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    • An interview with Bill Cassara, author of "Edgar Kennedy: Master of the Slow Burn"

    • Cassara's latest book is a loving tribute to one of the great comic character actors in film, Edgar Kennedy. He recently took the time for a exclusive interview with TCM:

      TCM: Let's start with this. What motivated you to write the book?

      BC: I first became aware that Edgar Kennedy was born in Monterey County, Ca. when I read Leonard Maltin's book on two-reeler comedies back in the early 1980's. I was working as a Deputy Sheriff for Monterey County, so I became very intrigued to find out exactly where he was born. I wrote an article about Edgar for Classic Images back in 1997 and put in everything I knew at the time, but my curiosity continued. That led to more researching. I got lucky finding out some key events in Edgar's school years that started to round out his life story. Finally, it was Edgar's daughter, Colleen Deach, who encouraged me to write a book about her dad. It finally dawned on me that if I didn't write a book about Edgar, no one else would! For crying out loud, Edgar was a film pioneer and was the star of his own series at RKO for 17 years, he deserved a study and I felt a responsibility about it.

      TCM: What was it about Edgar Kennedy's work that stood out for you?

      BC: I love Edgar's bald, Irish Kennedy-the-Cop character for Roach when he supported Laurel & Hardy, Our Gang and The Boy Friends series. He was the well meaning, if not inept, neighborhood cop, so I identified with him. Edgar's "Average Man" character was not that far off from his Roach persona. Instead of the victimized public servant, he was victimized in his own domestic setting. Edgar relished playing the average Joe and it wasn't unnoticed. B.R. Crisler, a writer for the New York Times wrote in 1936 that Edgar "created a character as universally comprehensible as Chaplin's Little Clown and twice as real." I concur.

      TCM: Were there any stumbling blocks when you were gathering all the information during the research of your book?

      BC: The only thing worse than no leads at all is to have false leads. That includes made up "facts" by long ago Hollywood publicity writers. One such claim was Edgar fought heavyweight boxing champion Jack Dempsey for 16 rounds. They did meet in the ring, and there is a photo of it, but it was for a movie series (The Adventures of Dare Devil Jack). To make matters worse, Edgar's widow sometimes wrote erroneous information (wrong dates, film titles, etc) on the back of some of the existing photos the family had. Another example was trying to estimate Edgar's age in any given photo. That's because Edgar was prematurely bald and frequently wore toupees, even when away from the camera. One photo Colleen had, depicted Edgar with a head full of hair and surrounded by his mother and young people in front of a house. Colleen surmised it was taken pre-film career, possibly in San Francisco. Not so. We were able to match up the house in the photograph with Edgar's listed residence of 1915, it was right next door to the Keystone/Mack Sennett Studios.

      TCM: As an author myself, I know how hard it is to pursue a book project while still keeping your day job. Given your career in law enforcement, how difficult was it to keep pace with any deadlines?

      BC: When I'm at work, I dedicate myself to justice. At night, after daddy duties, I looked forward to furthering the book project. It was sheer pleasure for me compared to the rather grim investigations when on duty. There are parallels to conducting an investigation and doing research for a biography. In both situations, all leads are followed up to build a case with supporting facts/evidence. This project took over five years to complete, but the only deadline I had was self imposed. The last year I learned Colleen had a terminal illness. It was a race against the clock to get the book printed before she died. I made it by three days.

      TCM: I was moved when Kennedy's daughter stated that her father's performance as the self-sacrificing hermit in Hitler's Madman (1943) best represented her father's personality. Did you get any sense from people you interviewed that Kennedy held some muted frustration that he didn't play more drama since he was a capable dramatic actor?

      BC: There was a revealing interview Edgar once gave a British film magazine. He was aware that the public "wouldn't accept me straying too far" from his established screen image. The proof of the pudding is that even though Edgar could and did play interesting character roles, he never abandoned his own short comedy series. These were the days when being in a two-reeler was far down the ladder of prestige when compared to being a star in features. This didn't stop columnists from writing that Edgar was always begging to act but was denied the opportunities. Columnists seemed to enjoy writing about Edgar's real (or made up) life's frustrations, culminating with Edgar's inevitable Slow Burn reaction. There are not too many of Edgar's contemporaries around anymore. However, I had the pleasure of interviewing Doris Day, Sam White and the Keystone Kid - Coy Watson Jr. They fully cooperated talking to me about Edgar because of the deep respect they had working with him. Doris said, "Everyone in the business knew he was a genius."

      TCM: The tone of your book was pretty fair-minded to all his films, and you stressed a fondness for his work with Laurel and Hardy (and understandably so), but is there any particular film from Mr. Kennedy that you've grown to appreciate more since finishing the book?

      BC: I love Edgar's scene stealing character as John Wayne's side-kick in In Old California, and of course love his bit with the Marx Bros. in Duck Soup, but I can't get out of my mind the film, Hitler's Madman. It's an effective propaganda movie based on a real incident. Edgar plays a hermit, outside of the Czech town that is occupied by Nazi Germany. Is he a good guy or a spy? Edgar winds up confronting the German soldiers and all the men are taken to the town square to be shot. Edgar sings the national song defiantly and, as he is shot, continues to hold up an elderly man. Some of Edgar's Average Man series are clunkers, but it was the forerunner of situation comedy families for television. My biggest wish would be to find Across the Pacific (1926). It is now considered a lost film. Too bad, because reviewers singled out Edgar's dying scene.

      TCM: How has the reaction been from fans, historians, and his family?

      BC: Reaction from Edgar's family was one of support and appreciation. All Colleen had was a small box of photos her mom collected over the years. Unfortunately, there was no scrapbook or artifacts. I was quasi accepted as a brother in the Kennedy clan. I've heard from writers, Jack McCabe, Leonard Maltin and Richard Bann who sent me congratulations, which is really rewarding to me. I've been getting communications from around the world, thanks to the internet. The Brits have been most enthusiastic. A gentleman from Wisconsin hosted a public access TV show and aired It's Your Move. And a kind reader in Germany compared the book to a film documentary. Wow!

      TCM: Have you encountered any surprises with book signings or interviews?

      BC: When I first started my project, most people wanted to know why I wanted to write a book on Edgar. He died in 1948 and the trail was very cold. I was surprised when Colleen downplayed what she knew about her dad. Well, just like any investigation, the trick is to get them to talk and build a rapport. Colleen was soon helping to fill in the gaps by describing the USO Tours, the family homes and the Christmas parties. My surprise is that every person who went to the movies during 1948 and before, instantly recognize Edgar. The baby boomers and those born afterwards have not fully discovered him, yet.

      TCM: Do you see the legacy of his work influencing any comic actors in the years after his death? If so, how?

      BC: Edgar's "mad" character was unique in that you could see his frustration build; it registered all over his deadpanned face. His final face wipe mannerism was like a white flag signaling defeat. It takes time and footage to set up a slow burn, that's probably why we don't see it anymore. The last comic actor that could just sit there motionless and stew was Gale Gordon. A footnote to that thought; I remember once catching a Dodger baseball game on TV. After a particularly painful sequence of errors, the camera caught Manager Tommy Lasorda sitting in the dugout dejected. As he took off his cap to wipe the sweat from his brow, Dodger's broadcaster Vin Scully adlibbed, "...and Tommy does an Edgar Kennedy S-L-O-W B-U-R-N." That was brilliant, and it underscores that Edgar's Average Man is in all of us.

      TCM: What's the next big project we can expect from you?

      BC: I grew up in San Jose, Ca. and at some point in my consciousness, I became aware that film comic Vernon Dent was also born in my hometown, not too far away from my neighborhood. Now here is another long forgotten screen comedian; a working stiff who deserves more research. Vernon worked at Sennett's, supported Harry Langdon and eventually signed up for Columbia as a stock player. It was at Columbia that Vernon did the lion's share of acting with the Stooges. I have found out that Vernon's grandfather was a prominent man in San Jose, with a rich family heritage. I think I'll be writing an article about Vernon at some point. I've also been in communication with an old pal, Phyllis Coates. She played the first Lois Lane on TV, but was in many other serials and B movies. I'm hoping to help her arrange her life's memoirs. In the meantime, I'll go anywhere to public showings of old time comedies. I like to hear the audience laugh. In the meantime, here's hoping that some day TCM does a tribute to Edgar. My website is www.edgarkennedy.org

      Interview by Michael T. Toole

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  1. New Books

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

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    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

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    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

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  1. DVD Reviews

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    • Dick Dinman Salutes Air Hero Jimmy Stewart!

    • DICK DINMAN SALUTES WW2 AIR HERO JIMMY STEWART: The dual releases of Olive Films stunning Blu-ray incarnation of the James Stewart air power classic STRATEGIC AIR COMMAND as well as author Robert Matzen's awe inspiring book MISSION: JIMMY STEWART AND THE FIGHT FOR EUROPE, which for the first time ever reveals the truth about Stewart's dangerous bombing missions over Germany, give producer/host Dick Dinman ample motivation to salute the spectacular military career of screen icon Stewart and Dick is joined by returning guest Robert Matzen as they marvel at the courage, skill and fortitude of this certifiable American hero.

      The opening DICK'S PICKS segment salutes Olive Films and their latest Blu-ray releases of not only STRATEGIC AIR COMMAND but Orson Welles' MACBETH (two versions!), HOUDINI, THE PRIVATE AFFAIRS OF BEL AMI, VILLA RIDES. ONE OF OUR AIRCRAFT IS MISSING and two new 4k releases of THE QUIET MAN and JOHNNY GUITAR (first time in original widescreen format on home video!).

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Salute Ultra-Rare Noir Classics!

    • DICK DINMAN & EDDIE MULLER SALUTE ULTRA-RARE NOIR CLASSICS: Producer/host Dick Dinman and Film Noir Foundation's Czar of Noir Eddie Muller wax poetic about the first-rate Blu-ray releases of three rarely seen film noir gems: Flicker Alley's dark and deadly duo of two heretofore thought virtually lost noir thrillers TOO LATE FOR TEARS and WOMAN ON THE RUN and KL Studio Classics 99 RIVER STREET about which Dick and Eddie have a rare major disagreement regarding the validity of what some consider the most memorable two scenes in the film.

      PLUS: A preview of KL Studio Classics upcoming noir Blu-ray release CRY OF THE CITY.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Kathleen Hughes Return to 3-D "Outer Space!"

    • DICK DINMAN & KATHLEEN HUGHES RETURN TO 3-D "OUTER SPACE": Kathleen Hughes, whose breakout appearance in Universal-International's first 3-D blockbuster inspired the media to dub her the "first feminine sensation created by 3-D" rejoins producer/host Dick Dinman to salute Universal Pictures Home Entertainment's wonderfully immersive 3-D Blu-ray release of IT CAME FROM OUTER SPACE (immaculately restored by the 3-D Archive) and shares priceless memories about her career from her very first film ROAD HOUSE (just released on Blu-ray by Kino's KL Studio Classics) to her time as a contract star at Universal and 3-D Archive's Robert Furmanek chats about the challenges inherent in restoring this certifiable sci-fi classic to its current eye-poppingly spectacular 3-D grandeur.
      PLUS: OPENING "DICK PICKS" SEGMENT SALUTES UNIVERSAL'S "THE MARX BROTHERS SILVER SCREEN BLU-RAY COLLECTION." AND A PREVIEW OF THE UPCOMING KINO RELEASE OF THE 3-D ARCHIVE'S "THOSE REDHEADS FROM SEATTLE".

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller's Bogart Bonanza!

    • DICK DINMAN & EDDIE MULLER'S BOGART BONANZA (PART ONE): Producer/host Dick Dinman welcomes back distinguished Film Noir Foundation head honcho Eddie Muller as both dedicated Humphrey Bogart fans rejoice about the fact that no less than four revered Bogart classics have hit the streets recently on Blu-ray. In this first of two shows Dick and Eddie trade thoughts about the amazing cult favorite IN A LONELY PLACE (Eddie's single favorite film!) which has been released by the Criterion Collection in typically outstanding Criterion fashion and no slouch in the Blu-ray visual perfection department is the Warner Archive's release of Bogart and Bacall's most unusual thriller DARK PASSAGE which reunites them in a tale of so many unexpected twists and turns that fortunate viewers will be on the edge of their seats.

      DICK DINMAN & EDDIE MULLER'S BOGART BONANZA (PART TWO): On this second Bogart Bonanza show acclaimed Czar of Noir Eddie Muller and producer/host Dick Dinman marvel at the omnipresent degree of authenticity displayed in the rare Bogart newspaper drama DEADLINE U.S.A. which has just hit the streets (with a sublime Eddie Muller commentary) on Blu-ray courtesy of Kino's KL Studio Classics and rabid fans who've been pleading for the Blu-ray release of TO HAVE AND HAVE NOT (which is Bogart and Bacall's first and most scorchingly incendiary pairing) can now revel in the white hot perfection of this latest exemplary Warner Archive release.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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  1. Press Release

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    • Acclaimed documentary TAB HUNTER CONFIDENTIAL released on DVD & Blu-ray

    • FilmRise has announced the September 1 Blu-Ray and DVD release of Tab Hunter Confidential. After an incredible year on the film festival circuit and a theatrical run across fifty cities in the United States, the acclaimed documentary will be available to rent or own from all major retailers. Based on Hunter's New York Times best selling memoir, producer Allan Glaser and director Jeffrey Schwarz (I Am Divine) have assembled dozens of past and present Hollywood stars, and most importantly the man himself, to talk frankly about being a survivor of the Hollywood roller coaster. The Blu-Ray & DVD will be available nationwide at all major retailers, with autographed copies only available on Tab Hunter's official website, www.tabhunter.com. Click here to learn more and order Tab Hunter Confidential on Blu-Ray & DVD (with optional autograph).

      Throughout the 1950s, Tab Hunter reigned as Hollywood's ultimate heartthrob. In dozens of films, and in the pages of countless magazines, Hunter's astonishing looks and golden-boy sex appeal drove his fans to screaming, delirious frenzy, solidifying him the prototype for all young matinee idols to come. Bristling against being just another pretty face and wanting to be taken seriously, Hunter was one of the few to be able to transcend pin-up boy status. He earned his stripes as an actor to become a major movie star and recording artist. But throughout his years of stardom, Hunter had a secret. He was gay, and spent his Hollywood years in a precarious closet that repeatedly threatened to implode and destroy him. Decades later, Hunter's dramatic, turbulent and ultimately inspiring life story has become an explosive documentary feature.

      Tab Hunter Confidential offers unprecedented access to the man behind the marquee smile, who shares first hand what it was like to be a manufactured movie star during the Golden Age of Hollywood and the consequences of being someone totally different from his studio image. The film traces Hunter's dizzying rise to Hollywood super-stardom, his secret life in an era when being openly gay was unthinkable, and his ultimate triumph when the limelight finally passed him by and true love won.

      Punctuating Tab's on-screen presence are rare film clips and provocative interviews with friends and co-stars including John Waters, Clint Eastwood, George Takei, Debbie Reynolds, Robert Wagner, Portia de Rossi, Noah Wyle, Connie Stevens, Robert Osborne, and dozens more.

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Alan Ladd: The 1940s Collection DVD
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca