Harold Lloyd


Actor, Comedian
Harold Lloyd

About

Also Known As
Harold Clayton Lloyd
Birth Place
Burchard, Nebraska, USA
Born
April 20, 1893
Died
March 08, 1971
Cause of Death
Prostate Cancer

Biography

Generally ranked alongside Charlie Chaplin and Buster Keaton as one of the masters of comedy during the silent era, Harold Lloyd created a more conventional personality than his contemporaries with the so-called Glasses Character, an ever-optimistic, constantly striving everyman who thoroughly captured the public's fancy during the 1920s. In fact, throughout most of the decade, his films...

Photos & Videos

The Freshman - Movie Poster
Why Worry? - Lobby Cards
Safety Last! - Lobby Card

Family & Companions

Mildred Davis
Wife
Actor. Born in 1901; married from February 10, 1923 until her death on August 18, 1969 at age 68.

Bibliography

"Harold Lloyd: A Bio-Bibliography"
Annette M D'Agostino, Greenwood Press (1994)
"Harold Lloyd: The Man on the Clock"
Tom Dardis (1983)
"An American Comedy: An Autobiography"
Harold Lloyd with Wesley W Stout (1928)

Notes

The tragic bomb blast on August 24, 1919 which cost him his two fingers required a 16-day hospitalization and also incapacitated him for seven months; he always wore a skin-toned rubber glove after that. For the balance of his life, Lloyd never publicly mentioned the loss of his fingers, despite mentioning the explosion aplenty. He did not, as was said during his lifetime, do all his own stunts (though he certainly did his share).

Lloyd produced the first compilation of his work, "Down Memory Lane", for the Masonic order of Shriners (an organization for which he served as Grand Potentate) in 1948 (no public screenings so far as known). He also compiled "Harold Lloyd's Laugh Parade" (1951) for the Shriners.

Biography

Generally ranked alongside Charlie Chaplin and Buster Keaton as one of the masters of comedy during the silent era, Harold Lloyd created a more conventional personality than his contemporaries with the so-called Glasses Character, an ever-optimistic, constantly striving everyman who thoroughly captured the public's fancy during the 1920s. In fact, throughout most of the decade, his films proved to be more popular than Chaplin's or Keaton's, though in later years those two far outpaced him in terms of their places in cinema history due to Lloyd's tightfisted control over his work. Nonetheless, after developing a Chaplin knockoff character in Lonesome Luke, who managed a successful run from 1915-17, Lloyd reinvented himself as The Boy, the bespectacled optimist who bumbled his way in and out of trouble in often death-defying ways. A pioneer of sight gags and extreme stunts, Lloyd risked life and limb to create some of the most iconic images in silent film, most notably in "Safety Last!" (1923), in which he famously hung by a broken clock hand ten stories off the ground without use of trick photography. He went on to enormous success with hits like his personal favorite "Grandma's Boy" (1922), "Girl Shy" (1924) and "Welcome Danger" (1929), before enjoying measurable popularity in the sound era with "Feet First" (1930), "The Cat's-Paw" (1934) and "The Milky Way" (1936), with the latter being arguably his best talkie. Though his dissolved his production company in 1938 and effectively retired in the next decade, Lloyd fell into obscurity, only to regain prominence after his death, proving that the great comedian's appeal was timeless.

Born on April 20, 1893 in Burchard, NE, Lloyd was raised by his father, James, an itinerant dreamer whose get-rich-quick schemes forced the family to move around and often before usually ending in disaster, and his mother, Elizabeth, who eventually divorced his father in 1910. Prior to his parents' split, Lloyd began performing on stage, making his debut in "Macbeth" with the Shakespeare Repertory Company in Beatrice, NE, before acting with various stock companies in Denver and San Diego. After his parents split, Lloyd's father received a settlement for an on-the-job accident that led to a final move to San Diego, where the young performer enrolled at the School of Dramatic Art. He soon made the transition to one-reel comedies like "A Little Hero" (1913) and "Rory o' the Bogs" (1913), and began working with the Edison Film Company with "The Old Monk's Tale" (1913). After leaving Edison, Lloyd joined forces with Hal Roach, an extra-turned-producer/director who formed his own company, Hal Roach Studios.

Unlike most of the silent comedians of his day, Lloyd had no background in vaudeville, which meant that he brought no time-tested characters to the movies like his contemporaries. With help from Roach, Lloyd created his first major character, Willie Work, whose distinguishing marks were a much-padded coat, a battered silk hat and a cat's whisker mustache. But the character proved to be short-lived, with the comedy "Just Nuts" (1915) being Work's only surviving testament. Learning his craft in front of the camera, Lloyd sought to gain a toehold in an industry already becoming dominated by Charlie Chaplin's Little Tramp. Exhibitors unable to distribute Chaplin's films demanded imitations, which left Lloyd to come up with a variation on the Tramp with his second major character, Lonesome Luke. Keeping only the Tramp's oversize shoes, Luke wore tight trousers and a jacket while trading Willie's thick, centered mustache for a two-dot version to complement triangular eyebrows. For three years, Lloyd played the character in a number of shorts like "Lonesome Luke Pipes the Pippins" (1916), "Luke Locates the Loot" (1916), and "Lonesome Luke's Wild Women" (1917). Despite his efforts to be individual and unique, which included a refusal to copy Chaplin's well-known mannerisms, Lloyd was nonetheless branded an imitator.

Bristling at the imitator tag, Lloyd still enjoyed great popularity as Lonesome Luke, but knew the character was not long for this Earth when the inspiration for his third and final character came to him in the spring of 1917. He traded in his triangular eyebrows and thick mustache for a pair of round spectacles to create the Glasses Character, a.k.a. "The Boy" or "Harold," an unwaveringly confident everyman with undying confidence and the constant drive for success. Though Lloyd was enthusiastic about the character, he had difficulty convincing Roach and their distributor Pathe to drop a proven winner in Lonesome Luke - whom they had just elevated to two-reel status - for a brand new character. After battling for months, Lloyd finally debuted the Glasses Character in "Over the Fence" (1917), though he was consigned to making Lonesome Luke films until the success of his new character was assured. Lloyd featured his bespectacled hero in a series of one-reelers to insure exposure in a new film once a week, eventually finding the formula that would make him rich. His character was not an outsider, but rather a working member of society, an optimistic plucker who smiled and fought his way through all adversity to achieve success and get the girl by story's end, which directly mirrored his audience in outward appearance and inward determination.

Since Lloyd was not inherently funny, he relied on jokes and sight gags to propel the storyline. Each gag followed the next in a logical progression until the film's climactic vindication and triumph of the hero. Along with Roach, he made a number of shorts during this period, including "The Flirt" (1917), "Bride and Gloom" (1918), "The Marathon" (1919), "High and Dizzy" (1920) and "Now or Never" (1921). In the latter teens, Lloyd began working with actress Mildred Davis, who often starred opposite him as The Girl and would eventually marry him in 1923. The couple remained together until Davis' death in 1969, despite Lloyd never allowing her to appear in films while he remained an unceasing workaholic as well as engaged in a number of extramarital affairs. An organizational genius, he inaugurated the circle of contributing gagmen and actually helmed most of his films, though there was always a titular director on board to take care of the details. Building the gags into a narrative line facilitated his expansion into feature production, beginning with "Sailor-Made Man" (1921), which co-starred Davis as a girl whose affection he seeks to earn by joining the Navy.

Over the next three years, Lloyd made two features a year before slowing down to only one per annum for the balance of the decade. He next made "Grandma's Boy" (1922), in which he played a timid farm boy unable to woo the girl (Davis) and thwart his rival (Charles Stevenson) until his grandmother (Anna Townsend) gives him a magic charm. A huge success, "Grandma's Boy" was a popular box office hit that Lloyd ranked as one of his favorites. Following the gag-driven "Dr. Jack" (1922), Lloyd starred in the critically hailed box office hit, "Safety Last!" (1923), in which he hilariously portrayed his Glasses Character as an optimistic country boy trying to make good in the big city. Full of comedic thrills, "Safety Last!" was Lloyd's most enduring work, thanks in large part to his iconic climb up a building to avoid the police that ended with him dangling midair and hanging for dear life by the hands of a broken clock - without a doubt one of the most iconic images from the silent era.

Lloyd continued churning out the hits, adapting Glasses into a timid stutterer for "Girl Shy" (1924), one of the top moneymakers of that year, and a college bound lad seeking popularity in "The Freshman" (1925), which was his most profitable ever with over $2.5 million in grosses. He followed by playing a millionaire playboy stuck on the wrong side of town in "For Heaven's Sake" (1926), a timid cowboy trying to earn respect in "The Kid Brother" (1927), and as a nostalgic man attempting to save the last horse-drawn trolley in a modern city in "Speedy" (1928). From film to film, Lloyd effectively brought to life the comedy of the poor, the rich, the oafish and the ambitious, executing dizzying stunts despite hiding the fact that he had lost two fingers on his right hand. Meanwhile, he made a successful entrance into the talkie era with "Welcome Danger" (1929), an enormously popular comedy in which he played an unassuming botany student who finds himself taking over his father's job as chief of police.

Fully embracing the advent of sound in motion pictures, Lloyd continued making about one film a year, enjoying an equal amount of success as he did in the silent era until calling it quits almost for good in 1938. He starred in the popular "Feet First" (1930), another of his famed thrill comedies in which he was an ambitious shoe salesman who tries to win the heart of a secretary (Barbara Kent) by telling her he is a successful tycoon. In "Movie Crazy" (1932), he was a country bumpkin who dreams of being in the movies and finally receives his chance after a photograph mishap lands him in Hollywood. Lloyd next played a naïve young man raised in a Chinese missionary, who returns to the United States to find a wife, only to become innocently entangled in a politically corrupt city in "The Cat's-Paw" (1934). He had his greatest sound success with the screwball comedy "The Milky Way" (1936), in which he played a mild-mannered milkman who surprisingly becomes middleweight champ. Despite the popularity and critical success of his films, Lloyd found himself increasingly out of step with the Great Depression characters that infatuated the public. So after the release of "Professor Beware" (1938), he sold the Harold Lloyd Motion Picture Company to the Mormons and hung up his famous glasses.

Almost a decade later, Lloyd was coaxed out of retirement by director Preston Sturges and producer-tycoon Howard Hughes for "The Sin of Harold Diddlebock " (1947), a labor of love-turned-uneven comedy that was spoiled by the director's inflexibility behind the camera. Meanwhile, the actor never stepped before the camera again, realizing once and for all that his time had passed. But the spotlight shone his way once more when he was presented an honorary Oscar in 1952 for his comedic mastery, putting the icing on the cake to his illustrious career. Lloyd wound down the remainder of his days in his famously grand Beverly Hills home, Greenacres, while making occasional guest appearances on shows like "The Ed Sullivan Show" (CBS, 1948-1971), "What's My Line?" (CBS, 1950-1967) and "This Is Your Life" (NBC, 1952-1961). An avid photographer, Lloyd became known for his nude photos of several celebrity women, as well as a bikini-clad Marilyn Monroe lounging poolside in 1952. Some 200 of his alleged 300,000 photos where published in Harold Lloyd's Hollywood Nudes in 3D! (2004), which included a pair of appropriate glasses. Meanwhile, Lloyd owned the rights to his films and zealously guarded them from exploitation, keeping them out of view for so long that his reputation as a comic star faded into near obscurity, while his contemporaries Charlie Chaplin and Buster Keaton only grew in stature. After the passing of wife Davis in 1969, Lloyd followed on March 8, 1971, dying from prostate cancer at 77 years old. Following his death, there was renewed interest in his work when the films were finally released by Time-Life Films in 1974. Since then, the pictures were restored and re-released, which helped propel the innovative comedian back upon the pedestal beside Chaplin and Keaton where he belonged.

By Shawn Dwyer

Filmography

 

Director (Feature Film)

The Cat's-Paw (1934)
Fill-In Director
The Lamb (1918)
Director

Cast (Feature Film)

The Sin of Harold Diddlebock (1947)
Harold Diddlebock
Professor Beware (1938)
Professor Dean Lambert
The Milky Way (1936)
Burleigh Sullivan
The Cat's-Paw (1934)
Ezekiel Cobb
Movie Crazy (1932)
Harold Hall
Feet First (1930)
Harold Horne
Welcome Danger (1929)
Harold Bledsoe
Speedy (1928)
Harold "Speedy" Swift
The Kid Brother (1927)
Harold Hickory
For Heaven's Sake (1926)
The Uptown Boy [J. Harold Manners]
The Freshman (1925)
The Freshman [Harold "Speedy" Lamb]
Hot Water (1924)
Hubby
Girl Shy (1924)
The Poor Boy
Safety Last! (1923)
The Boy [Harold Lloyd]
Why Worry? (1923)
Harold Van Pelham
Grandma's Boy (1922)
The boy
Doctor Jack (1922)
Dr. Jackson, "Dr. Jack" for short
A Sailor-Made Man (1921)
The boy
Among Those Present (1921)
I Do (1921)
Now or Never (1921)
Haunted Spooks (1920)
Number, Please? (1920)
High and Dizzy (1920)
Get Out and Get Under (1920)
An Eastern Westerner (1920)
Be My Wife (1919)
Count the Votes (1919)
Just Dropped In (1919)
On the Fire (1919)
Billy Blazes, Esq. (1919)
He Leads, Others Follow (1919)
Going! Going! Gone! (1919)
Heap Big Chief (1919)
At the Old Stage Door (1919)
Chop Suey & Co. (1919)
Before Breakfast (1919)
Look Out Below (1919)
From Hand to Mouth (1919)
Never Touched Me (1919)
Count Your Change (1919)
Bumping Into Broadway (1919)
Swat the Crook (1919)
Ask Father (1919)
Bride and Gloom (1918)
Hey There! (1918)
The Non-Stop Kid (1918)
Here Come the Girls (1918)
Two-Gun Gussie (1918)
Kicking the Germ Out of Germany (1918)
She Loves Me Not (1918)
Follow the Crowd (1918)
Fireman Save My Child (1918)
Somewhere in Turkey (1918)
An Ozark Romance (1918)
The Tip (1918)
The Lamb (1918)
Pipe the Whiskers (1918)
Nothing But Trouble (1918)
It's a Wild Life (1918)
Hear 'Em Rave (1918)
Kicked Out (1918)
Lonesome Luke, Lawyer (1917)
Over the Fence (1917)
Lonesome Luke's Lively Life (1917)
Luke's Busy Day (1917)
Bliss (1917)
Lonesome Luke on Tin Can Alley (1917)
Luke's Trolley Troubles (1917)
Luke Wins Ye Ladye Faire (1917)
Clubs Are Trump (1917)
Lonesome Luke Loses Patients (1917)
Love, Laughs and Lather (1917)
Lonesome Luke, Plumber (1917)
Luke's Lost Liberty (1917)
Luke Pipes the Pippins (1916)
Luke's Late Lunchers (1916)
Lonesome Luke Lolls in Luxury (1916)
Luke's Preparedness Preparations (1916)
Luke's Society Mixup (1916)
Luke's Double (1916)
Luke's Speedy Club Life (1916)
Luke's Newsie Knockout (1916)
Luke's Shattered Sleep (1916)
Luke's Lost Lamb (1916)
Luke and the Rural Roughnecks (1916)
Luke, Crystal Gazer (1916)
Luke, the Chauffeur (1916)
Luke and the Bomb Throwers (1916)
Luke, the Gladiator (1916)
Luke Lugs Luggage (1916)
Luke's Movie Muddle (1916)
Luke and the Bang-Tails (1916)
Luke's Fatal Flivver (1916)
Luke's Washful Waiting (1916)
Luke's Fireworks Fizzle (1916)
Luke, Rank Impersonator (1916)
Luke, the Candy Cut-Up (1916)
Luke Rides Roughshod (1916)
Luke, Patient Provider (1916)
Luke and the Mermaids (1916)
Lonesome Luke, Circus King (1916)
Luke Foils the Villain (1916)
Luke Laughs Last (1916)
Lonesome Luke Leans to the Literary (1916)
Luke Does the Midway (1916)
Luke Joins the Navy (1916)
Lonesome Luke, Social Gangster (1915)
Peculiar Patients' Pranks (1915)
Fresh from the Farm (1915)
Tinkering with Trouble (1915)
Ruses, Rhymes and Roughnecks (1915)
Into the Light (1915)
Ragtime Snap Shots (1915)
Bughouse Bellhops (1915)
A Foozle at the Tea Party (1915)
Terribly Stuck Up (1915)
Giving Them Fits (1915)
Just Nuts (1915)
His Heart, His Hand and His Sword (1914)
From Italy's Shores (1913)

Writer (Feature Film)

From Hand to Mouth (1919)
Writer

Producer (Feature Film)

Harold Lloyd's Funny Side of Life (1966)
Producer
Harold Lloyd's Funny Side of Life (1966)
Presented By
Harold Lloyd's World of Comedy (1962)
Producer
My Favorite Spy (1942)
Producer
A Girl, a Guy and a Gob (1941)
Producer
Professor Beware (1938)
Producer
The Cat's-Paw (1934)
Executive Producer
The Freshman (1925)
Producer

Director (Short)

Just Neighbors (1919)
Director
Pinched (1917)
Director

Cast (Short)

Character Studies (1923)
His Royal Slyness (1920)
A Jazzed Honeymoon (1919)
Pistols for Breakfast (1919)
Ring Up the Curtain (1919)
Just Neighbors (1919)
A Sammy in Siberia (1919)
Next Aisle Over (1919)
Spring Fever (1919)
The Marathon (1919)
Pay Your Dues (1919)
Young Mr. Jazz (1919)
Captain Kidd's Kids (1919)
A Gasoline Wedding (1918)
Take a Chance (1918)
The Big Idea (1918)
Look Pleasant, Please (1918)
Pinched (1917)
Lonesome Luke, Messenger (1917)
Rainbow Island (1917)
Move On (1917)
Bashful (1917)
By the Sad Sea Waves (1917)
Luke Locates the Loot (1916)
Court House Crooks (1915)

Misc. Crew (Short)

Harold Lloyd (1962)
Archival Footage

Life Events

1905

Made stage debut in "Macbeth" with Shakespeare Repertory Company in Beatrice, Nebraska

1912

Moved to San Diego with family when father received settlement for on-the-job accident

1913

Entered films with a bit part in The Edison Company's "The Old Monk's Tale"

1915

Developed second major character, Lonesome Luke, patterned after Charlie Chaplin's 'Tramp'; Luke wore tight-fitting instead of baggy clothes; made over 100 one-reelers and numerous two-reelers in this persona

1915

Appeared in "Miss Fatty's Seaside Lovers", directed by Roscoe 'Fatty' Arbuckle for Mack Sennett's Keystone; only known title of Lloyd's films for Sennett

1917

Seized upon the gimmick of eye-glasses as an outstanding trademark, debuting The Glass Character (or 'Glasses') in September's "Over the Fence"; acted in as well as wrote and directed; sole film on which Lloyd received directing credit; continued making Lonesome Luke films until he was sure of new character's popularity

1919

While posing for a series of new publicity stills during the filming of "Haunted Spooks" (1920), a real bomb (which had got mixed in with fake explosives by mistake) blew up in his hand, resulting in the loss of the thumb and index finger on his right hand and tiny scars on his lower right cheek

1921

First feature film, "Sailor-Made Man"

1923

"Safety Last", became his most famous film because of the great stunt that had him hanging from the hands of a clock on a high-rise building

1924

First full-length film as producer, "Girl Shy"; also acted

1925

Played a college newcomer who will go to any length to be the most popular man on campus in "The Freshman"; his most successful film at the box office, it grossed over $2.5 million making it one of the biggest grossers of the Silent Era

1929

First film with sound sequences, "Welcome Danger"

1938

Retired from screen acting after "Professor Beware"

1943

A nitrate explosion in his home destroyed what in many cases was the sole extant copy of some of the Lonesome Luke films

1944

Hosted NBC radio series "Old Gold Comedy Hour"

1947

Made a curious comeback in Preston Sturges' "The Sin of Harold Diddleback"; opening sequence featured footage from "The Freshman"; re-released under the title "Mad Wednesday" in 1950

1953

Appeared as a mystery guest on "What's My Line?" (CBS)

1962

Released first compilation of silent work, "Harold Lloyd's World of Comedy", followed by "Harold Lloyd's Funny Side of Life" (1963)

1971

Will established the Harold Lloyd Foundation, to encourage the study of film

2001

Exhibition of his 3-D photographs mounted in London under the title "Double Vision"

Photo Collections

The Freshman - Movie Poster
Here is the American one-sheet movie poster from Pathe's The Freshman (1925), starring Harold Lloyd. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
Why Worry? - Lobby Cards
Why Worry? - Lobby Cards
Safety Last! - Lobby Card
Here is a lobby card from Safety Last! (1923), starring Harold Lloyd. Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.
Hot Water - Lobby Card Set
Here is a set of Lobby Cards from Pathe's Hot Water (1924), starring Harold Lloyd. Lobby Cards were 11" x 14" posters that came in sets of 8. As the name implies, they were most often displayed in movie theater lobbies, to advertise current or coming attractions.
Speedy - Movie Poster
Here is the American one-sheet movie poster from Paramount's Speedy (1928), starring Harold Lloyd and Ann Christy. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
Welcome Danger - Behind-the-Scenes Photo
Here is a photo taken behind-the-scenes during production of Paramount's Welcome Danger (1929), starring Harold Lloyd. The film was originally shot as a silent, but prior to release Lloyd reshot major portions and dubbed other scenes and released it as his first talking picture.

Videos

Movie Clip

For Heaven's Sake (1926) - No Interest Whatsoever Out of gratitude Jobyna Ralston (“the downtown girl”) has named her charity for money-soaked Harold (Lloyd) Manners, who is piqued because he wasn’t asked, but his view changes when he meets her and her minister father (Paul Weigel), to whom he gave the check, tries to explain, early in For Heaven’s Sake, 1926.
For Heaven's Sake (1926) - People's Engineering Whiz-bang stunt with a car and a train, after an elaborate chase in which Harold Lloyd, as filthy-rich “Harold Manners,” in the new ride he’s just casually purchased, picks up cops chasing bandits, in Lloyd’s first Paramount feature, For Heaven’s Sake, 1926.
Never Weaken (1921) - In A Certain City The opening of Harold Lloyd’s last short, for Hal Roach Studios, before moving to features, introducing Mildred Davis as his love interest and Mark Jones as an acrobatic office building neighbor, in Never Weaken, 1921.
Never Weaken (1921) - Like A Hollow Sepulcher Wrongly convinced that his beloved (Mildred Davis, occupant of the office next door) is marrying someone else, the boy (Harold Lloyd) proceeds with the first two of several suicide attempts, in the three-reel Hal Roach short Never Weaken, 1921.
Kid Brother, The (1927) - Opening, Mary Opening title sequence, not featuring the star, from Harold Lloyd's 1927 masterpiece The Kid Brother, with Jobyna Ralston as "Mary," directed by Ted Wilde.
Kid Brother, The (1927) - Harold Hickory Introduction of the title character Harold Hickory (Harold Lloyd) who doesn't seem to measure up to his dad (Walter James) and brothers (Leo Willis, Olin Francis) in The Kid Brother, 1927.
Kid Brother, The (1927) - The Hickory Name Harold Hickory (Harold Lloyd) helps Mary (Jobyna Ralston) scare off the villain Sandoni (Constantine Romanoff) then talks family and climbs a tree in a famous scene from The Kid Brother, 1927.
Movie Crazy (1932) - Out Of The Ice Box! Harold (Lloyd) reveals his perhaps obsessive interest in the movies, in this early scene from Movie Crazy, 1932, also starring Constance Cummings, directed by Clyde Bruckman.
Movie Crazy (1932) - I Won't See A Thing! Harold (Lloyd) has stepped off the train in Hollywood, where he's come to make his name, and finds himself immediately on a movie set, where Bill (Eddie Fetherstone) employs him as an extra, who makes trouble for the director (Sydney Jarvis), early in Movie Crazy, 1932.
Speedy (1928) - Coney Island Several mishaps already survived, and unaware that he's got a crab in his pocket, Speedy (Harold Lloyd) and Jane (Ann Christy) ride the spinning wheel and enjoy attractions at Coney Island in Speedy, 1928.
Speedy (1928) - The Only Thing Speedy Required Much discussed, now appearing in his first scene, Yankees fan Speedy (Harold Lloyd) handles his soda-jerk job with skill as he keeps track of the score in Speedy, 1928.
Speedy (1928) - Babe Ruth Thus far barely able to secure a fare in his new gig as a cabbie, Yankees fanatic Speedy (Harold Lloyd) is kind of staking out (the real!) Babe Ruth, and it works, on location in New York, in Speedy, 1928.

Trailer

Promo

Family

James Darsie Lloyd
Father
Moved family frequently because of inability to hold a job; divorced from Lloyd's mother in 1910 had a cameo role in "Over the Fence"; died in 1947.
Elizabeth Lloyd
Mother
Divorced fropm Lloyd's father in 1910; died in 1941.
Gaylord E Lloyd
Brother
Actor, director. Later worked as a vice-president for the Harold Lloyd Corportation; born in 1888; died in 1943.
Gloria Lloyd
Daughter
Born in 1923.
Peggy Lloyd
Daughter
Adopted in 1930; died in 1986.
Harold Lloyd Jr
Son
Actor, singer. Born in 1931; suffered stroke in 1965; died on June 8, 1971; mother, Mildred Davis.
Suzanne Lloyd Hayes
Granddaughter

Companions

Mildred Davis
Wife
Actor. Born in 1901; married from February 10, 1923 until her death on August 18, 1969 at age 68.

Bibliography

"Harold Lloyd: A Bio-Bibliography"
Annette M D'Agostino, Greenwood Press (1994)
"Harold Lloyd: The Man on the Clock"
Tom Dardis (1983)
"An American Comedy: An Autobiography"
Harold Lloyd with Wesley W Stout (1928)

Notes

The tragic bomb blast on August 24, 1919 which cost him his two fingers required a 16-day hospitalization and also incapacitated him for seven months; he always wore a skin-toned rubber glove after that. For the balance of his life, Lloyd never publicly mentioned the loss of his fingers, despite mentioning the explosion aplenty. He did not, as was said during his lifetime, do all his own stunts (though he certainly did his share).

Lloyd produced the first compilation of his work, "Down Memory Lane", for the Masonic order of Shriners (an organization for which he served as Grand Potentate) in 1948 (no public screenings so far as known). He also compiled "Harold Lloyd's Laugh Parade" (1951) for the Shriners.

About The Glass Character: "The glasses would serve as my trade-mark and at the same time suggest the character--quiet, normal, boyish, clean, sympathetic, not impossible to romance. I would need no eccentric make-up, 'mo' or funny clothes. I would be an average recognizable American youth and let the situations take care of the comedy." --Harold Lloyd

"I never took credit for direction, although I practically directed all my own pictures. The directors were entirely dependent on me. I had these boys (i.e., Hal Roach; Fred Newmeyer and Sam Taylor) there because I felt they knew comedy, they knew what I wanted, they knew me and they could handle the details." --Harold Lloyd quoted in David Thomson's "A Biographical Dictionary of Film"