Aaron Copland
About
Biography
Filmography
Family & Companions
Bibliography
Notes
"Aaron Copland gave American music its identity. While previous US composers sounded like their European elders, Copland broke free and created a sound of his own full of rambunctious rhythms, rugged folk-influenced melodies and widely-spaced harmonies that suggested a land of endless expanse and limitless possibilities." --David Patrick Stearns (USA TODAY, December 3, 1990).
"Most of 'Appalachian Spring' and a good part of my Violin Sonata were composed at night at the Samuel Goldwyn studios in Hollywood. An air of mystery hovers over a film studio after dark. Its silent and empty streets give off something of the atmosphere of a walled medieval town. This seclusion provided the required calm for evoking the peaceful, open countryside of rural Pennsylvania depicted in 'Appalachian Spring.' --Aaron Copland (quoted in NEW YORK TIMES obituary December 3, 1990)
Biography
Distinguished 20th-century composer who brought a melodic, richly textured sophistication to his occasional film scoring. Like the Soviet composer Prokofiev, his work had a distinctly national flavor, perhaps best exemplified in the folksy but still intensely dramatic music he created for "Of Mice and Men" (1939), "Our Town" (1944) and "The Red Pony" (1948).
Filmography
Cast (Feature Film)
Music (Feature Film)
Cast (Special)
Music (Special)
Music (TV Mini-Series)
Life Events
1921
Studied music in France
1925
Premiere of his Organ Symphony
1932
Directed the First Festival of Contemporary Music at Yaddo, the artists' colony in Saratoga Springs, NY
1939
First feature film score, "Of Mice and Men"
1939
Wrote first film score for the Ralph Steiner/Willard van Dyke medium-length documentary, "The City"
1941
Toured South America (toured again in 1947)
1951
First American composer to deliver the Norton lectures at Harvard
1967
Stopped composing
Videos
Movie Clip
Trailer
Family
Companions
Bibliography
Notes
"Aaron Copland gave American music its identity. While previous US composers sounded like their European elders, Copland broke free and created a sound of his own full of rambunctious rhythms, rugged folk-influenced melodies and widely-spaced harmonies that suggested a land of endless expanse and limitless possibilities." --David Patrick Stearns (USA TODAY, December 3, 1990).
"Most of 'Appalachian Spring' and a good part of my Violin Sonata were composed at night at the Samuel Goldwyn studios in Hollywood. An air of mystery hovers over a film studio after dark. Its silent and empty streets give off something of the atmosphere of a walled medieval town. This seclusion provided the required calm for evoking the peaceful, open countryside of rural Pennsylvania depicted in 'Appalachian Spring.' --Aaron Copland (quoted in NEW YORK TIMES obituary December 3, 1990)
Served as President of the American Composers Alliance in 1937-45.
He was awarded the Guggenheim Foundation's first music fellowship.
He has won the New York Music Critics Circle Award for "Appalachian Spring" (1945)
Received the Presidential Medal of Freedom from President Lyndon Johnson in 1964.
He was awarded the Henry Howland Memorial Prize by Yale University in 1970.
Awarded the Gold Baton from the American Symphony Orchestra Leage (1978).
Received the Kennedy Center Award for "a lifetime of significant contribution to American culture in the performing arts" (1979).
