Marco Ferreri


Director

About

Birth Place
Italy
Born
May 11, 1928
Died
May 09, 1997
Cause of Death
Heart Attack

Biography

Former production manager on Italian films of the early 1950s who began his directing career in Spain. Ferreri's films are characterized by an absurd, misanthropic sense of humor as exemplified in his award-winning "The Wheelchair" (1959), in which a grandfather torments his family until they buy him an electric wheelchair for which he has no need. His exposes of contemporary middle-clas...

Family & Companions

Jacqueline Ferreri
Wife
Producer. Produced "Ciao maschio"; survived him.

Notes

". . . society is finished. The values that once existed no longer exist. The family, the bourgeoisie--I'm talking about values, morals, economic relationships--they no longer serve a purpose. My films are reactions translated into images. The Roman Empire is over. We are entering the new Middle Ages. What interests me are moments when the world is dissolving and exploding." --Marco Ferreri ("The International Dictionary of Films and Filmmakers" 1984)

Biography

Former production manager on Italian films of the early 1950s who began his directing career in Spain. Ferreri's films are characterized by an absurd, misanthropic sense of humor as exemplified in his award-winning "The Wheelchair" (1959), in which a grandfather torments his family until they buy him an electric wheelchair for which he has no need. His exposes of contemporary middle-class mores, and especially sexual relations, continued through the 1960s and 70s with films such as "Queen Bee" (1963), "Dillinger Is Dead" (1968)--considered his masterpiece by most critics--and the notorious "La Grande Bouffe" (1973), in which a group of bored individuals literally eat themselves to death. Ferreri gave a memorable performance as the deaf, murderous art collector in Mario Monicelli's "Casanova '70" (1965).

Filmography

 

Director (Feature Film)

Chiedo Asilo (1996)
Director
Nitrate Base (1996)
Director
Diary of a Maniac (1993)
Director
The House of Smiles (1991)
Director
La Carne (1991)
Director
Y'a bon les blancs (1988)
Director
I Love You (1986)
Director
Il Futuro e Donna (1984)
Director
Tales of Ordinary Madness (1983)
Director
Storia di Piera (1982)
Director
Bye Bye Monkey (1978)
Director
The Last Woman (1976)
Director
La Grande Bouffe (1973)
Director
Don't Touch the White Woman! (1973)
Director
L' Udienza (1971)
Director
La Cagna (1971)
Director
The Seed of Man (1970)
Director
Dillinger Is Dead (1969)
Director
The Man With the Balloons (1968)
Director
The Ape Woman (1964)
Director
The Conjugal Bed (1963)
Director
The Wheelchair (1959)
Director

Cast (Feature Film)

Lui per lei (1971)
Wind From the East (1970)
Pigsty (1969)
Hans
Casanova '70 (1965)
Count Ferreri

Writer (Feature Film)

Nitrate Base (1996)
Screenwriter
Diary of a Maniac (1993)
Screenwriter
The House of Smiles (1991)
Screenwriter
La Carne (1991)
From Story
La Carne (1991)
Screenplay
Y'a bon les blancs (1988)
Screenwriter
I Love You (1986)
Screenplay
Il Futuro e Donna (1984)
Screenwriter
Tales of Ordinary Madness (1983)
From Story
Tales of Ordinary Madness (1983)
Screenwriter
Storia di Piera (1982)
Screenwriter
Bye Bye Monkey (1978)
Screenwriter
Bye Bye Monkey (1978)
From Story
The Last Woman (1976)
Screenwriter
The Last Woman (1976)
From Story
Don't Touch the White Woman! (1973)
Screenwriter
La Grande Bouffe (1973)
Screenwriter
La Cagna (1971)
Screenwriter
L' Udienza (1971)
From Story
L' Udienza (1971)
Adaptation
L' Udienza (1971)
Screenwriter
The Seed of Man (1970)
Screenwriter
Dillinger Is Dead (1969)
Screenwriter
Dillinger Is Dead (1969)
From Story
The Man With the Balloons (1968)
Screenwriter
Mafioso (1964)
Screenwriter
The Ape Woman (1964)
Screenwriter
The Conjugal Bed (1963)
Screenwriter
The Wheelchair (1959)
Screenwriter

Producer (Feature Film)

Appunti su un fatto di Cronaca (1953)
Producer

Art Director (Feature Film)

The House of Smiles (1991)
Art Direction
Y'a bon les blancs (1988)
Art Direction

Film Production - Main (Feature Film)

The Voice of the Moon (1990)
Production Manager
Love in the City (1953)
Production Manager

Misc. Crew (Feature Film)

12 dicembre (1971)
Other

Life Events

1950

Began newsreel film magazine DOCUMENTO MENSILE

1954

Temporarily abandoned cinema and sold optical instruments in Spain

1954

Met Castilian writer, Rafael Fernandez Azcona with whom he collaborated on adaptation of Azcona short story which resulted in first feature film, "El Pisito" (1958)

1969

Acted in "F.B.I. Frank Bertolazzi investigatore", a six-episode Italian TV serial directed by Ugo Tognazzi

1973

Garnerned international attention with "La Grande Bouffe"; opened the Cannes Film Festival and caused controversy

1996

Final film, "Nitrate Base/Silver Nitrate"

Videos

Movie Clip

Dillinger Is Dead (1969) -- (Movie Clip) I Have A Little Headache Gas-mask manufacturer Glauco (Michel Piccoli) returns home to his apartment finding an unsatisfactory dinner and his less-than attentive wife (Anita Pallenberg), in director Marco Ferreri’s acclaimed Dillinger Is Dead, 1969.
Dillinger Is Dead (1969) -- (Movie Clip) Public Enemy No. 1 Bored industrialist Glauco (Michel Piccoli) sits down to unwrap the mysterious package he discovered in a closet at his apartment while scrounging for the makings for a gourmet meal for himself, in director Marco Ferreri’s Dillnger Is Dead, 1969.
Dillinger Is Dead (1969) -- (Movie Clip) Don't Film Me While I'm Playing Glauco (Michel Piccoli) is busy cleaning, piece by piece, the revolver he found in his apartment, wrapped in a newspaper about the death of John Dillinger, while he screens home movies featuring his wife (Anita Pallenberg), in director Marco Fererri’s Dillinger Is Dead,1969.
Dillinger Is Dead (1969) -- (Movie Clip) A Well-Drawn Metaphor Quite the cold open, without preface co-writer-director Marco Fererri introduces leading man Michel Piccoli as gas-mask manufacturer Glauco and Gigi Lavagetto as his worried, analytical designer, in Dillinger Is Dead, 1969.
Mafioso (1962) -- (Movie Clip) Opening, Fiat Absorbing opening sequence from Alberto Lattuada's crime comedy Mafioso, 1964, shot on location at a Fiat plant in Milan where star Alberto Sordi is a rarity, a Sicilian foreman.
Mafioso (1962) -- (Movie Clip) Sunny And Carefree Isle On the ferry then arrived in his hometown, Antonio (Alberto Sordi) can't wait to show the Milanese wife (Norma Benguell) and kids the glories of Sicily, in Alberto Lattuada's mafia comedy Mafioso, 1964.

Companions

Jacqueline Ferreri
Wife
Producer. Produced "Ciao maschio"; survived him.

Bibliography

Notes

". . . society is finished. The values that once existed no longer exist. The family, the bourgeoisie--I'm talking about values, morals, economic relationships--they no longer serve a purpose. My films are reactions translated into images. The Roman Empire is over. We are entering the new Middle Ages. What interests me are moments when the world is dissolving and exploding." --Marco Ferreri ("The International Dictionary of Films and Filmmakers" 1984)