Streets of Laredo


1h 32m 1949

Brief Synopsis

Texas, 1878: cheerful outlaw-buddies Jim, Lorn and Wahoo rescue spunky orphan Rannie Carter from rustling racketeers, then are forced to separate. Lorn goes on to bigger and better robberies, while Jim and Wahoo are (at first reluctantly) maneuvered into joining the Texas Rangers. For friendship's sake, the three try to keep out of direct conflict, but a showdown begins to look inevitable. And Rannie, now grown into lovely young womanhood, must choose between Lorn and Jim.

Film Details

Release Date
May 27, 1949
Premiere Information
New York opening: 11 May 1949
Production Company
Paramount Pictures, Inc.
Distribution Company
Paramount Pictures, Inc.
Country
United States

Technical Specs

Duration
1h 32m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,346ft (10 reels)

Synopsis

In 1878, outlaws Jim Dawkins, Lorn Reming and Wahoo Jones rob a stagecoach, but later save teenager Rannie Carter from ruthless tax collector Charley Calico, who has murdered her uncle and stolen his cattle. When orphan Rannie tags along, Wahoo tells her that they are cattle inspectors. To get rid of Rannie, Lorn pays elderly rancher Pop Lint $500 to pretend that he is a family friend and take Rannie in as a boarder. Lorn is then separated from Jim and Wahoo when Calico and his gang chase them. Over the course of the next year, Lorn earns a reputation as a notorious outlaw. In order to save Lorn's life, Jim and Wahoo foil his attempt to rob a stagecoach carrying Texas Rangers, and are reluctantly sworn in as Rangers. Jim and Wahoo are quickly tested, however. after Lorn escapes, apparently due to their negligence. After the Rangers are assigned to protect a large cattle herd being driven to Mexico, Lorn steals a portion of the herd, then allows Jim and Wahoo to capture the herd to regain their standing with the Rangers. From then on, Jim and Wahoo give Lorn advance notice of all cattle drives. Not long after, Rannie, now a young woman, asks the Rangers to protect her and Pop Lint from Calico, who controls the territory. By law, the Rangers can only respond to a request made by the mayor of a town, so Jim and Wahoo convince Lorn to help. Lorn agrees to get rid of Calico, but secretly intends to take over Calico's domain. Lorn first forces the sheriff to file a formal request for help with the Rangers. Jim and Wahoo then head out to arrest Calico, whose ranch is near Pop's, and find that Calico and his gang have burned down Pop's stables, causing Pop to die of a heart attack. Jim kills Calico after he brutally tortures one of the Rangers, and Jim is declared a hero. Now determined to go straight, Jim calls off his arrangement with Lorn, who agrees to stay out of the territory. Lorn starts pursuing Rannie, however, becoming Jim's rival for her affection. Rannie rejects Jim's marriage proposal in favor of the suave Lorn, but soon realizes her mistake when Lorn tries to force himself on her. Thrown out by Rannie and rejected by his friends, Lorn busies himself with making trouble for the Rangers. When Lorn is shot and wounded after falling into a Ranger trap, he escapes to Rannie's house, where Jim removes the bullet. Rannie takes care of Lorn while he convalesces, and becomes as convinced of Lorn's evil nature as she is of Jim's goodness. Jim resigns from the Rangers after a manhunt is mounted to find Lorn, but is then arrested for his prior crimes. Wahoo goes after Lorn alone, but is killed in cold blood. Jim demands to be released so he can avenge Wahoo's death, and after Lorn takes Rannie hostage, having promised to leave Jim unharmed, Jim tracks him down in Laredo and refuses to let him escape. The former friends are forced into a gunfight, but it is Rannie who ultimately kills Lorn and avenges Wahoo's death.

Crew

Claire Behnke

Screenplay clerk

Guy Bennett

Camera Operator

Henry Bumstead

Art Director

Monroe W. Burbank

Associate (Color)

Art Camp

Props

Harry Caplan

Assistant Director

William Cline

Camera Operator

Carl Coleman

Assistant props

Sam Comer

Set Decoration

Frank Cordell

Double for William Holden

Archie Dalzell

Camera Operator

Francisco Day

Assistant Director

C. Kenneth Deland

Assistant prod Manager

Frank Delmar

Wardrobe

Mary Kay Dodson

Costumes

Hans Dreier

Art Director

Andy Durkus

Assistant prod Manager

Phil Eastman

Assistant Camera

Farciot Edouart

Process Photography

Don English

Stills

Ray Evans

Composer

Robert Fellows

Producer

Ed Fitzharris

Wardrobe

Robert Goodstein

Props

Bertram Granger

Set Decoration

John Hamilton

Camera Operator

Hazel Hegarty

Wardrobe

Elizabeth Hill

Story

Robert Hosler

Assistant Camera

Natalie Kalmus

Technicolor Color Consultant

Wallace Kelley

Transparencies

Howard Kelly

Gaffer

Charles Leahy

Assistant Camera

Harry Lindgren

Sound Recording

Jay Livingston

Composer

Al Mann

2d Assistant Director

Harry Marsh

Assistant Camera

Archie Marshek

Editing

Robert Miles

Double for Macdonald Carey

Hedvig Mjorud

Hair

Mickey Moore

2d Assistant Director

Herman Nowlin

Double for William Bendix

Walter Oberst

Sound Recording

Bill Rand

Camera Operator

Roland Ray

Makeup Artist

Ray Rennahan

Director of Photography

Karl Silvera

Makeup Artist

Lavaughn Speer

Hair

Louis Stevens

Story

Darrell Turnmire

Grip

Jim Vincent

Dialogue Director

Charles Marquis Warren

Screenwriter

Marvin Weldon

Screenplay clerk

Wally Westmore

Makeup Supervisor

Victor Young

Music Score

Film Details

Release Date
May 27, 1949
Premiere Information
New York opening: 11 May 1949
Production Company
Paramount Pictures, Inc.
Distribution Company
Paramount Pictures, Inc.
Country
United States

Technical Specs

Duration
1h 32m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,346ft (10 reels)

Quotes

I figure that a man's friendship for another man is about as honest as anything that comes along.
- Jim Dawkins
He wasn't much of a hand at nothing but a jug. But he was decent enough to me. I sure hope there's plenty of filled-up jugs wherever he's gone.
- Rannie Carter

Trivia

Notes

This film is a remake of Paramount's 1936 film The Texas Rangers, directed by King Vidor and starring Fred MacMurray, Jack Oakie, Jean Parker and Lloyd Nolan (see AFI Catalog of Feature Films, 1931-40; F3.4519). Although The Texas Rangers was based in part on a Walter Prescott Webb book of the same name, Streets of Laredo is based on Louis Stevens and Elizabeth Hill's screenplay for The Texas Rangers, and they are given onscreen story credit for Streets of Laredo. According to an August 1947 Hollywood Reporter news item, Paramount bought the rights to a Norman Reilly Raine story titled "Streets of Laredo," intending to produce a film from it "on a major scale." However, although Raine is listed in connection with this film along with writers Charles Marquis Warren and Lynn Root in papers in the Paramount Collection at the AMPAS Library, and Warren and Root collaborated on a draft of the script, neither Raine nor Root are credited in any other source, and the extent of their contribution to the final film has not been determined. Although Paramount initially hoped to shoot the film "against the panorama of Texas," location filming was done in Gallup, NM, according to Hollywood Reporter. Some scenes were shot at the Ray Corrigan Ranch in Simi Valley, CA.