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  1. Top News Stories

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    • The Eddy Duchin Story on Blu-ray

    • The vogue for musical biographies in the classic Hollywood mold was beginning to wane when Anthony Mann and James Stewart scored a major hit The Glenn Miller Story, a romanticized telling of the life of the famous, ill-fated band leader. Two years later Columbia came up with this look at another big name, a pianist-bandleader who specialized in a lush Manhattan sound as opposed to the jazz of his time. Director George Sidney's The Eddy Duchin Story (1956) is a sincere and leisurely tale that doesn't try to be much more than two hours of melody and emotion. It also features fine performances from Tyrone Power, Kim Novak, and the City of New York.

      New York, 1931: Running away from a career as a pharmacist, young pianist Eddy Duchin (Tyrone Power) gets a job at the Central Park Casino playing intermissions for big bandleader Leo Reisman (Larry Keating). His introduction to the tuxedo set comes thanks to the intervention of beautiful socialite Marjorie Oelrichs (Kim Novak). As Eddy's popularity soars he overcomes his ambitions to join high society, only to fall in love with Marjorie. Duchin and his piano-led orchestra eventually become a top attraction of the Depression years. After his happy wedding to Marjorie, Eddy is certain that an angel must be looking after him. And then tragedy steps in to change everything.

      Hollywood musical biographies date quickly. Many are little more than mawkish bits of plotting and overeager actors, sandwiched between overblown production numbers. Real biographical facts are not a requirement, as the subject's personality is usually enlarged to become as big and romantic as his music. There's nothing very cinematic about watching a composer writing a song, which is why Words and Music (Rodgers & Hart) becomes a vaudeville show and Yankee Doodle Dandy (George M.Cohan) an ode to patriotic idealism. In these pictures the heroes are all touched by a magical 'genius' that opens doors and creates riches out of pure harmony. In movies like The Al Jolson Story, the message is that the 'great talent' has attained a new level of existence, like a demigod -- and the great music is there to convince us of it.

      Eddy Duchin is the perfect material for a musical biography, a wildly popular New York pianist of the 1930s. He dazzled the hi-toned nightclub crowd with his keyboard style, which included stunts like reversing hands in the middle of a piece. Duchin's early passing in 1951 provides the movie with a bittersweet ending, but central to his story is a personal tragedy that torpedoed what had previously been a charmed life. Much of the second half of The Eddy Duchin Story shows a bitter man only slowly finding his way back to his earlier values. For positive uplift, there's Eddy's son Peter, who in real live idolized his father and became a popular pianist in his own right.

      Duchin's story needs no exaggeration to generate the requisite pride and pathos of the genre, and director George Sidney lends it a sense of balance and elegance. Tyrone Power is far too old to play the young Duchin but his makeup here fares much better than that in John Ford's The Long Gray Line just a year earlier. To untrained eyes Power's keyboard work is quite convincing, as if he had studied Duchin's style before faking the fancy moves of the first pianist superstar.

      But the biggest appeal of The Eddy Duchin Story is probably Kim Novak, who at the time was in first bloom as one of the biggest stars in Hollywood. She's perfectly cast here as a classy heiress who swims in only the most exclusive Park Avenue circles. The manners and gilt of these surroundings are far more natural to her than the rowdy campus life in Five Against the House, and Novak never seemed enough of a schemer to be the femme fatale of Pushover. In The Eddy Duchin Story she's sensual and forbiddingly ladylike at the same time, qualities that surely excited Alfred Hitchcock when he needed a replacement for Vera Miles in Vertigo. No star wears clothing as well as did Novak; she hasn't a single un-photogenic angle.

      After forty minutes of upward career arc culminating in artistic and personal success, the Duchins have finally reached a state of bliss, installed in a glorious penthouse apartment overlooking Central Park. That's when the film takes a sudden plunge into melodrama. On her wedding night Marjorie admits her terror of the wind, an unwelcome dark thought that enters as if a stagehand walked onscreen carrying a sign reading: Harbinger of Doom. Personal loss is a staple of musical biographies. As 'Red' Nichols, Danny Kaye lost a beloved child in The Five Pennies, and Eddy Duchin has his own date with tragedy. Kim Novak's sudden exit from the movie puts a definite damper on the proceedings.

      The rest of the film covers Eddy's initial estrangement from his growing son, his war service, and his second chance at happiness before leukemia cut him short. All of it retains a sense of restraint. The thankless role of wife Number Two is played by a young Victoria Shaw, an interesting actress seen mostly in cheaper Columbia fare such as Sam Fuller's Verboten! Power's anxiety and Shaw's strength prevent the show from veering into soap opera.

      George Sidney bathes The Eddy Duchin Story in glossy production values. The tasteful nightclub sets are packed with patrons in period costumes. Sidney's utilizes his MGM experience to prevent the frequent musical interludes from becoming repetitive. Some border on the obvious, as when sailor-Eddy plays a duet with an Okinawan tot on a piano found in a bombed-out bar. But the hot numbers in the NYC nightclubs set a standard for classy presentation, especially I'll Take Manhattan and Brazil, complete with fancy angles through Duchin's shiny grand piano.

      Even more classy and nostalgic are the film's many scenes filmed on location in and around Central Park and Park Avenue. The Technicolor photography captures many moods, especially in rainy weather. Coupled with the lush music score, these romantic sections are pleasant in and of themselves, like the scenery in a widescreen Western.

      James Whitmore, even more subdued than usual, fills out the stock role of Duchin's agent and manager. Young Rex Thompson played Deborah Kerr's son in the same year's The King and I and lends some interesting shadings to young Peter Duchin. Somewhere among the party girls is a young Betsy Jones-Moreland, who later became a Roger Corman perennial.

      The Twilight Time Blu-ray of The Eddy Duchin Story is a handsome rendering of this beautifully filmed show. Set against George Duning's romantic music, many of those scenes wandering through Central Park have the elegance of a fashion shoot. Tyrone Power & Kim Novak in color and CinemaScope, strolling in Manhattan... it's a piece of Hollywood glamour.

      The carefully produced audio track is in two-channel stereo, and an Isolated Music and Effects track is present. The original trailer plays up the film's classier aspects. Julie Kirgo's insert notes compare the real Mr. and Mrs. Duchin with their fictional counterparts and note the similar fate of star Tyrone Power, who died just two years later at the age of 44.

      By Glenn Erickson

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  1. New Books

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

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    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

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    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

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  1. DVD Reviews

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    • Dick Dinman & Eddie Muller Explore THE ASPHALT JUNGLE!

    • DICK DINMAN & EDDIE MULLER EXPLORE "THE ASPHALT JUNGLE": Producer/host Dick Dinman welcomes back the "Czar of Noir" himself Eddie Muller as both celebrate the Criterion Collection's pristine release on Blu-ray of John Huston's THE ASPHALT JUNGLE which remains conceivably the greatest "heist/noir" masterwork ever committed to celluloid. (It's early in the year but its difficult to conceive that any home video outfit in the ensuing year will be able to top the astonishing "special features" included on this sensational disc.)

      PLUS: Show opener "Dick's Picks" salutes the Criterion Collection's recent Blu-ray releases of Robert Altman's McCABE & MRS. MILLER, Marlon Brando's ONE EYED JACKS and Howard Hawks' HIS GIRL FRIDAY.

      COMING SOON: DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND"!

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman Salutes Air Hero Jimmy Stewart!

    • DICK DINMAN SALUTES WW2 AIR HERO JIMMY STEWART: The dual releases of Olive Films stunning Blu-ray incarnation of the James Stewart air power classic STRATEGIC AIR COMMAND as well as author Robert Matzen's awe inspiring book MISSION: JIMMY STEWART AND THE FIGHT FOR EUROPE, which for the first time ever reveals the truth about Stewart's dangerous bombing missions over Germany, give producer/host Dick Dinman ample motivation to salute the spectacular military career of screen icon Stewart and Dick is joined by returning guest Robert Matzen as they marvel at the courage, skill and fortitude of this certifiable American hero.

      The opening DICK'S PICKS segment salutes Olive Films and their latest Blu-ray releases of not only STRATEGIC AIR COMMAND but Orson Welles' MACBETH (two versions!), HOUDINI, THE PRIVATE AFFAIRS OF BEL AMI, VILLA RIDES. ONE OF OUR AIRCRAFT IS MISSING and two new 4k releases of THE QUIET MAN and JOHNNY GUITAR (first time in original widescreen format on home video!).

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Salute Ultra-Rare Noir Classics!

    • DICK DINMAN & EDDIE MULLER SALUTE ULTRA-RARE NOIR CLASSICS: Producer/host Dick Dinman and Film Noir Foundation's Czar of Noir Eddie Muller wax poetic about the first-rate Blu-ray releases of three rarely seen film noir gems: Flicker Alley's dark and deadly duo of two heretofore thought virtually lost noir thrillers TOO LATE FOR TEARS and WOMAN ON THE RUN and KL Studio Classics 99 RIVER STREET about which Dick and Eddie have a rare major disagreement regarding the validity of what some consider the most memorable two scenes in the film.

      PLUS: A preview of KL Studio Classics upcoming noir Blu-ray release CRY OF THE CITY.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Kathleen Hughes Return to 3-D "Outer Space!"

    • DICK DINMAN & KATHLEEN HUGHES RETURN TO 3-D "OUTER SPACE": Kathleen Hughes, whose breakout appearance in Universal-International's first 3-D blockbuster inspired the media to dub her the "first feminine sensation created by 3-D" rejoins producer/host Dick Dinman to salute Universal Pictures Home Entertainment's wonderfully immersive 3-D Blu-ray release of IT CAME FROM OUTER SPACE (immaculately restored by the 3-D Archive) and shares priceless memories about her career from her very first film ROAD HOUSE (just released on Blu-ray by Kino's KL Studio Classics) to her time as a contract star at Universal and 3-D Archive's Robert Furmanek chats about the challenges inherent in restoring this certifiable sci-fi classic to its current eye-poppingly spectacular 3-D grandeur.
      PLUS: OPENING "DICK PICKS" SEGMENT SALUTES UNIVERSAL'S "THE MARX BROTHERS SILVER SCREEN BLU-RAY COLLECTION." AND A PREVIEW OF THE UPCOMING KINO RELEASE OF THE 3-D ARCHIVE'S "THOSE REDHEADS FROM SEATTLE".

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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Alan Ladd: The 1940s Collection DVD
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The Ghost and Mrs. Muir DVD
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca