Andrew Laszlo


Director Of Photography

About

Also Known As
Andy Laszlo
Born
January 12, 1926

Biography

Cinematographer noted for his work in the urban action genre. Laszlo moved with his family to Hungary as a child and immigrated to the USA in 1947. He began his American career in TV ("The Phil Silvers Show," "Naked City")....

Bibliography

"Every Frame a Rembrandt: Art and Practice of Cinematography"
Andrew Laszlo, Focal Press (2000)

Biography

Cinematographer noted for his work in the urban action genre. Laszlo moved with his family to Hungary as a child and immigrated to the USA in 1947. He began his American career in TV ("The Phil Silvers Show," "Naked City").

Filmography

 

Cast (Feature Film)

Cinematographer Style (2006)

Cinematography (Feature Film)

Newsies (1992)
Director Of Photography
Ghost Dad (1990)
Director Of Photography
Star Trek V: The Final Frontier (1989)
Director Of Photography
Innerspace (1987)
Director Of Photography
Poltergeist II: The Other Side (1986)
Director Of Photography
Remo Williams: The Adventure Begins (1985)
Director Of Photography
Streets Of Fire (1984)
Director Of Photography
Thief of Hearts (1984)
Director Of Photography
Love Is Forever (1983)
Director Of Photography
First Blood (1982)
Director Of Photography
Comeback (1982)
Director Of Photography
I, the Jury (1982)
Director Of Photography
The Funhouse (1981)
Director Of Photography
Southern Comfort (1981)
Director Of Photography
Thin Ice (1981)
Director Of Photography
Rockshow (1979)
Director Of Photography
The Warriors (1979)
Director Of Photography
Somebody Killed Her Husband (1978)
Director Of Photography
Hunters of the Reef (1978)
Director Of Photography
Thieves (1977)
Director Of Photography
Countdown at Kusini (1976)
Director Of Photography
The Man Without a Country (1973)
Director Of Photography
Miracle on 34th Street (1973)
Director Of Photography (New York)
Class of '44 (1973)
Director Of Photography
To Find a Man (1972)
Director of Photography
Jennifer on My Mind (1971)
Director of Photography
Lovers and Other Strangers (1970)
Director of Photography
The Owl and the Pussycat (1970)
Director Photographer (see note)
The Out-of-Towners (1970)
Director of Photography
Popi (1969)
Director of Photography
The Night They Raided Minsky's (1968)
Director of Photography
You're a Big Boy Now (1966)
Director of Photography
One Potato, Two Potato (1964)
Director of Photography

Film Production - Main (Feature Film)

That'S Dancing! (1985)
Photography

Misc. Crew (Feature Film)

Star Trek V: The Final Frontier (1989)
Dp/Cinematographer
Innerspace (1987)
Dp/Cinematographer
Poltergeist II: The Other Side (1986)
Dp/Cinematographer
Remo Williams: The Adventure Begins (1985)
Dp/Cinematographer
First Blood (1982)
Dp/Cinematographer
The Warriors (1979)
Dp/Cinematographer

Cinematography (TV Mini-Series)

The Top of the Hill (1980)
Director Of Photography
Shogun (1980)
Director Of Photography
The Dain Curse (1978)
Director Of Photography

Life Events

Videos

Movie Clip

One Potato, Two Potato (1964) -- (Movie Clip) The Most Misery Of All Our first scene at home with Bernie Hamilton as Frank, we meet his worried parents, Robert Earl Jones, father of James Earl, better known at the time for stage work, and the successful playwright and Tony-nominated director Vinnette Carroll, in director Larry Peerce’s provocative independent feature One Potato, Two Potato, 1964.
One Potato, Two Potato (1964) -- (Movie Clip) Opening, Howard, Ohio Opening sequence introducing the race-relations theme and the fictional town of "Howard, Ohio," (really on location in Painesville, near Cleveland) from One Potato, Two Potato, the 1964 independent feature starring Barbara Barrie and Bernie Hamilton, directed by Larry Peerce.
One Potato, Two Potato (1964) -- (Movie Clip) Because You're With Me! Julie (Barbara Barrie) keeps her composure better than Frank (Bernie Hamilton) when a cop interrupts them on an early informal date, in director Larry Peerce's independent feature One Potato, Two Potato, 1964.
One Potato, Two Potato (1964) -- (Movie Clip) Close To The Ideal SPOILER risk here, back in the courtroom, the judge (Harry Bellaver) delivers his verdict, stunning Julie (Barbara Barrie) and Frank (Bernie Hamilton), Richard Mulligan as the father Joseph, in a scene near the end of director Larry Peerce's One Potato, Two Potato, 1964.
One Potato, Two Potato (1964) -- (Movie Clip) Social Pressures Beginning in the courtroom, the judge (Harry Bellaver) induces a flashback to the day Julie (Barbara Barrie) met Frank (Bernie Hamilton), with friends Johnny (Sam Weston, brother of Jack, and later better known as the prominent porn director Anthony Spinelli) and Ann (Faith Burwell) in director Larry Peerce's independent feature One Potato, Two Potato, 1964.
Class of '44 (1973) -- (Movie Clip) You Can Pick Your Own Branch After the opening credits, the graduation party, pals Hermie (Gary Grimes, based on the writer Herman Raucher) and Oscy (Jerry Houser), and the rarely-seen screen debut of John Candy as Paulie, in director Paul Bogart’s follow-up to Summer Of ’42, Class Of ’44, 1973.
Class of '44 (1973) -- (Movie Clip) Send Me A Samurai Sword In an un-specified outer-borough of New York, Hermie (Gary Grimes) and Oscy (Jerry Houser), working at a loading dock in the summer before college, receive pal Benjie (Oliver Conant), who surprised everybody by enlisting in the Marines, in Class Of ’44, writer Herman Raucher’s kind-of sequel to the hit Summer Of ’42, 1971.
Class of '44 (1973) -- (Movie Clip) An Expert On The Works Of Melville Shooting on location at Princeton, Freshman Hermie (Gary Grimes, loosely based on the screenwriter Herman Raucher) looks for work at the student newspaper, Jeffrey Cohen the editor, Susan Marcus his assistant, and Deborah Winters as Julie, who’ll become his love interest, in the less-popular follow-up to Summer Of ’42, 1971, Class Of ’44, 1973.
You're A Big Boy Now (1966) -- (Movie Clip) Who Is She? Mayor John Lindsay intervened to get Francis Ford Coppola and crew approved to shoot in the main New York Public library, into which Elizabeth Hartman struts, drawing the attention of stack boy Peter Kastner, Tony Bill his buddy, opening You're A Big Boy Now, 1966.
You're A Big Boy Now (1966) -- (Movie Clip) International Harvester With buddy Raef (Tony Bill), New York Public Library employee Bernard (Peter Kastner) is summoned by his father (Rip Torn), who holds a portentous library title, and his neurotic mother (Geraldine Page), with Karen Black just glimpsed, early in Francis Ford Coppola's You're A Big Boy Now, 1966.
You're A Big Boy Now (1966) -- (Movie Clip) Did You Go To P.S. 109? Director Francis Ford Coppola follows slightly distraught Bernard (Peter Kastner) into early sleaze-era Times Square, where he's spotted by friendly fellow library employee Amy (Karen Black, in her first movie), in You're A Big Boy Now, 1966.
You're A Big Boy Now (1966) -- (Movie Clip) What Makes Her Tick? More than 30 minutes into the picture, director Francis Ford Coppola launches his second formal character sketch, of chilly Barbara (Elizabeth Hartman), whom his hero has been chasing, with her chronicler (Michael Dunn) and grabby doctor (Michael O'Sullivan), in You're A Big Boy Now, 1966.

Trailer

Bibliography

"Every Frame a Rembrandt: Art and Practice of Cinematography"
Andrew Laszlo, Focal Press (2000)