Death Wish 4: The Crackdown


1h 32m 1987

Brief Synopsis

After a friend's daughter falls victim to the deadly drug, vigilante Paul Kersey declares war on crack dealers.

Film Details

MPAA Rating
Release Date
1987
Production Company
Joel Racheff
Distribution Company
Cannon Releasing
Location
Los Angeles, California, USA

Technical Specs

Duration
1h 32m

Synopsis

After a friend's daughter falls victim to the deadly drug, vigilante Paul Kersey declares war on crack dealers.

Crew

Michael Alden

Post-Production Supervisor

Scott W Ambrose

On-Set Dresser

Elissa Assa

Music Editor

Robert J Babin

Key Grip

Corey Bailey

Sound

Wenden K Baldwin

Titles

Joe Benn

Production Assistant

Arik Bernstein

Camera Operator

John Bisharat

Music

Bradley J Bovee

Stunts

Phil Brandes

On-Set Dresser

Edwin Brewer

Property Master

Perry Bullington

Casting

Bobby Burns

Stunts

Richard Butler

Stunts

Anthony Caldwell

Electrician

M Ginanne Carpenter

Office Assistant

Carl Ciarfalio

Stunts

Michael Coo

Dolly Grip

Karin Cooper

Script Supervisor

Danny Costa

Stunts

Alicia Craft

Assistant Camera Operator

Bruce Dearagon

Camera Trainee

Yannick Derrien

Stunts

Dallas Dornan

Costumes

Robert J Dougherty

Assistant Director

Paula Erickson

Music Supervisor

Debbie Evans

Stunts

Annette E Fabrizi

Hair

Carla Fabrizi

Makeup

Carla Fabrizi

Prosthetics

Carla Fabrizi

Hair

Tony Falk

Dialogue Editor

Hagit Jacqueline Farber

Production Assistant

Craig Felburg

Sound

Marc S. Fischer

Production Supervisor

Sheila Gale

Stand-In

Brian Garfield

Characters As Source Material

Sam Gart

Camera Operator

Yoram Globus

Executive Producer

Menahem Golan

Executive Producer

Tommy Goodwin

Adr Mixer

Tommy Goodwin

Foley Mixer

Richard Haas

Assistant Camera Operator

Bob Hadler

Other

Christopher Hager

Dolly Grip

Barbara A Hall

Production Coordinator

Cameron Hamza

Boom Operator

Dennis Hansen

Casting

Tom Harper

Stunts

Mark A Haskins

Set Decorator

Mark X Heiner

Props

Michael Hellwig

Assistant

Gail Morgan Hickman

Screenplay

Michael Hoffman

Costume Supervisor

Nick Infield

Assistant Camera Operator

Daniel Isackson

Props

Gretchen Iversen

Production Assistant

Alain Jakubowicz

Post-Production Supervisor

Mary E Jochem

Assistant Editor

Jim Johnson

On-Set Dresser

Jimmy Jones

Transportation Coordinator

John F Karls

Production Assistant

Pancho Kohner

Producer

Mike Le Mare

Sound Editor

Lane Leavitt

Stunts

Stephanie Lee

Music Coordinator

Larry J Liddell

Electrician

Scott Lieu

Grip

Nini Mazen

Post-Production Coordinator

Paul Mccallum

Stunts

Paul Mccallum

Music

Valentine Mccallum

Music

John F Mccarthy

Stand-In

Thomas Titus Mccue

Production Assistant

Buck Mcdancer

Stunts

Robert Mcdonald

Casting

Mary E A Meyer

Art Department Coordinator

Frank Montano

Sound

Tom Neuwirth

Director Of Photography

Deana Newcomb

Photography

Lesa Nielsen

Makeup

Lesa Nielsen

Prosthetics

Christopher Notarthomas

Assistant Editor

Ernie Orsatti

Stunt Coordinator

Noon Orsatti

Stunts

Jimmy Ortega

Stunts

Robert C Ortwin

Assistant Director

John Overacker

Other

Patricia G Payro

Assistant

Larry Pearson

Location Manager

Manny Perry

Stunts

Diane Peterson

Stunts

Paul Petzoldt

Gaffer

Kevin Piatt

Location Assistant

Gideon Porath

Director Of Photography

Joel Racheff

Cable Operator

Carol Leslie Rees

Stunts

Jeffrey S Renfro

Transportation Captain

Joel Renfro

Transportation Coordinator

Emily Rice

Production Auditor

Dave Robinson

Swing Gang

J.p. Romano

Stunt Man

Debbie Lynn Ross

Stunts

Carolann Sanchez

Foley Editor

Steve Schwalbe

Sound Editor

Kyle Seidenbaum

Titles

Gary Shepherd

Sound Editor

Guy Skinner

Assistant Camera Operator

Karola Storr

Foley Editor

Joshua Alan Taft

Apprentice

Peter Lee Thompson

Editor

Michael Tillman

Stunts

Phillip V Trussell

Electrician

John A Vohlers

Electrician

Whitney Brooke Wheeler

Art Director

Ted White

Stunts

Drew C Willilams

Swing Gang

Robert Wishnefsky

Craft Service

Michael Wood

Special Effects Supervisor

John Zane

Unit Production Manager

Film Details

MPAA Rating
Release Date
1987
Production Company
Joel Racheff
Distribution Company
Cannon Releasing
Location
Los Angeles, California, USA

Technical Specs

Duration
1h 32m

Articles

TCM Remembers - J. Lee Thompson


TCM REMEMBERS J. LEE THOMPSON, 1914 - 2002

Oscar-nominated director J. Lee Thompson died August 30th at the age of 88. Though he worked in several genres, Thompson was best-known for his action films. Thompson was born in Bristol England on August 1, 1914. After graduating from college he became a playwright and it was the appearance of one of his plays on London's famous West End that got him noticed by the British film studio, Elstree. His first filmed script was The Pride of Folly in 1937 and others appeared sporadically until his career was side-tracked during the war when Thompson served in the RAF as a B-29 tail gunner. (He also reportedly worked as a dialogue coach on Hitchcock's Jamaica Inn, 1939.) Thompson's directorial debut came in 1950 when he adapted his own play Double Error to the screen as Murder Without Crime. Throughout the decade he directed a variety of dramas and comedies until hitting it big in 1958 with Ice Cold in Alex (released in the US minus 50 minutes under the title Desert Attack). It was nominated for three BAFTAs and was enough of a commercial success that Thompson landed the film that made his career: The Guns of Navarone (1961). This enormous international hit snagged Thompson an Oscar nomination for Best Director. He immediately followed that with the original Cape Fear (1962) and his reputation was set. Though Thompson remained active almost three more decades he didn't reach that level again. He worked on Westerns (Mackenna's Gold, 1969), horror films (Eye of the Devil, 1967), literary adaptations (Huckleberry Finn, 1974) and others. During this time, Thompson directed two Planet of the Apes sequels but was kept most busy working with Charles Bronson, for whom he directed nine films. Thompson's last film was in 1989.

KATRIN CARTLIDGE, 1961 - 2002

The news of actress Katrin Cartlidge's death at the age of 41 has come as a shock. It's not just the age but the thought that even though Cartlidge was already a major actress--despite a slender filmography--she held out the promise of even greater work, a promise that so few artists of any type can make. "Fearless" is perhaps the word most often used to describe Cartlidge but emotions are never enough for an actor; much more is required. Director Mike Leigh said she had "the objective eye of an artist" while remarking on her "her deep-seated suspicion of all forms of woolly thinking and received ideas."

Cartlidge was born in London on May 15, 1961. Her first acting work was on the stage, in tiny independent theatres before she was selected by Peter Gill for the National Theatre. Cartlidge also worked as a dresser at the Royal Court where she later made one of her final stage appearances. She began appearing in the popular British TV series Brookside before making her first film in 1985, Sacred Hearts. A small role in the Robbie Coltrane-Rik Mayall vehicle Eat the Rich (1987) followed before Cartlidge had her first leading role in Mike Leigh's scathing Naked (1993).

Cartlidge never took a safe approach in her films. She told The Guardian that "I try to work with film-makers who I feel will produce something original, revealing and provoking. If something provokes a reaction, it's well worth doing." You can see this in her choice of projects. Before the Rain (1994) dramatized violence in Macedonia in the wake of the Yugoslavian break-up and made Cartlidge something of a star in the area. She appeared in Lars Von Trier's controversial look at redemption, Breaking the Waves (1996), Leigh's sharply detailed story of aging friends Career Girls (1997), as one of Jack the Ripper's victims in From Hell (2001), as a call girl trying to leave the business in Clair Dolan (1998) and in the Oscar-winning film about Bosnia-Herzegovina, No Man's Land (2001). Her last work included a BBC adaptation of Crime and Punishment (2002), playing Salvador Dali's wife Gala in the BBC comedy-drama Surrealissimo (2002) and an appearance in Rosanna Arquette's directorial debut, Searching for Debra Winger (also 2002), a documentary about women in the film industry.

Cartlidge died September 7th from septicaemia brought on by pneumonia.

TCM REMEMBERS LEO MCKERN, 1920-2002

The recent death of Leo McKern, 82, marked the passing of one of Britain's finest and most respected character actors. He was suffering from ill health in recent years and was moved to a nursing home a few weeks before his death on July 23 2002 in Bath, England. An actor of commanding presence with a deep-throated voice, the portly, bulbous-nosed McKern had a long, distinguished career spanning more than half a century, earning numerous plaudits along the way in all major mediums: theatre, film and television.

Born Reginald McKern on March 16, 1920 in Sydney, Australia; he served with the Australian Army during World War II and worked in regional theatre in his native Sydney before immigrating to England in 1946. It was a slow start, but after a three-year apprenticeship of painting scenery, stage-managing and acting, McKern eventually joined the celebrated Old Vic theatrical company in 1949 and proved one of the more versatile actors in the troupe tackling diverse roles in comedy, the classics and serious contemporary parts.

His film debut came in Murder in the Cathedral (1952) but it took a few years before he made his mark in cinema. Some of his best film work included roles as Peter Sellers' comic henchman in the classic satire The Mouse That Roared (1959); a bungling train robber in the charming Disney film The Horse Without a Head (1963); a nefarious professor who kills off his colleagues for amusement in the brilliant black comedy A Jolly Bad Fellow (1964); Clang, a cartoonish villain in the Beatles' pop film Help! (1965); Cromwell, the persecutor of Sir Thomas More in A Man for All Seasons (1966) and as Thomas Ryan in the David Lean drama, Ryan's Daughter (1970).

Yet despite all the accolades McKern earned in theatre and films, it was television where he foundinternational fame as the wily, irascible barrister Horace P. Rumpole in John Mortimer's Rumpole of the Bailey in 1975. Infusing the character with beguiling skill and energy, McKern made the acerbic, wine swilling, Tennyson-quoting Rumpole a much loved figure that was adored by critics, audiences and even its creator Mortimer. Perhaps Mortimer offered the most fitting tribute when he once referred to McKern - "His acting exists where I always hope my writing will be: about two feet above the ground, a little larger than life, but always taking off from reality." Enough said.

By Michael T. Toole

Tcm Remembers - J. Lee Thompson

TCM Remembers - J. Lee Thompson

TCM REMEMBERS J. LEE THOMPSON, 1914 - 2002 Oscar-nominated director J. Lee Thompson died August 30th at the age of 88. Though he worked in several genres, Thompson was best-known for his action films. Thompson was born in Bristol England on August 1, 1914. After graduating from college he became a playwright and it was the appearance of one of his plays on London's famous West End that got him noticed by the British film studio, Elstree. His first filmed script was The Pride of Folly in 1937 and others appeared sporadically until his career was side-tracked during the war when Thompson served in the RAF as a B-29 tail gunner. (He also reportedly worked as a dialogue coach on Hitchcock's Jamaica Inn, 1939.) Thompson's directorial debut came in 1950 when he adapted his own play Double Error to the screen as Murder Without Crime. Throughout the decade he directed a variety of dramas and comedies until hitting it big in 1958 with Ice Cold in Alex (released in the US minus 50 minutes under the title Desert Attack). It was nominated for three BAFTAs and was enough of a commercial success that Thompson landed the film that made his career: The Guns of Navarone (1961). This enormous international hit snagged Thompson an Oscar nomination for Best Director. He immediately followed that with the original Cape Fear (1962) and his reputation was set. Though Thompson remained active almost three more decades he didn't reach that level again. He worked on Westerns (Mackenna's Gold, 1969), horror films (Eye of the Devil, 1967), literary adaptations (Huckleberry Finn, 1974) and others. During this time, Thompson directed two Planet of the Apes sequels but was kept most busy working with Charles Bronson, for whom he directed nine films. Thompson's last film was in 1989. KATRIN CARTLIDGE, 1961 - 2002 The news of actress Katrin Cartlidge's death at the age of 41 has come as a shock. It's not just the age but the thought that even though Cartlidge was already a major actress--despite a slender filmography--she held out the promise of even greater work, a promise that so few artists of any type can make. "Fearless" is perhaps the word most often used to describe Cartlidge but emotions are never enough for an actor; much more is required. Director Mike Leigh said she had "the objective eye of an artist" while remarking on her "her deep-seated suspicion of all forms of woolly thinking and received ideas." Cartlidge was born in London on May 15, 1961. Her first acting work was on the stage, in tiny independent theatres before she was selected by Peter Gill for the National Theatre. Cartlidge also worked as a dresser at the Royal Court where she later made one of her final stage appearances. She began appearing in the popular British TV series Brookside before making her first film in 1985, Sacred Hearts. A small role in the Robbie Coltrane-Rik Mayall vehicle Eat the Rich (1987) followed before Cartlidge had her first leading role in Mike Leigh's scathing Naked (1993). Cartlidge never took a safe approach in her films. She told The Guardian that "I try to work with film-makers who I feel will produce something original, revealing and provoking. If something provokes a reaction, it's well worth doing." You can see this in her choice of projects. Before the Rain (1994) dramatized violence in Macedonia in the wake of the Yugoslavian break-up and made Cartlidge something of a star in the area. She appeared in Lars Von Trier's controversial look at redemption, Breaking the Waves (1996), Leigh's sharply detailed story of aging friends Career Girls (1997), as one of Jack the Ripper's victims in From Hell (2001), as a call girl trying to leave the business in Clair Dolan (1998) and in the Oscar-winning film about Bosnia-Herzegovina, No Man's Land (2001). Her last work included a BBC adaptation of Crime and Punishment (2002), playing Salvador Dali's wife Gala in the BBC comedy-drama Surrealissimo (2002) and an appearance in Rosanna Arquette's directorial debut, Searching for Debra Winger (also 2002), a documentary about women in the film industry. Cartlidge died September 7th from septicaemia brought on by pneumonia. TCM REMEMBERS LEO MCKERN, 1920-2002 The recent death of Leo McKern, 82, marked the passing of one of Britain's finest and most respected character actors. He was suffering from ill health in recent years and was moved to a nursing home a few weeks before his death on July 23 2002 in Bath, England. An actor of commanding presence with a deep-throated voice, the portly, bulbous-nosed McKern had a long, distinguished career spanning more than half a century, earning numerous plaudits along the way in all major mediums: theatre, film and television. Born Reginald McKern on March 16, 1920 in Sydney, Australia; he served with the Australian Army during World War II and worked in regional theatre in his native Sydney before immigrating to England in 1946. It was a slow start, but after a three-year apprenticeship of painting scenery, stage-managing and acting, McKern eventually joined the celebrated Old Vic theatrical company in 1949 and proved one of the more versatile actors in the troupe tackling diverse roles in comedy, the classics and serious contemporary parts. His film debut came in Murder in the Cathedral (1952) but it took a few years before he made his mark in cinema. Some of his best film work included roles as Peter Sellers' comic henchman in the classic satire The Mouse That Roared (1959); a bungling train robber in the charming Disney film The Horse Without a Head (1963); a nefarious professor who kills off his colleagues for amusement in the brilliant black comedy A Jolly Bad Fellow (1964); Clang, a cartoonish villain in the Beatles' pop film Help! (1965); Cromwell, the persecutor of Sir Thomas More in A Man for All Seasons (1966) and as Thomas Ryan in the David Lean drama, Ryan's Daughter (1970). Yet despite all the accolades McKern earned in theatre and films, it was television where he foundinternational fame as the wily, irascible barrister Horace P. Rumpole in John Mortimer's Rumpole of the Bailey in 1975. Infusing the character with beguiling skill and energy, McKern made the acerbic, wine swilling, Tennyson-quoting Rumpole a much loved figure that was adored by critics, audiences and even its creator Mortimer. Perhaps Mortimer offered the most fitting tribute when he once referred to McKern - "His acting exists where I always hope my writing will be: about two feet above the ground, a little larger than life, but always taking off from reality." Enough said. By Michael T. Toole

TCM Remembers Charles Bronson - Sept. 13th - TCM Remembers Charles Bronson this Saturday, Sept. 13th 2003.


Turner Classic Movies will honor the passing of Hollywood action star Charles Bronson on Saturday, Sept. 13, with a four-film tribute.

After years of playing supporting roles in numerous Western, action and war films, including THE MAGNIFICENT SEVEN (1960, 8 p.m.) and THE DIRTY DOZEN (1967, 1:15 a.m.), Bronson finally achieved worldwide stardom as a leading man during the late 1960s and early 1970s. TCM's tribute will also include THE GREAT ESCAPE (1963, 10:15 p.m.), Bronson's second teaming with Steve McQueen and James Coburn, and will conclude with FROM NOON TILL THREE (1976, 4 a.m.), co-starring Jill Ireland.

TCM will alter it's prime-time schedule this Saturday, Sept. 13th. The following changes will take place:

8:00 PM - The Magnificent Seven (1960)
10:15 PM - The Great Escape (1963)
1:15 AM - The Dirty Dozen (1967)
4:00 AM - From Noon Till Three (1976)

Charles Bronson, 1921-2003

Charles Bronson, the tough, stony-faced actor who was one of the most recognizable action heroes in cinema, died on August 30 in Los Angeles from complications from pneumonia. He was 81.

He was born Charles Buchinsky on November 3, 1921 in Ehrenfeld, Pennsylvania, one of fifteen children born to Lithuanian immigrant parents. Although he was the only child to have graduated high school, he worked in the coalmines to support his family until he joined the army to serve as a tail gunner during World War II. He used his money from the G.I. Bill to study art in Philadelphia, but while working as a set designer for a Philadelphia theater troupe, he landed a few small roles in some productions and immediately found acting to be the craft for him.

Bronson took his new career turn seriously, moved to California, and enrolled for acting classes at The Pasadena Playhouse. An instructor there recommended him to director Henry Hathaway for a movie role and the result was his debut in Hathaway's You're in the Navy Now (1951). He secured more bit parts in films like John Sturges' drama The People Against O'Hara (1951), and Joseph Newman's Bloodhounds of Broadway (1952). More substantial roles came in George Cukor's Pat and Mike (1952, where he is beaten up by Katharine Hepburn!); Andre de Toth's classic 3-D thriller House of Wax (1953, as Vincent Price's mute assistant, Igor); and De Toth's fine low-budget noir Crime Wave (1954).

Despite his formidable presence, his leads were confined to a string of B pictures like Gene Fowler's Gang War; and Roger Corman's tight Machine Gun Kelly (both 1958). Following his own television series, Man With a Camera (1958-60), Bronson had his first taste of film stardom when director Sturges casted him as Bernardo, one of the The Magnificent Seven (1960). Bronson displayed a powerful charisma, comfortably holding his own in a high-powered cast that included Yul Brynner and Steve McQueen. A few more solid roles followed in Sturges' The Great Escape (1963), and Robert Aldrich's classic war picture The Dirty Dozen (1967), before Bronson made the decision to follow the European trail of other American actors like Clint Eastwood and Lee Van Cleef. It was there that his hard, taciturn screen personae exploded in full force. In 1968 alone, he had four hit films: Henri Verneuil's Guns for San Sebastian, Buzz Kulik's Villa Rides, Jean Herman's Adieu l'ami which was a smash in France; and the classic Sergio Leone spaghetti Western Once Upon a Time in the West.

These films established Bronson as a huge box-office draw in Europe, and with some more stylish hits like Rene Clement's Rider on the Rain (1969), and Terence Young's Cold Sweat (1971) he soon became one of the most popular film stars in the world. It wasn't easy for Bronson to translate that success back in his homeland. In fact, his first few films on his return stateside: Michael Winners' Chato's Land, and The Mechanic (both 1972), and Richard Fleischer's Mr. Majestyk (1973), were surprisingly routine pictures. It wasn't until he collaborated with Winner again for the controversial Death Wish (1974), an urban revenge thriller about an architect who turns vigilante when his wife and daughter are raped, did he notch his first stateside hit. The next few years would be a fruitful period for Bronson as he rode on a wave of fine films and commercial success: a depression era streetfighter in Walter Hill's terrific, if underrated Hard Times (1975); Frank Gilroy's charming offbeat black comedy From Noon Till Three (1976, the best of many teamings with his second wife, Jill Ireland); Tom Gries tense Breakheart Pass; and Don Siegel's cold-war thriller Telefon (1977).

Sadly, Bronson could not keep up the momentum of good movies, and by the '80s he was starring in a string of forgettable films like Ten to Midnight (1983), The Evil That Men Do (1984), and Murphy's Law (1986, all directed by J. Lee Thompson). A notable exception to all that tripe was John Mackenzie's fine telefilm Act of Vengeance (1986), where he earned critical acclaim in the role of United Mine Workers official Jack Yablonski. Although he more or less fell into semi-retirement in the '90s, his performances in Sean Penn's The Indian Runner (1991); and the title role of Michael Anderson's The Sea Wolf (1993) proved to many that Bronson had the makings of a fine character actor. He was married to actress Jill Ireland from 1968 until her death from breast cancer in 1990. He is survived by his third wife Kim Weeks, six children, and two grandchildren.

by Michael T. Toole

TCM Remembers Charles Bronson - Sept. 13th - TCM Remembers Charles Bronson this Saturday, Sept. 13th 2003.

Turner Classic Movies will honor the passing of Hollywood action star Charles Bronson on Saturday, Sept. 13, with a four-film tribute. After years of playing supporting roles in numerous Western, action and war films, including THE MAGNIFICENT SEVEN (1960, 8 p.m.) and THE DIRTY DOZEN (1967, 1:15 a.m.), Bronson finally achieved worldwide stardom as a leading man during the late 1960s and early 1970s. TCM's tribute will also include THE GREAT ESCAPE (1963, 10:15 p.m.), Bronson's second teaming with Steve McQueen and James Coburn, and will conclude with FROM NOON TILL THREE (1976, 4 a.m.), co-starring Jill Ireland. TCM will alter it's prime-time schedule this Saturday, Sept. 13th. The following changes will take place: 8:00 PM - The Magnificent Seven (1960) 10:15 PM - The Great Escape (1963) 1:15 AM - The Dirty Dozen (1967) 4:00 AM - From Noon Till Three (1976) Charles Bronson, 1921-2003 Charles Bronson, the tough, stony-faced actor who was one of the most recognizable action heroes in cinema, died on August 30 in Los Angeles from complications from pneumonia. He was 81. He was born Charles Buchinsky on November 3, 1921 in Ehrenfeld, Pennsylvania, one of fifteen children born to Lithuanian immigrant parents. Although he was the only child to have graduated high school, he worked in the coalmines to support his family until he joined the army to serve as a tail gunner during World War II. He used his money from the G.I. Bill to study art in Philadelphia, but while working as a set designer for a Philadelphia theater troupe, he landed a few small roles in some productions and immediately found acting to be the craft for him. Bronson took his new career turn seriously, moved to California, and enrolled for acting classes at The Pasadena Playhouse. An instructor there recommended him to director Henry Hathaway for a movie role and the result was his debut in Hathaway's You're in the Navy Now (1951). He secured more bit parts in films like John Sturges' drama The People Against O'Hara (1951), and Joseph Newman's Bloodhounds of Broadway (1952). More substantial roles came in George Cukor's Pat and Mike (1952, where he is beaten up by Katharine Hepburn!); Andre de Toth's classic 3-D thriller House of Wax (1953, as Vincent Price's mute assistant, Igor); and De Toth's fine low-budget noir Crime Wave (1954). Despite his formidable presence, his leads were confined to a string of B pictures like Gene Fowler's Gang War; and Roger Corman's tight Machine Gun Kelly (both 1958). Following his own television series, Man With a Camera (1958-60), Bronson had his first taste of film stardom when director Sturges casted him as Bernardo, one of the The Magnificent Seven (1960). Bronson displayed a powerful charisma, comfortably holding his own in a high-powered cast that included Yul Brynner and Steve McQueen. A few more solid roles followed in Sturges' The Great Escape (1963), and Robert Aldrich's classic war picture The Dirty Dozen (1967), before Bronson made the decision to follow the European trail of other American actors like Clint Eastwood and Lee Van Cleef. It was there that his hard, taciturn screen personae exploded in full force. In 1968 alone, he had four hit films: Henri Verneuil's Guns for San Sebastian, Buzz Kulik's Villa Rides, Jean Herman's Adieu l'ami which was a smash in France; and the classic Sergio Leone spaghetti Western Once Upon a Time in the West. These films established Bronson as a huge box-office draw in Europe, and with some more stylish hits like Rene Clement's Rider on the Rain (1969), and Terence Young's Cold Sweat (1971) he soon became one of the most popular film stars in the world. It wasn't easy for Bronson to translate that success back in his homeland. In fact, his first few films on his return stateside: Michael Winners' Chato's Land, and The Mechanic (both 1972), and Richard Fleischer's Mr. Majestyk (1973), were surprisingly routine pictures. It wasn't until he collaborated with Winner again for the controversial Death Wish (1974), an urban revenge thriller about an architect who turns vigilante when his wife and daughter are raped, did he notch his first stateside hit. The next few years would be a fruitful period for Bronson as he rode on a wave of fine films and commercial success: a depression era streetfighter in Walter Hill's terrific, if underrated Hard Times (1975); Frank Gilroy's charming offbeat black comedy From Noon Till Three (1976, the best of many teamings with his second wife, Jill Ireland); Tom Gries tense Breakheart Pass; and Don Siegel's cold-war thriller Telefon (1977). Sadly, Bronson could not keep up the momentum of good movies, and by the '80s he was starring in a string of forgettable films like Ten to Midnight (1983), The Evil That Men Do (1984), and Murphy's Law (1986, all directed by J. Lee Thompson). A notable exception to all that tripe was John Mackenzie's fine telefilm Act of Vengeance (1986), where he earned critical acclaim in the role of United Mine Workers official Jack Yablonski. Although he more or less fell into semi-retirement in the '90s, his performances in Sean Penn's The Indian Runner (1991); and the title role of Michael Anderson's The Sea Wolf (1993) proved to many that Bronson had the makings of a fine character actor. He was married to actress Jill Ireland from 1968 until her death from breast cancer in 1990. He is survived by his third wife Kim Weeks, six children, and two grandchildren. by Michael T. Toole

Quotes

Trivia

Miscellaneous Notes

Released in United States Fall November 6, 1987

Released in United States on Video April 6, 1988

Began shooting April 13, 1987.

Ultra-Stereo

Released in United States Fall November 6, 1987

Released in United States on Video April 6, 1988