The Good, the Bad and the Ugly

TCM's Dave Karger introduces The Good, The Bad And The Ugly, 1968.

Guest host Dave Karger introduces The Good, The Bad And The Ugly, 1967.

TCM's Saturday afternoon host Tiffany Vazquez introduces The Good, The Bad And The Ugly, 1966.

Guest host Dave Karger introduces The Good, The Bad And The Ugly, 1968.

The introduction of Clint Eastwood, this time kind-of named “Blondie,” in the final film in the “Man With No Name” trilogy, with some indifference rescuing bandit Tuco (Eli Wallach), Sergio Leone not yet revealing the scam to collect reward money, in The Good, The Bad And The Ugly, 1966.

Eli Wallach, Lee Van Cleef and Clint Eastwood compete with Ennio Morricone's score and Nino Baragli's editing in this segment of Sergio Leone's famous standoff sequence from The Good, the Bad and the Ugly, 1967.

Ennio Morricone's famous score tends to dominate the opening credit sequence for the final film in Sergio Leone's famed "Man With No Name" trilogy, The Good, the Bad and the Ugly, 1967, with Clint Eastwood, Lee Van Cleef and Eli Wallach.

Hired killer Setenza (Lee Van Cleef) tightens the screws on farmer Stevens (Antonio Casas) and won't be bought off in this early scene from Sergio Leone's The Good, the Bad and the Ugly, 1966.

Posing as a Union officer, Setanza (Lee Van Cleef) has a thug beat some information out of Tuco (Eli Wallach), which he then uses to propose a new deal with "Joe" (Clint Eastwood) in Sergio Leone's international "Spaghetti Western" hit The Good, the Bad and the Ugly, 1967.

Setenza (Lee Van Cleef) sees what's coming as Joe (Clint Eastwood) rescues Tuco (Eli Wallach) from hanging once again, building up toward the three-way confrontation in the desert, the climax in the third film in Sergio Leone's trilogy, The Good, the Bad and the Ugly, 1966.

Three men seek hidden loot during the Civil War in The Good, the Bad and the Ugly (1966), the third film in Sergio Leone's Clint Eastwood trilogy.