A Study in Terror


1h 35m 1966

Brief Synopsis

Sherlock Holmes tries to unmask Jack the Ripper.

Film Details

Also Known As
Fog, Sherlock Holmes grösster Fall
Genre
Mystery
Thriller
Release Date
Jan 1966
Premiere Information
Waco, Texas, opening: 20 Apr 1966
Production Company
Compton--Tekli Film Productions; Planet Film Productions; Sir Nigel Films
Distribution Company
Columbia Pictures
Country
United Kingdom
Screenplay Information
Based on characters created by Sir Arthur Conan Doyle.

Technical Specs

Duration
1h 35m
Sound
Mono
Color
Color (Eastmancolor)

Synopsis

In the 1880's, three prostitutes are brutally murdered in the Whitechapel section of London. After the press has dubbed the unknown killer "Jack the Ripper," Sherlock Holmes receives a package containing a box of surgical instruments from which a scalpel is missing. Aided by his friend Dr. Watson, Holmes traces the instruments to the home of the Duke of Shires and learns that they were once the property of the duke's elder son, Michael, who was disowned for marrying a prostitute, Angela. Holmes also learns that the duke's younger son, Lord Carfax, has been paying blackmail to Max Steiner, the local pub owner, to conceal Michael's marriage and preserve the family honor. Also implicated in the killings is Dr. Murray, the owner of a Whitechapel clinic, who confesses that his assistant is Michael, who went berserk when he spilled acid on his wife's face upon discovering her with a lover. When Holmes learns that Steiner is Angela's lover and that she is the blackmailer, he takes Michael home to his father and sets a trap for the killer in Angela's room. "The Ripper" is revealed to be Lord Carfax; he killed the other prostitutes only to obscure his intention of murdering Angela. As Holmes struggles with Lord Carfax, a lamp is knocked over and flames sweep the room. Lord Carfax, Angela, and Steiner perish in the fire; and Holmes decides to spare the feelings of the Duke of Shires by allowing the identity of "Jack the Ripper" to remain a mystery.

Film Details

Also Known As
Fog, Sherlock Holmes grösster Fall
Genre
Mystery
Thriller
Release Date
Jan 1966
Premiere Information
Waco, Texas, opening: 20 Apr 1966
Production Company
Compton--Tekli Film Productions; Planet Film Productions; Sir Nigel Films
Distribution Company
Columbia Pictures
Country
United Kingdom
Screenplay Information
Based on characters created by Sir Arthur Conan Doyle.

Technical Specs

Duration
1h 35m
Sound
Mono
Color
Color (Eastmancolor)

Articles

A Study in Terror


Despite hundreds of cinematic incarnations since the dawn of cinema of fiction's most enduring detective, Sherlock Holmes, it wasn't until 1965 that filmmakers finally pitted him against the Victorian era's most famous real-life criminal, Jack the Ripper, in A Study in Terror. The project was written by brothers Donald and Derek Ford, a pair of British writers best known for titillating exploitation titles like The Black Torment [1964] and The Yellow Teddy Bears [1963], and was ushered into production by Herman Cohen, a master of low-budget showmanship with credits like Horrors of the Black Museum (1959),Konga (1961) and I Was a Teenage Werewolf (1957) under his belt. The resulting film proved to be a career highlight for most involved thanks to a top-tier cast and solid production team, executing its can't-miss concept so well it was reused again in 1979 for the more prestigious, star-studded Murder by Decree starring Christopher Plummer as Holmes and James Mason as Watson.

The serial murders of prostitutes in London's Whitechapel district in 1888 intrigues master sleuth Sherlock Holmes (John Neville) and his assistant Dr. Watson (Donald Houston), particularly when they acquire a box of surgical instruments whose missing scalpel matches the modus operandi of the killings. Their investigations lead them to an aristocratic family whose sons hide a shameful secret that could provide a motive. As the slayings continue, Holmes uncovers a horrific tapestry of lies and crime involving adultery, disfigurement by acid, and insanity.

