Brewster's Millions


1h 41m 1983

Brief Synopsis

A minor-league baseball player has thirty days to spend $30 million dollars in order to receive an inheritance of $300 million.

Film Details

Also Known As
Brewsters miljoner, Comment claquer un million de dollars par jour?, gran despilfarro, El
MPAA Rating
Genre
Comedy
Adaptation
Release Date
1983

Technical Specs

Duration
1h 41m

Synopsis

A minor-league baseball player has thirty days to spend $30 million dollars in order to receive an inheritance of $300 million.

Crew

Cate Bangs

Set Designer

Joseph D Blair

Sound

Barbara Siebert Bolticoff

Costume Supervisor

Bruce Botnick

Sound

Brian Callahan

Costumes

Dick Colean

Camera Operator

Stephanie Colin

Costumes

Ry Cooder

Music

Ry Cooder

Song

Alice I Daniels

Costumes

Carmel Davies

Assistant Editor

Freeman Davies

Editor

Bennie Dobbins

Stunt Coordinator

Raechel Donahue

Technical Advisor

John Dunn

Sound Editor

Donald Flick

Foley Editor

Stephen Hunter Flick

Sound Editor

Michael Germain

Makeup

Anthony Gibson

Production Assistant

Richard Goddard

Set Decorator

Larry Gordon

Producer

David W Gray

Consultant

Terry Haggar

Consultant

Ronald R Harris

Adr

Timothy Harris

Screenplay

Aubrey Head

Color

Jim Henrikson

Music Editor

Bill Hiney

Art Director

Hilda Hodges

Foley

Judith Holstra

Casting

Robert L Hoyt

Sound

Rob Hummel

Consultant

Bonnie Koehler

Sound Editor

David Kohan

Production Assistant

Patti Labelle

Song Performer

Gene Levy

Executive Producer

Gene Levy

Unit Production Manager

Huey Lewis

Song

Tony Lloyd

Makeup

Greg Lowe

Adr

Beau E.l. Marks

Assistant Director

Diane Marshall

Foley

George Barr Mccutcheon

Source Material (From Novel)

Jackie Mcevoy

Production Coordinator

Vince Melandri

Adr Editor

Paul Mooney

Production Consultant

Dan Moore

Costume Supervisor

T A Moore

Sound

Rick Neff

Camera Operator

Emmitt-leon O'neill

Assistant Director

Leroy Patton

Dp/Cinematographer

Leroy Patton

Director Of Photography

Clay Pinney

Special Effects

Stephen Purvis

Sound Editor

Michael Rauch

Unit Production Manager

Michael Ripps

Editor

Marcia Ross

Casting

Larry Rovetti

Consultant

Joel Silver

Producer

John J Stephens

Sound

Marjorie Stone

Set Designer

Amy Tebo

Production Assistant

John C Vallone

Production Designer

Marilyn Vance-straker

Costume Designer

Ric Waite

Dp/Cinematographer

Ric Waite

Director Of Photography

James E Webb

Sound Mixer

Herschel Weingrod

Screenplay

Charles Wheeler

Photography

Linda Whittlesey

Foley Editor

Mae Woods

Associate Producer

Lisbeth Wynn-owen

Production Coordinator

Film Details

Also Known As
Brewsters miljoner, Comment claquer un million de dollars par jour?, gran despilfarro, El
MPAA Rating
Genre
Comedy
Adaptation
Release Date
1983

Technical Specs

Duration
1h 41m

Articles

Richard Pryor (1940-2005)


The scathing, brilliantly insightful African-American comic who proved himself on many occasions to be a highly competent screen actor, died of a heart attack on November 10 at his Encino, California home. He was 65. He had been reclusive for years after he publicly announced he was suffering from multiple sclerosis in 1992.

He was born Richard Thomas Pryor III on December 1, 1940 in Peoria, Illinois. By all accounts, his childhood was a difficult one. His mother was a prostitute and his grandmother ran a brothel. His father was rarely around and when he was, he would physically abuse him. From a young age, Pryor knew that humor was his weapon of choice to cut through all the swath he came across and would confront in his life.

After high school, he enlisted in the Army for a two-year stint (1958-60). When he was discharged (honorably!) he concentrated on stand-up comedy and worked in a series of nightclubs before relocating to New York City in 1963. In 1964, he made his television debut when he was given a slot on the variety program On Broadway Tonight. His routine, though hardly the groundbreaking material we would witness in later years, was very well received, and in the late '60s Pryor found more television work: Toast of the Town, The Wild Wild West, The Mod Squad ; and was cast in a two movies: The Busy Body (1967) with Sid Caesar; and Wild in the Streets (1968) a cartoonish political fantasy about the internment of all American citizens over 30.

Pryor's career really didn't ignite until the '70s. His stand up act became raunchier and more politically motivated as he touched on issued of race, failed relationships, drug addiction, and street crimes. His movie roles became far more captivating in the process: the piano man in Lady Sings the Blues (1972); as a wise-talking hustler in a pair of slick urban thrillers: The Mack (1973) and Uptown Saturday Night (1974); the gregarious Daddy Rich in Car Wash; his first pairing with Gene Wilder as Grover, the car thief who helps stops a runaway train in his first real box office smash Silver Streak (both 1976); and for many critics, his finest dramatic performance as a factory worker on the edge of depression in Paul Schrader's excellent working class drama Blue Collar (1978).

On a personal level, his drug dependency problem worsened, and on June 9, 1980, near tragedy struck when he caught fire while free-basing cocaine. Pryor later admitted that the incident, was, in fact, a suicide attempt, and that his management company created the lie for the press in hopes of protecting him. Fortunately, Pryor had three films in the can that all achieved some level of financial success soon after his setback: another pairing with Gene Wilder in the prison comedy Stir Crazy (1980); a blisteringly funny cameo as God who flips off Andy Kaufman in the warped religious satire In God We Tru$t (1980); an a ex-con helping a social worker (Cicely Tyson) with her foster charges in Bustin' Loose (1981). He capped his recovery with Live on the Sunset Strip (1982), a first-rate documentation of the comic's genius performed in front of a raucous live audience.

In 1983, Pryor signed a $40 million, five-year contract with Columbia Pictures. For many fans and critics, this was the beginning of his downslide. His next few films: The Toy, Superman III (both 1983), and Brewster's Millions (1985) were just tiresome, mediocre comedies. Jo Jo Dancer, Your Life is Calling (1986), was his only attempt at producing, directing, and acting, and the film, which was an ambitious autobiographical account of a his life and career, was a box-office disappointment. He spent the remainder of the '80s in middling fare: Condition Critical (1987), Moving; a third pairing with Gene Wilder in See No Evil, Hear No Evil; and his only teaming with Eddie Murphy in Harlem Nights (1989).

In 1986, Pryor was diagnosed with multiple sclerosis, a degenerative disease of the nervous system that curtailed both his personal appearances and his gift for physical comedy in his latter films. By the '90s, little was seen of Pryor, but in 1995, he made a courageous comeback on television when he guest starred on Chicago Hope as an embittered multiple sclerosis patient. His performance earned him an Emmy nomination and he was cast in a few more films: Mad Dog Time (1996), Lost Highway (1997), but his physical ailments prohibited him from performing on a regular basis. In 1998, The John F. Kennedy Center for the Performing Arts in Washington gave Pryor the first Mark Twain Prize for humor. It was fitting tribute for a man who had given so much honesty and innovation in the field of comedy. Pryor is survived by his wife, Jennifer Lee; his sons Richard and Steven; and daughters Elizabeth, Rain and Renee.

by Michael T. Toole
Richard Pryor (1940-2005)

Richard Pryor (1940-2005)

The scathing, brilliantly insightful African-American comic who proved himself on many occasions to be a highly competent screen actor, died of a heart attack on November 10 at his Encino, California home. He was 65. He had been reclusive for years after he publicly announced he was suffering from multiple sclerosis in 1992. He was born Richard Thomas Pryor III on December 1, 1940 in Peoria, Illinois. By all accounts, his childhood was a difficult one. His mother was a prostitute and his grandmother ran a brothel. His father was rarely around and when he was, he would physically abuse him. From a young age, Pryor knew that humor was his weapon of choice to cut through all the swath he came across and would confront in his life. After high school, he enlisted in the Army for a two-year stint (1958-60). When he was discharged (honorably!) he concentrated on stand-up comedy and worked in a series of nightclubs before relocating to New York City in 1963. In 1964, he made his television debut when he was given a slot on the variety program On Broadway Tonight. His routine, though hardly the groundbreaking material we would witness in later years, was very well received, and in the late '60s Pryor found more television work: Toast of the Town, The Wild Wild West, The Mod Squad ; and was cast in a two movies: The Busy Body (1967) with Sid Caesar; and Wild in the Streets (1968) a cartoonish political fantasy about the internment of all American citizens over 30. Pryor's career really didn't ignite until the '70s. His stand up act became raunchier and more politically motivated as he touched on issued of race, failed relationships, drug addiction, and street crimes. His movie roles became far more captivating in the process: the piano man in Lady Sings the Blues (1972); as a wise-talking hustler in a pair of slick urban thrillers: The Mack (1973) and Uptown Saturday Night (1974); the gregarious Daddy Rich in Car Wash; his first pairing with Gene Wilder as Grover, the car thief who helps stops a runaway train in his first real box office smash Silver Streak (both 1976); and for many critics, his finest dramatic performance as a factory worker on the edge of depression in Paul Schrader's excellent working class drama Blue Collar (1978). On a personal level, his drug dependency problem worsened, and on June 9, 1980, near tragedy struck when he caught fire while free-basing cocaine. Pryor later admitted that the incident, was, in fact, a suicide attempt, and that his management company created the lie for the press in hopes of protecting him. Fortunately, Pryor had three films in the can that all achieved some level of financial success soon after his setback: another pairing with Gene Wilder in the prison comedy Stir Crazy (1980); a blisteringly funny cameo as God who flips off Andy Kaufman in the warped religious satire In God We Tru$t (1980); an a ex-con helping a social worker (Cicely Tyson) with her foster charges in Bustin' Loose (1981). He capped his recovery with Live on the Sunset Strip (1982), a first-rate documentation of the comic's genius performed in front of a raucous live audience. In 1983, Pryor signed a $40 million, five-year contract with Columbia Pictures. For many fans and critics, this was the beginning of his downslide. His next few films: The Toy, Superman III (both 1983), and Brewster's Millions (1985) were just tiresome, mediocre comedies. Jo Jo Dancer, Your Life is Calling (1986), was his only attempt at producing, directing, and acting, and the film, which was an ambitious autobiographical account of a his life and career, was a box-office disappointment. He spent the remainder of the '80s in middling fare: Condition Critical (1987), Moving; a third pairing with Gene Wilder in See No Evil, Hear No Evil; and his only teaming with Eddie Murphy in Harlem Nights (1989). In 1986, Pryor was diagnosed with multiple sclerosis, a degenerative disease of the nervous system that curtailed both his personal appearances and his gift for physical comedy in his latter films. By the '90s, little was seen of Pryor, but in 1995, he made a courageous comeback on television when he guest starred on Chicago Hope as an embittered multiple sclerosis patient. His performance earned him an Emmy nomination and he was cast in a few more films: Mad Dog Time (1996), Lost Highway (1997), but his physical ailments prohibited him from performing on a regular basis. In 1998, The John F. Kennedy Center for the Performing Arts in Washington gave Pryor the first Mark Twain Prize for humor. It was fitting tribute for a man who had given so much honesty and innovation in the field of comedy. Pryor is survived by his wife, Jennifer Lee; his sons Richard and Steven; and daughters Elizabeth, Rain and Renee. by Michael T. Toole

Quotes

Trivia

Miscellaneous Notes

Released in United States Summer May 22, 1985

Released in United States on Video April 7, 1988

Released in United States 1983

This was the seventh filmed version of the novel and play, the most notable of which was the 1945 film of the same title starring Dennis O'Keefe and directed by Allan Dwan.

Began shooting April 30, 1984

Released in USA on laserdisc December 1988.

Released in United States Summer May 22, 1985

Released in United States on Video April 7, 1988

Released in United States 1983 (Shown at FILMEX: Los Angeles International Film Exposition (A "B-Movie" Marathon) April 13 - May 1, 1983.)