Madame Satan

This is where the C.B. DeMille grandeur and MGM budget come forth, at the society ball on board a blimp where the neglected heroine is about to appear in exotic costume, with few identifiable actors, though the director’s daughter Katherine is one of the dancing cats, song by Herbert Stothart and Clifford Grey, in Madam Satan, 1930

We’ve just met Kay Johnson as super-rich Angela, whose staff has been helping her ignore her husband having failed to come home, when he (Reginald Denny) and buddy Roland Young appear, and she provides them a graceful entrance, in the second feature in C.B. DeMille’s three-picture MGM deal, Madam Satan, 1930.

Much talked about, the “other woman” to the husband of the wealthy couple Bob and Angela, Lillian Roth as performer and party-girl Trixie, Jack King, with Eddie Prinz on banjo and dancing, her accompanists, in a song by King and Elsie Janis, in Cecil B. DeMille’s unusual MGM musical-spectacle Madam Satan, 1930.

Arisen in the evening, dressed formally after the previous night of carousing with another woman but having forgotten their concert date, affluent Bob (Reginald Denny) with wife Angela (Kay Johnson), who’s not so much angry as worried about losing him, early in C.B. DeMille’s MGM musical-melodrama hybrid Madam Satan, 1930.