He Who Gets Slapped


1h 16m 1924
He Who Gets Slapped

Brief Synopsis

In this silent film, a scientist flees his tragic past to become a circus clown.

Film Details

Genre
Drama
Silent
Adaptation
Classic Hollywood
Release Date
Dec 22, 1924
Premiere Information
New York premiere: 9 Nov 1924
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Metro-Goldwyn Distributing Corp.
Country
United States
Screenplay Information
Based on the play He Who Gets Slapped by Gregory Zilboorg (New York, 9 Jan 1922) as adapted from the play Tot, Kto Poluchaet Poshchechiny by Leonid Andreyev Nikolaevich (1914).

Technical Specs

Duration
1h 16m
Sound
Silent
Color
Black and White
Theatrical Aspect Ratio
1.33 : 1
Film Length
6,953ft (7 reels)

Synopsis

On the eve of great success, a scientist ("He Who Gets Slapped") loses both his invention and his wife to Baron Regnard, who describes his victim as a fool. He decides to lose himself in the laughter of others and becomes France's most famous clown. Even Consuelo, a bareback rider who loves her partner, Bezano, laughs when He confesses his love for her. Learning that Consuelo's father, Count Mancini, plans her marriage to Baron Regnard, He releases a lion which kills the pair; and, fatally stabbed by Regnard, the clown stumbles and staggers around the circus ring to the delight of the audience. He dies in the arms of Consuelo, who is free to marry Bezano.

Film Details

Genre
Drama
Silent
Adaptation
Classic Hollywood
Release Date
Dec 22, 1924
Premiere Information
New York premiere: 9 Nov 1924
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Metro-Goldwyn Distributing Corp.
Country
United States
Screenplay Information
Based on the play He Who Gets Slapped by Gregory Zilboorg (New York, 9 Jan 1922) as adapted from the play Tot, Kto Poluchaet Poshchechiny by Leonid Andreyev Nikolaevich (1914).

Technical Specs

Duration
1h 16m
Sound
Silent
Color
Black and White
Theatrical Aspect Ratio
1.33 : 1
Film Length
6,953ft (7 reels)

Articles

He Who Gets Slapped


Lon Chaney stars in He Who Gets Slapped (1924), the first movie made entirely under the Metro-Goldwyn-Mayer banner, and the first to feature the MGM lion. It was also Irving Thalberg's first "all-star" production at the studio, where the young executive had just assumed the position of first vice president and supervisor of production under studio head Louis B. Mayer. The film is based on Russian dramatist Leonid Andreyev's play, a circus melodrama about a sad clown who falls in love with a beautiful bareback rider who, in turn, loves her performing partner.

Thalberg, who had promoted Chaney to stardom at Universal Pictures, brought the "man of a thousand faces" with him to his new studio to play the tragic clown. He Who Gets Slapped was Chaney's first film at MGM, where he would continue a lucrative association until his death in 1930.

The film marked the American debut of Swedish director Victor Seastrom. Thalberg cast John Gilbert as the male horseback rider and Norma Shearer, in her first prestigious assignment at MGM, as the object of Chaney's unrequited affection. Within a few years, Shearer would become Thalberg's wife and, perhaps not entirely coincidentally, the studio's reigning female star.

The role of Paul Beaumont, a scientist who becomes a clown after being humiliated in his original profession, is considered one of Chaney's greatest acting opportunities. The actor himself would recall the part as one of his favorites. He would again play the clown with a broken heart in Laugh, Clown, Laugh (1928). He Who Gets Slapped was shot in 37 days at a cost of $172,000 and earned about $349,000 -- not a bad return at the time for a film of offbeat subject matter from a fledgling studio. It was critically acclaimed and was named one of the 10 best films of 1924 by The New York Times, which stated that, "For dramatic value and a faultless adaptation of a play, this is the finest production we have yet seen."

Of the star performance, the Times reviewer wrote that "Never in his efforts before the camera has Mr. Chaney delivered such a marvelous performance as he does as this character. He is restrained in his acting, never overdoing the sentimental situations, and is guarded in his make-up."

Producer: Louis B. Mayer
Director: Victor Sjostrom
Screenplay: Victor Sjostrom, Carey Wilson (based on the play He, the One Who Gets Slapped by Leonid Andreyev
Cinematography: Milton Moore
Film Editing: Hugh Wynn
Art Direction: Cedric Gibbons
Costume Design: Sophie Wachner
Cast: Lon Chaney (Paul Beaumont, "HE"), Norma Shearer (Consuelo), John Gilbert (Bezano), Paulette Duval (Zinida), Harvey Clark (Briquet), Ruth King (Maria Beaumont), Tully Marshall (Count Mancini).
BW-72m.

by Roger Fristoe
He Who Gets Slapped

He Who Gets Slapped

Lon Chaney stars in He Who Gets Slapped (1924), the first movie made entirely under the Metro-Goldwyn-Mayer banner, and the first to feature the MGM lion. It was also Irving Thalberg's first "all-star" production at the studio, where the young executive had just assumed the position of first vice president and supervisor of production under studio head Louis B. Mayer. The film is based on Russian dramatist Leonid Andreyev's play, a circus melodrama about a sad clown who falls in love with a beautiful bareback rider who, in turn, loves her performing partner. Thalberg, who had promoted Chaney to stardom at Universal Pictures, brought the "man of a thousand faces" with him to his new studio to play the tragic clown. He Who Gets Slapped was Chaney's first film at MGM, where he would continue a lucrative association until his death in 1930. The film marked the American debut of Swedish director Victor Seastrom. Thalberg cast John Gilbert as the male horseback rider and Norma Shearer, in her first prestigious assignment at MGM, as the object of Chaney's unrequited affection. Within a few years, Shearer would become Thalberg's wife and, perhaps not entirely coincidentally, the studio's reigning female star. The role of Paul Beaumont, a scientist who becomes a clown after being humiliated in his original profession, is considered one of Chaney's greatest acting opportunities. The actor himself would recall the part as one of his favorites. He would again play the clown with a broken heart in Laugh, Clown, Laugh (1928). He Who Gets Slapped was shot in 37 days at a cost of $172,000 and earned about $349,000 -- not a bad return at the time for a film of offbeat subject matter from a fledgling studio. It was critically acclaimed and was named one of the 10 best films of 1924 by The New York Times, which stated that, "For dramatic value and a faultless adaptation of a play, this is the finest production we have yet seen." Of the star performance, the Times reviewer wrote that "Never in his efforts before the camera has Mr. Chaney delivered such a marvelous performance as he does as this character. He is restrained in his acting, never overdoing the sentimental situations, and is guarded in his make-up." Producer: Louis B. Mayer Director: Victor Sjostrom Screenplay: Victor Sjostrom, Carey Wilson (based on the play He, the One Who Gets Slapped by Leonid Andreyev Cinematography: Milton Moore Film Editing: Hugh Wynn Art Direction: Cedric Gibbons Costume Design: Sophie Wachner Cast: Lon Chaney (Paul Beaumont, "HE"), Norma Shearer (Consuelo), John Gilbert (Bezano), Paulette Duval (Zinida), Harvey Clark (Briquet), Ruth King (Maria Beaumont), Tully Marshall (Count Mancini). BW-72m. by Roger Fristoe

Quotes

Trivia

This was the first production to start filming in the newly formed Metro-Goldwyn-Mayer. It was not their first release, though; it was held until the holiday season when attendance is higher for "important" films.

The first film to feature the MGM lion.