Handy Andy


1h 23m 1934

Brief Synopsis

A druggist lets his socially ambitious wife convince him to pursue the high life.

Film Details

Also Known As
Happy Andrew, Merry Andrew
Genre
Comedy
Drama
Adaptation
Release Date
Jul 27, 1934
Premiere Information
not available
Production Company
Fox Film Corp.
Distribution Company
Fox Film Corp.
Country
United States
Screenplay Information
Based on the play Merry Andrew by Lewis Beach (New York, 21 Jan 1929).

Technical Specs

Duration
1h 23m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
7,396ft (9 reels)

Synopsis

Andrew Yates, a hard-working, old-fashioned druggist, is badgered by his socially ambitious wife Ernestine to sell his shop and retire to a life of travel and parties. Andy is reluctant to give up his business, as it is not only his work but his hobby, through which he can help the town's poor citizens and see his friend "Doc" J. E. Burmeister. Andy finally acquiesces in order to get a respite from Ernestine's nagging, and sells his store to Charles Norcross, a businessman who owns a chain of modern drustores. Norcross promises Andy that the 40,000 shares of Norcross stock with which he pays him, in addition to $10,000 cash, will be very valuable someday. Andy is soon at loose ends and is desperate to keep himself occupied. In between avoiding Ernestine's singing lessons and helping their daughter Janice continue her romance with Doc's son Lloyd, of whom Ernestine disapproves, Andy makes desultory attempts to raise pigeons and grow flowers. Ernestine tries to get Andy interested in golf, but he uses his lesson to distract Howard, Norcross' son whom Ernestine wants Janice to marry, from pursuing Janice. Andy's boredom then drives him to construct a small pharmacy in his library, from which he can continue to fill prescriptions for the needy. Ernestine is at her wit's end when an invitation to attend Mardi Gras in New Orleans comes from her friends, Francis and Marie Beauregard. Andy despises the boorish Beauregards, but agrees to go in order to give Janice and Lloyd some time together without Ernestine's interference. In New Orleans, the parties and company prove as boring as Andy feared they would, and when he refuses to attend a costume ball with Ernestine, she vows to go with Marie's gigolo friend, Pierre Martel. Meanwhile, Andy makes the acquaintance of druggist Henri Duval and his mistress Fleurette. After discussing the joys of the pharmacy business with Henri, Andy agrees to a scheme proposed by Henri and Fleurette to get back his shop. They tell him to turn around Ernestine's admonitions that he must learn to play by playing so hard that she will be thrilled for him to return to work. The trio attend the masquerade, and Andy, who wears a Tarzan costume, dances wildly with Fleurette, much to the dismay of Ernestine. After punching the arrogant Pierre, Andy spends the night in jail. Ernestine tries to take him home the next day, but Andy insists that he is having too much fun to ever leave. Ernestine finally convinces him to leave and, on the train home, she is shocked to read a newspaper article describing the collapse of Norcross stock. While Ernestine hides the newspaper from Andy, he hides from her a telegram from Janice saying that she has just married. The couple reveal their news to each other, and Ernestine laments her demand that Andy sell the shop and her insistence that Janice marry Howard. Ernestine vows to help Andy start over again, and the couple feel that their love for each other has been renewed. When they return home, Andy takes Ernestine to the drugstore and reveals that he sold the Norcross stock the day after he received it, and therefore had enough money to buy back the shop. Ernestine is also thrilled to learn that Janice married Lloyd, not Howard. After Andy promises that he will not work so hard, he reveals his final triumph--that he bought Norcross' luxurious car for Ernestine.

Film Details

Also Known As
Happy Andrew, Merry Andrew
Genre
Comedy
Drama
Adaptation
Release Date
Jul 27, 1934
Premiere Information
not available
Production Company
Fox Film Corp.
Distribution Company
Fox Film Corp.
Country
United States
Screenplay Information
Based on the play Merry Andrew by Lewis Beach (New York, 21 Jan 1929).

Technical Specs

Duration
1h 23m
Sound
Mono
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
7,396ft (9 reels)

Articles

Handy Andy


It's impossible to overestimate just how big a star Will Rogers was in his day--more than a star, really, a cultural figure whose homespun humor contained deadly barbs against the pretentiousness of modern society and the flaws and foibles of political pursuits. His stature was such that journalist and cultural critic H.L. Mencken dubbed him "the most dangerous writer alive," poet Carl Sandburg called him "without embarrassment a great man," and no less than President Franklin Roosevelt credited him with returning Americans to "a sense of proportion."

Handy Andy (1934), Rogers's 47th film appearance, may not be quite worthy of such superlatives, but in its own gently comic way, it was typical of his jibes against the pitfalls of wealth and the frivolities of the leisure class versus the values of home, work, and family. In many of his pictures, Rogers played a small-town judge or businessman who cherished the most simple, direct American way of life, bringing him into conflict with snobbish offspring, wives led astray by oily sophisticates, and greedy types eager to cash in at the expense of simple folk -- all of whom are eventually deflated by Rogers's wry humor and shrewd homilies.

