New Moon


1h 45m 1940
New Moon

Brief Synopsis

A revolutionary leader romances a French aristocrat in Louisiana.

Film Details

Also Known As
Lover Come Back, Parisian Belle
Genre
Comedy
Romance
Musical
Adaptation
Release Date
Jun 28, 1940
Premiere Information
not available
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States
Location
Santa Catalina Island, California, United States
Screenplay Information
Based on the operetta New Moon , book and lyrics by Oscar Hammerstein II, Frank Mandel and Laurence Schwab, music by Sigmund Romberg (New York, 19 Sep 1928).

Technical Specs

Duration
1h 45m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Synopsis

In 1789, the Duke de Vidier, a young French aristocrat, renounces his claim of nobility to further the cause of the revolution by freeing the bond servants in New Orleans. Then while posing as a deported servant named Charles Michon, the duke sails on a ship bound for New Orleans, where he meets the spoiled Marianne de Beaumanoir, who mistakes him for a ship's officer. At the family plantation in New Orleans, Marianne is shocked when she discovers that Charles is her new footman. The town gossips are enthralled by the charming and sophisticated footman, who claims he worked for a dashing duke, and Marianne falls in love with him. Consequently, when the Vicomte Ribaud appears at the plantation to arrest the duke, who he claims is impersonating a servant, Marianne orders Charles to leave. Learning that his plot has been uncovered, Charles rallies the bond servants to seize a ship named the New Moon , and they sail off to freedom. A lonely Marianne decides to sail back to France on the next available ship, and hence, she and her aunt board the Fleur de Lys , a vessel bearing a cargo of brides bound for Martinique. At sea, the New Moon attacks the Fleur de Lys , and in the ensuing battle, the New Moon is sunk and her men take command of the Fleur de Lys and her cargo. During a severe storm, the ship is thrown off course and wrecked on the reef of an unchartered island. After settling on the island, Charles announces that the men and women should pair off to establish a new society based on liberty and equality. This presents problems for Marianne, who is pursued by a pack of suitors, and out of desperation, she reluctantly agrees to marry Charles, who she has decided is an incorrigible womanizer. On their wedding night, the roar of cannons draw the men to shore in defense of their new home, and a terrified Marianne realizes that she really loves Charles. When Charles returns with the news that the French fleet has arrived with news that France is free, he and Marianne declare their love for each other.

Cast

Jeanette Macdonald

Marianne de Beaumanoir

Nelson Eddy

Charles [Michon "also known as" Duke de Vidier]

Mary Boland

Valerie de Rossac

George Zucco

Vicomte Ribaud

H. B. Warner

Father Michel

Grant Mitchell

Governor of New Orleans

Richard Purcell

Alexander

John Miljan

Pierre Brugnon

Ivan Simpson

Guizot

William Tannen

Pierre

Bunty Cutler

Julie

Claude King

Monsieur Dubois

Cecil Cunningham

Governor's wife

Joe Yule

Maurice

George Irving

Ship's captain

Edwin Maxwell

Captain de Jean

Paul E. Burns

Guard on ship

Rafael Storm

Monsieur de Piron

Winifred Harris

Lady

Stanley Fields

Tambour

Robert Warwick

Commissar

Ray Walker

Coco

Trevor Bardette

Foulette

Leroy Mason

Grant

George Lloyd

Quartermaster

Gayne Whitman

Mate

Warren Rock

Mate

George Magrill

Guard

Ed O'neill

Lookout

Sarah Edwards

Marquise

Max Marx

Officer

Jack Perrin

Officer

Alden Chase

Citizen

Claire Rochelle

Drunk girl

Frank Elliott

Guest

Kenneth Gibson

Guest

Victor Kendall

Guest

Gerald Fielding

Guest

Bea Nigro

Guest

Florence Shirley

Guest

Hillary Brooke

Guest

Nat Pendleton

Bondsman

Buster Keaton

Bondsman

Christian J. Frank

Bondsman

Arthur Belasco

Bondsman

Edward Hearn

Bondsman

Nick Copeland

Bondsman

Gino Corrado

Bondsman

Ralph Dunn

Bondsman

Harry Strang

Bondsman

Ray Teal

Bondsman

Ted Oliver

Bondsman

Fred Graham

Bondsman

Dorothy Granger

Fat bridesmaid

June Gittelson

Madeline

David Alison

Troubadour

Forbes Murray

Commandant

Abe Dinovitch

Solo bit "Stouthearted Men

Sally Mueller

Solo bit "Stouthearted Men"

Austin Grant

Solo bit "Stouthearted Men"

Jean Fenwick

Frank Remsden

Jewel Jordan

Film Details

Also Known As
Lover Come Back, Parisian Belle
Genre
Comedy
Romance
Musical
Adaptation
Release Date
Jun 28, 1940
Premiere Information
not available
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States
Location
Santa Catalina Island, California, United States
Screenplay Information
Based on the operetta New Moon , book and lyrics by Oscar Hammerstein II, Frank Mandel and Laurence Schwab, music by Sigmund Romberg (New York, 19 Sep 1928).

Technical Specs

Duration
1h 45m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Articles

New Moon


After two years of watching their favorite musical duo serenade other co-stars, fans of Jeanette MacDonald and Nelson Eddy got what they wanted when the team dubbed "America's Sweethearts" reunited in 1940 for New Moon, a remake of the perennial Sigmund Romberg favorite. The picture gave the singing duo some of their biggest hits - "Softly as in a Morning Sunrise," "Wanting You" and "Lover, Come Back." The score was so full of memorable tunes, in fact, that one New York reviewer hailed Romberg for "writing the Hit Parade of 1928."

Some of those hits almost didn't see the light of day, however. "Softly as in a Morning Sunrise" and "Lover, Come Back" were only afterthoughts, added after New Moon had flopped in one of its original out-of-town previews in 1928. The production was shut down for five months while almost everything about it was changed. But they must have gotten it right, as it moved on to a triumphant Broadway run of more than 500 performances.

MGM first bought the rights to New Moon in 1930, looking for a vehicle for its two operetta stars of the era, Lawrence Tibbett and Grace Moore. For some reason, however, they changed the plot, moving the setting from late 18th-century New Orleans to Russia shortly before the Revolution. As good as her singing was, however, Moore's weight problems led to the end of her MGM contract. Ironically, the studio would later seek her for two vehicles that helped make MacDonald a star, Naughty Marietta (1935) and Rose Marie (1936).

By 1940, studio head Louis B. Mayer wanted a vehicle to re-unite his favorite singing stars. After they had scored hits with their 1935 teaming in Naughty Marietta and a string of profitable operettas, he had tried to double his profits by splitting the team up. But without each other, MacDonald and Eddy just didn't have the same magic. Mayer wanted a vehicle similar to the one that had brought them together, and New Moon seemed to fit the bill perfectly. Both were set in French-controlled New Orleans (a historical inaccuracy as it turns out, since the city was actually a Spanish colony at the time) and both dealt with a nobleman traveling to the New World in disguise.

Mayer assured that New Moon would be a lavish production. MacDonald had 16 period costumes, some of them as wide as six feet. In fact, her dressing room had to be equipped with a double door so she could get in and out - and even then she had to walk sideways.

One curious footnote on the casting was the presence of silent screen clown Buster Keaton. By this point in his career, he was working as an uncredited gagman at MGM. Although originally cast in a supporting role he was cut from all but a few crowd scenes, effectively reducing the former cinematic genius to an extra. In fact, none of his biographies even mention his work on New Moon. Ironically, one thing critics would complain about in reviewing the film was the lack of strong supporting roles, despite the presence of such solid character players as Mary Boland and George Zucco. Any criticism, however, was overshadowed by the pleasure of film fans, who helped make New Moon a box-office hit.

Producer/Director: Robert Z. Leonard
Screenplay: Jacques Deval, Robert Arthur
Based on the operetta by Sigmund Romberg, Oscar Hammerstein II, Frank Mandel, Lawrence Schwab
Cinematography: William Daniels
Art Direction: Cedric Gibbons, Eddie Imazu
Music: Herbert Stothart, Sigmund Romberg
Cast: Jeanette MacDonald (Marianne de Beaumanoir), Nelson Eddy (Charles Mission, Duc de Villiers), Mary Boland (Valerie de Rossac), George Zucco (Vicomte de Ribaud), H.B. Warner (Father Michel), John Miljan (Pierre Brugnon, Overseer).
BW-105m.

by Frank Miller

New Moon

New Moon

After two years of watching their favorite musical duo serenade other co-stars, fans of Jeanette MacDonald and Nelson Eddy got what they wanted when the team dubbed "America's Sweethearts" reunited in 1940 for New Moon, a remake of the perennial Sigmund Romberg favorite. The picture gave the singing duo some of their biggest hits - "Softly as in a Morning Sunrise," "Wanting You" and "Lover, Come Back." The score was so full of memorable tunes, in fact, that one New York reviewer hailed Romberg for "writing the Hit Parade of 1928." Some of those hits almost didn't see the light of day, however. "Softly as in a Morning Sunrise" and "Lover, Come Back" were only afterthoughts, added after New Moon had flopped in one of its original out-of-town previews in 1928. The production was shut down for five months while almost everything about it was changed. But they must have gotten it right, as it moved on to a triumphant Broadway run of more than 500 performances. MGM first bought the rights to New Moon in 1930, looking for a vehicle for its two operetta stars of the era, Lawrence Tibbett and Grace Moore. For some reason, however, they changed the plot, moving the setting from late 18th-century New Orleans to Russia shortly before the Revolution. As good as her singing was, however, Moore's weight problems led to the end of her MGM contract. Ironically, the studio would later seek her for two vehicles that helped make MacDonald a star, Naughty Marietta (1935) and Rose Marie (1936). By 1940, studio head Louis B. Mayer wanted a vehicle to re-unite his favorite singing stars. After they had scored hits with their 1935 teaming in Naughty Marietta and a string of profitable operettas, he had tried to double his profits by splitting the team up. But without each other, MacDonald and Eddy just didn't have the same magic. Mayer wanted a vehicle similar to the one that had brought them together, and New Moon seemed to fit the bill perfectly. Both were set in French-controlled New Orleans (a historical inaccuracy as it turns out, since the city was actually a Spanish colony at the time) and both dealt with a nobleman traveling to the New World in disguise. Mayer assured that New Moon would be a lavish production. MacDonald had 16 period costumes, some of them as wide as six feet. In fact, her dressing room had to be equipped with a double door so she could get in and out - and even then she had to walk sideways. One curious footnote on the casting was the presence of silent screen clown Buster Keaton. By this point in his career, he was working as an uncredited gagman at MGM. Although originally cast in a supporting role he was cut from all but a few crowd scenes, effectively reducing the former cinematic genius to an extra. In fact, none of his biographies even mention his work on New Moon. Ironically, one thing critics would complain about in reviewing the film was the lack of strong supporting roles, despite the presence of such solid character players as Mary Boland and George Zucco. Any criticism, however, was overshadowed by the pleasure of film fans, who helped make New Moon a box-office hit. Producer/Director: Robert Z. Leonard Screenplay: Jacques Deval, Robert Arthur Based on the operetta by Sigmund Romberg, Oscar Hammerstein II, Frank Mandel, Lawrence Schwab Cinematography: William Daniels Art Direction: Cedric Gibbons, Eddie Imazu Music: Herbert Stothart, Sigmund Romberg Cast: Jeanette MacDonald (Marianne de Beaumanoir), Nelson Eddy (Charles Mission, Duc de Villiers), Mary Boland (Valerie de Rossac), George Zucco (Vicomte de Ribaud), H.B. Warner (Father Michel), John Miljan (Pierre Brugnon, Overseer). BW-105m. by Frank Miller

Quotes

Shall I cook, or do you prefer, I milk a goat?
- Marianne de Beaumanoir
Try cooking! Men are more lenient than goats!
- Charles Duc de Villiers

Trivia

Notes

The working title of this picture was Lover Come Back, and it was broadcast on television as Parisian Belle. Hollywood Reporter news items in late November 1939 note that director W. S. Van Dyke worked on this film for about two weeks, but was reassigned to direct I Take This Woman, leaving producer Robert Z. Leonard to take his place. An item in Hollywood Reporter comments that Nat Pendleton was to have appeared in this picture. Pendleton can be seen very briefly early in the picture as a bondsman standing next to Nelson Eddy. It is possible that his part was intended to be longer but was cut prior to the film's preview. In the same scene, silent star Buster Keaton is seen on the opposite side of Eddy, however, he is also unbilled in contemporary sources. According to Hollywood Reporter, the steamboat scenes were filmed by Clyde de Vinna at Santa Catalina Island, CA. Reviews commented on the similarity between this film and M-G-M's 1935 film Naughty Marietta, which also starred Eddy and Jeanette MacDonald. In 1931, M-G-M filmed another version of New Moon starring Grace Moore and Lawrence Tibbett (see AFI Catalog of Feature Films, 1931-40; F3.3107).