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  1. Top News Stories

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    • Important Schedule Change on Friday, May 13th to Honor the Late Jackie Cooper

    • Turner Classic Movies will remember the life and career of actor-director Jackie Cooper on Friday, May 13, beginning at 6 a.m. (ET). The special tribute will showcase nine films from Cooper's days as one of Hollywood's most popular child stars. Included in the lineup are O'Shaugnessy's Boy (1935), Treasure Island (1934) and the heart-wrenching boxing classic The Champ (1931), all three co-starring Wallace Beery. The day will also feature The Devil Is a Sissy (1936), co-starring Freddie Bartholomew and Mickey Rooney, and Tough Guy (1936), with Rin Tin Tin Jr. :

      6:00 AM Dinky ('35)
      7:15 AM Divorce in the Family ('32)
      8:45 AM O'Shaughnessy's Boy ('35)
      10:15 AM Boy of the Streets ('37)
      11:45 AM Gallant Sons ('40)
      1:15 PM Tough Guy ('36)
      2:45 PM The Devil is a Sissy ('36)
      4:30 PM Treasure Island ('34)
      6:30 PM The Champ ('31)


      TCM REMEMBERS JACKIE COOPER (1922-2011)

      One of the most popular child actors in Hollywood history, Jackie Cooper won moviegoers' hearts as the adorable lead in such classic melodramas as "The Champ" (1931) and "Treasure Island" (1934). Unlike many of his fellow juvenile players, he enjoyed a bountiful career as an adult in both the acting and directing fields. Cooper was a box office draw as a boy thanks to his All-American looks and ability to produce gallons of tears upon command. After falling out of favor as a teen, he returned to the business in his thirties as an in-demand player on television. Directing for shortform TV became a second career in the 1960s, as did a stint as an executive for Screen Gems; he divided his time between acting gigs in films like "Superman: The Movie" (1978) with directing and producing assignments until the late 1980s. Cooper's trove of family films from his child days, and his vast body of work as an adult, made him one of the longest-running success stories in Hollywood.

      One could say that John Cooper, Jr. was born into the movie business. His father, John Cooper, was a publicist, while his extended family included uncles Norman Taurog, a well-regarded director, and screenwriter Jack Leonard, as well as his aunt, actress Julie Leonard. Cooper's father abandoned the family just two years after his son was born in Los Angeles on Sept. 15, 1922, and his mother, former child actress Mabel Leonard Polito, married studio production manager C.J. Bigelow, which furthered his connection to the industry. His grandmother brought Cooper along with him on auditions for extra work, which led to him working as a background player. Blessed with a generous grin, pinchable cheeks and a shock of blond hair, he was soon playing bit roles in short comedies before graduating to the "Our Gang" series in 1929. Originally slated as a supporting character, his natural screen presence elevated him to lead status, most notably in the shorts that dealt with his overwhelming crush on June Marlowe's schoolteacher, Miss Crabtree.

      In 1931, Cooper was loaned to Paramount to star in "Skippy," a tear-jerking melodrama based on a popular comic strip. The film, directed by his Uncle Norman, pulled mercilessly at audiences' heartstrings in its story of a young boy (Cooper) who loses his beloved dog, which produced the ocean of tears that became Cooper's trademark. According to the actor, Taurog was instrumental in generating the emotional outburst by telling his star that he had killed the dog in real life. Audiences were floored by the nine-year-old Cooper's performance, which earned him an Academy Award nomination and the record as the youngest actor to receive such an honor in film history. Now ensconced at MGM, Cooper starred in a series of melodramas which placed him in Dickensian scenarios that would inevitably result in a flood of weeping; "When A Fellow Needs a Friend" (1931) cast him as a handicapped boy struggling to be accepted as "normal," while "Divorce in the Family" saw him as the prize between two competitive and highly insensitive fathers. Moviegoers could not get enough of Cooper's cinematic travails, which made him one of the top stars of the early 1930s. Dubbed "America's Boy" by the MGM press machine, he was featured in countless advertising campaigns, dined with then-President Franklin Delano Roosevelt, and was the idol of millions of adolescent girls and (presumably jealous) boys.