An independent production released in America by Columbia Pictures (who mounted a bizarre ad campaign aping TV's Batman series and issued a movie tie-in novelization by Ellery Queen), this atmospheric mystery/terror hybrid (originally shot under the title Fog) falls in line with a string of Ripper-oriented fictions which meld procedural and horror, a tactic used earlier in films such as Baker and Berman's Jack the Ripper (1959). Accomplished stage and screen actor John Neville had large shoes to fill playing Holmes after the iconic series with Basil Rathbone, but he won over audiences and critics with an exceptionally strong portrayal. According to Cohen and producer Harry E. Lester in Ron Haydock's Deerstalker!: Holmes and Watson on Screen, Neville was courted for over a year to play the role and had originally been approached to play the sleuth onstage in the 1964 stage musical Baker Street, a role eventually taken by Fritz Weaver. During the shoot he also appeared onstage each night at the Nottingham Playhouse in Volpone, necessitating a commuter plane to shuttle him back and forth to the set. Neville returned to the role once again in 1974 onstage in William Gillette's hit, Sherlock Holmes, and continued a busy later career including the title role in Terry Gilliam's The Adventures of Baron Munchausen (1988) and a recurring, well-manicured character on TV's The X-Files.

As for the genesis of pitting Holmes against Saucy Jack, many of the participants have taken credit ranging from Repulsion (1965) producer Gene Gutowski to Cohen himself, who claimed in Alan Barnes' Sherlock Holmes on Screen that inspiration struck when he was "one of the first Americans to be taken through Scotland Yard's Black Museum" where "Queen Victoria sealed some secret documents on the case of Jack the Ripper... it all points to a member of the Royal Family." The idea of tying the Ripper's antics to the British aristocracy soon became a familiar trope in future tellings all the way from the aforementioned Murder by Decree to Alan Moore's graphic novel From Hell and its film adaptation with Johnny Depp, while writer/director Nicholas Meyer used the same gimmick as a more unexpected jumping-off point by pitting Holmes and Jack the Ripper against Sigmund Freud and H.G. Wells in The Seven-Per-Cent Solution [1976] and Time after Time [1979] respectively.

Much of the pleasure in watching A Study in Terror can be derived from its once-in-a-lifetime supporting cast of sterling English performers at various points in their careers. Most notably, future Academy Award-winner Judi Dench (Shakespeare in Love, 1998) was suggested by Neville for the role of angelic Sally Young, immediately following up on her first lead role in the then-unreleased Four in the Morning. The always wonderful Robert Morley delivers one of the rare cinematic portrayals of Holmes' brilliant brother, Mycroft, in a busy year which also saw him performing in The Loved One, Life at the Top, Those Magnificent Men in Their Flying Machines and The Alphabet Murders. Future EastEnders and Carry On mainstay Barbara Windsor appears as the ill-fated Annie Chapman, while busy character actors Frank Finlay (The Pianist, 2002) and Anthony Quayle (Anne of the Thousand Days, 1969) reteamed in Murder by Decree with the latter reprising his role as Holmes' verbal sparring partner, Inspector Lestrade. Other familiar faces include Hammer Films actress Adrienne Corri (Vampire Circus [1972], A Clockwork Orange [1971]), Barry Jones (Brigadoon, 1954), Cecil Parker (Indiscreet, 1958), Charles Regnier (who had just played the Ripper in 1965's No Orchids for Lulu, a remake of Pandora's Box), and John Fraser (Repulsion). No less noteworthy is the crew on the other side of the camera including cinematographer Desmond Dickinson (The Importance of Being Earnest [1952], Horror Hotel [1960]), director James Hill (who scored his biggest hit the next year with Born Free), and the very first composing assignment for John Scott, who started as a musician with the Beatles, Henry Mancini and John Barry and went on to score over eighty films including The Final Countdown (1980) and Greystoke (1984).

Despite generally positive reviews and its status as the first "adult" treatment of Sherlock Holmes, A Study in Terror failed to scare up much box office business at the time, facing competition from a raft of Hammer horrors and other European imports with a stronger emphasis on sex and violence. However, it quickly found favor among Holmes devotees and mystery lovers, earning a respectable cult following and setting a template still being followed today. Quite a few fans would also argue it still hasn't been topped.

Producer: Henry E. Lester; Michael Klinger (uncredited)
Director: James Hill
Screenplay: Donald Ford; Derek Ford; Sir Arthur Conan Doyle (characters)
Cinematography: Desmond Dickinson
Music: John Scott
Film Editing: Henry Richardson
Cast: John Neville (Sherlock Holmes), Donald Houston (Doctor John Watson), John Fraser (Lord Carfax), Anthony Quayle (Doctor Murray), Barbara Windsor (Annie Chapman), Adrienne Corri (Angela Osborne), Frank Finlay (Inspector Lestrade), Judi Dench (Sally Young), Charles Regnier (Joseph Beck), Cecil Parker (Prime Minister), Georgia Brown (Singer), Barry Jones (Duke of Shires), Robert Morley (Mycroft Holmes).
C-95m.

by Nathaniel Thompson
A Study In Terror

A Study in Terror

Despite hundreds of cinematic incarnations since the dawn of cinema of fiction's most enduring detective, Sherlock Holmes, it wasn't until 1965 that filmmakers finally pitted him against the Victorian era's most famous real-life criminal, Jack the Ripper, in A Study in Terror. The project was written by brothers Donald and Derek Ford, a pair of British writers best known for titillating exploitation titles like The Black Torment [1964] and The Yellow Teddy Bears [1963], and was ushered into production by Herman Cohen, a master of low-budget showmanship with credits like Horrors of the Black Museum (1959),Konga (1961) and I Was a Teenage Werewolf (1957) under his belt. The resulting film proved to be a career highlight for most involved thanks to a top-tier cast and solid production team, executing its can't-miss concept so well it was reused again in 1979 for the more prestigious, star-studded Murder by Decree starring Christopher Plummer as Holmes and James Mason as Watson. The serial murders of prostitutes in London's Whitechapel district in 1888 intrigues master sleuth Sherlock Holmes (John Neville) and his assistant Dr. Watson (Donald Houston), particularly when they acquire a box of surgical instruments whose missing scalpel matches the modus operandi of the killings. Their investigations lead them to an aristocratic family whose sons hide a shameful secret that could provide a motive. As the slayings continue, Holmes uncovers a horrific tapestry of lies and crime involving adultery, disfigurement by acid, and insanity. An independent production released in America by Columbia Pictures (who mounted a bizarre ad campaign aping TV's Batman series and issued a movie tie-in novelization by Ellery Queen), this atmospheric mystery/terror hybrid (originally shot under the title Fog) falls in line with a string of Ripper-oriented fictions which meld procedural and horror, a tactic used earlier in films such as Baker and Berman's Jack the Ripper (1959). Accomplished stage and screen actor John Neville had large shoes to fill playing Holmes after the iconic series with Basil Rathbone, but he won over audiences and critics with an exceptionally strong portrayal. According to Cohen and producer Harry E. Lester in Ron Haydock's Deerstalker!: Holmes and Watson on Screen, Neville was courted for over a year to play the role and had originally been approached to play the sleuth onstage in the 1964 stage musical Baker Street, a role eventually taken by Fritz Weaver. During the shoot he also appeared onstage each night at the Nottingham Playhouse in Volpone, necessitating a commuter plane to shuttle him back and forth to the set. Neville returned to the role once again in 1974 onstage in William Gillette's hit, Sherlock Holmes, and continued a busy later career including the title role in Terry Gilliam's The Adventures of Baron Munchausen (1988) and a recurring, well-manicured character on TV's The X-Files. As for the genesis of pitting Holmes against Saucy Jack, many of the participants have taken credit ranging from Repulsion (1965) producer Gene Gutowski to Cohen himself, who claimed in Alan Barnes' Sherlock Holmes on Screen that inspiration struck when he was "one of the first Americans to be taken through Scotland Yard's Black Museum" where "Queen Victoria sealed some secret documents on the case of Jack the Ripper... it all points to a member of the Royal Family." The idea of tying the Ripper's antics to the British aristocracy soon became a familiar trope in future tellings all the way from the aforementioned Murder by Decree to Alan Moore's graphic novel From Hell and its film adaptation with Johnny Depp, while writer/director Nicholas Meyer used the same gimmick as a more unexpected jumping-off point by pitting Holmes and Jack the Ripper against Sigmund Freud and H.G. Wells in The Seven-Per-Cent Solution [1976] and Time after Time [1979] respectively. Much of the pleasure in watching A Study in Terror can be derived from its once-in-a-lifetime supporting cast of sterling English performers at various points in their careers. Most notably, future Academy Award-winner Judi Dench (Shakespeare in Love, 1998) was suggested by Neville for the role of angelic Sally Young, immediately following up on her first lead role in the then-unreleased Four in the Morning. The always wonderful Robert Morley delivers one of the rare cinematic portrayals of Holmes' brilliant brother, Mycroft, in a busy year which also saw him performing in The Loved One, Life at the Top, Those Magnificent Men in Their Flying Machines and The Alphabet Murders. Future EastEnders and Carry On mainstay Barbara Windsor appears as the ill-fated Annie Chapman, while busy character actors Frank Finlay (The Pianist, 2002) and Anthony Quayle (Anne of the Thousand Days, 1969) reteamed in Murder by Decree with the latter reprising his role as Holmes' verbal sparring partner, Inspector Lestrade. Other familiar faces include Hammer Films actress Adrienne Corri (Vampire Circus [1972], A Clockwork Orange [1971]), Barry Jones (Brigadoon, 1954), Cecil Parker (Indiscreet, 1958), Charles Regnier (who had just played the Ripper in 1965's No Orchids for Lulu, a remake of Pandora's Box), and John Fraser (Repulsion). No less noteworthy is the crew on the other side of the camera including cinematographer Desmond Dickinson (The Importance of Being Earnest [1952], Horror Hotel [1960]), director James Hill (who scored his biggest hit the next year with Born Free), and the very first composing assignment for John Scott, who started as a musician with the Beatles, Henry Mancini and John Barry and went on to score over eighty films including The Final Countdown (1980) and Greystoke (1984). Despite generally positive reviews and its status as the first "adult" treatment of Sherlock Holmes, A Study in Terror failed to scare up much box office business at the time, facing competition from a raft of Hammer horrors and other European imports with a stronger emphasis on sex and violence. However, it quickly found favor among Holmes devotees and mystery lovers, earning a respectable cult following and setting a template still being followed today. Quite a few fans would also argue it still hasn't been topped. Producer: Henry E. Lester; Michael Klinger (uncredited) Director: James Hill Screenplay: Donald Ford; Derek Ford; Sir Arthur Conan Doyle (characters) Cinematography: Desmond Dickinson Music: John Scott Film Editing: Henry Richardson Cast: John Neville (Sherlock Holmes), Donald Houston (Doctor John Watson), John Fraser (Lord Carfax), Anthony Quayle (Doctor Murray), Barbara Windsor (Annie Chapman), Adrienne Corri (Angela Osborne), Frank Finlay (Inspector Lestrade), Judi Dench (Sally Young), Charles Regnier (Joseph Beck), Cecil Parker (Prime Minister), Georgia Brown (Singer), Barry Jones (Duke of Shires), Robert Morley (Mycroft Holmes). C-95m. by Nathaniel Thompson

Quotes

My dear Mycroft, this is a surprise! Watson, some sherry ... Is this a social call?
- Sherlock Holmes
Yes, yes, oh yes, purely social.
- Mycroft Holmes
How are you?
- Mycroft Holmes
Very well.
- Sherlock Holmes
Well, now that the social call is over, hadn't we better get down to business?
- Sherlock Holmes
For Heaven's sake, stop sawing away on that infernal instrument! It was a sad day when Mother gave it to you, a sad day for her, a sad day for you, a sad day for us all ... What I cannot understand is why, since you've had that violin with you so long, you never learned to play!
- Mycroft Holmes

Trivia

Notes

Location scenes filmed in London. Opened in London in November 1965; running time: 95 min; in West Germany in January 1966 as Sherlock Holmes grösster Fall; running time: 94 min. Co-production status of West Germany is unconfirmed. Also known as Fog.

Miscellaneous Notes

Released in United States 1965

One of a series of Sherlock Holmes features to come out of England.

Released in United States 1965