Handy Andy fits firmly within this formula. The film casts Rogers as a small-town pharmacist, Andy Yates, pressured by his wife into selling his business to a large drugstore chain. Much like the wife in the drama Dodsworth (1936), Mrs. Yates longs to be free of the everyday realities of home and commerce to live the high-life among the more fashionable idle classes and to pursue a career in music. Andy goes along, mostly to quiet his wife's nagging, but finds himself at loose ends without his business, trying his hand at hobbies ranging from golf to raising pigeons to gardening, with disastrous and humorous results. He accompanies his social-climbing wife to New Orleans, where he has to rescue her from an entanglement with a gigolo. In the end, Andy's homespun values win out. His daughter is finally united with the young man she loves (against her mother's disapproval), Mrs. Yates learns the folly of her pursuits, and Andy gets his business and old way of life back.

The film was based on the play Merry Andrew by Lewis Beach (unrelated to the 1958 Danny Kaye circus film of that title), but the script contains some characteristic Rogers quips. When a hunter comes into his drugstore wearing a vest full of shotgun shells, Andy remarks, "Where are you going, to a disarmament conference?" When asked to dance at a New Orleans costume ball, he replies, "I used to shake a leg; they shake yet, but not in the same way."

The ball scene required the star to dress as a comic Tarzan in pink tights and loin cloth and do a wild adagio dance with fireball Conchita Montenegro, one of several elements of the plot that Rogers found rather ridiculous. Distinguished stage actress Peggy Wood, who played Mrs. Yates, said in a 1970 interview that neither she nor Rogers liked Handy Andy much: "I thought what I had to do was just plain silly, and he thought so, too." Will also referred to the movie as "an animal picture, with actors" because of the two dozen homing pigeons, Great Dane, and cat with a litter of kittens featured in the story.

Robert Taylor made his feature film debut here as the young man the Yates daughter is in love with. Taylor had been signed to a contract by MGM, where he would stay for the next two decades as one of the studio's biggest male stars, but with no projects set for him at his new home, he was loaned out to Fox to make Handy Andy. Taylor later commented on Rogers's kindness to him and the star's efforts to make the newcomer feel at ease. Taylor also said in a 1965 interview with Lawrence J. Quirk that "since he had always cherished the American way of life, he could think of no one he would rather have started his film career with than Rogers, who stood for rock-ribbed American principles and attacked sham and corruption with the sharpest weapon of all: humor."

Will Rogers's consideration of his fellow workers also extended to his crew. Peggy Wood noted that the film was ahead of schedule, and on the last day of production, during a scene in which Rogers had to lie in bed, he wouldn't get up. He lay there, stalling long enough to assure that the crew would get their full pay for the shoot.

Singer-actress Peggy Wood (1892-1978) was one of the leading stars of Broadway for decades, appearing in works by Shakespeare, Shaw and Noel Coward, who wrote Bitter Sweet specifically for her. She also made her mark on television as the star of the long-running acclaimed series Mama, as the matriarch of a Norwegian immigrant family. She was still using her considerable skills as a singer late in her career as the Mother Abbess in The Sound of Music (1965).

Handy Andy premiered at the Roxy Theatre in New York in August 1934. The following month it was the opening night feature of the first drive-in theater in Los Angeles, initially called simply The Drive-In (because there were no others) but later renamed the Olympia.

Beach's play was also the basis for a later adaptation, Young as You Feel (1940), part of a series of B films Fox produced about a fictional family called the Joneses, starring Jed Prouty and Spring Byington. Coincidentally, Rogers made an unrelated film in 1931 also called Young as You Feel.

Director: David Butler
Producer: Sol M. Wurtzel
Screenplay: Kubec Glasmon, Henry Johnson; adapted by William M. Conselman from the play Merry Andrew by Lewis Beach
Cinematography: Arthur C. Miller
Original Music: David Buttolph
Cast: Will Rogers (Andy Yates), Peggy Wood (Ernestine Yates), Mary Carlisle (Janice Yates), Paul Harvey (Charlie Norcross), Robert Taylor (Lloyd Burmeister).
BW-93m.

by Rob Nixon

SOURCES:
The Films of Robert Taylor by Lawrence J. Quirk, (Lyle Stuart, 1979)
Handy Andy

