The Monster of London City


1h 27m 1967

Film Details

Also Known As
Das Ungeheuer von London City
Release Date
Mar 1967
Premiere Information
not available
Production Company
CCC--Filmkunst
Distribution Company
Producers Releasing Organization
Country
Germany (West)
Screenplay Information
Inspired by the works by Edgar Wallace.

Technical Specs

Duration
1h 27m

Synopsis

Actor Richard Sand is appearing on the London stage in a new production based on the career of Jack the Ripper. When a series of actual murders are committed in a manner similar to those depicted in the play, police suspicion falls on all those connected with the production, Richard in particular. At the same time Richard is deeply troubled by his love for Ann Morlay, a Parliament member's daughter who is already engaged to one of Richard's best friends, Dr. Morley Greely. Despite intensive questioning by the police, Richard continues in his role, until, during a performance, he discovers that a real knife has been substituted for a stage prop. After rushing from the theater, he is led by a mysterious telephone message to the room of a prostitute who has just been slain. The police arrive and are about to arrest him when a little girl announces that she saw the real killer. Richard cooperates with Scotland Yard in setting a trap for the modern-day Jack the Ripper, who turns out to be Greely. Jealous of Richard's love for Ann, Greely had tried to frame his friend for the brutal murders. With Richard cleared of suspicion, Greely commits suicide before the police can close in on him.

Film Details

Also Known As
Das Ungeheuer von London City
Release Date
Mar 1967
Premiere Information
not available
Production Company
CCC--Filmkunst
Distribution Company
Producers Releasing Organization
Country
Germany (West)
Screenplay Information
Inspired by the works by Edgar Wallace.

Technical Specs

Duration
1h 27m

Articles

Monster of London City/Secret of the Red Orchid - Edgar Wallace Suspense Double Feature on DVD


When European genre filmmaking is mentioned, Italy's Sword 'n Sandal epics, Spaghetti Westerns and various styles of Eurohorror tend to lead the discussion. But Germany actually started the trend of Euro-westerns before the Italians, and they initiated a series of crime thrillers that preceded Italy's later obsession with slasher 'Giallo' pictures.

The German 'Krimi' films are plot-driven who-dunnit potboilers derived partially from the successful revival of the Dr. Mabuse thrillers and often inspired by stories from mystery author Edgar Wallace. Variety reviews tended to dismiss these films as unsophisticated 'local' fare unsuited for American audiences. Although the original soundtracks had style and polish, cheap dubbing jobs made them seem comical to English-speaking audiences.

Retromedia's double feature presents English-language versions of two Krimi thrillers set in London but filmed mostly in Berlin.

The Monster of London City

The first title up is presented in its uncut export form, with brief moments of nudity intact. The most familiar player is the beautiful Marianne Koch, who had a featured role in the same year's Fistful of Dollars opposite Clint Eastwood. Das ungeheuer von London City is a fanciful updating of the Jack the Ripper story that uses the character of Richard Mansfield, an actor who was performing in London when the original 1888 Ripper attacks took place.

Synopsis: London, 1964: Stage actor Richard Sand (Hansjörg Felmy) has a tough time continuing with his popular Jack the Ripper play when a series of slasher murders appear to copy the famous killer's methods. Richard's fiancée Ann Morlay (Marianne Koch) is forbidden to see him by order of her stuffy uncle Sir George (Fritz Tillmann), who often slips out after hours on unspecified 'errands.' Doctor Greely (Dietmar Schönherr) warns Richard that he's blurring the line between his performances and reality. Finally, an ambitious but inept husband and wife detective team invades Richard's theater, hoping to catch the Ripper on their own. The killings continue, as the list of suspects grows longer.

The Monster of London City is perhaps an atypical Krimi in that it sticks to a conventional mad killer plot and avoids the genre's more flamboyant touches. Nervous Hansjörg Felmy fears that he may be killing loose women in between performances of Jack the Ripper, and Robert A. Stemmle's straightforward script brings several likely suspects to our attention. The fiend could be Felmy's publicity-seeking producer, who also wrote the play. And it could be a hypocritical Member of Parliament who thinks the play should be stopped immediately but sneaks out alone at night for an unspoken purpose.

Actually, anybody familiar with television mysteries should have no trouble spotting the real villain within a few minutes. The Monster of London City is an interesting opportunity to see German taste applied to a faux-gothic slasher story. The 'good' female lead is quiet and supportive, as opposed to the provocative actresses that fall victim to the Ripper's blade. Tense pursuits take place in dark alleys and in claustrophobic chambers beneath the theater. And for a comedy subplot, silly detective Teddy Flynn (Peer Schmidt) blunders onstage in the middle of a performance to encounter a naked actress.

Director Edwin Zbonek's killings are mostly straightforward attacks by a cloaked menace wielding a nasty straight razor. The detective's comedic wife almost becomes a victim when she wins a role in the play, only to be menaced when someone replaces actor Felmy's prop knife with the real thing. And one especially effective suspense scene has Ms. Koch follow her mysterious uncle into the night, to find the secret he wants to keep hidden.

Retromedia's presentation of The Monster of London City is a full-width 2:35 enhanced transfer of a good film source. Contrast and sharpness aren't ideal but it's an attractive likeness of what must have been a handsome original show. The quality of the English dubbing is surprisingly good, and Martin Böttcher's jazzy score has a definite German flavor.

Secret of the Red Orchid

Side two of the flipper disc has this more typical Krimi thriller, a wildly improbable and often-laughable crime fantasy again set in London but with Englanders and Yankees played by a wild selection of international actors. Thanks to the fast-paced action and unusual cast, it's an amusingly goofy blend of genre ideas.

Synopsis: Following a gangland massacre in Chicago, rival mobsters Kerkie Minelli (Eric Pohlmann) and Steve (Klaus Kinski) come to London and set up murder-extortion rackets. They get off to a good start when two of their victims are killed despite the best efforts of the police. FBI agent "Captain" Allerman (Christopher Lee) arrives to help Scotland Yard inspector Weston (Adrian Hoven) break up the mob. Meanwhile, one of the intended victims is a rich man who wills his entire estate to his private secretary, the shapely Lilian Ranger (Marisa Mell). She soon finds herself courted both by Weston and her benefactor's long-missing son, orchid fancier Edwin (Pinkas Braun). The police are helpless to do anything about the continuing murders, as the sound of gangland gunfire echoes over London.

The Secret of the Red Orchid was surely meant to be at least a little funny, as the Germans made much darker crime stories about drugs and prostitution. Directed by Helmuth Ashley, this escapist thriller seems partly inspired by the popular Untouchables TV show, although gangster fans might not recognize the connection -- one American émigré mobster is a polite fellows who tips his hat, and the other works at a cigarette counter!

This time around the plot is almost beneath serious consideration. The extortion racketeers are allowed to carry machine guns into the homes of threatened millionaires, and leave many witnesses to their crimes. Scotland Yard takes a blasé attitude to a literal invasion of London by Murder Incorporated. Kerkie (which in the film sounds more like "Turkey") Minelli practically admits to the cops that he's behind the murders, but nobody touches him. The FBI agent's big contribution to the case is to tag along with Inspector Hoven and swap tense dialogue lines. They watch as victims are shot or tricked into bizarre accidents. One frightened lady drives off the road to avoid a strategically-placed mirror, a gag later lifted for the 007 film Goldfinger. One extortion victim is a big-game hunter who invites his gun-club friends to defend his country estate. They line up on the roof to fire at a low-flying aircraft they think is carrying a bomb!

The Secret of the Red Orchid introduces many red-herring clues, like the Red Orchids of the title, to throw us off the track. It also has so many villains that they end up stumbling over each other: A bomb set by one malefactor misses its target, but reveals another underhanded crook's secret passageway to the police.

All of this is made more palatable by an interesting international cast. Christopher Lee tries his best to be 'American' as the FBI expert; his big moment comes when a would-be assassin can't beat the future Scaramanga's two-gun quick draw. Klaus Kinski's Chicago hood masterminds a new London-based criminal empire while tending a tobacco counter. Exotic actress Marisa Mell (Danger: Diabolik) is the virtuous heir to a fortune, and always delighted to receive the attentions of her admirers. Capable Adrian Hoven makes for a handsome hero; he'd eventually turn producer and director for a series of violent horror films. Pinkas Braun (Dog Eat Dog) is the mysterious dispossessed heir and Eric Pohlmann (the voice of 007's Blofeld) is an unlikely henpecked Chicago mobster. A bigger mystery is the appeal of Eddi Arent, a popular German comedian who plays a cowardly butler -- all of his clients become murder targets. Arent's popularity is confirmed by the fact that he's still working forty years later - in Edgar Wallace television thrillers.

Retromedia's source for The Secret of the Red Orchid is a flat print that appears to be intact, but is neither as sharp nor as pleasing as Monster of London City. Masking the image off to 1:77 results in chopped heads, which means that the original format was probably a little wider. Audio is just okay, mainly because of the English-language dub job -- the voices barely match the actors' lips and the American gangsters all sound like bad cartoon characters. Christopher Lee is dubbed by someone else, losing the substantial benefit of his voice.

No video extras are included, but there is an insert reproduction of the original German program book for Das rätsel der roten orchidee.

Retromedia's Krimi double bill gives us a good peek at a colorful film genre, although we'll also keep a lookout for original version releases in subtitled German.

For more information about Monster of Lond City/Secret of the Red Orchid, visit Image Entertainment. To order Monster of Lond City/Secret of the Red Orchid, go to TCM Shopping.

by Glenn Erickson
Monster Of London City/secret Of The Red Orchid - Edgar Wallace Suspense Double Feature On Dvd

Monster of London City/Secret of the Red Orchid - Edgar Wallace Suspense Double Feature on DVD

When European genre filmmaking is mentioned, Italy's Sword 'n Sandal epics, Spaghetti Westerns and various styles of Eurohorror tend to lead the discussion. But Germany actually started the trend of Euro-westerns before the Italians, and they initiated a series of crime thrillers that preceded Italy's later obsession with slasher 'Giallo' pictures. The German 'Krimi' films are plot-driven who-dunnit potboilers derived partially from the successful revival of the Dr. Mabuse thrillers and often inspired by stories from mystery author Edgar Wallace. Variety reviews tended to dismiss these films as unsophisticated 'local' fare unsuited for American audiences. Although the original soundtracks had style and polish, cheap dubbing jobs made them seem comical to English-speaking audiences. Retromedia's double feature presents English-language versions of two Krimi thrillers set in London but filmed mostly in Berlin. The Monster of London City The first title up is presented in its uncut export form, with brief moments of nudity intact. The most familiar player is the beautiful Marianne Koch, who had a featured role in the same year's Fistful of Dollars opposite Clint Eastwood. Das ungeheuer von London City is a fanciful updating of the Jack the Ripper story that uses the character of Richard Mansfield, an actor who was performing in London when the original 1888 Ripper attacks took place. Synopsis: London, 1964: Stage actor Richard Sand (Hansjörg Felmy) has a tough time continuing with his popular Jack the Ripper play when a series of slasher murders appear to copy the famous killer's methods. Richard's fiancée Ann Morlay (Marianne Koch) is forbidden to see him by order of her stuffy uncle Sir George (Fritz Tillmann), who often slips out after hours on unspecified 'errands.' Doctor Greely (Dietmar Schönherr) warns Richard that he's blurring the line between his performances and reality. Finally, an ambitious but inept husband and wife detective team invades Richard's theater, hoping to catch the Ripper on their own. The killings continue, as the list of suspects grows longer. The Monster of London City is perhaps an atypical Krimi in that it sticks to a conventional mad killer plot and avoids the genre's more flamboyant touches. Nervous Hansjörg Felmy fears that he may be killing loose women in between performances of Jack the Ripper, and Robert A. Stemmle's straightforward script brings several likely suspects to our attention. The fiend could be Felmy's publicity-seeking producer, who also wrote the play. And it could be a hypocritical Member of Parliament who thinks the play should be stopped immediately but sneaks out alone at night for an unspoken purpose. Actually, anybody familiar with television mysteries should have no trouble spotting the real villain within a few minutes. The Monster of London City is an interesting opportunity to see German taste applied to a faux-gothic slasher story. The 'good' female lead is quiet and supportive, as opposed to the provocative actresses that fall victim to the Ripper's blade. Tense pursuits take place in dark alleys and in claustrophobic chambers beneath the theater. And for a comedy subplot, silly detective Teddy Flynn (Peer Schmidt) blunders onstage in the middle of a performance to encounter a naked actress. Director Edwin Zbonek's killings are mostly straightforward attacks by a cloaked menace wielding a nasty straight razor. The detective's comedic wife almost becomes a victim when she wins a role in the play, only to be menaced when someone replaces actor Felmy's prop knife with the real thing. And one especially effective suspense scene has Ms. Koch follow her mysterious uncle into the night, to find the secret he wants to keep hidden. Retromedia's presentation of The Monster of London City is a full-width 2:35 enhanced transfer of a good film source. Contrast and sharpness aren't ideal but it's an attractive likeness of what must have been a handsome original show. The quality of the English dubbing is surprisingly good, and Martin Böttcher's jazzy score has a definite German flavor. Secret of the Red Orchid Side two of the flipper disc has this more typical Krimi thriller, a wildly improbable and often-laughable crime fantasy again set in London but with Englanders and Yankees played by a wild selection of international actors. Thanks to the fast-paced action and unusual cast, it's an amusingly goofy blend of genre ideas. Synopsis: Following a gangland massacre in Chicago, rival mobsters Kerkie Minelli (Eric Pohlmann) and Steve (Klaus Kinski) come to London and set up murder-extortion rackets. They get off to a good start when two of their victims are killed despite the best efforts of the police. FBI agent "Captain" Allerman (Christopher Lee) arrives to help Scotland Yard inspector Weston (Adrian Hoven) break up the mob. Meanwhile, one of the intended victims is a rich man who wills his entire estate to his private secretary, the shapely Lilian Ranger (Marisa Mell). She soon finds herself courted both by Weston and her benefactor's long-missing son, orchid fancier Edwin (Pinkas Braun). The police are helpless to do anything about the continuing murders, as the sound of gangland gunfire echoes over London. The Secret of the Red Orchid was surely meant to be at least a little funny, as the Germans made much darker crime stories about drugs and prostitution. Directed by Helmuth Ashley, this escapist thriller seems partly inspired by the popular Untouchables TV show, although gangster fans might not recognize the connection -- one American émigré mobster is a polite fellows who tips his hat, and the other works at a cigarette counter! This time around the plot is almost beneath serious consideration. The extortion racketeers are allowed to carry machine guns into the homes of threatened millionaires, and leave many witnesses to their crimes. Scotland Yard takes a blasé attitude to a literal invasion of London by Murder Incorporated. Kerkie (which in the film sounds more like "Turkey") Minelli practically admits to the cops that he's behind the murders, but nobody touches him. The FBI agent's big contribution to the case is to tag along with Inspector Hoven and swap tense dialogue lines. They watch as victims are shot or tricked into bizarre accidents. One frightened lady drives off the road to avoid a strategically-placed mirror, a gag later lifted for the 007 film Goldfinger. One extortion victim is a big-game hunter who invites his gun-club friends to defend his country estate. They line up on the roof to fire at a low-flying aircraft they think is carrying a bomb! The Secret of the Red Orchid introduces many red-herring clues, like the Red Orchids of the title, to throw us off the track. It also has so many villains that they end up stumbling over each other: A bomb set by one malefactor misses its target, but reveals another underhanded crook's secret passageway to the police. All of this is made more palatable by an interesting international cast. Christopher Lee tries his best to be 'American' as the FBI expert; his big moment comes when a would-be assassin can't beat the future Scaramanga's two-gun quick draw. Klaus Kinski's Chicago hood masterminds a new London-based criminal empire while tending a tobacco counter. Exotic actress Marisa Mell (Danger: Diabolik) is the virtuous heir to a fortune, and always delighted to receive the attentions of her admirers. Capable Adrian Hoven makes for a handsome hero; he'd eventually turn producer and director for a series of violent horror films. Pinkas Braun (Dog Eat Dog) is the mysterious dispossessed heir and Eric Pohlmann (the voice of 007's Blofeld) is an unlikely henpecked Chicago mobster. A bigger mystery is the appeal of Eddi Arent, a popular German comedian who plays a cowardly butler -- all of his clients become murder targets. Arent's popularity is confirmed by the fact that he's still working forty years later - in Edgar Wallace television thrillers. Retromedia's source for The Secret of the Red Orchid is a flat print that appears to be intact, but is neither as sharp nor as pleasing as Monster of London City. Masking the image off to 1:77 results in chopped heads, which means that the original format was probably a little wider. Audio is just okay, mainly because of the English-language dub job -- the voices barely match the actors' lips and the American gangsters all sound like bad cartoon characters. Christopher Lee is dubbed by someone else, losing the substantial benefit of his voice. No video extras are included, but there is an insert reproduction of the original German program book for Das rätsel der roten orchidee. Retromedia's Krimi double bill gives us a good peek at a colorful film genre, although we'll also keep a lookout for original version releases in subtitled German. For more information about Monster of Lond City/Secret of the Red Orchid, visit Image Entertainment. To order Monster of Lond City/Secret of the Red Orchid, go to TCM Shopping. by Glenn Erickson

Quotes

Trivia

Notes

Released in West Germany in July 1964 as Das Ungeheuer von London City; running time: 89 min.