Outward Bound


1h 24m 1930
Outward Bound

Brief Synopsis

Passengers on a fog-shrouded ship learn that they are lost souls on the way to heaven or hell.

Photos & Videos

Film Details

Genre
Drama
Fantasy
Adaptation
Release Date
Nov 29, 1930
Premiere Information
not available
Production Company
Warner Brothers Pictures
Country
United States
Screenplay Information
Based on the play Outward Bound by Sutton Vane (New York, 7 Jan 1924).

Technical Specs

Duration
1h 24m
Sound
Mono
Color
Black and White
Film Length
7,568ft (10 reels)

Synopsis

Ann and Henry, a young English couple, facing an impossible love affair, find they cannot live without each other. They board an ocean liner through a dense fog, where they encounter Tom Prior, a prodigal son; his mother, Mrs. Midget, whose identity the son does not know; Mrs. Cliveden-Banks, an affected socialite; a clergyman who is keen about his missionary work in the London slums; Mr. Lingley, a captain of industry; and the steward, Scrubby. Gradually, Tom realizes that the passengers are unaware of their destinations with the exception of the lovers, and that they are all "half-way" persons who have committed suicide. Arriving at their destination, they are all judged by the Examiner. On the return voyage, Henry is saved from asphyxiation by his dog breaking a window pane; he returns to the phantom ship long enough to retrieve Ann, and together they are rescued by an ambulance.

Film Details

Genre
Drama
Fantasy
Adaptation
Release Date
Nov 29, 1930
Premiere Information
not available
Production Company
Warner Brothers Pictures
Country
United States
Screenplay Information
Based on the play Outward Bound by Sutton Vane (New York, 7 Jan 1924).

Technical Specs

Duration
1h 24m
Sound
Mono
Color
Black and White
Film Length
7,568ft (10 reels)

Articles

Outward Bound


Outward Bound (1930) is important not only as the Hollywood debut of Leslie Howard, but also as an authoritative film adaptation of one of the most popular and frequently revived plays of the first half of the twentieth century. The playwright Sutton Vane (1888-1963) wrote a number of other works, but today he is remembered almost entirely for the moral allegory and afterlife fantasy Outward Bound, first staged in London in 1923. Son of the noted playwright Sutton Vane, Sr., he wrote several early plays without great success. During World War I he served in the British army but was discharged due to shell shock. Initially he was unable to find any producer in London willing to tackle the unusual subject matter, so he produced Outward Bound on his own, in a small theater with almost no money for sets. He further convinced the actors to work for reduced salaries. During the first few weeks of its run the play attracted much critical attention and the prestigious Garrick Theater picked it up. In 1930, the same year that the film version was released, Vane also published a novelization of the play, most likely to capitalize on the renewed attention it was receiving.

The 1924 Broadway production was directed by Robert Milton, who also directed the film. The cast included Alfred Lunt as Prior, Leslie Howard as Henry, Beryl Mercer as Mrs. Midget and Dudley Digges as the Examiner. (Mercer and Digges reprised their roles in the film.) John Cobbin, a reviewer for the New York Times, wrote that the play "caught the attention of a New York audience, enlisted its sympathy, amused it genuinely and genially, and ended by stirring it to very considerable depths of human pity and mortal terror." In particular, Cobbin praised Mercer as Mrs. Midget, saying that she "has never been more seraphically maternal, more racily human." He also singled out both Leslie Howard and Margolo Gillmore for their performances as the young couple left in limbo due to their suicide pact. For the film version Howard played the older character of Prior, perhaps because he had aged several years in the interim.

In fact, Outward Bound was not Howard's actual film debut; he had appeared in several English silent films between 1914 and 1921, before his stage career took off. His first great critical success in New York was the Frederick Lonsdale comedy Aren't We All? (1923), which had an extended run despite opening in the off season. The stage version of Outward Bound drew him enough fame that the New York Times even published an article by him in 1924 about his experiences touring the play. He recalled that when he arrived at a "certain slightly Southern city," a Mrs. Brown called him up and invited him to have dinner at her house before her family and friends attended the play. Some of the attendees were apparently baffled by the plot; one of them said afterward, "I like that bit where you all find out you're in a ship at the bottom of the sea."

By the late Twenties, Howard had earned the reputation of "the foremost young actor on the English-speaking stage," as one critic put it, thanks to his work in plays such as Candle Light (1929) and Berkeley Square (1929). Around that time his stage manager George Fogel inquired about getting Howard parts in the movies, but he learned that Howard had already signed a contract with Louis B. Mayer at M-G-M. No film projects came of it at first, but now that Howard had established a formidable reputation as a stage actor, Hollywood took much greater interest. He received a salary of five thousand dollars a week. All the while he maintained a skeptical view of Hollywood, writing: "Any entertainment which removes the actor from direct contact with his audience is surely like producing babies in test tubes--doubtless an efficient and hygienic process, but one which must be highly unsatisfying to the parents."

Director: Robert Milton
Script: J. Grubb Alexander, based on the play by Sutton Vane
Photography: Hal Mohr
Film Editor: Ralph Dawson
Costumes: Earl Luick
Cast: Leslie Howard (Tom Prior); Douglas Fairbanks, Jr. (Henry); Beryl Mercer (Mrs. Midget); Dudley Digges (Thompson, the Examiner); Helen Chandler (Ann); Alec B. Francis (Scrubby); Montagu Love (Mr. Lingley); Lyonel Watts (Rev. William Duke); Alison Skipworth (Mrs. Cliveden-Banks).
BW-83m.

by James Steffen

Sources
Cobbin, John, "Outward Bound." New York Times, January 8, 1924.
Eforgan, Estel. Leslie Howard: The Lost Actor. London and Portland, OR: Vallentine Mitchell, 2010.
Howard, Leslie. "Anyhow They Mean Well." New York Times, 11 May 1924.
Howard, Leslie Ruth. A Quite Remarkable Father. New York: Harcourt, Brace and Company, 1959.

Outward Bound

Outward Bound

Outward Bound (1930) is important not only as the Hollywood debut of Leslie Howard, but also as an authoritative film adaptation of one of the most popular and frequently revived plays of the first half of the twentieth century. The playwright Sutton Vane (1888-1963) wrote a number of other works, but today he is remembered almost entirely for the moral allegory and afterlife fantasy Outward Bound, first staged in London in 1923. Son of the noted playwright Sutton Vane, Sr., he wrote several early plays without great success. During World War I he served in the British army but was discharged due to shell shock. Initially he was unable to find any producer in London willing to tackle the unusual subject matter, so he produced Outward Bound on his own, in a small theater with almost no money for sets. He further convinced the actors to work for reduced salaries. During the first few weeks of its run the play attracted much critical attention and the prestigious Garrick Theater picked it up. In 1930, the same year that the film version was released, Vane also published a novelization of the play, most likely to capitalize on the renewed attention it was receiving. The 1924 Broadway production was directed by Robert Milton, who also directed the film. The cast included Alfred Lunt as Prior, Leslie Howard as Henry, Beryl Mercer as Mrs. Midget and Dudley Digges as the Examiner. (Mercer and Digges reprised their roles in the film.) John Cobbin, a reviewer for the New York Times, wrote that the play "caught the attention of a New York audience, enlisted its sympathy, amused it genuinely and genially, and ended by stirring it to very considerable depths of human pity and mortal terror." In particular, Cobbin praised Mercer as Mrs. Midget, saying that she "has never been more seraphically maternal, more racily human." He also singled out both Leslie Howard and Margolo Gillmore for their performances as the young couple left in limbo due to their suicide pact. For the film version Howard played the older character of Prior, perhaps because he had aged several years in the interim. In fact, Outward Bound was not Howard's actual film debut; he had appeared in several English silent films between 1914 and 1921, before his stage career took off. His first great critical success in New York was the Frederick Lonsdale comedy Aren't We All? (1923), which had an extended run despite opening in the off season. The stage version of Outward Bound drew him enough fame that the New York Times even published an article by him in 1924 about his experiences touring the play. He recalled that when he arrived at a "certain slightly Southern city," a Mrs. Brown called him up and invited him to have dinner at her house before her family and friends attended the play. Some of the attendees were apparently baffled by the plot; one of them said afterward, "I like that bit where you all find out you're in a ship at the bottom of the sea." By the late Twenties, Howard had earned the reputation of "the foremost young actor on the English-speaking stage," as one critic put it, thanks to his work in plays such as Candle Light (1929) and Berkeley Square (1929). Around that time his stage manager George Fogel inquired about getting Howard parts in the movies, but he learned that Howard had already signed a contract with Louis B. Mayer at M-G-M. No film projects came of it at first, but now that Howard had established a formidable reputation as a stage actor, Hollywood took much greater interest. He received a salary of five thousand dollars a week. All the while he maintained a skeptical view of Hollywood, writing: "Any entertainment which removes the actor from direct contact with his audience is surely like producing babies in test tubes--doubtless an efficient and hygienic process, but one which must be highly unsatisfying to the parents." Director: Robert Milton Script: J. Grubb Alexander, based on the play by Sutton Vane Photography: Hal Mohr Film Editor: Ralph Dawson Costumes: Earl Luick Cast: Leslie Howard (Tom Prior); Douglas Fairbanks, Jr. (Henry); Beryl Mercer (Mrs. Midget); Dudley Digges (Thompson, the Examiner); Helen Chandler (Ann); Alec B. Francis (Scrubby); Montagu Love (Mr. Lingley); Lyonel Watts (Rev. William Duke); Alison Skipworth (Mrs. Cliveden-Banks). BW-83m. by James Steffen Sources Cobbin, John, "Outward Bound." New York Times, January 8, 1924. Eforgan, Estel. Leslie Howard: The Lost Actor. London and Portland, OR: Vallentine Mitchell, 2010. Howard, Leslie. "Anyhow They Mean Well." New York Times, 11 May 1924. Howard, Leslie Ruth. A Quite Remarkable Father. New York: Harcourt, Brace and Company, 1959.

Quotes

Trivia

'Howard, Leslie' 's first American film. He had appeared in the stage version in London and New York.

The play opened in New York on 7 January 1924 and in London on 17 September 1925.