Carroll Baker
About
Biography
Filmography
Family & Companions
Bibliography
Notes
Named Woman of the Year by Harvard's Hasty Pudding Club in 1957.
Received Film Achievement Award from Look Magazine (1957).
Biography
A talented former dancer and magician's assistant, voluptuous, blonde bombshell Carroll Baker came under the private tutelage of Lee Strasberg once in NYC, eventually becoming a member of the famed Actors Studio. She had appeared in a bit role in "Easy to Love" (1953), but it was her performance on Broadway in Robert Anderson's "All Summer Long" (1955) that led director Elia Kazan and playwright-screenwriter Tennessee Williams to chose her (over Marilyn Monroe) for their classic "Baby Doll" (1956). Although George Steven's "Giant," which opened two months earlier that same year, introduced Baker as a terrific screen presence, it did not prepare anyone for her sizzling portrayal as the underage and overly ripe wife of Karl Malden, whose erotic thumb-sucking and torrid "love scene" (without a single kiss) played with Eli Wallach on a swing outside the house somehow slipped past the Hays' censors, earning her a much-deserved Oscar nomination for Best Actress. Condemned by the Catholic Church's Legion of Decency because of its "carnal suggestiveness," "Baby Doll" established Baker solidly as an A-list actor.
"Baby Doll" also typed her in Hollywood's eyes as a sexpot, and no matter how hard she tried to transcend that image with serious, unglamorous performances in quality offerings ("The Big Country" 1958, "Something Wild" 1961 and "Cheyenne Autumn" 1964), producers continued grooming her to replace Monroe as the screen's preeminent sex goddess. She got her man (Jimmy Stewart) in the heroic "How the West Was Won" (1962) and reunited with Stevens for his Biblical epic, "The Greatest Story Ever Told" (1965), and although "The Carpetbaggers" (1964), "Sylvia" and "Harlow" (both 1965) captured her flamboyant earnestness, none of these movies did anything to dispel her reputation as a sex kitten. Blackballed by producer Joseph Levine for failing to promote "Harlow," Baker finally slipped from the A-list for the first time in a decade. Hopelessly in debt with two young children to support after her second marriage (to director Jack Garfein) fizzled, she fled to Italy, churning out sexploitation flicks for the next ten years, feeling lucky to get roles in movies with titles like "Orgasmo" (1969) and "Baba Yaga, Devil Witch" (1973).
Baker returned to the stage, making her London debut as Sadie Thompson in a revival of Somerset Maugham's "Rain" (1977), reprising a role she had played on British TV (BBC) in 1972. She then performed in American regional theater in places like Atlanta, GA ("Bell, Book, and Candle" 1978) and Dallas, TX ("Forty Carats" 1979), the United Kingdom, where she acted in such plays as "Lucy Crown" (1979) and "Motive" (1980), and Canada ("Little Hut" 1981). As for film, her luck began to change when she landed a part opposite Bette Davis in "The Watcher in the Woods" (1980), which led to higher-profile character work in more promising material ("Star '80" 1983 and "Native Son" 1986). Baker turned in a fine performance as Annie Phelan, Jack Nicholson's wife in "Ironweed" (1987), but it wasn't until playing a villainess to Arnold Schwarzenegger in "Kindergarten Cop" (1990) that she felt confident enough to move back to Los Angeles. Since then she has acted in the features "Blonde Fist" (1991), David Fincher's "The Game" (1997), in which she played the crucial role of Michael Douglas' housekeeper, and "Nowhere to Go" (lensed 1997). Baker has appeared frequently on TV in the 90s, appearing in a three-week stint on "L A Law" in 1993 and acting in movies like "Skeletons" (HBO, 1996), "North Shore Fish" (Showtime, 1997) and "Heart Full of Rain" (CBS, 1997).
Filmography
Cast (Feature Film)
Cast (Special)
Misc. Crew (Short)
Life Events
1953
Appeared in workshop production of "A Hatful of Rain" at Actors Studio
1953
Film debut in a bit part in "Easy to Love"
1955
Broadway debut, "All Summer Long"
1956
Established herself as a sizzling cinematic presence in Elia Kazan's "Baby Doll" (screenplay by Tennessee Williams), playing the underaged but overly ripe and buxom title character; Warner Bros signed her to a contract following her work on the film; earned Best Actress Oscar nomination
1956
Proved herself a competent actress in her first important movie part as the high-spirited daughter of Elizabeth Taylor and Rock Hudson in George Stevens' "Giant"
1958
Portrayed Charles Bickford's tempestuous, pouting daughter in William Wyler's "The Big Country"
1959
Acted opposite Clark Gable in "But Not for Me"
1961
Starred in husband Jack Garfein's second feature film, "Something Wild"
1962
Gets her man (Jimmy Stewart) in star-studded "How the West Was Won" (also first film with George Peppard)
1963
Perfectly exploited as the sexpot among five love-starved men in "Station Six-Sahara"
1964
Role for "The Carpetbaggers" drawn almost wholly from Jean Harlow; second film with Peppard
1965
Played bad girl turned good in Gordon Douglas' "Sylvia"
1965
Reunited with Stevens for "The Greatest Story Ever Told"
1965
Second film of the year with Douglas, "Harlow", rushed through production to compete with the slipshod Carol Linley version of the same year
1972
British TV debut, "Rain"
1977
Reprised role of Sadie Thompson in London stage debut of Somerset Maugham's "Rain"
1978
Acted on the stage in American regional theater, Canada and the United Kingdom
1980
Appeared in British-made Disney effort "Watcher in the Woods", starring Bette Davis
1983
Played Dorothy Stratton's mother in "Star 80" and Sigmund Freud's mother in "The Secret Diary of Sigmund Freud"
1985
Featured role as Gerda Hoffman in "Hitler's SS: Portrait of Evil", an NBC movie released theatrically abroad
1986
Portrayed blind Mrs Dalton in "Native Son"
1987
Delivered sympathetic portrayal as Jack Nicholson's long abandoned wife in "Ironweed"
1990
Villainous turn as the cold-blooded mother of psychopath Richard Tyson in "Kindergarten Cop", starring Arnold Schwarzenegger
1991
Superb as aging ex-stripper who becomes Margi Clarke's "manager" in "Blonde Fist"
1993
Did a three-week guest stint on TV's "L.A. Law"
1996
Appeared in HBO movie "Skeleton"
1997
Acted in the TV-movies "North Shore Fish" and "Heart Full of Rain"
1997
Played important role as Michael Douglas' housekeeper in David Fincher's "The Game"
Photo Collections
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Family
Companions
Bibliography
Notes
Named Woman of the Year by Harvard's Hasty Pudding Club in 1957.
Received Film Achievement Award from Look Magazine (1957).
Presented a lifetime achievement award at the Breckenridge (Colorado) Film Festival (1997).
Baker was one of the first mainstream Hollywood starlets to pose nude in Playboy magazine.
About working with George Peppard and Alan Ladd in "The Carpetbaggers" (Ladd's last film): "George wasn't a nice person--fame had gone to his head--and I didn't like the way he treated Alan. Alan had trouble remembering his lines and was so insecure it made you sad to be around him. We all knew he was ill, but George would always say, 'For Chrissakes, get it together, Alan'" --Carroll Baker in Movieline, February 1998.
"['The Game' is] an important movie and I'm honored to be in it. Of course, I'd like to be the romantic lead. And I'm actually closer to Michael's [Douglas] age than Deborah Kara Unger is [Baker is 66, Douglas is 53 and Unger is 31]. I think it's always worked that way in Hollywood. When I was in my 20s, I played opposite Jimmy Stewart, Robert Mitchum and Clark Gable, all of whom were old enough to be my father." --Baker quoted in New York Post, September 9, 1997.
"I'm getting a bit discouraged because I would like to age gracefully. I'm never going to look like a woman, just an old girl." --Baker quoted in the London Times, June 26, 2000.