      The key films from this period of Cooper's career were his collaborations with character actor Wallace Beery. Their first picture together, the boxing drama "The Champ" (1931), told the story of a broken-down fighter (Beery) attempting to redeem himself in the eyes of his son (Cooper), who loves him unconditionally. The film's final moments, in which the camera was literally thrust into Cooper's face as he wept over Beery's death, remained a high water mark in movie melodrama for years, and firmly established both actors as box office gold. They would go on to star in several more films, including a much-loved adaptation of "Treasure Island" (1934) with Beery as Long John Silver and Cooper as Jim Hawkins. Movie goers believed in the special chemistry between the two actors, but in real life, Beery treated Cooper with disdain and upstaged him whenever possible during production.

      Cooper's star began to wane at the tail end of the 1930s. Now entering his teens, he was no longer the baby-faced juvenile of his early films. He had in fact worked hard to escape that label through rigorous exercise, which produced an impressive physique for publicity photos, and promotional scenarios that pictured him on the arm of numerous teen starlets, including Judy Garland and Deanna Durbin. He attempted to segue into tough kid roles, but audiences preferred him as the Nice Young Man in pictures like "What a Life" (1939), as the soppy Henry Aldrich, or teen romances like "That Certain Age" (1938), which featured his first screen kiss courtesy of Durbin. There were occasional opportunities to show his range, such as in the Western "The Return of Frank James" (1940) with Henry Fonda, and the fun jazz musical "Syncopation" (1942), but by the mid-1940s, Cooper's career as the male Shirley Temple was largely over.

      He joined the U.S. Navy and served during World War II, eventually reaching the rank of captain. Upon his return to civilian life, he found it difficult to land movie roles, and by 1948, was without a studio contract for the first time in nearly two decades. Faced with the daunting fact that he was untrained to do anything outside of acting, he headed for New York to try his hand at stage work. There, he made his debut in a 1949 production of "Magnolia Alley." The popular comedy-drama "Mister Roberts" kept him busy for the next few years; he played Ensign Pulver in the American touring production and then in the London production in 1951.

      Television was also Cooper's steady medium through the 1950s. He appeared in nearly every major anthology drama of the period, including multiple episodes of "Studio One" (CBS, 1948-1958) and "Robert Montgomery Presents" (NBC, 1950-57). The constant exposure helped to dispel the image of Cooper as the lachrymose boy of yesteryear, replacing it with a capable and versatile character actor and occasional lead whose performances were marked by a surprising caginess and energy. In 1955, he developed his first network series, "The People's Choice" (NBC, 1955-58), a quirky drama about a tough city councilor who butts heads with the mayor while dating his daughter (Pat Breslin). The show's gimmick was Cooper's basset hound, which frequently spoke in asides to the audience, but not her cast mates. Popular with viewers, "People's Choice" netted Cooper two Emmy nominations for Best Actor, and launched his second career as a television director. Its premature cancellation sent Cooper back to the drawing board for his second series, "Hennessey" (NBC, 1959-1962), a comedy-drama about life at the U.S. Naval Station in San Diego that netted two more Emmy nods for Cooper.

      The oddball comedy "Everything's Ducky" (1961) marked Cooper's first movie appearance in over a decade, but the return would be short-lived. In 1964, he was appointed to Vice President of Program Development for Screen Gems, better known as Columbia Pictures' television division. The position saw Cooper packaging series and TV movies for the networks, including "Bewitched" (ABC, 1964-1972). He was off the big and small screens for nearly the entire run of his executive career, save for one television movie, the futuristic thriller "Shadow on the Land" (ABC, 1968). After leaving Columbia in 1969, Cooper divided his time between directing for episodic television and acting for the small screen, with occasional returns to features. The most successful of the latter was his turn as the irascible Perry White, editor of the Daily Planet in Richard Donner's "Superman: The Movie" (1978) and its sequels, "Superman II" (1980), "Superman III" (1983) and "Superman IV: The Quest for Peace" (1987). He was a last-minute replacement for actor Keenan Wynn, who suffered a heart attack shortly before filming began. He also tackled the news business in "Mobile One" (ABC, 1975), a short-lived drama from Jack Webb about a TV news crew that marked his final attempt at a network series.

      As a director, Cooper won two Emmys for his work on "M*A*S*H" (CBS, 1972-1983) and the pilot episode of "The White Shadow" (CBS, 1978-1981). He also helmed multiple episodes of some of the most popular shows of the 1970s and 1980s, including "The Rockford Files" (NBC, 1973-1980), "Magnum, P.I." (CBS, 1980-88) and "Cagney and Lacey" (CBS, 1982-88). He began directing features for television with 1972's "Keep the Faith" (CBS), with Bert Convy and Howard Da Silva as squabbling rabbis, but graduated to more substantive work in the 1980s like the Emmy-nominated "White Mama" (CBS, 1980) with Bette Davis, and "Rosie: The Rosemary Clooney Story" (CBS, 1982) with Sondra Locke in the title role. He directed just one theatrical feature, "Stand Up and Be Counted" (1972), a comedy about the women's equality movement with Jacqueline Bisset that failed at the box office.

      In 1982, Cooper released Please Don't Shoot My Dog, a no-holds barred autobiography which revealed the truth about his working relationship with Beery, a wild romance with Joan Crawford while still in his teens, and escapades on the seedier side of Tinseltown. Cooper continued to act and direct until 1989, when he announced his retirement to train and race horses. As late as 2006, he was a frequent interview subject on documentaries and television specials about his days as a child actor, as well as the Golden Age of Hollywood and the many projects with which he was associated.

      Jackie Cooper died in Santa Monica, California on Tuesday, May 3, 2011. He was 88 years old.

      * Biographical data supplied by TCMdb

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  1. New Books

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    • Sophia Loren: Movie Star Italian Style

    • by Cindy De La Hoz

      From the humblest of beginnings in her native Italy, Sophia Loren would flourish on the world stage as one of the most beautiful and talented actresses the screen has ever known. A prize in a beauty contest at age 16 led to a career that has lasted more than sixty years and performances in a diverse canon of films, including The Pride and the Passion, Houseboat, Marriage Italian Style, Grumpy Old Men, and Two Women, for which she was awarded the first Best Actress Oscar given to the star of a foreign film.

      Sophia Loren: Movie Star Italian Style is a photographic tribute to the beloved icon, recounting the star's extraordinary life and notable films with famous costars and directors and quotes by Sophia and those who have known her best. Filled with hundreds of rare color and black-and-white photographs, it's a volume as stunning as its ageless subject.


      Cindy De La Hoz is the author of several books on film and fashion- among them, Audrey and Givenchy, Lucy at the Movies, and Lana: The Memories, the Myths, the Movies, which Leonard Maltin called "one of the best books about a star I've ever read." She has also edited numerous books on film history and women's lifestyle subjects. Cindy lives in Philadelphia, PA.

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    • Backwards & In Heels: The Past, Present And Future Of Women Working In Film


    • It's almost 2018 yet Hollywood is still an old-boys club treating all women like second-class citizens. Screen Junkies and Fandango host and pundit, Alicia Malone, pulls back the curtain in this call-to-action truth teller. Jennifer Lawrence, Emma Watson, Mila Kunis, Emmy Rossum, Jessica Chastain and Lena Dunham are only a few of the thousands of women in the film industry being discriminated against for their gender. The pay-gap in Hollywood is only part of the problem.

      "After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels..." - Ann Richards

      Women have been instrumental in the success of American cinema since its very beginning. One of the first people to ever pick up a motion picture camera was a woman, as was the first screenwriter to win two Academy Awards, the inventor of the boom microphone and the first person to be credited with the title Film Editor. Throughout the entire history of Hollywood women have been revolutionizing, innovating, and shaping how we make movies, yet their stories are rarely shared. This is what film reporter Alicia Malone wants to change. Backwards and in Heels tells the history of women in film in a different way, with stories about incredible ladies who made their mark throughout each era of Hollywood. From the first women directors to the iconic movie stars and present day activists--each of these stories are inspiring in the accomplishments of women, and they also highlight the specific obstacles women have had to face. Backwards and in Heels combines research and exclusive interviews with influential women and men working in Hollywood today, such as Geena Davis, J.J. Abrams, Ava DuVernay, Octavia Spencer, America Ferrera, Paul Feig and many more, as well as film professors, historians and experts. Think of Backwards and in Heels as a guidebook--your entry into the complex world of women in film. Join Alicia Malone as she champions Hollywood women of the past and present, and looks to the future with the hopes of leveling out the playing field.


      Alicia Malone is a film reporter, host, writer and self-confessed movie geek. She first gained notice hosting movie-centric shows and reviewing films in her native Australia, before making the leap to Los Angeles in 2011. Since then, Alicia has appeared on CNN, the Today show, MSNBC, NPR and many more as a film expert. Currently, she is a host on FilmStruck, a cinephile subscription streaming service run by the Criterion Collection and Turner Classic Movies, and she is the creator and host of the weekly show, Indie Movie Guide on Fandango. Alicia is passionate about classic films, independent movies and supporting women in film. In 2015, Alicia gave a TEDx talk about the lack of women working in film and why this is important to change. In 2017, she was invited to give a second TEDx talk, where she spoke about the hidden stories of the earliest women working in Hollywood. Alicia has also spoken at conferences around America, and because of this, was named of one the 100 Worthy Women of 2016. Alicia has traveled the world to cover the BAFTAs, the Oscars, the Cannes Film Festival, Toronto Film Festival, Sundance Film Festival, Telluride Film Festival and SXSW. She is a member of the Broadcast Film Critics Association, and over the years has interviewed hundreds of movie stars and filmmakers. She also wrote this bio, but knew it would sound way less egotistical if written in third person.

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    • Kirk and Anne: Letters of Love, Laughter, and a Lifetime in Hollywood


    • As screen icon Kirk Douglas approaches his 100th birthday, he and his wife of 62 years, Anne Buydens, share secrets to longevity in life and love told through candid commentary and priceless correspondence between each other and famous friends from celebrities to world leaders, spanning almost a century.

      Part of Turner Classic Movies' publishing program, this book is the story of film legend and centenarian Kirk Douglas and his wife of nearly sixty-three years, Anne. Their stories of enduring love and a lifetime led on the world stage unfold through the couple's own candid commentary and priceless letters from their personal archives. Carefully maintained by Anne over the course of more than six decades and never before made public, the correspondence includes details of their courtship and marriage, set against the backdrop of Kirk's screen triumphs in films ranging from Lust For Life to Paths of Glory and Spartacus.

      Through the letters themselves and Kirk and Anne's words, never-before-told stories emerge about the legendary figures they knew so well, including Lauren Bacall, Frank Sinatra, Burt Lancaster, Elizabeth Taylor, John Wayne, the Kennedys, and the Reagans; fascinating first-hand accounts of film sets and star-studded dinner parties; and tales of travel to over forty countries as goodwill ambassadors. Complemented by previously unpublished photos, Kirk and Anne candidly details the adventurous, oftentimes comic, and poignant reality behind the glamour of a Hollywood life, as only a couple of sixty-two years (and counting) could tell it.


      Kirk Douglas, a living legend at age 100, has distinguished himself as an actor, producer, philanthropist, and author. His numerous recognitions for achievements both on and off screen include an Academy Award for Lifetime Achievement, the Presidential Medal of Freedom, and France's Legion of Honor. Over a career spanning seventy years, he starred in some eighty films.

      Anne Buydens Douglas built her career in the film industry as a publicist. She met Kirk Douglas during the making of Act of Love (1953) and they married soon after. Anne would become his closest advisor and eventually take the reins as president of their independent production company, Bryna Productions.

