A dark Western comparable in its pessimistic tone to Fred Zinnemann's
classic High Noon (1952), Westbound (1959) depicts a
violent power struggle in 1864 America, between the North and the South
during the Civil War. It was also one of the few Hollywood
films set during the Civil War which actually chose sides and treated
the North as virtuous and Southerners as villainous.
Union Captain John Hayes (Randolph Scott) is ordered by his Army
superiors to set up a stagecoach delivery route to transport gold
from California to Union forces back East. But in the small Colorado
town of Julesberg, where he supervises the gold run, Hayes encounters
violent resistance from the pro-Confederate locals dominated
by the town's ruthless hotel owner Clay Putnam (Andrew Duggan) and
his vicious gang of outlaws led by the malevolent Mace (Michael
Pate).
Teaming up with a local farmer, a young Union soldier Rod Miller
(Michael Dante), and his beautiful wife, Jeanie (Karen Steele), Hayes assembles the horses, coaches and lodgings to operate his Overland stage line. But soon another,
smaller war has broken out between North and South, as Hayes' allies
and Putnam's thugs battle for dominance. The Putnam gang stops at
nothing to intercept the Overland's booty -- including murder. In
one shocking scene, a stagecoach which the gang knows carries a
mother and her young daughter as passengers, is nevertheless mortally
attacked, symbolizing the gang's disregard for human life.
Complicating affairs is the still-smoldering relationship between
Hayes and Norma Putnam (Virginia Mayo), now married to the wealthy,
corrupt Clay Putnam, but beginning to question her husband's shady
business.
But in Oscar "Budd" Boetticher Westerns, it is typically the violent
struggles between men, not romantic imbroglios, which compose the
central action of the picture. Boetticher creates an atmosphere of
stifling tension from the moment Hayes arrives in the town and is
publicly humiliated by the horsewhip-brandishing Mace. Even the
town's women, standing at the sidelines, laugh at Hayes' shame, in an
indication of how bitterly Boetticher views these Southern
sympathizers. The film's atmosphere is unrelentingly grim -- even
the war-maimed Rod is shown no mercy, ostracized and taunted by the
town thugs and served tainted food by a local restaurant
owner.
The Western is known for its pairings of actor and director, like John
Wayne and John Ford, or James Stewart and Anthony Mann. And
Boetticher's films boasted a similar union, of director and star
Randolph Scott, who also appeared in Boetticher's Ride Lonesome, the same year.
A prototypical Western hero with his tall, lean, rugged good looks,
Scott's presence helped define seven of Boetticher's classic
B-Westerns made between 1956 and 1960 and produced by the independent
Ranown company.
Though less known than John Wayne or James Stewart today, Scott was
a perennially popular Hollywood box-office draw in Boetticher's
Westerns and retired from the business one of Hollywood's wealthiest
men with multimillion dollar holdings in oil wells, real estate, and
securities.
Beloved by connoisseurs of the genre, Boetticher was known primarily
as a director of Westerns, though he also branched out into bullfight
films (Boetticher once worked as a professional matador in Mexico)
and the occasional gangster picture (The Rise and Fall of Legs
Diamond (1960). Boetticher's tension-driven Westerns of the
Fifties are nimble, tight productions, and Westbound is
characteristic of the director's best work in the genre which stood at
the divide between the classic era of John Ford and Anthony Mann, and
the darker cycle ushered in with the more violent, pessimistic
Westerns to come from Sergio Leone and Sam Peckinpah.
Director: Bud Boetticher
Producer: Henry Blanke
Screenplay: Berne Giler, Albert S. Le Vino (story)
Cinematography: J. Peverell Marley
Production Design: Howard Campbell
Music: David Buttolph
Cast: Randolph Scott (Capt. John Hayes), Virginia Mayo (Norma
Putnam), Karen Steele (Jeanie Miller), Michael Dante (Rod Miller),
Andrew Duggan (Clay Putnam), Michael Pate (Mace), Wally Brown (Stubby).
C-72m.
By Felicia Feaster
Westbound
by Felicia Feaster | October 30, 2002

SIGN UP FOR OUR NEWSLETTERS
CONNECT WITH TCM