The songs by Nacio Herb Brown and Arthur Freed, including a reprise of their hit "Singin' in the Rain," contained the only notes that weren't sour in this impressively cynical take on showbiz. From beginning to end, Lord Byron of Broadway (1930) was way ahead of its time in focusing on the show-biz career of an unregenerate heel long before audiences had heard of Rogers & Hart's Pal Joey (1957) or Budd Schulberg's What Makes Sammy Run?

Lord Byron of Broadway depicted the adventures of Roy (Charles Kaley), a songwriter out to use anyone who comes near him in his rise to the top. He turns the love letters written to his girlfriend into his first hit song, then dumps her for a singer who can help him up the ladder of success. He uses a a string of other women. When his best friend, Joe (Cliff Edwards), dies, all it means to him is the inspiration for a maudlin, chart-topping buddy song.

If audiences didn't exactly warm to this tale of showbiz chicanery, the fault lay not in the story, but in the stars. For despite the presence of experienced and popular players like Edwards, who had introduced "Singin' in the Rain" a year earlier in The Hollywood Revue of 1929, and Gwen Lee, who had been a fan favorite since the silent days, MGM trusted the leading roles to two singers straight from Broadway. Kaley and Ethelind Terry had been doing well as musical stars on the Great White Way, where she had recently played the title role in the hit Rio Rita, but when the cameras started running the magic simply wasn't there. Neither made more than a handful of films, and MGM quickly turned to more promising choices for singing stardom.

Despite the lackluster leads, there's still a great deal of interest in Lord Byron of Broadway. The Brown-Freed score produced its share of pleasing tunes, including one hit, "Should I?" For a ballet sequence, the music was provided by a recent Russian emigre who would go on to become a major Hollywood composer, Dimitri Tiomkin, the man behind the Oscar®-winning scores for High Noon (1952) and The High and the Mighty (1954). Look quick for Ann Dvorak as a chorus girl, appearing two years before she made history as Paul Muni's beloved sister in Scarface (1932). And if you listen closely when the characters play the radio, you'll recognize the unbilled voice of one of that medium's biggest comedy stars, Jack Benny, who also had a hugely successful television career.

Director: Harry Beaumont, William Nigh
Screenplay: Willard Mack, Crane Wilbur
Based on the novel by Nell Martin
Cinematography: Henry Sharp
Art Direction: Cedric Gibbons
Music: Nacio Herb Brown, Dimitri Tiomkin
Principal Cast: Charles Kaley (Roy), Ethelind Terry (Ardiaa), Marion Shilling (Nancy), Cliff Edwards (Joe), Gwen Lee (Bessie), Jack Benny (Voice on Radio), Ann Dvorak (Chorus Girl).
BW-78m.

By Frank Miller