This 1940 action film is typical of the many pictures in which Alan Ladd had small roles during the first decade of his career. Viewers have to look fast to catch him in most of these films. There are only a few, like Citizen Kane (1941) where you actually can tell he's in the cast. In fact, it's only the fan sites devoted to Ladd that include this film in his credits. It doesn't turn up on his pages on the Internet Movie Database or in the American Film Institute Library.

Wildcat Bus was one of the 13 features, two of them from RKO, in which he had small roles in 1940. At that time he only received decent roles when he worked for Poverty Row studios like Republic and Monogram, and sometimes not even then. None of them were leads, though some of his earlier films -- like Hitler -- Beast of Berlin (1939), made at PRC -- were re-issued with his name above the title after he shot to stardom in This Gun for Hire (1942).

The only performer from this film still known to general audiences is Fay Wray, a major star in the late '20s and early '30s best known as the 1933 King Kong's leading lady. Here she stars as Ted, the masculine-named daughter of a man running a small bus company. After her father turns in a partner for embezzlement, the company is suddenly hit with a string of freak accidents and breakdowns, along with competition from an upstart limousine company working the same routes. It's not long before Wray puts two and two together and links the new organization to her own company's problems, all with the help of former millionaire Charles Lang, who first meets her when he applies to work for the bus line.

Wray had been a big star at Paramount (she was Gary Cooper's most frequent co-star), but had left the studio to pursue free-lance work. Despite strong assignments at first, like MGM's Viva Villa! (1934) and, of course, King Kong, her fortunes steadily dwindled as she was moved into supporting roles in major pictures and could only find leads in B movies. A stint making films in London didn't help, nor did her decision to pursue more stage work in order to improve her acting. She got good reviews, but she also lost what little career momentum she had left. When screenwriter Robert Riskin proposed marriage in 1942, it was easy for her to cut back on screen work to focus on married life and motherhood.

The role of the breezy playboy who develops a moral conscience once he gets involved in Wray's problems would have been a natural for Ladd, but he wasn't considered leading man material at the time. Instead, the role went to Charles Lang, who had been spotted by Paramount Pictures talent scouts while playing baseball for the Brooklyn Dodgers' farm team. He made his film debut on loan to RKO for One Crowded Night (1940), in which he plays a Naval deserter, then stayed at the studio for Wildcat Bus. Lang's acting career didn't really get far, but in 1950 he switched to writing. His first script, Killer Shark (1950), was directed by Budd Boetticher, who would become a longtime associate. For Boetticher, he wrote the bullfighting saga The Magnificent Matador (1955) and the Randolph Scott Westerns Decision at Sundown (1957) and Buchanan Rides Alone (1958).

Notable in the film's supporting cast are Paul Guilfoyle, who played Clarence "Pearly" Gates in RKO's series of mysteries featuring The Saint, perennial tough guy Don Costello, character actor Joe Sawyer, probably best known as the racetrack bartender in Stanley Kubrick's The Killing (1956), Leona Roberts, who played Doc Meade's wife in Gone With the Wind (1939), Number One Son Keye Luke, who went on to play Master Po in the original series Kung Fu and somewhere, if you can spot him, Ladd.

By Frank Miller

Producer: Lee Marcus, Cliff Reid
Director: Frank Woodruff
Screenplay: Lou Lusty
Cinematography: Jack MacKenzie
Score: Roy Webb
Cast: Fay Wray (Ted Dawson), Charles Lang (Jerry Waters), Paul Guilfoyle (Donovan), Don Costello (Sid Casey), Joe Sawyer (Burke), Leona Roberts (Emma "Ma" Talbot), Oscar O'Shea (Charles Dawson), Keye Luke (Tai), Alan Ladd (Bit)