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    • Elizabeth Taylor Memorial Program on 4/10

    • Turner Classic Movies will remember the life and career of two-time Academy Award®-winning actress and beloved humanitarian Elizabeth Taylor on Sunday, April 10. The 24-hour memorial tribute, which is set to begin at 6 a.m. (ET/PT), will include both of Taylor's Oscar®-winning performances, with Butterfield 8 (1960) at 8 p.m. (ET) and Who's Afraid of Virginia Woolf? (1966) at 10 p.m. (ET).

      TCM's tribute will also feature Taylor in such memorable films as the family classics Lassie Come Home (1943) and National Velvet (1944); the delightful comedies Father of the Bride (1950) and Father's Little Dividend (1951); the historical epic Ivanhoe (1952); and the powerful dramas Giant (1956), Raintree County (1957) and Cat on a Hot Tin Roof (1958). Also included is the spy drama Conspirator (1949), with Taylor in her first adult role.

      The following is a complete schedule of TCM's April 10 memorial tribute to Elizabeth Taylor (all times Eastern):
      6 a.m. - Lassie Come Home (1943), with Roddy McDowall and Edmund Gwenn; directed by Fred M. Wilcox.
      7:30 a.m. - National Velvet (1944), with Mickey Rooney, Anne Revere and Angela Lansbury; directed by Clarence Brown.
      10 a.m. - Conspirator (1952), with Robert Taylor and Robert Flemyng; directed by Victor Saville.
      11:30 a.m. - Father of the Bride (1950), with Spencer Tracy, Billie Burke, Joan Bennett and Don Taylor; directed by Vincente Minnelli.
      1:15 a.m. - Father's Little Dividend (1951), with Spencer Tracy, Billie Burke, Joan Bennett and Don Taylor; directed by Vincente Minnelli.
      2:45 p.m. - Raintree County (1957), with Montgomery Clift, Eva Marie Saint, Lee Marvin, Rod Taylor and Agnes Moorehead; directed by Edward Dmytryk.
      6 p.m. - Cat on a Hot Tin Roof (1958), with Paul Newman and Burl Ives; directed by Richard Brooks.
      8 p.m. - Butterfield 8 (1960), with Laurence Harvey and Eddie Fisher; directed by Daniel Mann.
      10 p.m. - Who's Afraid of Virginia Woolf? (1966), with Richard Burton, George Segal and Sandy Dennis; directed by Mike Nichols.
      12:30 a.m. - Giant (1956), with James Dean and Rock Hudson; directed by George Stevens.
      4 a.m. - Ivanhoe (1952), with Robert Taylor and Joan Fontaine; directed by Richard Thorpe.

      In addition to TCM's on-air tribute to Taylor, the 2011 TCM Classic Film Festival in Hollywood will feature a special 60th anniversary screening of her brilliant performance opposite Montgomery Clift in George Stevens' A Place in the Sun (1951). The TCM Classic Film Festival takes place April 28-May 1.


      There may be other contenders for the honor, but if you want the definitive picture to put next to the phrase "movie star" in the dictionary, there's only one person who truly fills the bill -- Elizabeth Taylor. One of the last of the great studio stars, Taylor encompasses all of the glamour and all of the contradictions of stardom. A beautiful child who never went through an awkward phase, she grew up to become one of the most desired women in Hollywood. Even as she matured as an actress of surprising depth, she was generating headlines that made her the focus of unbridled idolatry and unreasoning hatred.

      In her 79 years, she has dazzled audiences with her talents for acting and living large, and inspired them with her refusal to give in to heartache or illness. Like every great star she has re-invented herself as needed, ranging from child beauty to budding actress to fallen woman to diva to respected leader in the fight against AIDS. Through it all, the studio manipulations, the broken marriages, and the constant headlines, her greatest accomplishment is simply being her own woman.

      Taylor's legendary beauty preceded her first films. According to legend, a talent scout spotted her playing as a child and tried to interest her mother in putting her up for the role of Bonnie Blue Butler in Gone with the Wind (1939). She started dancing at three in her native London, where she performed in a recital for Princesses Elizabeth and Margaret. When World War II started, her art dealer father sent the girl and her mother to California to escape the Blitz.

      As more and more people commented on the child's beauty, her mother finally decided to make the rounds, winning her a screen test at Universal, where she made her big-screen debut opposite "Our Gang" star Carl "Alfalfa" Switzer in There's One Born Every Minute (1942). When the studio didn't have any other roles for her, Taylor's father, now in the U.S., ran into MGM executive Sam Marx while volunteering as an air warden. That led to another test and a contract. Studio head Louis B. Mayer kept a stable of child stars that at various times included Mickey Rooney, Judy Garland and Lana Turner to play out variations on his dreams of the perfect American family. With her dark hair, perfect face and violet eyes, Taylor was a welcome addition to Mayer's vision. Her first Metro film was Lassie Come Home (1943), which started a lifelong friendship with co-star Roddy McDowall.

      Taylor worked out for months to win the role of Velvet Brown in National Velvet (1944), a project that years earlier had been planned for Katharine Hepburn. At 13, however, Taylor was perfect as the young girl devoted to her horse. She so loved the film that the studio gave her the horse that played Pie after the picture wrapped. The critical and box-office success made it clear that Taylor was a very special child indeed. The studio didn't always heed that lesson. Some of her early films, like Cynthia (1947), were pedestrian at best. But in the right vehicle, as when she tried to rehabilitate Lassie after wartime service in Courage of Lassie (1946), she was dazzling.

      Taylor matured early. By the time she was 16, she seemed adult enough to win Robert Stack from Jane Powell in A Date with Judy (1948), even though both leading ladies were cast as high-school girls. At 18, she graduated to adult roles as Spencer Tracy's daughter in Father of the Bride (1950), a film that got a big publicity boost out of her marriage to hotel heir Conrad "Nicky" Hilton, and as Robert Taylor's wife in Conspirator (1949). While filming the latter, she also had to deal with her co-star's very adult ardor for her.

