while vandalizing a theme park. He avoids juvenile detention by agreeing to clean up the mess as community service. While working at the park, he is drawn to Willy, an unhappy orca who has been separated from his family and refuses to be trained. Willy and Jesse are both mad at the world, and the two form a unique bond. When Jesse discovers that the aquarium owners are up to no good and Willy's life is in danger, he risks everything to set Willy free.

The idea for Free Willy began in 1984 when actor Keith Walker was filming Richard Donner's fantasy-adventure The Goonies (1985) in Astoria, Oregon. Inspired by the seaside setting, Walker wrote the first draft of Free Willy as his first screenplay.

Walker later sent his script to Richard Donner's assistant, Jennie Lew Tugend, who was also a producer. Though the first draft was a little rough and amateurish, Tugend liked the emotional impact of the story and felt that it had potential to be a hit. Tugend partnered with Richard Donner and his producer wife, Lauren Shuler-Donner, and the trio began developing the property. It would ultimately take seven years to bring their version of Free Willy to the big screen, but the payoff would be worth it.

"The original script," said Shuler-Donner in a 1993 interview, "was too sweet, too mushy, too formulaic. The little boy was mute and lived with nuns!" The producers hired another screenwriter, Corey Blechman (Dominick and Eugene [1988]) to do a rewrite. Blechman toned down the schmaltz and turned the character of Jesse into a 12-year-old foster child with attitude and street smarts.

The producers gave the new draft of the screenplay to Lisa Henson, a Warner Bros. production executive at the time and daughter of Muppets creator Jim Henson. Henson was enthusiastic about the project and became instrumental in getting the film made. "We said, 'Why should Disney have a lock on family films?'" Shuler-Donner explained in a 1993 interview. "A lot of the executives have families and want to be able to take their kids."

In 1991 a third and final writer, Tom Benedek, was brought in to give the main characters greater clarity and personality. However, even though Warner Bros. was impressed with the new script, the top brass had doubts that a story about a boy and his orca would translate into box office dollars. In order to convince them, the producers hired noted wildlife photographer Bob Talbot to shoot some footage of killer whales in the Pacific Ocean. "When I was approached to do the opening whale segment for Free Willy," said Talbot, "it was pretty nerve wracking. It was so important to me to do something that was special." Talbot felt strongly about animals, and he saw in Free Willy a chance to help raise awareness and educate people about the concerns of animals in captivity. The breathtaking orca footage gave Warner Bros. faith in the project, and they finally green-lit Free Willy with a budget of 20 million dollars.

Originally, Robin Armstrong was set to direct Free Willy. However, his demands for more script rewrites at the last minute were causing too many production delays. Eventually he was replaced by Australian director Simon Wincer, who had a reputation for being great with animals, actors and the outdoors. Wincer was thrilled at the opportunity. "It wasn't a little movie," he said, "it was a gigantic movie."

The lucky whale who got his big movie break to play Willy was an orca named Keiko. Born near Iceland in the late 1970s, Keiko was captured in 1979 and placed in an aquarium. Eventually, Keiko was sold to the Marineland theme park in Niagara Falls, Ontario where he was trained to perform. After he became ill, however, Keiko was sold to the Reino Aventura amusement park in Mexico City. It was at this park where producers discovered Keiko and cast him in Free Willy.

Willy's sidekick and best friend, Jesse, was discovered at a casting call in Los Angeles. 12-year-old Oregon-born Jason James Richter was chosen out of over 4,000 young actors to play Jesse. It was his first feature film role. Like the character of Jesse, Richter had a slight edge to him that made him perfect for the part. "He smiled crooked, he had an attitude," said Lauren Shuler-Donner. "He was 100% boy."

Also joining the cast were Lori Petty as spunky trainer Rae and Michael Madsen as Jesse's foster father Glen. Petty was coming off starring roles in the high profile films A League of Their Own (1992) and Point Break (1991) while Madsen was making his mark in films such as Thelma & Louise (1991) and Reservoir Dogs (1992). August Schellenberg as the wise park supervisor Randolph, Michael Ironside as evil park owner Dial, and Jayne Atkinson as Jesse's foster mom Annie rounded out the memorable cast.

Shooting locations for Free Willy included Mexico City, Portland and Astoria, Oregon, Los Angeles, and Cypress Island, Washington. The film used some of the same cutting edge computer special effects technology at the time that had made Jurassic Park (1993) look so sharp and realistic. Special effects supervisor Walter Conti and his team also built several smaller scale Willy models and one full scale exact rubber-coated model of Willy for close-ups.

When Free Willy was first screened for test audiences, the results were overwhelmingly positive. At the end of the film, "even the focus groups wanted to donate to the whale foundation," said Lauren Shuler-Donner. The film opened in July 1993 to consistently positive reviews, and soon became a runaway sleeper hit that won the hearts of moviegoers everywhere.

Though Michael Jackson's song "Will You Be There?" was originally written for his 1991 album Dangerous, its inclusion over the final credit sequence of Free Willy injected new life into the song and catapulted it into a top ten single featuring clips from the film, thanks to heavy rotation on music video channels.

The success of Free Willy eventually spawned two sequels (Free Willy 2: The Adventure Home [1995], Free Willy 3: The Rescue [1997]) also starring Keiko. Ironically, at the height of his popularity, there was a public outcry over the poor conditions of Keiko's permanent home at the Reino Aventura park in Mexico City. The Free Willy Keiko Foundation was formed in an effort to collect enough money to construct a new home for him at the Oregon Coast Aquarium in America. Keiko was airlifted to his new Oregon home in 1996 and was eventually set free in the waters of his native Iceland in 2002. Sadly, Keiko died in 2003 at the age of 27, and was mourned the world over by children and adults alike who had become steadfast fans of Free Willy.

Producer: Richard Donner, Penelope L. Foster, Jennie Lew Tugend, Arnon Milchan, Lauren Shuler Donner, Richard Solomon, Jim Van Wyck
Director: Simon Wincer
Screenplay: Keith Walker, Corey Blechman
Cinematography: Robbie Greenberg
Film Editing: O. Nicholas Brown
Art Direction: Diane Yates
Music: Basil Poledouris
Cast: Keiko (Willy), Jason James Richter (Jesse), Lori Petty (Rae Lindley), Jayne Atkinson (Annie Greenwood), August Schellenberg (Randolph Johnson), Michael Madsen (Glen Greenwood).
C-112m. Letterboxed.

by Andrea Passafiume
Free Willy

Free Willy

A troubled young boy and his best friend--a killer whale. What could be more heartwarming? An unlikely plot for a hit movie, to be sure, but Free Willy surprised everyone by becoming the runaway summer box office hit of 1993. Free Willy tells the story of Jesse (Jason James Richter), a 12-year-old street kid in and out of foster care who gets nabbed by police while vandalizing a theme park. He avoids juvenile detention by agreeing to clean up the mess as community service. While working at the park, he is drawn to Willy, an unhappy orca who has been separated from his family and refuses to be trained. Willy and Jesse are both mad at the world, and the two form a unique bond. When Jesse discovers that the aquarium owners are up to no good and Willy's life is in danger, he risks everything to set Willy free. The idea for Free Willy began in 1984 when actor Keith Walker was filming Richard Donner's fantasy-adventure The Goonies (1985) in Astoria, Oregon. Inspired by the seaside setting, Walker wrote the first draft of Free Willy as his first screenplay. Walker later sent his script to Richard Donner's assistant, Jennie Lew Tugend, who was also a producer. Though the first draft was a little rough and amateurish, Tugend liked the emotional impact of the story and felt that it had potential to be a hit. Tugend partnered with Richard Donner and his producer wife, Lauren Shuler-Donner, and the trio began developing the property. It would ultimately take seven years to bring their version of Free Willy to the big screen, but the payoff would be worth it. "The original script," said Shuler-Donner in a 1993 interview, "was too sweet, too mushy, too formulaic. The little boy was mute and lived with nuns!" The producers hired another screenwriter, Corey Blechman (Dominick and Eugene [1988]) to do a rewrite. Blechman toned down the schmaltz and turned the character of Jesse into a 12-year-old foster child with attitude and street smarts. The producers gave the new draft of the screenplay to Lisa Henson, a Warner Bros. production executive at the time and daughter of Muppets creator Jim Henson. Henson was enthusiastic about the project and became instrumental in getting the film made. "We said, 'Why should Disney have a lock on family films?'" Shuler-Donner explained in a 1993 interview. "A lot of the executives have families and want to be able to take their kids." In 1991 a third and final writer, Tom Benedek, was brought in to give the main characters greater clarity and personality. However, even though Warner Bros. was impressed with the new script, the top brass had doubts that a story about a boy and his orca would translate into box office dollars. In order to convince them, the producers hired noted wildlife photographer Bob Talbot to shoot some footage of killer whales in the Pacific Ocean. "When I was approached to do the opening whale segment for Free Willy," said Talbot, "it was pretty nerve wracking. It was so important to me to do something that was special." Talbot felt strongly about animals, and he saw in Free Willy a chance to help raise awareness and educate people about the concerns of animals in captivity. The breathtaking orca footage gave Warner Bros. faith in the project, and they finally green-lit Free Willy with a budget of 20 million dollars. Originally, Robin Armstrong was set to direct Free Willy. However, his demands for more script rewrites at the last minute were causing too many production delays. Eventually he was replaced by Australian director Simon Wincer, who had a reputation for being great with animals, actors and the outdoors. Wincer was thrilled at the opportunity. "It wasn't a little movie," he said, "it was a gigantic movie." The lucky whale who got his big movie break to play Willy was an orca named Keiko. Born near Iceland in the late 1970s, Keiko was captured in 1979 and placed in an aquarium. Eventually, Keiko was sold to the Marineland theme park in Niagara Falls, Ontario where he was trained to perform. After he became ill, however, Keiko was sold to the Reino Aventura amusement park in Mexico City. It was at this park where producers discovered Keiko and cast him in Free Willy. Willy's sidekick and best friend, Jesse, was discovered at a casting call in Los Angeles. 12-year-old Oregon-born Jason James Richter was chosen out of over 4,000 young actors to play Jesse. It was his first feature film role. Like the character of Jesse, Richter had a slight edge to him that made him perfect for the part. "He smiled crooked, he had an attitude," said Lauren Shuler-Donner. "He was 100% boy." Also joining the cast were Lori Petty as spunky trainer Rae and Michael Madsen as Jesse's foster father Glen. Petty was coming off starring roles in the high profile films A League of Their Own (1992) and Point Break (1991) while Madsen was making his mark in films such as Thelma & Louise (1991) and Reservoir Dogs (1992). August Schellenberg as the wise park supervisor Randolph, Michael Ironside as evil park owner Dial, and Jayne Atkinson as Jesse's foster mom Annie rounded out the memorable cast. Shooting locations for Free Willy included Mexico City, Portland and Astoria, Oregon, Los Angeles, and Cypress Island, Washington. The film used some of the same cutting edge computer special effects technology at the time that had made Jurassic Park (1993) look so sharp and realistic. Special effects supervisor Walter Conti and his team also built several smaller scale Willy models and one full scale exact rubber-coated model of Willy for close-ups. When Free Willy was first screened for test audiences, the results were overwhelmingly positive. At the end of the film, "even the focus groups wanted to donate to the whale foundation," said Lauren Shuler-Donner. The film opened in July 1993 to consistently positive reviews, and soon became a runaway sleeper hit that won the hearts of moviegoers everywhere. Though Michael Jackson's song "Will You Be There?" was originally written for his 1991 album Dangerous, its inclusion over the final credit sequence of Free Willy injected new life into the song and catapulted it into a top ten single featuring clips from the film, thanks to heavy rotation on music video channels. The success of Free Willy eventually spawned two sequels (Free Willy 2: The Adventure Home [1995], Free Willy 3: The Rescue [1997]) also starring Keiko. Ironically, at the height of his popularity, there was a public outcry over the poor conditions of Keiko's permanent home at the Reino Aventura park in Mexico City. The Free Willy Keiko Foundation was formed in an effort to collect enough money to construct a new home for him at the Oregon Coast Aquarium in America. Keiko was airlifted to his new Oregon home in 1996 and was eventually set free in the waters of his native Iceland in 2002. Sadly, Keiko died in 2003 at the age of 27, and was mourned the world over by children and adults alike who had become steadfast fans of Free Willy. Producer: Richard Donner, Penelope L. Foster, Jennie Lew Tugend, Arnon Milchan, Lauren Shuler Donner, Richard Solomon, Jim Van Wyck Director: Simon Wincer Screenplay: Keith Walker, Corey Blechman Cinematography: Robbie Greenberg Film Editing: O. Nicholas Brown Art Direction: Diane Yates Music: Basil Poledouris Cast: Keiko (Willy), Jason James Richter (Jesse), Lori Petty (Rae Lindley), Jayne Atkinson (Annie Greenwood), August Schellenberg (Randolph Johnson), Michael Madsen (Glen Greenwood). C-112m. Letterboxed. by Andrea Passafiume

Quotes

Trivia

Miscellaneous Notes

Released in United States Summer July 16, 1993

Released in United States on Video November 16, 1993

Feature acting debut for Jason James Richter.

Began shooting May 18, 1992.

Completed shooting August 17, 1992.

Released in United States Summer July 16, 1993

Released in United States on Video November 16, 1993