Hedy Lamarr


Actor
Hedy Lamarr

About

Also Known As
Hedy Kiesler, Hedwig Eva Maria Kiesler, Hedwig Kiesler
Birth Place
Austria
Born
November 09, 1913
Died
January 18, 2000

Biography

A major star under contract with MGM during the 1930s and 1940s, Hedy Lamarr gained international notoriety thanks to her taboo-breaking performance in the Austrian-made drama "Ecstasy" (1933), which featured the actress fully nude - practically unheard of at the time. Lamarr later made her way to Hollywood and began appearing in a number of pictures, most notably "Algiers" (1938), "I Ta...

Photos & Videos

Tortilla Flat - Kapralik Trade Ad
Comrade X - Kapralik Trade Ad
Boom Town - Publicity Stills

Family & Companions

Fritz Mandl
Husband
Ammunitions tycoon. Austrian; married in 1933; divorced in 1937 after he decided to buy all the footage from the film "Ecstacy" because it featured Lamarr in the nude; also was a Nazi sympathizer.
Spencer Tracy
Companion
Actor. Reportedly began relationship in October 1938 during filming of "I Take This Woman"; ended in February 1939.
Gene Markey
Husband
Writer. Second husband; married in March 1939; divorced in 1940.
Edward Norris
Companion
Actor. He was simultaneously involved with both Lamarr and Joan Crawford.

Bibliography

"Ecstasy and Me"
Hedy Lamarr (1966)

Notes

Lamarr and composer George Anthiel received a patent for an idea they had to aid the war effort. It was a "secret communications technique" that would allow for control of armed torpedoes over long distances without detection by an enemy or without jamming. The technology was a precursor of spread-spectrum communications that is utilized in such items as cellular phones and microprocessors. Lamarr and Antheil received a 1997 EFF Pioneer Award for their efforts.

Cecil B. Demille reportedly had trouble filming Lamarr because of her limited knowledge of English and inability to emote on screen: "The only consolation . . . was she was convincingly alluring and that she could be relied on to remember her lines." --Charles Higham in his book "Cecil B. DeMille" (from FILM DOPE, Volume 32)

Biography

A major star under contract with MGM during the 1930s and 1940s, Hedy Lamarr gained international notoriety thanks to her taboo-breaking performance in the Austrian-made drama "Ecstasy" (1933), which featured the actress fully nude - practically unheard of at the time. Lamarr later made her way to Hollywood and began appearing in a number of pictures, most notably "Algiers" (1938), "I Take This Woman" (1940), "Ziegfeld Girl" (1941), "Boom Town" (1940) and "White Cargo" (1942). Despite her popularity and the success of her films, Lamarr was pegged as an actress of limited abilities and was therefore often cast as the desirable woman of mystery, which perfectly suited her strikingly dark exotic looks. In fact, she was hailed as the "world's most beautiful woman." Despite that moniker, Lamarr gave a strong performance in King Vidor's "H.M. Pulhan, Esq." (1941), proving that she could deliver the goods if offered a good script and steady direction. After appearing in "The Conspirators" (1944) and "Her Highness and the Bellboy" (1945), her contract with MGM lapsed and she entered a career decline. Her only major highlight was starring in Cecil B. DeMille's epic "Samson and Delilah" (1949), though she failed to capitalize on that movie's huge success. In the mid-1950s, Lamarr unceremoniously left the showbiz and the spotlight, only to garner headlines for shoplifting in 1965 and again in 1991. In between, she released a lurid autobiography, Ecstasy and Me (1966), only to sue her ghostwriter for alleged inaccuracies, while facing fines for failure to pay back taxes and filing a false rape claim. While Lamarr's inability to register emotion on camera may have ultimately doomed her career, her undeniable good looks allowed her to reasonably portray femme fatales and achieve a kind of glamorous screen mortality.Born on Nov. 9, 1913 in Vienna, Austria, Lamarr was raised by her father, Emil, a prominent bank manager, and her mother, Gertrude, a pianist. She began taking piano lessons when she was 10 years old, and was discovered as a teenager by director Max Reinhardt, who employed her as a script secretary and bit player. Lamarr made her first feature appearance in the Austrian-made "Geld auf der Strasse" (1930), but created an international sensation with her performance in Gustav Machaty's erotic drama, "Ecstasy" (1933). The young actress broke several taboos of the time, appearing nude in a 10-minute swimming sequence while her face was shown in extreme close-up while in the midst of an orgasm - widely hailed as the first depiction of such ever filmed in a non-pornographic film. Amidst longstanding rumors that the orgasm was not so simulated, Lamarr later alluded in her autobiography, Ecstasy and Me (1966), that the claims were not exactly untrue, thanks to her co-star employing a method style of acting. Meanwhile, the 19-year-old Lamarr married ammunitions tycoon, Fritz Mandl, a controlling man 13 years her senior who refused to let her continue acting and bought all the copies of "Ecstasy" that he could find.During her time with Mandl, Lamarr frequently attended business meetings with him where the mathematically inclined actress learned a great deal about military technology, which proved useful later in life. Meanwhile, she tired of being controlled by Mandl - who also turned out to be a Nazi sympathizer - and fled to Paris in 1937, where she obtained a divorce. Lamarr later met Louis B. Meyer in London. So smitten was he by her exotic beauty that she soon found herself in the United States making her Hollywood debut in "Algiers" (1938), which caused a sensation with audiences who had not witnessed glamour of this magnitude in years. Audiences could fully understand why, after co-star Charles Boyer pleads with her to "Come with me to de Casbah," he dies trying for one final glimpse of his lost love. Her debut a smash, she made her first movie with MGM, "Lady of the Tropics" (1939), before starring opposite Spencer Tracy in the drama "I Take This Woman" (1940). Billed as "the world's most beautiful woman," Lamarr offered little beyond her exotic looks to a host of productions, mostly at MGM, and was often typecast as a woman of mystery. She had her chance to become a major star, only to reject the leading roles for "Casablanca" (1942) and "Gaslight" (1944), both of which helped make Ingrid Bergman as household name.But Lamarr continued making popular films, starring with Tracy, Clark Gable and Claudette Colbert in "Boom Town" (1940), and appearing opposite Gable again in King Vidor's lighthearted spy flick "Comrade X" (1940). She next played an Austrian who marries a starving writer (James Stewart) for convenience, only to find love anyway in the romantic comedy "Come Life with Me" (1941), and delivered one of her finest performances as an independent-minded woman who bucks the idea of being a traditional wife in Vidor's "H.M. Pulhan, Esq." (1941). That same year, she appeared opposite James Stewart, Judy Garland and Lana Turner in the musical "Ziegfeld Girl" (1941) and followed with one of her more popular films, "Tortilla Flat" (1942), which was adapted from John Steinbeck's anecdotal novel of the same name. In "Crossroads" (1942), she was the new bride of a French diplomat (William Powell) who's the victim of an extortion plot, while in the toned-down "White Cargo" (1942) she had one of her more popular performances as an African native who uses her libidinous ways to drive a rubber plantation manager (Richard Carlson) to ruin. Though extremely campy, the film remained one her most remembered, as well as containing her most memorable entrance, seductively purring, "I am Tondelayo."Despite her rather limited accomplishments onscreen, Lamarr was one of the few stars - perhaps even the only one - who became a noted inventor. In 1941, she used the knowledge gained from her time with Mandl and helped formulate the idea of a frequency-hopping, spread-spectrum invention with avant-garde composer George Antheil, which they patented in 1942. The idea, which employed the method of rapidly switching radio frequencies, was proposed to the U.S. Navy as a means to prevent jamming or detection of radio-guided torpedoes, though the military rejected the idea. Nonetheless, their frequency-hopping idea later served as the basis for spread-spectrum communication technology, and was incorporated into some wireless devices. Onscreen, she starred opposite William Powell in "The Heavenly Body" (1944), Paul Henreid in "The Conspirators" (1944) and George Brent in "Experiment Perilous" (1944). After the tender romantic comedy "Her Highness and the Bellboy" (1945), her contract with MGM ended and allowed her to work with other studios. Meanwhile, she was on to her third husband, actor John Loder, after having a brief affair with Spencer Tracy during "I Take This Woman" and a short marriage to producer Gene Markey. Lamarr married Loder in 1943 and divorced him in 1947.Though free to choose any studio project that she wanted, Lamarr found herself nearing the cusp of her decline. After the big budget thriller "The Strange Woman" (1946), she starred in the rather forgettable melodrama "Dishonored Lady" (1947). By this point, Lamarr's career was in serious trouble. Regardless, Cecil B. DeMille cast her as the biblical temptress in "Samson and Delilah" (1949), her most commercially successful film and the only real evidence that she could convey the promise of sex - not just beauty - on the screen. Unfortunately, the wildly successful epic failed to revive her career, though she did star in the rather entertaining "Casablanca"-like noir, "A Lady without Passport" (1950). Following "Copper Canyon" (1950), the aging sex symbol appeared opposite Bob Hope in "My Favorite Spy" (1951), after which she left Hollywood for Europe and did not act again in America until "The Story of Mankind" (1957). Lamarr gave it her all in "The Female Animal" (1958), despite a lack of a strong script and sure-handed direction, leading to her unceremonious departure from making movies. But that did not mean she stayed out of the spotlight. After going through three more husbands - band leader Ted Stauffer (1951-52), Texas oilman W. Howard Lee (1953-1960) and divorce attorney Lewis J. Boles (1963-64) - Lamarr was accused of shoplifting a pair of $86 slippers from a Los Angeles department store in 1965, which led to a whirlwind of bad press. The charges were later dropped.The following year, Lamarr released her autobiography, Ecstasy and Me (1966), a deliberate attempt to revive her notoriety that contained a number of distasteful anecdotes that prompted her to sue her ghostwriter for misrepresentation. In 1971, she accused a repairman for the Los Angeles School District of trying to rape her, but he turned around and sued her for causing his false arrest, leading the court to order Lamarr to pay him $15,000 in damages. Meanwhile, her numerous lawsuits against her ghostwriters failed, and the state of California sued her for $26,000 in back taxes it claimed she owed. Her name at least made it back to the big screen in Mel Brooks' Western spoof, "Blazing Saddles" (1974), which featured a character Hedley Lamarr (Harvey Korman) inadvertently referred to by other characters as Hedy. Of course, Lamarr threatened to sue and Brooks settled out of court. She spent the ensuing years living in relative peace and quiet until 1991, when she again was arrested for shoplifting. This time she was caught taking $21.48 worth of items from a Florida drugstore. She pleaded no contest and the charges were again dropped. Lamarr spent the remainder of her days living in seclusion - brought about from being legally blind - in Casselberry, FL, where she died of natural causes on Jan. 19, 2000 at 86 years old. It was only after her death, that she was given credit for helping create wireless technology that made cell phones possible.

Filmography

 

Cast (Feature Film)

Bombshell: The Hedy Lamarr Story (2017)
Herself
Bombshell: The Hedy Lamarr Story (2017)
Self
That's Entertainment! III (1994)
Instant Karma (1990)
Entertaining the Troops (1989)
Herself
Going Hollywood: The War Years (1988)
Herself
The Female Animal (1958)
Vanessa Windsor
The Story of Mankind (1957)
Joan of Arc
The Loves of Three Queens (1954)
Empress Josephine; Genieve De Brabant; Hedy Windsor; Helen Of Troy
My Favorite Spy (1951)
Lily Dalbrey
Copper Canyon (1950)
Lisa Roselle
A Lady Without Passport (1950)
Marianne Lorress
Samson and Delilah (1950)
Delilah
Let's Live a Little (1948)
Dr. J. O. Loring
Dishonored Lady (1947)
Madeleine Damien
The Strange Woman (1946)
Jenny Hager
Her Highness and the Bellboy (1945)
Princess Veronica
The Heavenly Body (1944)
Vicky Whitley
The Conspirators (1944)
Irene Duchatel
Experiment Perilous (1944)
Allida Bedereaux
Tortilla Flat (1942)
Dolores Sweets Ramirez
Crossroads (1942)
Lucienne Talbot
White Cargo (1942)
Tondelayo
Come Live with Me (1941)
Johnny Jones
H. M. Pulham, Esq. (1941)
Marvin Myles [Ransome]
Ziegfeld Girl (1941)
Sandra Kolter
I Take This Woman (1940)
Georgi Gragore
Comrade X (1940)
Theodore
Boom Town (1940)
Karen Vanmeer
Lady of the Tropics (1939)
Manon De Vargnes
Algiers (1938)
Gaby
Ecstasy (1933)
Die Koffer des Herrn O.F. (1931)
Geld auf der Strasse (1930)

Writer (Feature Film)

Geld auf der Strasse (1930)
Script Supervisor

Misc. Crew (Feature Film)

Entertaining the Troops (1989)
Other
Going Hollywood: The War Years (1988)
Other

Cast (Short)

Cavalcade of the Academy Awards (1940)
Herself
Hollywood Goes to Town (1938)
Herself

Life Events

1930

First film appearance in bit role, Georg Jacoby's "Geld auf der Strasse (Austrian)

1933

Gained international attention when she appeared completely nude in a 10-minute sequence in Gustav Machaty's erotic romantic drama, "Extase/Ecstasy"

1937

Moved to USA; signed by Louis B. Mayer who changed her name to Lamarr in honor of deceased actress Barbara LaMarr

1938

Loaned out by Mayer to Walter Wanger (United Artists) and caused a sensation in her first Hollywood film, "Algiers"

1939

First film with MGM, "Lady of the Tropics"

1942

Received US patent for invention of a communications system that was a forerunner of spread spectrum communications

1945

Left MGM; last film there for six years, "Her Highness and the Bellboy"

1946

Helped form a production company, Mars Film Corporation, which made two films, "The Strange Woman" and "Dishonored Lady", starring Lamarr

1949

Faltering career boosted by her appearance as the alluring temptress in her biggest box office success, Cecil B. DeMille's "Samson and Delilah"

1951

Last Hollywood film for six years, "My Favorite Spy", co-starring Bob Hope

1954

Reported she had been robbed of over $50,000 worth of jewelry; later found the missing jewelry in her home

1958

Last film for many years, "The Female Animal"

1965

Accused of shoplifting $86 pair of slippers from L.A. department store; acquitted

1966

Published ghosted autobiography "Ecstasy and Me"

1971

Fined for reporting a false rape charge

1990

One-shot return to films, "Instant Karma", in the role of Movie Goddess

1991

Arrested for shoplifting $21.48 worth of sundries from a drugstore in Casselberry, Florida (August 1)

1997

Honored for her invention of spread spectrum radio technology

Photo Collections

Tortilla Flat - Kapralik Trade Ad
Here is a trade ad for MGM's Tortilla Flat (1942), starring Spencer Tracy and Hedy Lamarr. The art is by mixed-media caricaturist Jaques Kapralik. Trade Ads were placed by studios in industry magazines like Variety and The Hollywood Reporter.
Comrade X - Kapralik Trade Ad
Here is a trade ad for MGM's Comrade X (1940), starring Clark Gable and Hedy Lamarr. The art is by mixed-media caricaturist Jaques Kapralik. Trade Ads were placed by studios in industry magazines like Variety and The Hollywood Reporter.
Boom Town - Publicity Stills
Here are a few Publicity Stills from Boom Town (1940). Publicity stills were specially-posed photos, usually taken off the set, for purposes of publicity or reference for promotional artwork.
Comrade X - Scene Stills
Here are a few scene stills from MGM's Comrade X (1940), starring Clark Gable and Hedy Lamarr.
Come Live with Me - Kapralik Trade Ad
Here is a trade ad for MGM's Come Live with Me (1941), starring James Stewart and Hedy Lamarr. The art is by mixed-media caricaturist Jaques Kapralik. Trade Ads were placed by studios in industry magazines like Variety and The Hollywood Reporter.
White Cargo - Movie Poster
Here is the American One-Sheet Movie Poster for MGM's White Cargo (1942), starring Hedy Lamarr. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
Ziegfeld Girl - Publicity Still Series
Here is a series of stills taken to help publicize MGM's Ziegfeld Girl (1941), starring Judy Garland, Lana Turner, and Hedy Lamarr. Publicity stills were specially-posed photos, usually taken off the set, for purposes of publicity or reference for promotional artwork.
Ziegfeld Girl - Magazine Photo Spread
Here is a promotional magazine photo spread featuring MGM's Ziegfeld Girl (1941) and stars Judy Garland, Lana Turner and Hedy Lamarr.
Crossroads - Kapralik Trade Ad
Here is a trade ad for MGM's Crossroads (1942), starring William Powell and Hedy Lamarr. The art is by mixed-media caricaturist Jaques Kapralik. Trade Ads were placed by studios in industry magazines like Variety and The Hollywood Reporter.
Samson and Delilah - Pressbook
Here is the campaign book (pressbook) for Cecil B. DeMille's Samson and Delilah (1949), starring Victor Mature and Hedy Lamarr. Pressbooks were sent to exhibitors and theater owners to aid them in publicizing the film's run in their theater.
Tortilla Flat - Movie Poster
Here is the American one-sheet movie poster for MGM's Tortilla Flat (1942), starring Spencer Tracy, Hedy Lamarr, and John Garfield. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
Crossroads - Movie Poster
Here is the American one-sheet movie poster for Crossroads (1942), starring William Powell and Hedy Lamarr. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
Her Highness and the Bellboy - Movie Poster
Here is the American one-sheet movie poster for Her Highness and the Bellboy (1945), starring Hedy Lamarr and Robert Walker. One-sheets measured 27x41 inches, and were the poster style most commonly used in theaters.
Ziegfeld Girl - Movie Posters
Here are a few original-release American movie posters for Ziegfeld Girl (1941), starring Judy Garland, Hedy Lamarr, Lana Turner, and James Stewart.

Videos

Movie Clip

Boom Town (1940) - Smells A Little Gamey Nutty long-time Investor Luther (Frank Morgan), tailor Ferdie (Curt Bois) and especially alluring Karen (Hedy Lamarr) are witness to the spectacle of partners-turned-rivals now big-timers Big John (Clark Gable) and Square John (Spencer Tracy) teaming up again, in Boom Town, 1940.
Tortilla Flat (1942) - Can I Go Back To Jail With You? Monterey, California Mexican-American John Steinbeck characters Spencer Tracy (as Pilon), Akim Tamiroff (Pablo) and John Garfield (Danny), who’s just inherited two modest houses, squabbling as Portugese Dolores (Hedy Lamar) makes her first appearance, shifting priorities, early in MGM’s Tortilla Flat, 1942.
Comrade X (1940) - On The Reactionary Side Moscow streetcar conductor "Theodore" (Hedy Lamarr) does the dramatic communist-to-capitalist wardrobe change for her temporary husband, American reporter Johnson (Clark Gable), whose colleague Jane (Eve Arden) then arrives, in Comrade X, 1940.
Tortilla Flat (1942) - I Got Another House! Danny (John Garfield) ejects another suitor and moves in on Dolores (Hedy Lamar) until her Latin temper and his house catch fire in Tortilla Flat, 1942, from the John Steinbeck novel.
Her Highness And The Bellboy (1945) - She Wants To Go Native With Agnes Moorehead as her counsel the countess, Hedy Lamarr, a Hungarian princess, arrives at her New York hotel, Ludwig Stossel as "Pufi," and soon confesses her true purpose, unconcerned about the ubiquitous Baron Zoltan (Carl Esmond), in Her Highness And the Bellboy, 1945.
Ziegfeld Girl (1941) - You Stepped Out Of A Dream First night in the show for all three girls, Sandra (Hedy Lamarr) then later Sheila (Lana Turner) more featured than Susie (Judy Garland), Tony Martin with the song by Nacio Herb Brown and Gus Kahn, various boyfriends (Jackie Cooper, James Stewart, Philip Dorn) in the crowd, in MGM's Ziegfeld Girl 1941.
Ziegfeld Girl (1941) - I'm Always Chasing Rainbows Susie (Judy Garland) working with "Pop" (Charles Winninger) on a song by Harry Carroll and Joe McCarthy, when roommate Sandra (Hedy Lamarr), colleague Sheila (Lana Turner) and little bro Jerry (Jackie Cooper) show up, getting ready to take the show on the road in MGM's Ziegfeld Girl, 1941.
Ziegfeld Girl (1941) - Cucaracha, Look At That One! New hires Susie (Judy Garland) and Sheila (Lana Turner) dazzled by singer Frank (Tony Martin), and kid brother Jerry (Jackie Cooper) with a not so silly comment upon seeing Sandra (Hedy Lamarr), with violinist husband (Philip Dorn) and friend (Felix Bressart), in MGM's Ziegfeld Girl, 1941.
White Cargo (1942) - I Am Tondelayo New African rubber farm supervisor Langford (Richard Carlson) observes the doctor (convincingly tipsy Frank Morgan) taking a nightcap, then is surprised to meet the much-talked-about Tondelayo (Hedy Lamarr), in White Cargo, 1942.
Comrade X (1940) - Opening, Russia Eve Arden (as reporter "Jane") spotlights in the opening to the unlikely King Vidor romantic comedy Comrade X, 1940, starring Clark Gable and Hedy Lamarr, from a script by Ben Hecht and Charles Lederer.
Comrade X (1940) - My Name Is Theodore American reporter Thompson (Clark Gable) meets Moscow streetcar driver "Theodore" (Hedy Lamarr) in an early scene from Comrade X, 1940, from an Academy Award winning original story by Walter Reisch.
Comrade X (1940) - Stalin Will Not Fail! American reporter Johnson (Clark Gable) and loyal communist "Theodore" (Hedy Lamarr) begin their marriage of convenience with an accidental meeting with her old paratroop pal (Natasha Lytess) in his Moscow hotel room in Comrade X, 1940.

Trailer

White Cargo - (Original Trailer) Hedy Lamarr plays Tondelayo, driving the manager of an African plantation (Richard Carlson) out of his mind with lust in White Cargo (1942).
H.M. Pulham, Esquire - (Original Trailer) Robert Young plays a stuffy businessman who livens things up by having a fling with Hedy Lamarr. Directed by King Vidor.
Experiment Perilous - (Original Trailer) A small-town doctor (George Brent) tries to help a beautiful woman (Hedy Lamarr) with a deranged husband (Paul Lukas).
Crossroads (1942) - (Original Trailer) A French diplomat (William Powell) who's recovered from amnesia is blackmailed over crimes he can't remember.
Come Live With Me -- (Original Trailer) A Viennese refugee (Hedy Lamarr) weds a struggling author (James Stewart) platonically so she can stay in the U.S. Directed by Clarence Brown
Tortilla Flat - (Original Trailer) Spencer Tracy, Hedy Lamarr and John Garfield star in Tortilla Flat (1942), based on the novel by John Steinbeck.
My Favorite Spy (1951) - (Original Trailer) A comedian poses as an international spy to recover mysterious microfilm in My Favorite Spy (1951) starring Bob Hope and Hedy Lamarr.
Heavenly Body, The - (Original Trailer) When her astronomer husband neglects her, Hedy Lamarr turns to astrology in her own search for The Heavenly Body (1943).
Lady Without Passport, A - (Original Trailer) A secret service agent falls in love with an illegal immigrant in A Lady Without Passport (1950) starring Hedy Lamarr.
Lady of the Tropics - (Original Trailer) An American playboy (Robert Taylor) in Saigon has to fight to get his Eurasian wife (Hedy Lamarr) out of the country in Lady of the Tropics (1939).
Boom Town - (Re-issue Trailer) Friends become rivals when they strike it rich in oil in Boom Town (1940), starring Clark Gable & Spencer Tracy.
I Take This Woman - (Original Trailer) A tenement doctor (Spencer Tracy) finds his marriage to a European refugee (Hedy Lamarr) threatens his practice. Directed by W.S. Van Dyke II.

Family

James Lamarr
Son
Adopted by Lamarr and Gene Markey; later adopted by John Loder; claims to be Lamarr's natural child via a birth certificate filed in 1939 16 days after his birth that lists Lamarr as his mother; contested her will.
Denise Deluca
Daughter
Father John Loder.
Anthony Loder
Son

Companions

Fritz Mandl
Husband
Ammunitions tycoon. Austrian; married in 1933; divorced in 1937 after he decided to buy all the footage from the film "Ecstacy" because it featured Lamarr in the nude; also was a Nazi sympathizer.
Spencer Tracy
Companion
Actor. Reportedly began relationship in October 1938 during filming of "I Take This Woman"; ended in February 1939.
Gene Markey
Husband
Writer. Second husband; married in March 1939; divorced in 1940.
Edward Norris
Companion
Actor. He was simultaneously involved with both Lamarr and Joan Crawford.
John Loder
Husband
Actor. Third husband; married in 1943; divorced in 1947.
Ted Stauffer
Husband
Band leader. Married in 1951; divorced in 1952.
W Howard Lee
Husband
Married in 1953; divorced in 1960.
Lewis J Boles
Husband
Married on March 4, 1963; separated on October 15, 1964; divorced; allegedly was abusive toward Lamarr.

Bibliography

"Ecstasy and Me"
Hedy Lamarr (1966)

Notes

Lamarr and composer George Anthiel received a patent for an idea they had to aid the war effort. It was a "secret communications technique" that would allow for control of armed torpedoes over long distances without detection by an enemy or without jamming. The technology was a precursor of spread-spectrum communications that is utilized in such items as cellular phones and microprocessors. Lamarr and Antheil received a 1997 EFF Pioneer Award for their efforts.

Cecil B. Demille reportedly had trouble filming Lamarr because of her limited knowledge of English and inability to emote on screen: "The only consolation . . . was she was convincingly alluring and that she could be relied on to remember her lines." --Charles Higham in his book "Cecil B. DeMille" (from FILM DOPE, Volume 32)

Lamarr's revenge came years later in a FILMS IN REVIEW interview when she implied that DeMille lusted after her feet. --from FILM DOPE, Volume 32

"When I die," Lamarr once told a friend, summing up her devil-may-care life, "I want on my gravestone: 'Thank you very much for a colorful life.'" --From her obituary in LOS ANGELES TIMES, January 20, 2000