      Taylor's first grown-up roles were mainly built around her beauty. All she had to do was look good while Robert Taylor fought for her honor in Ivanhoe (1952) or Stewart Granger tried to make his fortune in Beau Brummell (1954). But the talents that had made National Velvet so successful were still there, waiting for the right vehicle. She found one such part when MGM loaned her to Paramount for A Place in the Sun (1951). She showed surprising passion and subtlety as the wealthy young woman who falls for social-climbing Montgomery Clift and even impressed her very serious co-star, who became another close friend. Taylor would credit the F. Scott Fitzgerald adaptation The Last Time I Saw Paris (1954) as the first film in which she realized how much she wanted to be respected as an actress, but there are hints of a more mature approach to her work in Rhapsody (1954), in which she plays an heiress involved with the classical music world, and Elephant Walk (1954), as a plantation owner's wife torn between her husband and his plantation manager. In the latter, she replaced an ailing Vivien Leigh and had to match footage already shot with the other actress. The film made her more beautiful than ever, which may have blinded critics to the quality of her work.

      MGM finally realized they had an actress on their hands when a loan to Warner Bros. for Giant (1956) earned her critical raves. The studio began developing projects to exploit both her beauty and her acting, helping her to her first Oscar® nomination with Raintree County (1957), a Civil War tale about a Southern belle who goes mad.

      When Grace Kelly retired from films to marry Prince Rainier of Monaco, the studio projects she left unfilmed included Tennessee Williams' Cat on a Hot Tin Roof (1958). Taylor's third husband, showman Mike Todd, convinced the studio to cast her in the role, and she scored another triumph. Making her accomplishment more amazing was the fact that she shot the film while mourning for Todd, who was killed in a plane crash during the making of Cat. By the time the film came out, Taylor was making headlines again, this time as the scarlet woman who had stolen Todd's friend, singer Eddie Fisher, from wife Debbie Reynolds. Although she was denounced by some, the publicity drove ticket sales for the adult drama, and the film brought her a second Oscar® nomination.

      Taylor took another stab at a Tennessee Williams adaptation, co-starring with Clift and Katharine Hepburn in Suddenly, Last Summer (1959). Again, she turned in a surprisingly good performance, pulling off a lengthy final monologue about her cousin's tragic fate. The film brought her third Oscar® nomination. 20th Century-Fox had offered her the title role in their epic Cleopatra (1963), prompting her to jokingly demand $1 million, the highest fee ever paid an actor at that time. When they compromised on $750,000 and a percentage, she couldn't say, "No." But she still owed MGM one more film. With no time to turn anything down, they stuck her in Butterfield 8 (1960), a turgid adaptation of John O'Hara's novel about a high-priced call girl. Taylor hated the film. When the studio screened it for her, she threw a drink at the screen. Still, she gave a respectable performance and won her fourth Oscar® nomination in as many years.

      By the time Butterfield 8 came out, she was already working on Cleopatra in England. The harsh English winter gave her a cold that turned into pneumonia. Suddenly headlines proclaimed that she was at death's door. She survived, and the publicity brought her first Oscar® win against some very strong competition. At last, the world seemed to have forgiven her "stealing" Fisher from Debbie Reynolds.

      By the time she returned to work on Cleopatra, there had been some changes. Director Rouben Mamoulian had dropped out and been replaced by Joseph L. Mankiewicz, and leading men Peter Finch and Stephen Boyd had gone off to work on other films. To replace them, Fox hired Rex Harrison and Richard Burton. That's when the headlines started all over again. A few days after they filmed their first scenes as legendary lovers Cleopatra and Marc Antony, Taylor and Burton were engaged in a passionate affair. Before long, Fisher left the location in Rome, followed later by Burton's wife. By the time the film ended, both marriages were over, and Taylor was a pariah once again. The bloated production's box office failure didn't help, either, and Fox tried to sue her for slowing production and causing bad publicity.

      As soon as Taylor and Burton had finished Cleopatra, however, they played an estranged couple in The V.I.P.s (1963), a Grand Hotel in an airport with an all-star cast including Orson Welles, Margaret Rutherford, Rod Taylor and Maggie Smith. Critics hated the film, but audiences bought tickets thinking they were getting an inside look at the infamous couple. The same attraction worked with The Sandpiper (1965), a turgid romance with bohemian artist Taylor falling for married priest Burton, and Who's Afraid of Virginia Woolf? (1966), their best film together. For her role as the slatternly wife of a college professor, Taylor gained weight, grayed her hair and had the makeup men add rather than hide wrinkles. Her searing performance brought her a second Oscar®, and this time she could feel that it was deserved.

      After Virginia Woolf, however, their box office popularity started to decline. By now married, the pair continued to generate headlines with their expensive purchases and jet-set socializing, but their films grew steadily worse. For one thing, she and Burton priced themselves out of many interesting mid-budget films. For another, his drinking impaired his judgment. Scripts like Boom (1968) and Hammersmith Is Out (1972) had critics lamenting the betrayal of both stars' abilities and talent. Oddly, when they announced their separation in 1973, they each got some of their best reviews for their TV movie, Divorce His - Divorce Hers; Taylor also received plaudits for the plastic surgery drama Ash Wednesday (1973) but it wasn't enough to restore her waning career.

      As film work dried up, Taylor explored other acting opportunities, guesting on the soap opera General Hospital and starring in an acclaimed revival of The Little Foxes on Broadway. She even reunited with Burton for a stage tour of Private Lives. But she soon found a more productive outlet for her talents. The death of her friend Rock Hudson from AIDS complications in 1985 put Taylor in the center of the controversy over the disease. She soon became a tireless worker for AIDS-related charities, eventually winning a third Oscar®, the Jean Hersholt Humanitarian Award, for her efforts.

      Even in semi-retirement, Taylor has remained a star and will always be one even after more acclaimed actors are long forgotten. She died at the age of 79 at Los Angeles' Cedars-Sinai Hospital on March 23, 2011.

      by Frank Miller

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  1. New Books

    • Handsome Johnny

    • By Lee Server

      Lee Server's in-depth research and vivid writing style have earned high acclaim for his bestselling biographies of Ava Gardener and Robert Mitchum. Now he turns his laser focus to a singular character in the annals of the American underworld--Johnny Rosselli--in HANDSOME JOHNNY: The Life and Death of Johnny Rosselli: Gentleman Gangster, Hollywood Producer, CIA Assassin (St. Martin's Press, Nov. 13, 2018, $29.99).

      A protégé of Al Capone, Johnny Roselli abandoned his Boston roots for California and the bloody bootlegging wars of the Roaring Twenties, eventually becoming the Mob's "Man in Hollywood," and even producing two of the best film noirs of the 1940s.

      Server uncovers previously unknown details about Rosselli, including:
      --The first detailed description of the biggest extortion plot in US history, the mob's plot to extort the entire movie industry and subvert the Hollywood unions.
      --The Syndicate's secret sponsorship of Columbia Pictures
      --The massive extortion deal that eventually landed Rosselli and his associates in federal prison.

      Server recounts the inside story of Rosselli's post-prison venture, working for Chicago boss Sam Giancana in Las Vegas, where he ran the town from his suites and poolside tables at the Tropicana and Desert Inn, enjoying the Rat Pack nightlife with pals Frank Sinatra and Dean Martin.

      Server also provides a detailed, first-time account of the most unexpected chapter in Rosselli's extraordinary life:
      --The CIA's recruitment of Rosselli to assassinate Cuban leader Fidel Castro
      --The Kennedy brothers' secret connection to the murder plots
      --Rosselli's part in the eventual Washington investigations that tore apart the American intelligence service.

      Based upon years of research, written with compelling style and vivid detail, HANDSOME JOHNNY is a rich rollercoaster of a biography.

      LEE SERVER is the author of the best-selling and critically acclaimed biographies Robert Mitchum: Baby, I Don't Care and Ava Gardner: Love is Nothing. Robert Mitchum was named a Best Book of the Year by the Los Angeles Times, "the film biography of the year" by the Sunday Times (U.K.) and one of the "60 Greatest Film Books." Ava Gardner was a New York Times Notable Book, and a New York Times, Los Angeles Times and USA Today bestseller. He lives in Palm Springs, California.

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    • Dutch Girl: Audrey Hepburn and World War II

    • By Robert Matzen

      The story of one of the most enduring and beloved stars Hollywood has ever produced--Audrey Hepburn--has been told again and again since her passing in 1993. An Amazon search of books with her name will produce well over a thousand titles, with every aspect of her life but one covered in print: her years during World War II when she lived in the Netherlands under Nazi rule.

      On April 15, 2019--just weeks before what would've been her 90th birthday--critically acclaimed and bestselling biographer Robert Matzen reveals the true war story of this cinematic icon. The book, as shocking as it is vital and triumphant, is Dutch Girl: Audrey Hepburn and World War II [GoodKnight Books]. The culmination of years of painstaking research by Matzen--who conducted new interviews with people who knew Audrey Hepburn in the Netherlands, unearthed secret diaries, gained access to previously classified archives, and combed through decades of her own infrequent but revealing reminiscences in interviews--Dutch Girl contains substantive proof of holes, errors, and inventions in every previous Audrey Hepburn biography that's touched on her life during the war years. In fact, the real story is more incredible than anything presented by previous biographers.

      From debunking the mythology of Hepburn's lineage (did the wealthy van Heemstras actually have their money stolen by the Nazis?) to revealing the extent of her involvement with the Dutch Resistance and an active role tending wounded of the famed "Bridge Too Far" battle of Arnhem, Dutch Girl is a definitive biography that exposes an extraordinary story of courage, tragedy, perseverance, and triumph--and contributes immeasurably to the legacy of one of the world's most famous actresses, fashion icons, and humanitarians.

      Dutch Girl has been called a "true gift" by Hepburn's younger son, Luca Dotti, who has written a powerful foreword to the book that speaks to the lock-and-key under which this information had been kept in Audrey's heart, writing:
      "When my mother talked about herself and what life taught her, Hollywood was the missing guest. Instead of naming famed Beverly Hills locations, she gave us obscure and sometimes unpronounceable Dutch ones. Red carpet recollections were replaced by Second World War episodes that she was able to transform into children's tales. We knew we were missing the complete story of her life in the war--until Robert Matzen wrote to me introducing himself and his book, Dutch Girl. I now understand why the words Good and Evil, and Love and Mercy were so fundamental in her own narrative. Why she was open about certain facts and why she kept so many others in a secluded area of her being. Thank you, Robert Matzen."

      The third and final book in Matzen's 'Hollywood in WWII' Trilogy -- which includes the award-winning 2013 book Fireball: Carole Lombard and the Mystery of Flight 3 and 2016 bestseller Mission: Jimmy Stewart and the Fight for World War II--Dutch Girl is a not-to-be-missed spring 2019 release. Among the topics explored and new information revealed in it includes:

      --The riveting, untold story of a young Dutch ballerina in World War II who went on to become an Academy Award winning movie star, timeless fashion icon, and tireless UNICEF ambassador who devoted her life to fighting for the welfare of children in war-torn territories
      --Brand-new verified information about the van Heemstra family, including brutal executions of Audrey Hepburn's relatives by the Nazis and other direct family members deeply involved in the rise of fascism in Europe
      --Audrey Hepburn's active role in the Dutch Resistance and details about her daily life in Velp when the war "came home" and the village was under fire for seven months
      --Never-before-seen photographs, documents, and mementos provided by Audrey Hepburn's son, Luca Dotti, informing Matzen's research and shared in a full-color and black-and-white 24-page photo section

      Robert Matzen has gained a reputation as one of today's top authors in popular biography; for his latest book, Dutch Girl: Audrey Hepburn and World War II, he lived in Audrey Hepburn's footsteps in the Netherlands, interviewed many who knew her, and dug deep into Dutch archives to uncover secret information, resulting in a eye-opening look into the hidden past of an icon. Dutch Girl is Matzen's eighth book and the third and final installment in his 'Hollywood in World War II' trilogy, with previous releases including the award-winning and critically acclaimed titles Carole Lombard and the Mystery of Flight 3 [2013] and Mission: Jimmy Stewart and the Fight for Europe [2016]. Regularly appearing ininternational press, including the Wall Street Journal, New York Post, Hollywood Reporter, and PBS, Matzen's previous print work includes many articles about classic films and he maintains a popular blog at

      Dutch Girl: Audrey Hepburn and World War II [GoodKnight Books] will be available in hardcover, e-book, and audiobook formats on April 15, 2019 wherever books are sold.

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    • A Star is Born: Judy Garland and the Film that Got Away

    • By Lorna Luft and Jeffrey Vance

      New York Times bestselling author and daughter of Judy Garland tells the story of A Star Is Born (1954) -- at once the crowning achievement and greatest disappointment in her mother's legendary career. This is a vivid account of a film classic's production, loss, and reclamation.

      A Star Is Born -- the classic Hollywood tale about a young talent rising to superstardom, and the downfall of her mentor/lover along the way -- has never gone out of style. It has seen five film adaptations, but none compares to the 1954 version starring Judy Garland in her greatest role. But while it was the crowning performance of the legendary entertainer's career, the production turned into one of the most talked about in movie history.

      The story, which depicts the dark side of fame, addiction, loss, and suicide, paralleled Garland's own tumultuous life in many ways. While hitting alarmingly close to home for the fragile star, it ultimately led to a superlative performance -- one that was nominated for an Academy Award, but lost in one of the biggest upsets in Oscar® history. Running far too long for the studio's tastes, Warner Bros. notoriously slashed extensive amounts of footage from the finished print, leaving A Star is Born in tatters and breaking the heart of both the film's star and director George Cukor.

      Today, with a director's cut reconstructed from previously lost scenes and audio, the 1954 A Star is Born has taken its deserved place among the most critically acclaimed movies of all time, and continues to inspire each new generation that discovers it. Now, Lorna Luft, daughter of Judy Garland and the film's producer, Sid Luft, tells the story of the production, and of her mother's fight to save her career, as only she could. Teaming with film historian Jeffrey Vance, A Star Is Born is a vivid and refreshingly candid account of the crafting, loss, and restoration of a movie classic, complemented by a trove of images from the family collection taken both on and off the set. The book also includes essays on the other screen adaptations of A Star Is Born, to round out a complete history of a story that has remained a Hollywood favorite for close to a century.

      Lorna Luft is the daughter of Judy Garland and Sid Luft. She is the author of the bestselling book Me and My Shadows: A Family Memoir (Pocket Books, 1998). After making her television debut on her mother's 1963 Christmas special, Luft embarked on her own career as a singer and actress on the stage, film, and TV. She has performed on and off Broadway in Lolita, and Promises, Promises; in national tours of Grease and Guys and Dolls; at the Rainbow Room, the Hollywood Bowl, and the White House. Luft lives in Palm Springs, CA.

      Jeffrey Vance is a film historian, author, and producer. His books include Douglas Fairbanks (UC Press, 2008) and a trilogy of volumes published by Abrams on comedy legends: Chaplin: Genius of the Cinema (2003), Harold Lloyd: Master Comedian (2002), and Buster Keaton Remembered (2001). Vance lives in Los Angeles, CA.

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    • The Girl on the Balcony - Memoir by Olivia Hussey

    • By Olivia Hussey

      Olivia Hussey, forever immortalized as the definitive Juliet in Franco Zeffirelli's Romeo and Juliet, provides readers with a captivating look inside her life in Hollywood through her remarkable, and sometimes tumultuous, career and personal life.

      Born in Argentina, Hussey, at the young age of 15, was cast in the role of a life-time by acclaimed director Franco Zeffirelli. With the international spotlight thrust upon her, stardom proved to be the more challenging part for her to conquer.

      Her candid memoir--written with her son, Alexander Martin, child of Dean Paul (Dino) Martin and grandchild of Dean Martin--takes readers on an emotional journey through her many challenges and blessings. Highlights include her experience as an "It Girl" in swinging 1960s London; her enduring friendship with her Romeo and Juliet co-star, Leonard Whiting; three tumultuous marriages; her inspirational fight through stage-four breast cancer; debilitating agoraphobia; bankruptcy; and ultimately a journey of self-discovery in India that led her on a path to fulfillment.

      Her stories take readers up close to the age-defining figures she knew well--The Beatles, Vanessa Redgrave, Bette Davis, Elizabeth Taylor, Frank Sinatra, Liza Minnelli, Anthony Perkins, Christopher Reeve, Sir Laurence Olivier, Ingrid Bergman and more--revealing intimate details, startling facts and bizarre coincidences. Hussey also reveals, for the first time, the identity of the actor and fellow newcomer who raped her but would not break her.

      "My mother has lived a remarkable life. Growing up, I saw, first hand, the slings and arrows of her daily life, but I was aware there was so much more to know. So, we began to talk," said Alexander Martin, co-author of The Girl on the Balcony. "Through our two-year conversation, I was able to piece together her extraordinary story. I came to understand her and, ultimately, to admire her. It was so moving."

      "Writing this memoir with my talented son has been one of my greatest joys," said Olivia Hussey. "Putting my story on paper required the perfect partner and Alexander exceeded my expectations."

      The Girl on the Balcony is available wherever books are sold.

      Olivia Hussey
      At 15 years old, Olivia Hussey made her undeniable mark in modern-day cinema as Juliet--one of the most celebrated roles ever written. A seasoned veteran of the London stage, Hussey debuted opposite Vanessa Redgrave in The Prime of Miss Jean Brodie. She has appeared in more than two dozen films, including Death on the Nile with Bette Davis and Peter Ustinov; Jesus of Nazareth (where she reunited with Zeffirelli); The Last Days of Pompeii, opposite Sir Laurence Olivier; Lost Horizon; The Bastard; Hallmark Hall of Fame's Ivanhoe with James Mason; Showtime's Psycho IV: The Beginning and Steven King's IT.
      Visit Olivia online at

      Alexander Martin grew up in Los Angeles, California. After attending the Royal Central School of Speech & Drama in London, England, he returned to Los Angeles with the intention of taking up the family business. Working as both an actor and writer, he appeared in the films Can't Hardly Wait, 21, Three Priests, and Josie and the Pussycats. A little over two years ago, while he was beginning work on his first book, his mother called and asked if he would help her with her memoir--it was an opportunity he couldn't pass up. He now lives in San Miguel de Allende, Mexico with his wife and son.

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  1. DVD Reviews

    • Dick Dinman's "Best of '18" Holiday Gift Giving Shows

    • DICK DINMAN'S "BEST OF '18" HOLIDAY GIFT GIVING SHOW: "Dick's Best Classic Blu-ray Pick's for '18" include superb releases from the Warner Archive, the Criterion Collection, Kino Lorber, the Cohen Collection, Olive Films, Twilight Time, Flicker Alley and Indicator/Powerhouse and acclaimed author, film historian, and commentator Jeremy Arnold joins producer/host Dick Dinman to shine the holiday light on his sumptuously illustrated new book TCM's CHRISTMAS IN THE MOVIES: 30 CLASSICS TO CELEBRATE THE SEASON (available from Running Press).

      DICK DINMAN SALUTES TCM'S "CHRISTMAS IN THE MOVIES: 30 CLASSICS TO CELEBRATE THE SEASON": Producer/host Dick Dinman welcomes back popular author and film historian Jeremy Arnold who reveals the why's and wherefores of his choices of classic holiday films that he included in his marvelous new Christmas gift book TCM's CHRISTMAS IN THE MOVIES: 30 CLASSICS TO CELEBRATE THE SEASON (available from Running Press).

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to or

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    • Dick Dinman & George Feltenstein Survive THE LAST HUNT

    • DICK DINMAN & GEORGE FELTENSTEIN SURVIVE "THE LAST HUNT"! : Robert Taylor takes no prisoners in his superbly conceived, savage and rivetingly intense performance of a lifetime in writer/director Richard Brooks' starkly effective western drama THE LAST HUNT and Warner Home Video's popular and engaging Senior Vice President of Classic and Theatrical Marketing George Feltenstein joins producer/host Dick Dinman as both celebrate the astonishingly gorgeous Blu-ray release of this powerful film classic.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to or

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    • Dick Dinman Salutes Criterion's DIETRICH & VON STERNBERG IN HOLLYWOOD

    • DICK DINMAN SALUTES CRITERION'S "DIETRICH & Von STERNBERG IN HOLLYWOOD" COLLECTION (Part One): Classic film fans of the erotically exotic Paramount Pictures collaborations of star Marlene Dietrich and director/photographer Josef Von Sternberg are over the moon about the Criterion Collection's brilliant restorations of all six of their hotblooded and aggressively seductive cinema masterworks together which are supplemented by a phenomenal array of special features and acclaimed writer and film scholar Imogen Sara Smith joins producer/host Dick Dinman as both marvel at the unparalleled depth and scope of this amazing collection.

      DICK DINMAN SALUTES CRITERION'S "DIETRICH & Von STERNBERG IN HOLLYWOOD" COLLECTION (Part Two): Acclaimed author and film scholar Imogen Sara Smith rejoins producer/host Dick Dinman as both discuss all six of the Dietrich/Von Sternberg cinema milestones and marvel at the virtually immaculate transfers and wide ranging special features included in this dazzling collection.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to or

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    • Dick Dinman & George Feltenstein are GUN CRAZY!

    • DICK DINMAN & GEORGE FELTENSTEIN ARE "GUN CRAZY!": Producer/host Dick Dinman and Warner Home Video's Sr. V.P. of Classic & Theatrical Marketing George Feltenstein salute the Blu-ray debut of the certifiable noir masterwork GUN CRAZY as well as the Blu-ray debuts of LES GIRLS (Gene Kelly's final MGM dance delight), Sergio Leone's spectacular THE COLOSSUS OF RHODES and two drastically different Vincente Minnelli CinemaScope and color triumphs: the delightful comedy DESIGNING WOMAN and the intensely dramatic TWO WEEKS IN ANOTHER TOWN.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to or

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    • Dick Dinman & George Feltenstein Salute 7 BRIDES FOR 7 BROTHERS Blu-ray Debut!

    • DICK DINMAN & GEORGE FELTENSTEIN SALUTE "7 BRIDES FOR 7 BROTHERS" BLU-RAY DEBUT!: For more than a decade passionate fans of the joyous Oscar-winning once-in-a-lifetime musical classic 7 BRIDES FOR 7 BROTHERS have been waiting for the day when this incomparably original and unique certified masterwork would make it's debut on 1080p Blu-ray. Well, fans, that day has finally arrived and your producer/host Dick Dinman and his frequent guest Warner Home Video Sr. V.P. of Classic & Theatrical Marketing George Feltenstein celebrate this momentous occasion while George explains the herculean challenges and obstacles he and his dedicated staff faced in ultimately bringing this happiest of all cinema classics to Blu-ray fruition.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to or

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  1. Press Release

    • Joslyn Art Museum in Omaha Screens BACK TO THE FUTURE!

    • Motion Picture Historian Crawford Bringing the time travel/comedy to Omaha

      Film historian Bruce Crawford will be presenting the 1985 classic Back to the Future on Friday, Nov. 9, 2018 at Joslyn Art Museum, 2200 Dodge Street in Omaha. It has become one of the most popular adventure comedies in cinema history and spawned three sequels as well as comic books, video games and much more.

      In addition to the special event screening, writer, producer and co-creator of all three Back to the Future films, Bob Gale, will address the audience as well as actor Harry Waters Jr., who played singer Marvin Berry in the film--both will speak before the screening discussing the making of this iconic film. There will also be a meet-and-greet and autograph session for the fans.

      This event marks 26 years since Crawford started hosting film legends and the classic films on which they worked. He typically presents two movies each year, spring and autumn.

      Tickets to meet and hear Bob Gale and Harry Waters Jr. go on sale Thursday, Oct. 4 for $24 each and can be purchased at the customer service counters of all Omaha-area Hy Vee food stores. Proceeds will benefit the Nebraska Kidney Association.

      For more information call (402) 932-7200 or (308) 830-2121 and visit

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    • Web Reviewer Glenn Erickson Launches 'CineSavant'

    • Web reviewer Glenn Erickson, aka 'DVD Savant' has established a new home under a new identity, 'CineSavant.' Reviewing independently since 1998, the Savant database has grown to over five thousand reviews and articles, and become one of the most respected and sought-out review pages on the web for news and opinions about classic films on disc. Readership boomed when the page Trailers from Hell picked up Glenn's reviews as featured content in 2015.

      A varied background helps add perspective to Glenn's reviews; from the UCLA Film School he worked in special effects, and then moved on to TV commercial work, and trailers for The Cannon Group. A long stint with MGM/UA Home Video led to editing large-scale DVD extras and other special projects. He began writing for the web in 1997 as 'MGM Video Savant.' Working with the film curators at MGM, Glenn helped detect and produced the restoration of the original ending of the film noir classic Kiss Me Deadly. Glenn has published two books of reviews, and has been writing and researching for TCM since 2004.

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    • TCM Remembers Neil Simon (1927-2018)

    • Turner Classic Movies pays tribute to Neil Simon on Friday, September 14 with the following festival of films. This program will replace the previously scheduled movies for that night so please take note.

      The new schedule for Friday, September 14 will be:
      8:00pm - The Odd Couple (1968)
      10:00pm - The Goodbye Girl (1977)
      12:00am - Lost in Yonkers (1993)

      Neil Simon passed away on Sunday, August 26 in New York City at the age of 91.

      A staff writer on the signature comedy series of television's infancy, "Your Show of Shows" (NBC, 1950-54), Neil Simon went on to establish himself as one of Broadway's most prolific and consistent hit makers. Over the course of four decades, a Simon play or musical opened most seasons on Broadway and were often turned into major motion pictures within a couple of years, including "Barefoot in the Park" (1967), "The Out-of-Towners" (1969), "The Sunshine Boys" (1975) and "California Suite" (1978). Simon also wrote his share of original screenplays, such as the mystery spoof "Murder By Death" (1976) and the charming romantic comedy "Seems Like Old Times" (1980), though it was largely his stage work that earned him his reputation. Perhaps his most enduring creation was "The Odd Couple," which was a play in 1965, a film in 1968 and a television show that ran five seasons starting in 1970, while over the decades popping up in other incarnations. In the 1980s, Simon began a series of semi-autobiographical coming-of-age plays focused on his alleged alter-ego, Eugene Jerome. Dubbed the Eugene Trilogy, the plays consisted of "Brighton Beach Memoirs" (1983), "Biloxi Blues" (1985) and "Broadway Bound" (1986), with the former two being turned into mildly successful feature films. After years as an unbridled hit maker, Simon earned the overwhelming respect of critics with "Lost in Yonkers" (1991), which earned him a Tony Award and Pulitzer Prize for drama. Though his success tapered off in his later years, Simon remained the most important playwright of the latter-half of the 20th century.

      Born on July 4, 1927 in The Bronx, NY, Simon was raised in Depression-era Washington Heights in northern Manhattan by his father, Irving, a garment salesman, and his mother, Mamie. Because his parents were engaged in a rocky relationship that often threatened to break apart, Simon and his older brother, Danny, were sent to live with one group of relatives or another. His father often left the family for long periods of time, leaving their mother to fend for herself until his return. After graduating from DeWitt Clinton High School when he was 16, Simon attended New York University, where he enlisted in the U.S. Army Air Force Reserve during the waning days of World War II, which led to an assignment at Lowry Air Force Base in Denver, CO, where, as a corporal, he began writing for the USAF sports paper, the Rev-Meter. Following a short stint at the University of Denver, Simon moved back to New York, where he spent two years working in the mailroom of the East Coast Warner Bros. offices before quitting to write radio and television scripts with his brother, Danny.

      Simon and his brother managed to wrangle an interview with radio comic, Goodman Ace, who hired the sketch writing duo for $200 a week after reading just one of their jokes. Simon partnered with his brother for the next nine years, with the two writing for such radio programs as "The Robert Q. Lewis Show." They soon moved on to television to write for the day's biggest shows, including "The Red Buttons Show" (CBS/NBC, 1952-55), "The Phil Rivers Show" (CBS, 1955-59), and "Your Show of Shows" (NBC, 1950-54), which starred Sid Caesar and featured perhaps the best group of comics ever assembled: Mel Brooks, Woody Allen, Carl Reiner and Larry Gelbart. Following his entrée into the theater world with the Broadway revue, "Catch a Star" (1955), which he collaborated on with Danny, he became a staff writer on the sitcom, "Stanley" (NBC, 1956-57), which starred Buddy Hackett as the slovenly proprietor of a hotel lobby newsstand. Eventually, Simon struck out on his own when he wrote his first play, "Come Blow Your Horn" (1961), which told the story of a young man who yearns to leave his parents' home to live at his brother's swinging bachelor pad.

      "Come Blow Your Horn" opened on Broadway at the Brooks Atkinson Theatre, where it ran for two years and became a big hit. Simon followed with "Little Me" (1962), which, while not as well-received as his first play, still earned the playwright his first Tony Award nomination. After "Come Blow Your Horn" was adapted in 1963 into a feature film starring Frank Sinatra, Simon had one of the biggest stage hits of his career with "Barefoot in the Park" (1963), a lighthearted comedy focusing on the marriage between a buttoned-down lawyer husband and his free-spirited wife that played on Broadway for over 1,500 performances, making it one of the longest-running non-musicals in the history of the Great White Way. The play was turned into a successful 1967 film starring Robert Redford and Jane Fonda. Meanwhile, his brother had gone through a divorce and was living with another divorced man, which sparked the idea for what eventually became "The Odd Couple" (1965). After several attempts to write the idea, Danny threw the idea over to Simon, who turned the comedy about a freakishly neat newspaper writer thrown out by his wife and forced to move in with a slovenly sportswriter into a Broadway smash that ran for over 900 performances and earned several Tony Awards, including Best Play.

      As with many of Simon's plays, "The Odd Couple" was adapted for the big screen in 1968, and starred Jack Lemmon as the fastidious Felix Unger and Walter Matthau, reprising his original Broadway role, as the slob Oscar Madison. Possibly one of the best feature adaptations of his stage work, the highly successful movie earned several award nominations, including Simon's first for an Academy Award. During this time, he churned out stage plays like "The Star-Spangled Girl" (1966), "Plaza Suite" (1968) and "The Last of the Red Hot Lovers" (1969), which continued his string of critical and financial hits. The following year, "The Odd Couple" was spun off to the small screen, where it spent five seasons on ABC with Tony Randall as Felix and Jack Klugman as Oscar. Meanwhile, he wrote the play to perhaps his second-best remembered stage production, "The Sunshine Boys" (1972), which focused on two aging vaudevillians forced back together after growing to hate each other for a television reunion. Following another Tony Award win for Best Play, the production was adapted into a critically acclaimed 1975 film starring Walter Matthau and George Burns; the latter of whom won an Academy Award for Best Supporting Actor.

      With his career at an all-time high, there seemed to be nothing that could bring Simon down. But in 1973, his wife of 20 years, Joan Baim, died after a prolonged battle with cancer. The agonizing 15 months of watching his wife slowly slip away left the playwright empty and devastated. Four months later, however, Simon shocked friends and colleagues when he married actress Marsha Mason following a brief courtship. He continued writing successful plays like "The Good Doctor" (1973), "California Suite" (1976) and "Chapter Two" (1977) while scripting original screenplays like "Murder By Death" (1976), a spoof on whodunit mysteries that featured Truman Capote as a wealthy recluse named Lionel Twain, who lures top private detectives (an all-star cast of Peter Sellers, Peter Falk, David Niven, Maggie Smith and James Coco) to his secluded mansion to solve a murder that's about to be committed. He next wrote the original screenplay for "The Goodbye Girl" (1977), an adult romantic comedy about a divorced mother and ex-Broadway dancer (Marsha Mason) engaged in a romance with an arrogant actor (Richard Dreyfuss) whose career is nearly ruined by a myopic director (Paul Benedict). Dreyfuss went on to win the Best Actor Oscar for his winning, wacky performance.

      Returning to adaptations of his own work, Simon wrote the scripts for the screen treatments of "California Suite" (1978) and "Chapter Two" (1979), while writing the script for the comedy spoof "The Cheap Detective" (1978), starring Peter Falk, the book for the musical "They're Playing Our Song" (1979), and the stage play for "I Ought to Be in Pictures" (1980), which he turned into a feature starring Walter Matthau and Ann-Margaret in 1982. Simon next wrote the original screenplay for the feature comedy, "Seems Like Old Times" (1980), which starred Chevy Chase as a down-on-his-luck writer who seeks refuge from a pair of bank robbers at the home of his ex-wife (Goldie Hawn), only to run afoul of her new stuffed-shirt husband (Charles Grodin). Following his lighthearted romantic comedy, "Fools" (1981), which was directed for Broadway by longtime collaborator Mike Nichols, Simon adapted his play "The Gingerbread Lady" (1970) into the film "Only When I Laugh" (1981), which again starred wife Marsha Mason. Simon next wrote the play to "Brighton Beach Memoires" (1983), a semi-autobiographical coming-of-age comedy about a young Jewish teenager who experiences puberty and has a sexual awakening while trying to deal with his struggling family. The play was turned into a mildly popular film in 1986 starring Jonathan Silverman as Simon's alter-ego, Eugene Jerome.

      Simon returned to the stage with the more popular "Biloxi Blues" (1985), the second installment to what became known as the Eugene Trilogy. This time, the young Jewish kid from Brooklyn enlists in the Army and is sent to Biloxi, MS for basic training, where he falls in love, loses his virginity and runs afoul of an offbeat drill sergeant. In 1988, the play was adapted into a well-received film starring Matthew Broderick as Eugene and Christopher Walken as Sgt. Toomey. In 1983, Simon suffered another personal setback - albeit one not as tragic as losing Joan - when he divorced actress Marsha Mason following 10 years of marriage. Despite the split, the two remained friends and continued working together. Meanwhile, he reimagined "The Odd Couple" as "The Female Odd Couple" (1985), which was staged on Broadway with Sally Struthers and Rita Moreno in the leads. Simon rounded out his Eugene Trilogy with "Broadway Bound" (1986), which followed Eugene and his brother Stanley - obvious doubles for Simon and his own brother Danny - as they try to make it as comedy writers on radio and television. Unlike the previous two installments, however, "Broadway Bound" was not immediately adapted into a feature film or even television movie - the rare Simon play not to make such a transformation.

      During this time, Simon remarried once again, this time to Diane Lander, a former employee at the Beverly Hills department store, Neiman Marcus. Their relationship proved to be a rocky one, ending in divorce in 1988 following 18 months of marriage, only to reunite in early 1990. Though they again filed for divorce two years later, the couple reconciled until finally splitting for good in 1998. Though asked on several occasions, Simon had been remiss to talk about his relationship with her; even going so far as to not draw from their experiences in his work - a shock given his mining of all other areas of his life. Meanwhile, he wrote the farce "Rumors" (1988) for the stage before achieving massive popular and critical success with "Lost in Yonkers" (1991), a coming-of-age drama about two brothers left in the care of their intimidating grandmother who also houses the mentally deficient, but good-hearted Aunt Bella (Mercedes Ruehl). Simon's difficult tale of family dysfunction won several awards, including a Tony for Best Play and the Pulitzer Prize for Drama. After returning to the world of "Your Show of Shows" for a Broadway production of "Laughter on the 23rd Floor" (1993), he cited the high cost of producing plays on the Great White Way, controversially insisting that "London Suite" (1994) be produced off-Broadway.

      After penning a television version of his 1992 play "Jake's Women" (CBS, 1996), Simon wrote his 30th stage production, "Proposals" (1997), which opened on Broadway, but quickly closed, proving to be one of his least successful stage efforts. On the flip side, a revival of "The Sunshine Boys" enjoyed a much longer run thanks to the popularity of stars Tony Randall and Jack Klugman. Meanwhile, Simon's feature output fell off following the box-office failure of "The Marrying Man" (1991) and "Neil Simon's 'Lost in Yonkers'" (1993), causing the writer to turn to the small screen with "Neil Simon's 'London Suite'" (NBC, 1996), with a cast that included Kelsey Grammer, Julia Louis-Dreyfuss and Richard Mulligan, and a misguided "The Sunshine Boys" (CBS, 1997), which was filmed in 1995 with Peter Falk and Woody Allen. His return to the big screen with the sequel "The Odd Couple II" (1998) sank at the box office despite the presence of the original actors, Walter Matthau and Jack Lemmon. Later that year, a remake of "The-Out-of-Towners" (1998), starred Steve Martin and Goldie Hawn in the roles originated in 1970 by Lemmon and Sandy Dennis.

      Turning to the publishing world, Simon wrote his memoirs in two parts, starting with Neil Simon Writes: A Memoir (1996); he followed with part two a few years later, Neil Simon The Play Goes On: A Memoir (1999). In his later years, Simon's stage work also began taking a hit with critics, though he found mild success with "The Dinner Party" (2000), starring John Ritter and Henry Winkler. After "45 Seconds from Broadway" (2001), which lasted just a few months, he revamped his two most famous characters for "Oscar and Felix: A New Look at the Odd Couple" (2002), which starred John Larroquette as Oscar and Joe Regalbuto as Felix, followed by his staging of "Rose's Dilemma" (2003) off-Broadway at the Manhattan Theatre Club. Also later in his career, his plays found new life on television with "Laughter on the 23rd Floor" (Showtime, 2001) and "The Goodbye Girl" (TNT, 2004) being adapted for the small screen.

      (Biographical data courtesy of TCMDb)

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    • Hammer Horror: A Frankenstein Septet at MoMA in New York, Oct. 12-18

    • Mary Shelley's Frankenstein; or, The Modern Prometheus, published in 1818, has inspired hundreds of films; in 1910 Thomas Edison produced the first cinematic version in his Bronx studio, starring Charles Stanton Ogle as the monster. Hollywood audiences fell in love with Frankenstein after the 1931 Universal Pictures version, featuring Boris Karloff's iconic block-headed, neck-bolted creature and the hysterical doctor's spectacular laboratory of tesla coils and steam-spewing equipment, all in glorious black and white.

      In 1957, the British production company Hammer Films produced the first of its seven Frankenstein films, which focused more on the Gothic aspects of the book and the obsession, ambition, and guilt of the doctor (usually played by Peter Cushing). These films overflow with mournful music, overwrought Victorian décor and costumes, lusty characters, and decidedly more disfigured, wrathful monsters--all amplified by a highly artificial, gruesome color palette that makes even a glimpse of blood into a horrifying experience.

      Hammer Horror: A Frankenstein Septet is presented in conjunction with It's Alive! Frankenstein at 200, a visual history of Mary Shelley's Frankenstein, at The Morgan Library and Museum October 12, 2018-January 27, 2019.


      The Curse of Frankenstein. 1957.
      Directed by Terence Fisher
      Friday, October 12, 7:00 p.m.
      Monday, October 15, 7:00 p.m.

      The Revenge of Frankenstein.1958.
      Directed by Terence Fisher
      Saturday, October 13, 1:00 p.m.
      Tuesday, October 16, 7:00 p.m.

      The Evil of Frankenstein. 1964.
      Directed by Freddie Francis
      Saturday, October 13, 4:00 p.m.

      Frankenstein Created Woman. 1967.
      Directed by Terence Fisher
      Saturday, October 13, 7:00 p.m.
      Thursday, October 18, 4:00 p.m.

      Frankenstein Must Be Destroyed. 1969.
      Directed by Terence Fisher
      Sunday, October 14, 1:00 p.m.
      Wednesday, October 17, 7:00 p.m.

      The Horror of Frankenstein. 1970.
      Directed by Jimmy Sangster
      Sunday, October 14, 4:00 p.m.

      Frankenstein and the Monster from Hell. 1974.
      Directed by Terence Fisher
      Wednesday, October 17, 4:00 p.m.
      Thursday, October 18, 7:00 p.m.

      Organized by Anne Morra, Associate Curator, Department of Film.

      For more information, links and showtimes, visit

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    • THE LION IN WINTER screening - 10/27 at Lake Placid Film Festival in NY

    • The Adirondack Film Society is proud to announce a special guest appearance by TCM contributor and author, Jeremy Arnold as part of the 2018 Lake Placid Film Festival, scheduled for October 26-28 in Lake Placid, NY.

      For the program, Jeremy has selected "The Lion in Winter", celebrating it's 50 Anniversary this year. He will introduce the film providing insights and observations about this landmark work featuring Peter O'Toole, Katherine Hepburn, Anthony Hopkins and Timothy Dalton, and why this "essential" film "matters". Jeremy is the author of "The Essentials: 52 Must-See Movies and Why They Matter", published in 2016 as the companion to TCM's Essentials series. "It is certainly essential, and it has been shown on Turner Classic Movies as part of the "Essentials" series, but it's also one of thirty classic films I profile in my new TCM book, "Christmas in the Movies: 30 Classics to Celebrate the Season.", comments Jeremy. "It's not usually thought of as a "Christmas film," but if you look at it through that prism, it certainly fits. It has one of the most common Christmas-movie plots: a dysfunctional family reuniting over the holiday period. It doesn't matter that it's also a historical drama set in France -- a period piece with period costumes. At heart, it's about family tensions, which the holiday season only exacerbates." "We are thrilled with this year's classic film choice by Jeremy," comments Adirondack Film Society Vice Chairman, Nelson Page. He continues, "The Lion in Winter" is one of those films that they just don't make any more. The actors have amazing chemistry on screen, where each performance shines and the dialogue crackles with unusual intensity. Not only is this film an "Essential", but a must see. Jeremy has made a wonderful programming choice which reflects how great films were made and why they are timeless."

      Jeremy is a son of Lake Placid, so it is more like a homecoming for all of us. In a recent interview, when asked why he keeps coming back to our event, he told Nelson "I've spent at least part of every summer of my life in Lake Placid, and trips to the Palace Theater are indelible memories. There's something very American about the way the theater marquee dominates Main Street; it makes going there feel like you're venturing to the center of the community in a way, and that movies are physically bringing people together. It sure says something that Lake Placid still even has its jewel of a theater. Most towns of this size don't anymore, and that reflects the area's affection for movies, that residents have been eager to keep supporting the Palace over the decades. Finally, I enjoy the diverse offerings at each year's film festival: new features, documentaries, classics, shorts. As an avid filmgoer, I want it all!"

      The Lake Placid Film Festival will offer another classic "The Heiress" (1949), directed by academy award winner, William Wyler. Our fest goers are in for a real treat at 6:30 Friday night, October 26th at the Palace Theatre. William Wyler's daughter and independent producer of film and television, Catherine Wyler will introduce the film and be joined by Kathleen Carroll, Artistic Director of the Lake Placid Film Festival for a conversation with the audience following the screening. Kathleen will be honored at a "Tribute Gala" presented by the Adirondack Film Society on Thursday, October 25th at the High Peaks Resort, Lake Placid at 6:00pm, for her invaluable direction and contributions to our organization since 2000.

      If you are a lover of classic films, you will want to learn even more in Jeremy's books, DVD commentaries or by tuning in to TCM's streaming service, FilmStruck. Also, make sure you tune in the first weekend of this December to TCM as Jeremy will present four Christmas movies from his new book.

      We invite everyone to join us for Jeremy's special presentation of "The Lion in Winter", which will kick-off our Saturday evening at the Palace Theatre, October 27th at 6:30pm. In addition to the introduction, he will host a Q&A following the film. Jeremy has become an annual favorite for festival audiences. For additional information please visit

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To Kill a Mockingbird - 50th Anniversary DVD
was $14.98
Out of the Past DVD
was $17.99
Rear Window DVD
was $14.98


  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca