Ian Fleming may have posed with a gun for a photograph, but he never got the chance to play his creation James Bond on the screen. Ernest Hemingway was a man of action, but he left the screen portrayals of Robert Jordan and Jake Barnes to professional actors. In fact, authors of popular literature have rarely appeared in more than cameo roles. Of those few who have left their typewriters to step before the camera, Mickey Spillane was the most daring. In The Girl Hunters (1963) he took over the role of his most famous creation, the violence-prone detective Mike Hammer. The results were as rough as Spillane's gumshoe.

Most people today, if they have heard of Mike Hammer, connect him to Robert Aldrich's classic film Kiss Me Deadly (1955) or the 1980's TV series starring Stacy Keach. However, during the 1950's, Mickey Spillane and Mike Hammer were very big indeed. Capitalizing on the post-World War II publishing phenomenon of the pocket-sized pulp paperback, Spillane provided the raw goods for this new kind of fiction. With lurid titles like My Gun Is Quick (1950) and Vengeance Is Mine! (1950) and even more lurid covers heavy on the disheveled dames and blazing handguns, Spillane's books tapped into the desire for heroes who could play as nasty as the villains. In Mike Hammer's world, the code of the fair fight had been destroyed by the horrors of the World War and the new battle against the sneaky Reds.

Many found Hammer's open bloodlust offensive and that disapproving attitude, shared by director Robert Aldrich, colored the most famous Mike Hammer film Kiss Me Deadly. Aldrich had Ralph Meeker play Hammer as a "real stinker" but it was not the way Spillane saw his character. Other Hammer movie adaptations came out as B-movies with the detective played by Biff Elliot in I, The Jury (1953) and Robert Bray in My Gun Is Quick (1957). Meanwhile, Spillane had been in one movie as an actor, playing himself in Ring of Fear (1954). That movie's producer, Robert Fellows, got the rights to Spillane's novel The Girl Hunters and, in 1963, decided to extend Spillane's range to that of lead actor, casting the 46-year old writer as his own creation.

Despite his familiarity with the story and the character, Spillane had a little difficulty being guided by a director. "The director says to me 'can you run?' I say, 'Yeah, what's happened?' He says 'can you run?' I say, 'Sure'. So we do the scene and I ran away from the camera. [Director] Roy Rowland says 'What're you doing!' I said, 'Tell me what you want, don't say 'can you run?'"

The production, although set in New York, was shot in London. Some of the actors who appear in this movie would go on to small roles in the early James Bond films but the most famous Bond-connection would go to Spillane's co-star and love interest Shirley Eaton, then a year away from being painted gold for Goldfinger (1964).

Variety said Spillane turned in "a credible job" playing Hammer but other critics were less kind. The effete class that reviewed books and movies were always of little concern to Spillane who, like his hero Hammer, took the knocks but kept on doing his job, doling out hard justice to commies and critics alike.

Director: Roy Rowland
Writers: Mickey Spillane, Roy Rowland, Robert Fellows
Producers: Robert Fellows, Charles Reynolds
Cinematographer: Kenneth Talbot
Music: Philip Green
Editor: Sidney Stone
Art Director: Tony Inglis
Cast: Mickey Spillane (Mike Hammer), Shirley Eaton (Laura Knapp), Lloyd Nolan (Art Rickerby), Hy Gardner (himself), Bill Nagy (Georgie), Hal Galili (Bouncer)
BW-98m. Letterboxed.

by Brian Cady