Martha Raye

Martha Raye


Also Known As
The Big Mouth, Margaret Teresa Yvonne Reed, Martha The Mouth
Birth Place
Butte, Montana, USA
August 27, 1916
October 19, 1994


Few entertainers would embrace a nickname like "The Big Mouth," but singer-actress Martha Raye was a very good sport. Of course, what some considered a physical detriment was ultimately a key source of her power as a singer and appeal as a comedienne. She first earned significant attention on Broadway and was soon part of the talent roster at Paramount, where Raye became the go-to girl f...

Family & Companions

Bud Westmore
Makeup artist. Married in 1937; divorced in 1938.
David Rose
Conductor, composer. Married in 1938; divorced in 1940.
Neal Lang
Hotelier. Married and divorced in 1941.
Nick Condos
Dancer. Married on November 11, 1942; divorced on June 17, 1953; died in 1988.


"Take It From Big Mouth: The Life of Martha Raye"
Jean Madden Pitrone, University of Kentucky Press


Few entertainers would embrace a nickname like "The Big Mouth," but singer-actress Martha Raye was a very good sport. Of course, what some considered a physical detriment was ultimately a key source of her power as a singer and appeal as a comedienne. She first earned significant attention on Broadway and was soon part of the talent roster at Paramount, where Raye became the go-to girl for loud and obnoxious characters. The majority of her motion picture credits came in rather disposable fare, but there were occasional gems, notably the anarchic comedy classic "Hellzapoppin'" (1941) and Charlie Chaplin's superb dark farce "Monsieur Verdoux" (1947). In later years, Raye worked mostly on the small screen and toplined her own vehicle, "The Martha Raye Show" (NBC, 1954-56). One of her most lasting contributions was as a tireless USO entertainer. Over the course of three wars, Raye travelled extensively and sang for thousands of American soldiers. She also gained a degree of new recognition as the ubiquitous spokeswoman for Polident Denture Cleaner from the 1970s on. Unfortunately, her life out of the spotlight was often troubled and she went through seven marriages and a suicide attempt before enduring some truly sad final years. Whether belting out a standard like "That Old Black Magic" or doing sketch comedy, Raye was a larger than life personality who loved to perform and that energy and enthusiasm made her a favorite with the public for more than five decades.A native of Butte, MA, Martha Raye was born Margaret Teresa Yvonne Reed on Aug. 27, 1916. Both of her parents were vaudeville entertainers, so it was no surprise that by age three, Raye was joining them on stage. She and her brother were soon spun off into their own act called "Margie and Bud," and Raye's grandly ebullient stage presence became apparent. Show business was Raye's primary occupation, so it led to her going through life largely illiterate as she never finished grade school. After several years of singing in various venues and on Al Jolson's radio program, Raye made her Broadway bow in the musical revue "Calling All Stars" (1934-35), where she performed such ditties as "If it's Love" and "He Just Beats a Tom Tom." Impressed by the large mouthed Montana girl's vocal skills and comedic possibilities, Paramount gave Raye a screen test and she knocked them out with "Mr. Paganini" a.k.a. "If You Can't Sing It (You'll Have to Swing It)," which Raye would adopt as her signature tune. Now under contract, she made her first screen appearance in the Bing Crosby musical Western "Rhythm on the Range" (1936), singing that very same tune. She was also in similarly lightweight fare like "The Big Broadcast of 1937" (1936), "Artists & Models" (1937), and "College Swing" (1938), and was reteamed with Crosby for "Waikiki Wedding" (1937) and "Double or Nothing" (1937). That year, she wed makeup man Bud Westmore, a union that would last a bit more than 12 months. It was the first of no less than seven trips down the aisle for Raye, who had no better luck with husband No. 2, composer David Rose. He stayed by her side for two and a half years before leaving her to marry Judy Garland.Raye's film career continued apace in the likes of "The Farmer's Daughter" (1940) and "The Boys from Syracuse" (1940), and she returned to Broadway opposite Jolson for the hit musical "Hold on to Your Hats" (1940-41). She also popped up as twins in the Abbott & Costello outing "Keep 'Em Flying" (1941), while Olsen & Johnson's "Hellzapoppin'" (1941) was a suitably loony adaptation of the Broadway smash where she sang the incredible "Pig Foot Pete." Raye also joined many entertainers of the time by donating her services to the USO and travelling overseas to entertain American troops. While the majority of her fellow performers did this only during the Second World War, such duties later became an important part of Raye's regime and her reputation was enhanced greatly by such generosity. In between flights into various combat areas, she found time to join pin-up queen Betty Grable in the Fox musical "Pin Up Girl" (1944), where Raye belted out "Yankee Doodle Hayride" and "Red Robins, Bobwhites and Bluebirds." She appeared opposite another blonde beauty, Carole Landis, whose book about her time entertaining the troops overseas inspired the popular wartime film "Four Jills in a Jeep" (1944), which co-starred Kay Francis and Mitzi Mayfair.She also married her fourth spouse, dancer Nick Condos. At nine years, it proved to be Raye's longest-lasting union and also produced her only child, Melodye Raye Condos. The sole remaining movie that decade, "Monsieur Verdoux" (1947), was also the finest one Raye ever appeared in. A later credit to its brilliant director-star Charlie Chaplin, the blackly comic "Bluebeard" tale cast Raye as a detestable battle axe who somehow manages not to fall victim to Chaplin's titular wife murderer. The comic tone was at its wildest during Raye's screen time and her broad style and boundless energy were utilized to excellent effect. Again displaying the enthusiasm and intent to serve, Raye traveled overseas to visit American servicemen fighting in the Korean War. Like many entertainers with similar backgrounds, Raye also made occasional guest appearances on the new medium of television and was eventually granted her own program, "The Martha Raye Show" (NBC, 1954-56). The 90-minute presentation mixed song and dance numbers with sketch comedy bits featuring such guest stars as Edward G. Robinson, Cesar Romero and Buster Keaton. The show was cancelled after two seasons and that, couple with the end of yet another marriage, prompted Raye to attempt suicide in 1956 with an overdose of sleeping pills.Raye opened the 1960s with a pair of stars on the Hollywood Walk of Fame for her accomplishments in movies and on television and co-starred as a fortune teller in the Doris Day circus musical "Billy Rose's Jumbo" (1962). She also began to stop by "The Red Skelton Show" (NBC/CBS, 1951-1971) and spent much of the 1960s gracing various variety programs and game shows. In 1967, Raye joined the cast of the Broadway blockbuster "Hello, Dolly!" (1964-1970) as one of several actresses who took over the role of Dolly Levi from original star Carol Channing. She also continued her practice of entertaining American soldiers, this time fighting in the battle against North Vietnam. Raye's indefatigable dedication in this area was recognized in 1969 when she became a recipient of the Jean Hersholt Humanitarian Award. She was one of many celebrities recruited to cameo in "The Phynx" (1970), a youth-oriented misfire that was written off by Warner Brothers as a disaster and barely released. A better vehicle for her acting style came with the feature film version of "Pufnstuf" (1970), in which Raye raised the rafters as the Boss Witch. In addition to that television spin-off, Raye joined the cast of another Sid & Marty Krofft children's program, "The Bugaloos" (NBC, 1970-72), which told of a fairy-like group of singers whose existence is threatened by Raye's villainous Benita Bizarre. An unusual concoction even for these producers, the program consisted of 17 episodes that ran on and off over two years, but failed to develop the cult following enjoyed by other Krofft productions. She also had a final run on Broadway in "No, No Nanette" (1971-73) as a replacement for Patsy Kelly in the role of Pauline.During this period, Raye also became a spokeswoman for the denture cleanser Polident. Stating that she had discarded her old nickname of "The Big Mouth" and was now known as "The Fresh Mouth," Raye's jovial commercials were a television staple right through the 1980s and the campy spots helped to raise her profile. In 1974, she was the recipient of a Lifetime Achievement Award from the Screen Actors Guild and began to intermittently guest on "McMillan & Wife" (NBC, 1971-77) and the hit sitcom "Alice" (CBS, 1976-1985). Her career as an actress was drawing to a close by the end of the 1970s, with her final film being the all-star flop "The Concorde Airport '79" (1979). On a more auspicious note, Raye's last TV appearance was as The Duchess in an elaborate TV-movie version of "Alice in Wonderland" (CBS, 1985), which also featured the likes of Donald O'Connor, Sammy Davis, Jr. and Imogene Coca, among other legends.Sadly, the closing years of Raye's life were rife with tragedy. In 1988, she experienced the first of several strokes and was soon confined to a wheelchair. In 1991, she married her seventh and final husband, Mark Harris, who was more than 30 years her junior and had only met her a few weeks earlier. The union caused no shortage of controversy, with detractors convinced that he was simply using Raye for her money. She also returned to newspaper headlines after filing an unsuccessful lawsuit against Bette Midler, stating that the actress' movie "For the Boys" (1991) was based on Raye's life without permission. In one of the few bright spots during this time, Raye was presented with the Presidential Medal of Freedom in gratitude for her extensive contributions to the country's war effort. Meanwhile, additional health crises eventually caused the loss of both of Raye's legs and she also displayed the effects of Alzheimer's disease. The combination of these ailments and cardiovascular disease eventually took their toll and Raye died of pneumonia on Oct. 19, 1994. Her marriage to Harris led to a souring in the relationship between Raye and daughter Melodye Raye Condos, who was left out of her mother's will. The majority of Raye's $3 million estate went to Harris and she was buried with full military honors at Fort Bragg, NC.By John Charles



Cast (Feature Film)

Waikiki, in the Wake of Dreams (2001)
Wisecracks (1991)
The Concorde--Airport '79 (1979)
The Phynx (1970)
Pufnstuf (1970)
Boss Witch
The Bob Hope Vietnam Christmas Show (1966)
Jumbo (1962)
Monsieur Verdoux (1947)
Annabella Bonheur
Four Jills in a Jeep (1944)
Martha Raye
Pin Up Girl (1944)
Molly McKay
Navy Blues (1941)
Lilibelle Bolton
Keep 'Em Flying (1941)
Barbara Phelps/Gloria Phelps
Hellzapoppin' (1941)
The Boys from Syracuse (1940)
The Farmer's Daughter (1940)
Patience Bingham
$1,000 a Touchdown (1939)
Martha Madison
Never Say Die (1939)
Mickey Hawkins
The Big Broadcast of 1938 (1938)
Martha Bellows
Give Me a Sailor (1938)
Letty Larkin
College Swing (1938)
Tropic Holiday (1938)
Midge Miller
Artists and Models (1937)
Double or Nothing (1937)
Liza Lou Lane
Mountain Music (1937)
Mary Beamish
Waikiki Wedding (1937)
Myrtle Finch
College Holiday (1936)
Daisy Schloggenheimer
The Big Broadcast of 1937 (1936)
Hideaway Girl (1936)
Helen Flint
Rhythm on the Range (1936)
Emma [Mazda]

Misc. Crew (Feature Film)

Waikiki, in the Wake of Dreams (2001)
Wisecracks (1991)

Cast (Special)

NBC's 60th Anniversary Celebration (1986)
Bob Hope Special: Bob Hope's Road to Hollywood (1983)
Circus of the Stars (1982)
Bob Hope Special: Bob Hope's Women I Love - Beautiful but Funny (1982)
Skinflint (1979)
Ghost Of Christmas Past
Bing!... A 50th Anniversary Gala (1977)
'Twas the Night Before Christmas (1977)
Elvira Butler
The Comics (1965)
Dateline (1954)

Cast (Short)

Cinema Circus (1937)

Cast (TV Mini-Series)

Alice in Wonderland (1985)
The Gossip Columnist (1980)

Life Events


Entered parents' vaudeville act at age three


Toured extensively in vaudeville as Bud and Margie with the Benny Davis Revue, the Ben Blue Company and the Will Morrissey Company


Worked as band singer and comedienne with Paul Ash's Orchestra at age 15 (date approximate)


Made Broadway debut in the revue Lew Brown's "Calling All Stars"


Made film debut in short subjects


Made NY debut at Loew's State Theater


Appeared on Broadway in "Earl Carroll's Sketch Book"


Was discovered by Paramount while working as a nightclub singer in Hollywood


Feature film debut opposite Bing Crosby in "Rhythm on the Range"


Played most acclaimed film role in Charles Chaplin's black comedy, "Monsieur Verdoux"


Made London debut in variety show at the Palladium


TV debut in "Anything Goes" on "Musical Comedy Theater


Took over the title role of Dolly Gallagher Levi from Ginger Rogers in the long-running Broadway musical, "Hello, Dolly!"

Photo Collections

Billy Rose's Jumbo - Group Publicity Stills
Here are a few group photos taken to help publicize Billy Rose's Jumbo (1962), starring Doris Day, Jimmy Durante, Martha Raye, and Stephen Boyd. Publicity stills were specially-posed photos, usually taken off the set, for purposes of publicity or reference for promotional artwork.
The Boys from Syracuse - Title Lobby Card
Here is the Title Lobby Card from Universal's The Boys from Syracuse (1940). Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.


Movie Clip

Pin Up Girl (1944) -- (Movie Clip) Don't Carry Tales Out Of School Miffed New York night club star Molly (Martha Raye) calls Lorry (Betty Grable, with pal Dorothea Kent, from Missouri) on her claim she starred in a just-closed Broadway show, so owner Joe E. Brown introduces her for a number by James V. Monaco and Mack Gordon, in Pin Up Girl, 1944.
College Swing (1938) -- (Movie Clip) How'dja Like To Love Me? Just-introduced Martha Raye as Mabel, having just dropped her fake French persona, offering herself as a “Professor of Practical Romance,” for Bob Hope as Bud, who’s now in charge of staffing up the college, cueing an original tune by Burton Lane and Frank Loesser, in Paramount’s College Swing, 1938, starring George Burns and Gracie Allen.
Four Jills In A Jeep (1943) -- (Movie Clip) You Look Like Somebody I've Seen Just arrived on a base in England, in a story supposedly based on their own real experience on USO tours, Kay Francis, sparky Martha Raye, blonde Carole Landis and Mitzi Mayfair get collected by their minder Eddie (Phil Silvers), and meet handsome flier Ted (John Harvey), early in Four Jills In A Jeep, 1943.
Four Jills In A Jeep (1943) -- (Movie Clip) How Blue The Night Joining a number from Dick Haymes, playing a soldier, song an original by Jimmy McHugh and Harold Adamson, Mitzi Mayfair as herself on the USO Tour in Europe, also Dick’s love interest, in 20th Century-Fox’s Four Jills In A Jeep, also starring Carole Landis, Martha Raye and Kay Francis.
Four Jills In A Jeep (1943) -- (Movie Clip) Miss Betty Grable Could be some Betty Grable fans were disappointed with this reserved appearance, introduced in a USO-Radio show, Kay Francis acting as M-C, Jimmy Dorsey’s band, song by Jimmy McHugh and Harold Adamson, early in 20th Century-Fox’s Four Jills In A Jeep, 1943, also starring Carole Landis, Martha Raye and Mitzi Mayfair.
Billy Rose's Jumbo (1962) -- (Movie Clip) Why Can't I? Speaking of love on the circus wagon between towns, performers Kitty (Doris Day) and Lulu (Martha Raye), the fianceè, for 14 years, of her father, who runs their troupe, join in a Rodgers & Hart number from the original Broadway show, in (Billy Rose’s) Jumbo, 1962.
Billy Rose's Jumbo (1962) -- (Movie Clip) There Was A Circus Following the credits, Stephen Boyd’s voice dubbed (by James Joyce) with the opening Rodgers & Hart song, during which we see circus spectacle, meet Doris Day as Kitty, and an elephant called Sydney in the title role, in (Billy Rose’s) Jumbo, 1962.
Big Broadcast Of 1937, The (1936) -- (Movie Clip) Heigh Ho The Radio! An un-credited act opening with a song by credited composers Leo Robin and Ralph Rainger, for a feature with many big radio stars, first George Burns and Gracie Allen, with Martha Raye, then Jack Benny as the big shot, in Paramount's The Big Broadcast Of 1937, 1936.
Pin Up Girl (1944) -- (Movie Clip) We're In Musical Comedy Navy hero Tommy (John Harvey) and pal Dud (Dave Willock) are the toast of New York, greeted by Eddie (Joe E. Brown) at his night club, not knowing Lorry and Kay (Betty Grable, Dorothea Kent) have fibbed to get his table, Martha Raye with an original song by James V. Monaco and Mack Gordon, in Pin Up Girl, 1944.
Monsieur Verdoux (1947) -- (Movie Clip) I Put It In Your Name Director and star Charles Chaplin now posing as "Captain Louis," in Lyon visiting another current wife, Annabella (Martha Raye), who has bought hot diamonds, and whom he may need to kill, later tangling with a con man played by Chaplin's half-brother Wheeler Dryden, in Monsieur Verdoux, 1947.
Artists and Models (1937) -- (Movie Clip) Public Melody Number One Martha Raye and Louis Armstrong in a widely-censored production ("conceived" by Vincente Minnelli) of "Public Enemy Number One" by Harold Arlen and Ted Koehler from Artists and Models, 1937.



Peter Reed
Vaudevillian. Irish immigrant song-dance-comedy trouper billed as Reed and Hooper, "The Girl and the Traveler".
Mabel Hooper
Bud Reed
Born in 1918.
Melodye Reed
Born in 1920.
Melodye Condos
Musicians' union representative. Born 1945; father Nick Condos; estranged from Raye; in 1991 sued for conservatorship of Raye and for her 25 percent of Raye's income from her Polident commercials (Raye videotaped a will, bequeathing the bulk of her estimated $2.4 million estate to Mark Harris, and leaving $1--as in previous wills--to daughter).


Bud Westmore
Makeup artist. Married in 1937; divorced in 1938.
David Rose
Conductor, composer. Married in 1938; divorced in 1940.
Neal Lang
Hotelier. Married and divorced in 1941.
Nick Condos
Dancer. Married on November 11, 1942; divorced on June 17, 1953; died in 1988.
Ed Begley
Dancer. Married on April 21, 1954; divorced on October 6, 1956; born c. 1924; dancer in the chorus of her TV show; not to be confused with the Oscar-winning character actor.
Robert O'Shea
Former patrolman, bodyguard, private detective. Married on November 7, 1958; divorced c. 1962; was 28 at time of marriage; O'Shea sued Raye for fraud claiming she had promised him $60,000 to induce him to marry her; marriage was dissolved soon after.
Mark Steven Harris
Singer, hairdresser, show business promoter. Married on September 25, 1991 in Las Vegas after a three-week courtship, remarried at the Friars Club on December 28, 1991; born c. 1947; took over management of Raye's business affairs after marriage; son of Max Bleefield and Rebecca Glitzer; worked for texile company in NYC; formerly married to Gwenn Susan Husak from 1971 to 1983 with whom he had three daughters.


"Take It From Big Mouth: The Life of Martha Raye"
Jean Madden Pitrone, University of Kentucky Press