Cast & Crew
Edward G. Robinson
Former bootlegger Remy Marko decides to make his beer business legitimate after Prohibition ends. Having sent his daughter Mary away to an expensive European school, he now wants his family to mix with the best society. Unfortunately for Remy, the beer he brews is awful and does not sell, and the bank calls in his loan. Remy asks the bankers to meet him at his summer home in Saratoga, hoping he will be able to convince them to extend his loan. On their way to the country, Remy, his wife Nora and Mary, who is home from school, stop at the orphanage where Remy grew up. Remy wants to give the most troublesome orphan a chance for some fresh air, and Douglas Fairbanks Rosenbloom is that orphan. When Remy's family and reformed gang members arrive at Saratoga, they find four bodies in the house. Remy recognizes the corpses as former enemies and decides to drop the bodies on the doorsteps of people he and his companions dislike. Meanwhile, Remy is extremely upset to learn that Dick Whitewood, Mary's fiancé, has become a state trooper. When the ex-gangsters discover that there is a reward for the dead men, who are wanted for robbing a group of bookies, they retrieve the bodies before they are discovered. A fifth thief, who is hiding in the house, tries to retrieve the stolen money from its hiding place in Douglas' room. During a party that evening, Remy discovers the stolen money and uses it to forestall the bankers before returning it to the bookies. He learns the truth about the taste of his beer and makes plans to improve it. Later Dick accidentally shoots the fifth thief, impressing the police and his future father-in-law.
Edward G. Robinson
George E. Stone
Isabelle La Mal
Leo F. Forbstein
M. K. Jerome
Mary Mccall Jr.
Jack L. Warner
A Slight Case of Murder
In 1938, of course, Robinson's persona was still that of tough gangster - his Little Caesar (1931) had not only spawned many knockoffs (starring Robinson and others), it had become THE prototype for gangster portrayals. Robinson had started to become typecast, but A Slight Case of Murder added a new twist to the public's perception of him - that of comedy actor. The beauty of the movie was that while Robinson spoofed his own image, he still provided enough seriousness to make him believable in the role. As one review put it, "gangsters can be made to appear comical as well as tough." And so could Edward G. Robinson.
Robinson had done another gangster spoof with a similar plot a few years earlier, The Little Giant (1933), but this one was so much funnier that it remained one of the most satisfying light roles of his career. In his memoir, Robinson stated simply, "I had absolutely no fault to find with the script because it was beautifully constructed and very funny." That script was based on a Damon Runyon/Howard Lindsay play which had flopped on Broadway. As a movie, however, it worked beautifully, no doubt due largely to Robinson's spoofing abilities. (A 1952 remake entitled Stop, You're Killing Me starred Broderick Crawford.)
Audiences and critics loved it. "One of the funniest and most satisfying farces [to] come out of Hollywood in some time," said the New York Herald-Tribune. Variety called it "a mirthful and hilarious whimsy. Takes the one-time big gangster audience for a box-office ride in reverse gear. Lloyd Bacon directs with a fine sense of humor and a swift pace."
Indeed, much credit also obviously went to that solid craftsman Lloyd Bacon, one of the most prolific and reliable directors of the era. Bacon had started as an actor, playing Chaplin's foil in many short comedies, and he started directing shorts in 1921 for Mack Sennett. Working with Sennett allowed Bacon to hone his sense of timing, something that shows in his later features, especially the comedies like this one. Bacon brought his breezy style and superb pace to everything he made, in all genres, but he remained best known for musicals and comedies. He would work with Robinson twice more, on Brother Orchid (1940) and Larceny, Inc. (1942).
Some cast notes: John Litel, who plays Post, was the type of dependable character actor that sadly doesn't exist anymore. He appeared in almost 200 films from 1929-1966, and A Slight Case of Murder was one of 13 films he made in 1938 alone! Leading lady Jane Bryan appeared in 18 films during her four-year Hollywood career, including the classics Each Dawn I Die (1939) and The Old Maid (1939). She retired from the screen in 1940 to marry the president of Rexall Drugs and is currently 85 years old.
Producer: Samuel Bischoff
Director: Lloyd Bacon
Screenplay: Earl W. Baldwin, Joseph Schrank, Howard Lindsay (play), Damon Runyon (play)
Cinematography: Sidney Hickox
Film Editing: James Gibbon
Art Direction: Max Parker
Music: M.K. Jerome
Cast: Edward G. Robinson (Remy Marco), Jane Bryan (Mary Marco), Allen Jenkins (Mike), Ruth Donnelly (Nora Marco), Willard Parker (Dick Whitewood), John Litel (Post).
by Jeremy Arnold
A Slight Case of Murder
Sure, I'm legit. I'm in favor of law and order. But you don't have to have it right in your own house, do you?- Remy Marco
Why isn't he in B-E-D?- Nora Marco
Because I want more to E-A-T, you old C-O-W.- Douglas Fairbanks Rosenbloom
The film was named to the New York Times ten best list. Damon Runyon and Howard Lindsay's story was remade in 1952 by Warner Bros. as Stop You're Killing Me. The film starred Broderick Crawford and was directed by Roy Del Ruth.