J. Roy Hunt


Biography

Filmography

 

Cinematography (Feature Film)

The Juggler (1953)
Director of Photography
Desert Passage (1952)
Director of Photography
Road Agent (1952)
Director of Photography
Target (1952)
Director of Photography
Eight Iron Men (1952)
Director of Photography
Footlight Varieties (1951)
Director of Photography
Overland Telegraph (1951)
Director of Photography
Pistol Harvest (1951)
Director of Photography
Saddle Legion (1951)
Director of Photography
Gunplay (1951)
Director of Photography
Border Treasure (1950)
Director of Photography
Storm Over Wyoming (1950)
Director of Photography
Kill or Be Killed (1950)
Director of Photography
Rio Grande Patrol (1950)
Director of Photography
The Lawless (1950)
Director of Photography
Mighty Joe Young (1949)
Director of Photography
Riders of the Range (1949)
Director of Photography
Rustlers (1949)
Director of Photography
Brothers in the Saddle (1949)
Director of Photography
Race Street (1948)
Director of Photography
Return of the Bad Men (1948)
Director of Photography
Indian Agent (1948)
Director of Photography
The Arizona Ranger (1948)
Director of Photography
Gun Smugglers (1948)
Director of Photography
The Devil Thumbs a Ride (1947)
Director of Photography
Under the Tonto Rim (1947)
Director of Photography
Trail Street (1947)
Director of Photography
Crossfire (1947)
Director of Photography
A Likely Story (1947)
Director of Photography
Hollywood Bound (1946)
Photographer for "The Spirit of 1976"
Black Beauty (1946)
Director of Photography
A Game of Death (1945)
Director of Photography
The Brighton Strangler (1945)
Director of Photography
What a Blonde (1945)
Director of Photography
Action in Arabia (1944)
Director of Photography
Heavenly Days (1944)
Director of Photography
I Walked with a Zombie (1943)
Director of Photography
The Avenging Rider (1943)
Director of Photography
The Falcon and the Co-eds (1943)
Director of Photography
Syncopation (1942)
Director of Photography
Call Out the Marines (1942)
Director of Photography
Red River Robin Hood (1942)
Director of Photography
Thundering Hoofs (1941)
Director of Photography
Sunny (1941)
Background Photographer
They Met in Argentina (1941)
Director of Photography
Parachute Battalion (1941)
Director of Photography
One Crowded Night (1940)
Director of Photography
Prairie Law (1940)
Director of Photography
Stage to Chino (1940)
Photography
Cross-Country Romance (1940)
Director of Photography
You Can't Fool Your Wife (1940)
Director of Photography
Little Orvie (1940)
Photography
Triple Justice (1940)
Photography
Married and in Love (1940)
Director of Photography
I'm Still Alive (1940)
Director of Photography
The Saint's Double Trouble (1940)
Photography
The Girl and the Gambler (1939)
Photography
Panama Lady (1939)
Photography
In Name Only (1939)
Director of Photography
Reno (1939)
Director of Photography
Fixer Dugan (1939)
Photography
Almost a Gentleman (1939)
Photography
The Flying Irishman (1939)
Photography
Full Confession (1939)
Director of Photography
Boy Slaves (1939)
Photography
Room Service (1938)
Photography
The Law West of Tombstone (1938)
Photography
Mother Carey's Chickens (1938)
Photography
Blond Cheat (1938)
Photography
Radio City Revels (1938)
Photography
A Man to Remember (1938)
Photography
Shall We Dance (1937)
Camera
That Girl from Paris (1937)
Photography
You Can't Buy Luck (1937)
Photography
Hitting a New High (1937)
Photography
New Faces of 1937 (1937)
Photography
The Life of the Party (1937)
Photography
The Man Who Found Himself (1937)
Photography
Breakfast for Two (1937)
Photography
A Damsel in Distress (1937)
Camera
Sea Devils (1937)
Photography
Silly Billies (1936)
Photography
Muss 'Em Up (1936)
Photography
Walking on Air (1936)
Photography
Smartest Girl in Town (1936)
Photography
Without Orders (1936)
Photography
The Ex-Mrs. Bradford (1936)
Photography
The Lady Consents (1936)
Photography
The Bride Walks Out (1936)
Photography
Annie Oakley (1935)
Photography
A Dog of Flanders (1935)
Photography
Star of Midnight (1935)
Photography
The Last Days of Pompeii (1935)
Photography
We're Only Human (1935)
Photography
She (1935)
Photography
The Silver Streak (1934)
Photography
Let's Try Again (1934)
Photography
Hat, Coat, and Glove (1934)
Photography
The Meanest Gal in Town (1934)
Photography
Finishing School (1934)
Photography
Dangerous Corner (1934)
Photography
Emergency Call (1933)
Photography
Lucky Devils (1933)
Photography
Aggie Appleby, Maker of Men (1933)
Photography
Double Harness (1933)
Photography
Oliver Twist (1933)
Photography
Flying Down to Rio (1933)
Photography
Men of America (1932)
Photography
The Roadhouse Murder (1932)
Photography
The Age of Consent (1932)
Photography
The Sport Parade (1932)
Photography
Girl Crazy (1932)
Photography
Beau Ideal (1931)
Photography
Friends and Lovers (1931)
Photography
High Stakes (1931)
Photography
Behind Office Doors (1931)
Photography
Consolation Marriage (1931)
Photography
The Woman Between (1931)
Photography
Way Back Home (1931)
Photography
Alias French Gertie (1930)
Director of Photography
Love Comes Along (1930)
Director of Photography
The Pay Off (1930)
Director of Photography
Leathernecking (1930)
Director of Photography
Dixiana (1930)
Director of Photography
The Case of Sergeant Grischa (1930)
Director of Photography
Lawful Larceny (1930)
Director of Photography
The Mighty (1929)
Camera
The Dummy (1929)
Director of Photography
Close Harmony (1929)
Director of Photography
The Virginian (1929)
Director of Photography
Why Bring That Up? (1929)
Director of Photography
The Doctor's Secret (1929)
Director of Photography
The Dance of Life (1929)
Director of Photography
Feel My Pulse (1928)
Director of Photography
Something Always Happens (1928)
Director of Photography
The Fifty-Fifty Girl (1928)
Director of Photography
Forgotten Faces (1928)
Director of Photography
Take Me Home (1928)
Director of Photography
New York (1927)
Director of Photography
She's a Sheik (1927)
Director of Photography
Swim, Girl, Swim (1927)
Director of Photography
Rubber Heels (1927)
Director of Photography
Spider Webs (1927)
Camera
The Ace of Cads (1926)
Director of Photography
Dancing Mothers (1926)
Director of Photography
Beau Geste (1926)
Director of Photography
A Kiss for Cinderella (1926)
Director of Photography
Wildfire (1925)
Director of Photography
The Manicure Girl (1925)
Director of Photography
Lovers in Quarantine (1925)
Director of Photography
Wild, Wild Susan (1925)
Director of Photography
The Crowded Hour (1925)
Director of Photography
Miss Bluebeard (1925)
Director of Photography
Her Own Free Will (1924)
Director of Photography
Trouping With Ellen (1924)
Director of Photography
Second Youth (1924)
Director of Photography
Dangerous Money (1924)
Director of Photography
The Rejected Woman (1924)
Director of Photography
Argentine Love (1924)
Director of Photography
Polly of the Follies (1922)
Director of Photography
Sherlock Holmes (1922)
Director of Photography
Smilin' Through (1922)
Director of Photography
Woman's Place (1921)
Director of Photography
The Wonderful Thing (1921)
Director of Photography
The Passion Flower (1921)
Director of Photography
What Women Will Do (1921)
Director of Photography
The Sign on the Door (1921)
Director of Photography
Love's Redemption (1921)
Director of Photography
The Truth (1920)
Camera
The Branded Woman (1920)
Camera
Help Yourself (1920)
Camera
Pagan Love (1920)
Camera
The Fall of the Romanoffs (1918)
Camera
The Passing of the Third Floor Back (1918)
Camera
The Lone Wolf (1917)
Camera
The Eternal Sin (1917)
Camera
The Lincoln Cycle (1917)
Camera
War Brides (1916)
Camera
A Daughter of the Gods (1916)
Camera

Cinematography (Short)

The American Venus (1926)
Director of Photography

Life Events

Photo Collections

The Ex-Mrs. Bradford - Behind-the-Scenes Photo
Here is a photo taken behind-the-scenes during production of RKO's The Ex-Mrs. Bradford (1936), starring William Powell.
Beau Geste (1926) - Behind-the-Scenes Still
Here is a photo taken behind-the-scenes during production of Paramount's Beau Geste (1926).

Videos

Movie Clip

Crossfire (1947) - Used To Be A Spaghetti Restaurant Joining his flashback as he's testifying for the cops, murder suspect soldier Mitchell (George Cooper) is recounting his visit with somewhat soft-hearted taxi dancer Ginny (Gloria Grahame) in Edward Dmytryk's military mystery Crossfire, 1947.
Crossfire (1947) - Open, Murder Dark and dramatic opening to Edward Dmytryk's Crossfire, 1947, starring Robert Young, Robert Mitchum, Robert Ryan and Gloria Grahame, from a novel by Richard Brooks.
Last Days Of Pompeii, The - Greatest Man In Judea Once virtuous blacksmith turned gladiator turned horse and slave trader Marcus (Preston Foster), still devoted to his adopted son (David Holt), pursuing a prophesy that the greatest man in Judea would come to their aid, visits Pontius Pilate (Basil Rathbone, just introduced, in an atypical hairdo), in The Last Days Of Pompeii, 1935.
Last Days Of Pompeii, The (1935) - In Caesar's Name! SPOILER except the title suggests Vesuvius will erupt, more special effects are deployed as Marcus (Preston Foster) chooses his wounded Christian son (John Wood) over his Roman prefect master (Louis Calhern) and his troops, in the disaster epic from RKO’s King Kong team (Merian C. Cooper, Ernest B. Schoedsack), The Last Days Of Pompeii, 1935.
Last Days Of Pompeii, The (1935) - The Physical Setting Of This Picture Make no mistake about your epic scale, as producer Merian C. Cooper and director Ernest B. Schoedsack (of King Kong fame, two years earlier) bank their hefty set and special effects costs, with an unusual prologue attributing the story, and we meet Lucius and Gaius (Marc Loebell, Frank Conroy), opening The Last Days Of Pompeii, 1935.
Last Days Of Pompeii, The (1935) - Just About What The Job Is Worth We’ve established the city of Pompeii, in what must be the early years Anno Domini, when gladiator wrangler Cleon (William V. Mong) needs an assist from top-billed Preston Foster (introduced here as blacksmith Marcus), Gloria Shea his wife, and Frank Conroy as interested nobleman Gaius, early in RKO’s The Last Days Of Pompeii, 1935.
Race Street (1948) - Don't Bet On Horses Following opening narration, entering the horse gambling racket in San Francisco, introducing bookie Hal (Henry Morgan), then his friend and backer, the star, George Raft, as "Dan." who has a fancy girlfriend "Robbie," (Marilyn Maxwell), from Race Street, 1948.
Race Street (1948) - Don't Give Me Orders At a Chicago racket hangout, high rolling bookie Dan (George Raft) is visited by cop Barney (William Bendix), who pushes him not to seek his own vengeance for the murder of their mutual childhood friend, in Race Street, 1948.
Race Street (1948) - I'm In A Jam With Baby Splashy introduction for Gale Robbins as Elaine, night club singer and sister of the owner Dan (George Raft), her own vocal on a tune by Ray Heindorf, M.K. Jerome and Ted Koehler, fancy shot by director Edwin L. Marin and cinematographer J. Roy Hunt, in Race Street, 1948.
In Name Only (1939) - People In Our Position Following his car crash, Maida (Kay Francis) thinks she's caught spouse Alec (Cary Grant) red-handed, leading to his righteous denial and turnabout, early in John Cromwell's In Name Only, 1939.
Flying Down To Rio (1933) - Carioca New in town and preparing for a big-band competition, Fred (Fred Astaire) and Honey (Ginger Rogers) decide to take a turn with the local dance, in Flying Down To Rio, 1933.
Consolation Marriage (1931) - Goodbye With A Smile First scene for Irene Dunne, as "Mary," some exposition as her pianist boyfriend Aubrey (Lester Vail) departs to marry a woman he doesn't love, shortly after co-star Pat O'Brien (not seen) got jilted, early in Consolation Marriage, 1931.

Bibliography