Handy Andy

It's impossible to overestimate just how big a star Will Rogers was in his day--more than a star, really, a cultural figure whose homespun humor contained deadly barbs against the pretentiousness of modern society and the flaws and foibles of political pursuits. His stature was such that journalist and cultural critic H.L. Mencken dubbed him "the most dangerous writer alive," poet Carl Sandburg called him "without embarrassment a great man," and no less than President Franklin Roosevelt credited him with returning Americans to "a sense of proportion." Handy Andy (1934), Rogers's 47th film appearance, may not be quite worthy of such superlatives, but in its own gently comic way, it was typical of his jibes against the pitfalls of wealth and the frivolities of the leisure class versus the values of home, work, and family. In many of his pictures, Rogers played a small-town judge or businessman who cherished the most simple, direct American way of life, bringing him into conflict with snobbish offspring, wives led astray by oily sophisticates, and greedy types eager to cash in at the expense of simple folk -- all of whom are eventually deflated by Rogers's wry humor and shrewd homilies. Handy Andy fits firmly within this formula. The film casts Rogers as a small-town pharmacist, Andy Yates, pressured by his wife into selling his business to a large drugstore chain. Much like the wife in the drama Dodsworth (1936), Mrs. Yates longs to be free of the everyday realities of home and commerce to live the high-life among the more fashionable idle classes and to pursue a career in music. Andy goes along, mostly to quiet his wife's nagging, but finds himself at loose ends without his business, trying his hand at hobbies ranging from golf to raising pigeons to gardening, with disastrous and humorous results. He accompanies his social-climbing wife to New Orleans, where he has to rescue her from an entanglement with a gigolo. In the end, Andy's homespun values win out. His daughter is finally united with the young man she loves (against her mother's disapproval), Mrs. Yates learns the folly of her pursuits, and Andy gets his business and old way of life back. The film was based on the play Merry Andrew by Lewis Beach (unrelated to the 1958 Danny Kaye circus film of that title), but the script contains some characteristic Rogers quips. When a hunter comes into his drugstore wearing a vest full of shotgun shells, Andy remarks, "Where are you going, to a disarmament conference?" When asked to dance at a New Orleans costume ball, he replies, "I used to shake a leg; they shake yet, but not in the same way." The ball scene required the star to dress as a comic Tarzan in pink tights and loin cloth and do a wild adagio dance with fireball Conchita Montenegro, one of several elements of the plot that Rogers found rather ridiculous. Distinguished stage actress Peggy Wood, who played Mrs. Yates, said in a 1970 interview that neither she nor Rogers liked Handy Andy much: "I thought what I had to do was just plain silly, and he thought so, too." Will also referred to the movie as "an animal picture, with actors" because of the two dozen homing pigeons, Great Dane, and cat with a litter of kittens featured in the story. Robert Taylor made his feature film debut here as the young man the Yates daughter is in love with. Taylor had been signed to a contract by MGM, where he would stay for the next two decades as one of the studio's biggest male stars, but with no projects set for him at his new home, he was loaned out to Fox to make Handy Andy. Taylor later commented on Rogers's kindness to him and the star's efforts to make the newcomer feel at ease. Taylor also said in a 1965 interview with Lawrence J. Quirk that "since he had always cherished the American way of life, he could think of no one he would rather have started his film career with than Rogers, who stood for rock-ribbed American principles and attacked sham and corruption with the sharpest weapon of all: humor." Will Rogers's consideration of his fellow workers also extended to his crew. Peggy Wood noted that the film was ahead of schedule, and on the last day of production, during a scene in which Rogers had to lie in bed, he wouldn't get up. He lay there, stalling long enough to assure that the crew would get their full pay for the shoot. Singer-actress Peggy Wood (1892-1978) was one of the leading stars of Broadway for decades, appearing in works by Shakespeare, Shaw and Noel Coward, who wrote Bitter Sweet specifically for her. She also made her mark on television as the star of the long-running acclaimed series Mama, as the matriarch of a Norwegian immigrant family. She was still using her considerable skills as a singer late in her career as the Mother Abbess in The Sound of Music (1965). Handy Andy premiered at the Roxy Theatre in New York in August 1934. The following month it was the opening night feature of the first drive-in theater in Los Angeles, initially called simply The Drive-In (because there were no others) but later renamed the Olympia. Beach's play was also the basis for a later adaptation, Young as You Feel (1940), part of a series of B films Fox produced about a fictional family called the Joneses, starring Jed Prouty and Spring Byington. Coincidentally, Rogers made an unrelated film in 1931 also called Young as You Feel. Director: David Butler Producer: Sol M. Wurtzel Screenplay: Kubec Glasmon, Henry Johnson; adapted by William M. Conselman from the play Merry Andrew by Lewis Beach Cinematography: Arthur C. Miller Original Music: David Buttolph Cast: Will Rogers (Andy Yates), Peggy Wood (Ernestine Yates), Mary Carlisle (Janice Yates), Paul Harvey (Charlie Norcross), Robert Taylor (Lloyd Burmeister). BW-93m. by Rob Nixon SOURCES: The Films of Robert Taylor by Lawrence J. Quirk, (Lyle Stuart, 1979)

Quotes

Trivia

Notes

This film's working title was Merry Andrew and it was reviewed by Daily Variety and Box Office under that title. Hollywood Reporter reviewed the film under the title Happy Andrew. The film was remade by Twentieth Century-Fox in 1940 as Young As You Feel (see entry above). Handy Andy marked the feature film debut of actor Robert Taylor.