Lionel Lindon


Director Of Photography

Biography

Filmography

 

Cinematography (Feature Film)

Don't Push, I'll Charge When I'm Ready (1977)
Director Of Photography
Ransom for a Dead Man (1971)
Director Of Photography
Do You Take This Stranger? (1971)
Director Of Photography
Pendulum (1969)
Director of Photography
The Extraordinary Seaman (1969)
Director of Photography
Generation (1969)
Director of Photography
Three Guns for Texas (1968)
Director of Photography
The Trouble With Angels (1966)
Director of Photography
Boy, Did I Get a Wrong Number! (1966)
Director of Photography
Dead Heat on a Merry-Go-Round (1966)
Director of Photography
Grand Prix (1966)
Director of Photography
McHale's Navy Joins the Air Force (1965)
Director of Photography
The Manchurian Candidate (1962)
Director of Photography
Too Late Blues (1962)
Cinematographer
All Fall Down (1962)
Director of Photography
The Young Savages (1961)
Director of Photography
Alias Jesse James (1959)
Director of Photography
I Want to Live! (1958)
Photography
Bailout at 43,000 (1957)
Director of Photography
The Lonely Man (1957)
Director of Photography
The Black Scorpion (1957)
Director of Photography
The Big Caper (1957)
Director of Photography
Around the World in 80 Days (1956)
Director of Photography
The Scarlet Hour (1956)
Director of Photography
Lucy Gallant (1955)
Director of Photography
Hell's Island (1955)
Director of Photography
Conquest of Space (1955)
Director of Photography
A Man Alone (1955)
Director of Photography
Secret of the Incas (1954)
Director of Photography
Casanova's Big Night (1954)
Director of Photography
Jivaro (1954)
Director of Photography
Jamaica Run (1953)
Director of Photography
The Stars Are Singing (1953)
Director of Photography
Here Come the Girls (1953)
Director of Photography
Sangaree (1953)
Director of Photography
Tropic Zone (1953)
Director of Photography
The Vanquished (1953)
Director of Photography
Those Redheads from Seattle (1953)
Director of Photography
The Turning Point (1952)
Director of Photography
The Blazing Forest (1952)
Director of Photography
Japanese War Bride (1952)
Photography
Hong Kong (1952)
Director of Photography
Caribbean (1952)
Director of Photography
Submarine Command (1951)
Director of Photography
Rhubarb (1951)
Director of Photography
Only the Valiant (1951)
Director of Photography
Drums in the Deep South (1951)
Director of Photography
The Sun Sets at Dawn (1951)
Director of Photography
Prehistoric Women (1950)
Director of Photography
The Great Rupert (1950)
Director of Photography
Destination Moon (1950)
Photography
Quicksand (1950)
Photography
Red, Hot and Blue (1949)
Fill-in Photographer
Without Honor (1949)
Director of Photography
Alias Nick Beal (1949)
Director of Photography
Top O' the Morning (1949)
Director of Photography
Isn't It Romantic (1948)
Director of Photography
The Sainted Sisters (1948)
Director of Photography
Tap Roots (1948)
Director of Photography
My Favorite Brunette (1947)
Director of Photography
Welcome Stranger (1947)
Director of Photography
Variety Girl (1947)
Director of Photography
The Trouble with Women (1947)
Director of Photography
Masquerade in Mexico (1946)
Director of Photography
Road to Utopia (1946)
Director of Photography
Monsieur Beaucaire (1946)
Director of Photography
O.S.S. (1946)
Director of Photography
The Blue Dahlia (1946)
Director of Photography
Duffy's Tavern (1945)
Director of Photography
A Medal for Benny (1945)
Director of Photography
Going My Way (1944)
Director of Photography
Let's Face It (1943)
Director of Photography

Cinematography (TV Mini-Series)

Vanished (1971)
Director Of Photography

Misc. Crew (TV Mini-Series)

Vanished (1971)
Other

Life Events

Videos

Movie Clip

I Want to Live (1958) - Opening, Mulligan et al. The prologue from San Francisco reporter Ed Montgomery, then Johnny Mandel's opening theme with an outrageous jazz band, Gerry Mulligan on baritone, Art Farmer trumpet, Shelly Manne on drums, in director Robert Wise's I Want to Live, 1958.
Grand Prix (1966) - Belgian Grand Prix Straight racing with car-mounted cameras, on location at Circuit de Spa-Francorchamps in Spa, Belgium as James Garner, Yves Montand, Antonio Sabato and others roar through the Belgian Grand Prix in John Frankenheimer's Grand Prix, 1966.
Grand Prix (1966) - Care To Come Watch My Debut? Director John Frankenheimer on location at Clermont-Ferrand, France, capturing complex tensions, as James Garner is driver Pete Aron, working for TV after getting fired for a wreck that injured Britisher Stoddard (Brian Bedford), whose actress wife (Jessica Walter) is still seeking publicity, Yves Montand his French driver pal, meeting Japanese mogul Toshiro Mifune, Eva Marie Saint a journalist, in Grand Prix, 1966.
Alias Nick Beal (1949) - In Every Man There's An Imperfection Opening with Ray Milland briefly the voice of the title character, who won’t be introduced for some time, as we meet Thomas Mitchell as prosecutor Foster, and Fred Clark as crime boss Faulkner, John Farrow directing, from a story by Mindret Lord, in Alias Nick Beal, 1949.
Alias Nick Beal (1949) - Wearing Sapphires And Silk Audrey Totter arresting in her first scene, making trouble, then rescued by the title character, Ray Milland, once again at the seedy waterfront bar where he first appeared, his motives for helping the crusading local D-A still unexplained, John Farrow directing, in Alias Nick Beal, 1949.
Alias Nick Beal (1949) - Where'd You Come From Ray Milland as the title character makes his first appearance at a harbor gin joint, the bartender (James Burke) asking a question more pertinent than he realizes, and principled D-A Foster (Thomas Mitchell) arrives, following a dubious offer of evidence, early in Alias Nick Beal, 1949.
Manchurian Candidate, The (1962) - I'm Kinda New At This Job Busy scene by director John Frankenheimer, Marco (Frank Sinatra) is press aide to the defense secretary (Barry Kelley), who is ambushed by Senator Iselin (James Gregory), husband of Angela Lansbury, the scheming mom of his fellow Korean War POW friend, in The Manchurian Candidate, 1962.
Manchurian Candidate, The (1962) - Can You See The Red Queen? By outward appearances Raymond (Laurence Harvey), returned Korean War POW, is doing well, here coming home to a letter from Corporal Melvin (James Edwards), then his first alarming phone call, proposing solitaire, in The Manchurian Candidate, 1962, from George Axelrod's screenplay.
Manchurian Candidate, The (1962) - My Two Little Boys Early on, we know only that returning Korean War hero Raymond (Laurence Harvey) was part of a squad kidnapped by the enemy, his mother (Angela Lansbury) and her husband, dopey senator Iselin (James Gregory), stealing the march, in John Frankenheimer's The Manchurian Candidate, 1962.
Manchurian Candidate, The (1962) - Our American Visitors First scene for Marco (Frank Sinatra) since his capture in the Korean War, and first look at his dream, with the garden club lady (Maye Henderson), Chinese brain-washer Yen Lo (Khigh Dheigh), and fellow prisoner Raymond Shaw (Laurence Harvey), among others, in The Manchurian Candidate, 1962.
Manchurian Candidate, The (1962) - Are You Arabic? Now on an leave from his Army P-R job after nearly cracking-up over his recurring Korean War prison camp dream, Marco (Frank Sinatra) meets sympathetic but wholly un-connected train passenger Rosie (Janet Leigh), in The Manchurian Candidate, 1962, from the Richard Condon novel.
Grand Prix (1966) - I'm Rather Superstitious Director John Frankenheimer continues the split-screen technique established in the credits, at the start of the first race in Monaco, featuring commentary from drivers Brian Bedford, Antonio Sabato and star James Garner, Yves Montand also in the mix, in the opening scene from Grand Prix, 1966.

Bibliography