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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  1. DVD Reviews

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    • Dick Dinman & Eddie Muller Reach Their BREAKING POINT!

    • DICK DINMAN & EDDIE MULLER REACH THEIR "BREAKING POINT": TCM's acclaimed "Noir Alley" host Eddie Muller joins producer/host Dick Dinman in a noir-ish duet as both sing the praises of Michael Curtiz' alternately tough and tender John Garfield masterpiece THE BREAKING POINT (which Eddie feels is Curtiz' best directed feature) and the Criterion Collection's shimmeringly spotless Blu-ray release of this Warner Bros. gem is certain to restore this comparatively obscure film to it's rightful position as one of the finest film noir classics ever committed to celluloid.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman Salutes Cagney/Wilder Comedy Classic ONE, TWO, THREE

    • DICK DINMAN SALUTES CAGNEY/WILDER CLASSIC "ONE, TWO, THREE": Kino Lorber's KL Studio Classics division has just released on Blu-ray Billy Wilder's break-neck mile-a-minute cold war comedy classic ONE, TWO, THREE in which Hollywood great James Cagney gives one of the richest, funniest, most breathlessly paced performances of his career and joining producer/host Dick Dinman to salute this frantically paced comedic milestone is classic film distributor and popular writer, producer and director Michael Schlesinger whose commentary is one of the highlights of this much requested and long awaited Blu-ray release.

      PLUS: "Dick's Picks" salutes KL Studio Classics Blu-ray releases of Hitchcock's LIFEBOAT, THE INDIAN FIGHTER, MARJORIE MORNINGSTAR, A FAREWELL TO ARMS, TOUGH GUYS, DAREDEVILS OF THE RED CIRCLE, THE SHIEK and SON OF THE SHIEK, ZAZA and the 3-D Archive's brilliantly immersive 3-D restoration of THOSE REDHEADS FROM SEATTLE.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & George Feltenstein Salute Tracy/Hepburn, Scott/McCrea Hits!

    • DICK DINMAN & GEORGE FELTENSTEIN SALUTE TRACY/HEPBURN, SCOTT/McCREA HITS!: Warner Home Video's popular Senior Vice President of Classic and Theatrical Marketing George Feltenstein rejoins producer/host Dick Dinman as both salute the Blu-ray release of George Stevens' WOMAN OF THE YEAR which teamed Spencer Tracy and Katharine Hepburn for the very first time (and which together with Criterion's astounding Blu-ray incarnation of Michelangelo Antonioni's countercultural masterpiece BLOW-UP continues Warner Home Video's highly acclaimed association with the prestigious Criterion Collection) as well as the spectacular looking Warner Archive Blu-ray release of Sam Peckinpah's legendary masterwork RIDE THE HIGH COUNTRY in which iconic western stars Randolph Scott and Joel McCrea unite for the first and only time.
      PLUS: The underrated Glenn Ford/Henry Fonda contemporary western comedy THE ROUNDERS, Henry Fonda in SPENCER'S MOUNTAIN, the Sci-Fi hits WORLD WITHOUT END, WHEN DINOSAURS RULED THE EARTH and much in demand cult classic FROM HELL IT CAME in which a marauding and perpetually scowling tree terrorizes even more wooden thespians.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

      COMING SOON: JAMES CAGNEY RULES IN BILLY WILDER'S ONE, TWO, THREE!

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    • Dick Dinman & George Feltenstein Salute Kelly & Astaire Musicals!

    • DICK DINMAN & GEORGE FELTENSTEIN SALUTE KELLY & ASTAIRE MUSICALS: Warner Home Video and it's Warner Archive continue their celebrated tradition of releasing the greatest musicals of dancing legends Gene Kelly and Fred Astaire in pristine Blu-ray quality with the respective Blu-ray releases of Kelly's IT'S ALWAYS FAIR WEATHER and Astaire's FINIAN'S RAINBOW and producer/host Dick Dinman welcomes back Warner Home Video's Sr, Vp. of Classic and Theatrical Marketing George Feltenstein as both explore the immense challenges and difficulties both films faced during each of their production periods and the myriad of reasons that both films are far more popular today than they were in their initial releases.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

      COMING SOON: TRACY & HEPBURN! SCOTT & McCREA!! TABONGA!!!

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    • Dick Dinman Salutes Undervalued Star Van Johnson!

    • DICK DINMAN SALUTES UNDERVALUED STAR VAN JOHNSON: Kino Lorber's KL Studio Classics division has just released on Blu-ray a sparkling brand new 4K restoration of the riveting suspense thriller 23 PACES TO BAKER STREET and producer/host Dick Dinman welcomes noted author and classic film aficionado John McElwee to the show as both pay tribute to the versatile and undervalued 23 PACES TO BAKER STREET star Van Johnson.

      PLUS: "Dick's Picks" salutes KL Studio Classics Blu-ray releases of I WAKE UP SCREAMING, Elia Kazan's BOOMERANG, THE HOUSE ON 92nd STREET, THE LODGER, Preston Sturges' BEAUTIFUL BLONDE FROM BASHFUL BEND, Fritz Lang's WESTERN UNION, Henry King's DAVID & BATHSHEBA and PRINCE OF FOXES, NO HIGHWAY IN THE SKY, THE SICILIAN CLAN and BOY ON A DOLPHIN (stunning new 4K restoration!).

      EXTRA!
      DICK DINMAN SALUTES COHEN'S CHABROL COLLECTION!


      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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  1. Press Release

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    • Web Reviewer Glenn Erickson Launches 'CineSavant'


    • Web reviewer Glenn Erickson, aka 'DVD Savant' has established a new home under a new identity, 'CineSavant.' Reviewing independently since 1998, the Savant database has grown to over five thousand reviews and articles, and become one of the most respected and sought-out review pages on the web for news and opinions about classic films on disc. Readership boomed when the page Trailers from Hell picked up Glenn's reviews as featured content in 2015.

      A varied background helps add perspective to Glenn's reviews; from the UCLA Film School he worked in special effects, and then moved on to TV commercial work, and trailers for The Cannon Group. A long stint with MGM/UA Home Video led to editing large-scale DVD extras and other special projects. He began writing for the web in 1997 as 'MGM Video Savant.' Working with the film curators at MGM, Glenn helped detect and produced the restoration of the original ending of the film noir classic Kiss Me Deadly. Glenn has published two books of reviews, and has been writing and researching for TCM since 2004.

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    • Library of America's The Moviegoer on LAURA

    • Library of America's new regular web feature called The Moviegoer is devoted to great films inspired by classic American writing. This biweekly column features columns by Megan Abbott, David Denby, Wendy Lesser, Charles McGrath, Farran Smith Nehme, Carrie Rickey,Terrence Rafferty, Harold Schechter, Michael Sragow, & others and launched on January 27, 2016.

      American literature has proven an endlessly renewable resource for filmmakers, its originality and vitality inspiring whole catalogues of memorable movies. Now Library of America, the acclaimed nonprofit publisher of the nation's greatest writing, presents The Moviegoer, a biweekly column in which curator Michael Sragow (Film Comment) and other leading writers and critics offer fresh, penetrating examinations of the best of these films, gems that readers will want to revisit or watch for the first time. Standing at the intersection of classic American writing and classic filmmaking, The Moviegoer, offers not reviews but full scale reevaluations that explore the creative alchemy involved in translating a masterwork from page (or stage) to screen. It takes its inspiration, and its catholic compass, from the hero of Walker Percy's famous novel, and, in the words of curator Sragow, "aims to generate new enthusiasm for cinema as well as for literature."

      To read the entry in the series on Laura by Megan Abbott and to sign up for an alert when a new Moviegoer is published, click here.

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    • Acclaimed documentary TAB HUNTER CONFIDENTIAL released on DVD & Blu-ray

    • FilmRise has announced the September 1 Blu-Ray and DVD release of Tab Hunter Confidential. After an incredible year on the film festival circuit and a theatrical run across fifty cities in the United States, the acclaimed documentary will be available to rent or own from all major retailers. Based on Hunter's New York Times best selling memoir, producer Allan Glaser and director Jeffrey Schwarz (I Am Divine) have assembled dozens of past and present Hollywood stars, and most importantly the man himself, to talk frankly about being a survivor of the Hollywood roller coaster. The Blu-Ray & DVD will be available nationwide at all major retailers, with autographed copies only available on Tab Hunter's official website, www.tabhunter.com. Click here to learn more and order Tab Hunter Confidential on Blu-Ray & DVD (with optional autograph).

      Throughout the 1950s, Tab Hunter reigned as Hollywood's ultimate heartthrob. In dozens of films, and in the pages of countless magazines, Hunter's astonishing looks and golden-boy sex appeal drove his fans to screaming, delirious frenzy, solidifying him the prototype for all young matinee idols to come. Bristling against being just another pretty face and wanting to be taken seriously, Hunter was one of the few to be able to transcend pin-up boy status. He earned his stripes as an actor to become a major movie star and recording artist. But throughout his years of stardom, Hunter had a secret. He was gay, and spent his Hollywood years in a precarious closet that repeatedly threatened to implode and destroy him. Decades later, Hunter's dramatic, turbulent and ultimately inspiring life story has become an explosive documentary feature.

      Tab Hunter Confidential offers unprecedented access to the man behind the marquee smile, who shares first hand what it was like to be a manufactured movie star during the Golden Age of Hollywood and the consequences of being someone totally different from his studio image. The film traces Hunter's dizzying rise to Hollywood super-stardom, his secret life in an era when being openly gay was unthinkable, and his ultimate triumph when the limelight finally passed him by and true love won.

      Punctuating Tab's on-screen presence are rare film clips and provocative interviews with friends and co-stars including John Waters, Clint Eastwood, George Takei, Debbie Reynolds, Robert Wagner, Portia de Rossi, Noah Wyle, Connie Stevens, Robert Osborne, and dozens more.

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    • 3-D Funhouse at MoMA in NYC - Sept. 1-10


    • 3-D Funhouse is a weeklong tribute to the enterprising 3-D Film Archive, whose curators have dedicated themselves to collecting, restoring, and presenting in digital form the stereoscopic films of the analog era. It takes a lot of dedication and detective work to reassemble these wonders of midcentury technology, many of which were discarded by their producers once the 1950s 3-D fad had passed. Presented here are four newly restored features, ranging from the studio musical Those Redheads from Seattle (1953) to the feisty independent science-fiction film Gog (1954), as well as a program of rare 3-D shorts.


      Organized by Dave Kehr, Curator, Department of Film.


      3-D Rarities. 1922-53
      Friday, September 1, 4:00 p.m.
      Tuesday, September 5, 4:00 p.m.
      Saturday, September 9, 1:00 p.m.

      September Storm. 1960.
      Directed by Byron Haskin

      Friday, September 1, 7:00 p.m.
      Sunday, September 3, 1:00 p.m.
      Saturday, September 9, 7:00 p.m.

      Those Redheads from Seattle. 1953.
      Directed by Lewis R. Foster

      Saturday, September 2, 4:00 p.m.
      Monday, September 4, 4:00 p.m.
      Thursday, September 7, 7:00 p.m.

      Gog. 1954.
      Directed by Herbert L. Strock

      Saturday, September 2, 7:00 p.m.
      Monday, September 4, 7:00 p.m.
      Sunday, September 10, 4:00 p.m.

      Dragonfly Squadron. 1954.
      Directed by Lesley Selander

      Sunday, September 3, 4:00 p.m.
      Tuesday, September 5, 7:00 p.m.
      Wednesday, September 6, 4:00 p.m.


      For more information, links and showtimes, visit www.moma.org.

    • More >
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To Kill a Mockingbird - 50th Anniversary DVD
$8.55
was $14.98
Out of the Past DVD
$14.36
was $17.99
Rear Window DVD
$10.47
was $14.98
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  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca