A Witch Without a Broom


1h 26m 1967

Film Details

Also Known As
Una bruja sin escoba
Release Date
May 1967
Premiere Information
not available
Production Company
Cinemagic Inc.; L. M. Films; Lacy International Films; Westside International
Distribution Company
Producers Releasing Organization
Country
United States

Technical Specs

Duration
1h 26m

Synopsis

Garver Logan, an American professor teaching Spanish history in Madrid, keeps seeing a beautiful blonde in the front row of his classes--but no one else sees her. While consulting a doctor about this hallucination, Logan notices a 15th-century print of Toledo in the physician's office. Instantly Logan disappears, landing in the setting of the print through the sorcery of the blonde, Marianna, who turns out to be a not-very-competent witch. Logan demands that she return him to his 20th-century fiancée, only to find his modern-day sweetheart in another's arms. Marianna brings him back to the 15th century, but her bungling efforts to return him to his natural habitat land them both in the middle of a stone-age wedding ceremony. Marianna incants another spell, but they land in ancient Rome, where Logan is maneuvered by scheming bettors into entering a chariot race. Logan wins by sheer luck, only to have the petulant Marianna transport him to a desolate earth in the 21st century, where he is sought after by seven Martian maidens who have survived World War III and have never seen a man. Marianna's father, Wurlitz the Wizard, senses his daughter's unrequited love for Logan and spirits them both back to the present. Logan wakes up in a hospital, where he is assured his illness was purely hallucinatory. Saddened to learn that Marianna was only a dream, he is revived from his melancholy by a nurse who looks exactly like the enchantress who supposedly never existed.

Film Details

Also Known As
Una bruja sin escoba
Release Date
May 1967
Premiere Information
not available
Production Company
Cinemagic Inc.; L. M. Films; Lacy International Films; Westside International
Distribution Company
Producers Releasing Organization
Country
United States

Technical Specs

Duration
1h 26m

Articles

Sidney Pink (1916-2002)


Sidney Pink, the film producer who is considered the father of the 3-D movie, died at his home in Pompano Beach, Fla., earlier this month after a long illness. He was 86.

Born in Pittsburgh in 1916, Pink graduated from the University of Pittsburgh with a bachelor's degree in business administration. He began his film career as a projectionist in a theater owned by his wife's family. Moving to Hollywood in 1937, Pink was hired as production budget manager for Grand National Pictures, where he worked on the Tex Ritter musical western series. He later moved to Columbia and worked as a budget manager on Lost Horizon (1937) and many small scale westerns. After a disagreement with Columbia studio mogul Harry Cohn, Pink returned to the theater side of the business as the owner of a circuit of theaters in Los Angeles where he imported foreign films.

He soon hooked up with Arch Oboler for the production of two films, Five (1951), an offbeat feature about five survivors of a nuclear war and the irredeemably strange The Twonky (1953) about a professor (Hans Conreid) whose TV set becomes possessed by a spirit of the future and takes over his household.

Pink and Oboler would strike gold with their third film, the first full-length 3-D picture, Bwana Devil (1953). With television' popularity on the rise, a movie gimmick that advertised "A lion in your lap" or "A lover in your arms!" were promotional tag lines that came on like a carnival barker in a sideshow. The story about British railway workers in Kenya falling prey to two man-eating lions, and a head engineer (Robert Stack) bent on killing the lions before they feast on his entire crew might have been routine; but the movie, which required audience members to wear cardboard 3-D glasses as lions were jumping into your laps, spears were flying and people were coming toward you in hordes was a real hot ticket. The process, which was shot in Hollywood with two enormous cameras with polarized lenses, one for the left eye and one for the right, proved to be a surprising hit; enough so that Jack Warner came out with his own 3-D production at Warner Bros. with House of Wax (1953) starring Vincent Price and dozens of 3-D films followed in the ensuing decades.

After the success of his sci-fi cult hit The Angry Red Planet (1959), Pink found himself in a quandary. By the 1960s, Hollywood was having union problems, making it difficult for an independent producer like Sid Pink to be hired by the studios. Ever resourceful, he relocated to Denmark to produce and direct Reptilicus (1962 about a pre-historic monster that comes back to life and terrorizes Copenhagen! It may have not been high art, but it proved to be popular fare at drive-ins and its success allowed Pink to pursue film production in Europe throughout the remainder of the 1960s, including one of the earliest spaghetti westerns, Finger on the Trigger (1965) starring Rory Calhoun. Pink had one more fascinating footnote to fame when he discovered Dustin Hoffman in an off-Broadway production and cast him in Madigan's Millions (1967) as a U.S. Treasury agent sent to Italy to recover money that had been stolen by a murdered gangster (Cesar Romero). Pink soon retired from the film industry and eventually returned to the United States in the mid-1970s where he settled in Florida. He is survived by his wife, Marion, his son, Philip, a daughter, Helene Desloge and four grandchildren.

by Michael T. Toole
Sidney Pink (1916-2002)

Sidney Pink (1916-2002)

Sidney Pink, the film producer who is considered the father of the 3-D movie, died at his home in Pompano Beach, Fla., earlier this month after a long illness. He was 86. Born in Pittsburgh in 1916, Pink graduated from the University of Pittsburgh with a bachelor's degree in business administration. He began his film career as a projectionist in a theater owned by his wife's family. Moving to Hollywood in 1937, Pink was hired as production budget manager for Grand National Pictures, where he worked on the Tex Ritter musical western series. He later moved to Columbia and worked as a budget manager on Lost Horizon (1937) and many small scale westerns. After a disagreement with Columbia studio mogul Harry Cohn, Pink returned to the theater side of the business as the owner of a circuit of theaters in Los Angeles where he imported foreign films. He soon hooked up with Arch Oboler for the production of two films, Five (1951), an offbeat feature about five survivors of a nuclear war and the irredeemably strange The Twonky (1953) about a professor (Hans Conreid) whose TV set becomes possessed by a spirit of the future and takes over his household. Pink and Oboler would strike gold with their third film, the first full-length 3-D picture, Bwana Devil (1953). With television' popularity on the rise, a movie gimmick that advertised "A lion in your lap" or "A lover in your arms!" were promotional tag lines that came on like a carnival barker in a sideshow. The story about British railway workers in Kenya falling prey to two man-eating lions, and a head engineer (Robert Stack) bent on killing the lions before they feast on his entire crew might have been routine; but the movie, which required audience members to wear cardboard 3-D glasses as lions were jumping into your laps, spears were flying and people were coming toward you in hordes was a real hot ticket. The process, which was shot in Hollywood with two enormous cameras with polarized lenses, one for the left eye and one for the right, proved to be a surprising hit; enough so that Jack Warner came out with his own 3-D production at Warner Bros. with House of Wax (1953) starring Vincent Price and dozens of 3-D films followed in the ensuing decades. After the success of his sci-fi cult hit The Angry Red Planet (1959), Pink found himself in a quandary. By the 1960s, Hollywood was having union problems, making it difficult for an independent producer like Sid Pink to be hired by the studios. Ever resourceful, he relocated to Denmark to produce and direct Reptilicus (1962 about a pre-historic monster that comes back to life and terrorizes Copenhagen! It may have not been high art, but it proved to be popular fare at drive-ins and its success allowed Pink to pursue film production in Europe throughout the remainder of the 1960s, including one of the earliest spaghetti westerns, Finger on the Trigger (1965) starring Rory Calhoun. Pink had one more fascinating footnote to fame when he discovered Dustin Hoffman in an off-Broadway production and cast him in Madigan's Millions (1967) as a U.S. Treasury agent sent to Italy to recover money that had been stolen by a murdered gangster (Cesar Romero). Pink soon retired from the film industry and eventually returned to the United States in the mid-1970s where he settled in Florida. He is survived by his wife, Marion, his son, Philip, a daughter, Helene Desloge and four grandchildren. by Michael T. Toole

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Trivia

Notes

Filmed in Spain in 1966 and released there as Una bruja sin escoba at 88 min. Joe Lacy and Howard Berk are pseudonyms of José María Elorrieta and José Luis Navarro Basso, respectively. Spanish sources list production companies as Lacy Films and Cinemagic Inc.; a British source credits them as Westside International and L. M. Films.