skip navigation

Movie News - Our extensive online Hollywood film and classic DVD news page.

  1. Top News Stories

    •  
    • Bring Me the Head of Alfredo Garcia on Blu-ray

    • A title long utilized as a takeoff point for jokes and spoofs, Bring Me the Head of Alfredo Garcia is actually one of Sam Peckinpah's better pictures, at least from the autobiographical point of view. As the last film made before the director's career dissolved in alcohol and drugs, it shows a personal commitment difficult to perceive in any of his subsequent work, with the partial exception of his one war movie, Cross of Iron. Peckinpah's crumbling personality is strongly felt in the tale of a no-account gringo on a godforsaken mission on the back highways of Mexico, steeling himself for the terrible things he must do with a constant flow of booze.

      Thoroughly dissipated lounge pianist/drifter Bennie (Warren Oates) sees a way out of his moral and physical decrepitude when a bizarre opportunity comes his way: through the underworld figure Max (Helmut Dantine), land baron El Jefe (Emilio Fernández) puts a huge bounty out for the delivery of the head of Alfredo García, the man who impregnated his daughter. Bennie discovers that his quarry has since died, and takes to the road with his sometime-lover, call girl Elita (Isela Vega). His idea is to do some midnight grave robbing. Little does Bennie realize that Max's unscrupulous operatives Sappensly and Quill (Robert Webber & Gig Young) have tipped him off only so that they can steal his prize and collect the reward themselves. A biker (Kris Kristofferson) threatens Elita with rape, and more ugly adventures await Bennie on the road to fulfill his mission.

      In mainstream audience terms Bring Me the Head of Alfredo Garcia is a thoroughly nasty crime tale featuring a despicable and physically filthy hero. A scene guaranteed to clear old ladies from theaters sees Bennie pouring alcohol onto his underwear in an attempt to kill the lice he's picked up. Its gross-out aspects aside, the show has plenty to offer Sam Peckinpah addicts. What is possibly the director's most freewheeling, off-the-cuff movie has a fine performance from Warren Oates in one semi-improvised scene after another. The actor seems either drunk or hung over at all times, yet he delivers his stream of consciousness dialogue like a master. Oates' brief tenure as a leading man (Dillinger, Chandler) was surely squelched by this outing, which Peckinpah praised as his only movie released that retained his full vision.

      Frank Kowalski and Sam Peckinpah's original story is a grabber that combines the director's marketable screen violence with a morbid theme that might have Edgar Allan Poe pause. For at least half an hour Bennie races his car across the Mexican countryside, while on the passenger seat next to him rests a human head in a gunnysack, partly packed in ice. Bennie carries on philosophical and personal conversations with the decapitated noggin while flies buzz around the car interior. He sometimes splashes liquor on the cabeza that he'll soon swap for cold cash. It's deliriously creepy, a sick expression of what a man's gotta do to get ahead by in the modern West. Separating Bennie from the other bounty killers is his personal relationship with the severed head. He soon needs to know why someone wants it so badly.

      Peckinpah mounts a number of impressive scenes in bars and on the road, and most of his actors behave as if slumming South of the border for a few extra bucks. Robert Webber and Gig Young's intimidating pair of homosexual hit men are given minimal exposition. Scenes in the low-rent hovels of Mexico City carry an all-too depressing sense of realism. By contrast, the formal doings in the palatial hacienda of El Jefe are like something from an earlier century, with a priest and nuns looking on, and a gallery of black-clad women observing through veils. Too much of an old-school warlord to be the ringleader of a modern drug cartel, El Jefe brings back associations with The Wild Bunch -- actor and director Emilio Fernández is thoroughly in charge here, and a thoroughly scary presence.

      Unfortunately, this is where Peckinpah's lousy judgment kicks in. Alfredo Garcia is packed with lazy and stupid exploitation scenes. The most insulting sees American biker Kris Kristofferson and a pal simply show up on the road, and escort Elita away from Bennie for sex at gunpoint. The dull scene (shot day for night) seems to exist only so that Peckinpah can include yet another indulgent shot of a woman's clothing being ripped away. That Elita gives herself to her rapist voluntarily shows Peckinpah's latter-career ineptitude with female characters (no slur on Isela Vega's brave performance). As was the case with the beautiful but meandering Pat Garrett and BIlly the Kid, the Kristofferson scene could be removed entirely without a disruption in continuity. It's just padding, with another pal of Peckinpah making a cameo appearance to help make the movie marketable.

      The director's trashy instincts also yank the rug out from under his otherwise lyrical and dramatic opening. El Jefe's pregnant daughter is put on trial and tortured to make her give up Alfredo García's name. As if unable to think of any other bit of business to add to the scene, Sam has two of El Jefe's retainers strip her as well. The grindhouse audience surely approved but it comes off as simply coarse and lazy filmmaking. Peckinpah may be a "Gutsy maverick" but by this time his movies use women almost exclusively as exploitable, abuse-able objects.

      Peckinpah's action scenes seem self-parodies addressing his unfair reputation as a violence-mad hack. Warren Oates slings a mean .45 automatic, but Peckinpah's slow-motion shots of blood spurts and exploding bric-a-brack are filmed and edited as if the movie were on automatic pilot. A roadside machine gun slaughter simply assembles uninspired coverage from Peckinpah's multiple cameras, as extras line up for the express purpose of being mowed down. The only thrill is seeing the gleeful faces of Gig Young and Robert Webber as they hose down the location with machine gun bullets. Peckinpah's violence in his gripping Straw Dogs showed some ingenuity but here the tension doesn't pick up until Bennie shoots up a gangland accounting office, and then goes all radical/existential/murderous in the tiled court of El Jefe. He finds himself surrounded by six trigger-happy Mexican marksmen, yet mysteriously beats them all to the draw. The last we saw of Pike Bishop in The Wild Bunch he was aiming for the sky as if trying to shoot God Almighty. For the final shot of Alfredo Garcia, Peckinpah's editors give us the hollow visual of a machine gun firing directly at us, the audience. Far out, man...

      Bring Me the Head of Alfredo Garcia has been on both worst and best movie lists for forty years, so it must be doing something right: critics and fans deeply committed to the Tao of Sam overlook its faults and see it as Peckinpah's ultimate expression of rage: the warlord and the mob are surrogates for those hated suits at the movie studios. For this viewer the film is a definite mixed bag, an outrageous story just barely put across by a director who has lost all sense of proportion about himself and his craft. With Warren Oates embodying Peckinpah right down to the heavy dark glasses, the artist does make his statement -- a commitment to a drunkard's notion of personal honor.

      The Twilight Time Blu-ray of Bring Me the Head of Alfredo Garcia is a beautiful transfer of a movie that's not looked all that great in earlier DVD editions. It's amusing to hear commentator Nick Redman wondering about the state of the original camera elements. What we see looks pristine, while Redman was apparently monitoring a far less attractive file copy. MGM and Deluxe Digital's transfer is so good, we can see when cameraman Álex Phillips Jr. changes lens filters for the close-ups of Bennie and Elita's long "will you marry me" scene by the side of the road.

      Twilight Time appears to have invested in special extras for this edition. The old commentary with the 'Peckinpah Posse' of biographers (Paul Seydor, Garner Simmons, David Weddle) has been carried over, and a newer one lets Nick Redman prompt associate producer & writer Gordon T. Dawson about his ten years working with Peckinpah. Dawson concurs that the director was in full self-destruct mode by the time Alfredo Garcia went before the cameras. Sam was better when drinking than when doing drugs, because with the alcohol he'd eventually pass out and give his minders some peace. Dawson's description of Peckinpah's behavior indicates a director that was rarely prepared, absented himself from the set, couldn't remember his own instructions and heaped abuse and blame on everyone around him. Yet Dawson misses him deeply.

      Filmmaker and Peckinpah expert Mike Siegel offers two comprehensive interview documentaries, made in 2013. Passion and Poetry: Sam's Favorite Film (55 minutes) gathers numerous Alfredo Garcia actors and personnel for an hour-long making-of show. A Writer's Journey (25 minutes) sticks with biographer Garner Simmons, who was present for the filming in Mexico and played a small role as well. A third item puts Jerry Fielding's music score behind a montage of ad posters and artwork for the film. Six TV spots and the original trailer are also present.

      By Glenn Erickson

    • Comment
      share:
ADVERTISEMENT
  1. New Books

    •  
    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

    • More >
    •  
    •  
    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

    • More >
    •  
    •  
    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

    • More >
    •  
    •  
    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

    • More >
    •  
  1. DVD Reviews

    •  
    • Dick Dinman & Eddie Muller Explore THE ASPHALT JUNGLE!

    • DICK DINMAN & EDDIE MULLER EXPLORE "THE ASPHALT JUNGLE": Producer/host Dick Dinman welcomes back the "Czar of Noir" himself Eddie Muller as both celebrate the Criterion Collection's pristine release on Blu-ray of John Huston's THE ASPHALT JUNGLE which remains conceivably the greatest "heist/noir" masterwork ever committed to celluloid. (It's early in the year but its difficult to conceive that any home video outfit in the ensuing year will be able to top the astonishing "special features" included on this sensational disc.)

      PLUS: Show opener "Dick's Picks" salutes the Criterion Collection's recent Blu-ray releases of Robert Altman's McCABE & MRS. MILLER, Marlon Brando's ONE EYED JACKS and Howard Hawks' HIS GIRL FRIDAY.

      COMING SOON: DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND"!

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

    • More >
    •  
    •  
    • Dick Dinman Salutes Air Hero Jimmy Stewart!

    • DICK DINMAN SALUTES WW2 AIR HERO JIMMY STEWART: The dual releases of Olive Films stunning Blu-ray incarnation of the James Stewart air power classic STRATEGIC AIR COMMAND as well as author Robert Matzen's awe inspiring book MISSION: JIMMY STEWART AND THE FIGHT FOR EUROPE, which for the first time ever reveals the truth about Stewart's dangerous bombing missions over Germany, give producer/host Dick Dinman ample motivation to salute the spectacular military career of screen icon Stewart and Dick is joined by returning guest Robert Matzen as they marvel at the courage, skill and fortitude of this certifiable American hero.

      The opening DICK'S PICKS segment salutes Olive Films and their latest Blu-ray releases of not only STRATEGIC AIR COMMAND but Orson Welles' MACBETH (two versions!), HOUDINI, THE PRIVATE AFFAIRS OF BEL AMI, VILLA RIDES. ONE OF OUR AIRCRAFT IS MISSING and two new 4k releases of THE QUIET MAN and JOHNNY GUITAR (first time in original widescreen format on home video!).

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

    • More >
    •  
    •  
    • Dick Dinman & Eddie Muller Salute Ultra-Rare Noir Classics!

    • DICK DINMAN & EDDIE MULLER SALUTE ULTRA-RARE NOIR CLASSICS: Producer/host Dick Dinman and Film Noir Foundation's Czar of Noir Eddie Muller wax poetic about the first-rate Blu-ray releases of three rarely seen film noir gems: Flicker Alley's dark and deadly duo of two heretofore thought virtually lost noir thrillers TOO LATE FOR TEARS and WOMAN ON THE RUN and KL Studio Classics 99 RIVER STREET about which Dick and Eddie have a rare major disagreement regarding the validity of what some consider the most memorable two scenes in the film.

      PLUS: A preview of KL Studio Classics upcoming noir Blu-ray release CRY OF THE CITY.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

    • More >
    •  
    •  
    • Dick Dinman & Kathleen Hughes Return to 3-D "Outer Space!"

    • DICK DINMAN & KATHLEEN HUGHES RETURN TO 3-D "OUTER SPACE": Kathleen Hughes, whose breakout appearance in Universal-International's first 3-D blockbuster inspired the media to dub her the "first feminine sensation created by 3-D" rejoins producer/host Dick Dinman to salute Universal Pictures Home Entertainment's wonderfully immersive 3-D Blu-ray release of IT CAME FROM OUTER SPACE (immaculately restored by the 3-D Archive) and shares priceless memories about her career from her very first film ROAD HOUSE (just released on Blu-ray by Kino's KL Studio Classics) to her time as a contract star at Universal and 3-D Archive's Robert Furmanek chats about the challenges inherent in restoring this certifiable sci-fi classic to its current eye-poppingly spectacular 3-D grandeur.
      PLUS: OPENING "DICK PICKS" SEGMENT SALUTES UNIVERSAL'S "THE MARX BROTHERS SILVER SCREEN BLU-RAY COLLECTION." AND A PREVIEW OF THE UPCOMING KINO RELEASE OF THE 3-D ARCHIVE'S "THOSE REDHEADS FROM SEATTLE".

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

    • More >
    •  
  1. Press Release

    •  
    • TCM Remembers Robert Osborne - 3/18-19

    • Turner Classic Movies will dedicate two entire days to honor the legacy of longtime host Robert Osborne. Airing all day on Saturday, March 18 and Sunday, March 19, the 48-hour tribute will feature an extensive collection of the long-form interviews Osborne conducted during his 23 year tenure with the network, including:
      -Memorable installments of Private Screenings and Live from the TCM Classic Film Festival.
      -Special edition of Private Screenings where actor Alec Baldwin interviewed Osborne on the host's 20th anniversary at the network
      -Robert's first-film introduction for the network of Gone with the Wind
      -Among the Private Screenings specials featured during TCM's tribute to Osborne are his interviews with such legendary stars as Debbie Reynolds, Liza Minnelli, Betty Hutton and Ernest Borgnine.
      -Installments of TCM's annual Live from the TCM Classic Film Festival featured will include Robert's intimate interviews with screen legends such as Peter O'Toole, Eva Marie Saint, Kim Novak, Alan Arkin and Luise Rainer, who was 101 at the time of the interview and without her hearing aids, a situation Osborne graciously worked around by writing each question out on a noteptad for her to read.

      TCM's loving tribute to Osborne will showcase the qualities expressed in a message from TCM General Manager Jennifer Dorian, who wrote, "Robert was embraced by devoted fans who saw him as a trusted expert and friend. His calming presence, gentlemanly style, encyclopedic knowledge of film history, fervent support for film preservation and highly personal interviewing style all combined to make him a truly world-class host."

      The complete schedule for TCM's tribute to Robert Osborne is included below:

      TCM Remembers Robert Osborne

      Saturday, March 18
      6 a.m. - Private Screenings: Robert Osborne
      7:30 a.m. - Private Screenings: Norman Jewison
      9 a.m. - Robert Osborne's 20th Anniversary Tribute
      10:15 a.m. - Live From the TCM Classic Film Festival: Alan Arkin
      11:30 a.m. - Live From the TCM Classic Film Festival: Luise Rainer
      12:15 p.m. - Private Screeniings: Liza Minnnelli
      1:30 p.m. - Private Screenings: Robert Osborne
      3 p.m. - Live From the TCM Classic Film Festival: Eva Marie Saint
      4:15 p.m. - Robert Osborne's 20th Anniversary Tribute
      5:30 p.m. - Live From the TCM Classic Film Festival: Peter O'Toole
      6:45 p.m. - Live From the TCM Classic Film Festival: Kim Novak
      8 p.m. - Robert Osborne introduces Gone with the Wind in his first-ever on-air appearance as TCM's host
      8:05 p.m. - Private Screenings: Robert Osborne
      9:30 p.m. - Private Screenings: Debbie Reynolds
      10:30 p.m. - Private Screenings: Betty Hutton
      11:45 p.m. - Private Screenings: Liza Minnelli
      12:45 a.m. - Private Screenings: Robert Osborne
      2:15 a.m. - Private Screenings: Norman Jewison
      3:30 a.m. - Private Screenings: Ernest Borgnine
      4:45 a.m. - Robert Osborne's 20th Anniversary Tribute

      Sunday, March 19
      6 a.m. - Private Screenings: Liza Minnnelli
      7 a.m. - Live From the TCM Classic Film Festival: Eva Marie Saint
      8:15 a.m. - Live From the TCM Classic Film Festival: Kim Novak
      9:15 a.m. - Live From the TCM Classic Film Festival: Peter O'Toole
      10:30 a.m. - Private Screenings: Robert Osborne
      Noon - Robert Osborne's 20th Anniversary Tribute
      1 p.m. - Live From the TCM Classic Film Festival: Alan Arkin
      2:15 p.m. - Live From the TCM Classic Film Festival: Luise Rainer
      3 p.m. - Private Screenings: Ernest Borgnine
      4:15 p.m. - Private Screenings: Norman Jewison
      5:30 p.m. - Private Screenings: Robert Osborne
      7 p.m. - Private Screenings: Liza Minnelli
      8 p.m. - Robert Osborne's 20th Anniversary Tribute
      9 p.m. - Live From the TCM Classic Film Festival: Eva Marie Saint
      10:15 p.m. - Live From the TCM Classic Film Festival: Luise Rainer
      11 p.m. - Robert Osborne's 20th Anniversary Tribute
      Midnight - Live From the TCM Classic Film Festival: Peter O'Toole
      1:15 a.m. - Live From the TCM Classic Film Festival: Kim Novak
      2:30 a.m. - Live From the TCM Classic Film Festival: Alan Arkin
      3:45 a.m. - Private Screenings: Robert Osborne
      5:15 a.m. - Live From the TCM Classic Film Festival: Luise Rainer

      (All times Eastern)

    • More >
    •  
Alan Ladd: The 1940s Collection DVD
$35.95
was $44.95
The Ghost and Mrs. Muir DVD
$10.47
was $14.98
Hard-boiled detective Sam Spade gets caught up in the murderous...
$14.96
was $19.98
Close

Close

  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca