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  1. Top News Stories

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    • The Big Red One on Blu-ray

    • Director, writer, pulp fiction author, raconteur and all-around maverick character Samuel Fuller was as proud of his military service as any of his artistic accomplishments. Like hundreds of thousands of other Americans, he enlisted in the armed services after Pearl Harbor was bombed by the Japanese. He joined the infantry and, as a rifleman in the First United States Infantry Division (aka "the Big Red One"), he participated in the Allied assault on North Africa in 1942, fought his way through Sicily, landed in the first wave on Omaha Beach during the D-Day invasion of Normandy, took part in the liberation of France and Belgium, and marched into Germany, where his squad helped liberate the Falkenau Concentration Camp. "I began a journal in North Africa," he shared in his autobiography, A Third Face. "If I survived, I was going to write about my war experiences." His experiences informed The Steel Helmet and numerous other war films but it was forty years before he put his own story down, first in the novel The Big Red One, published in 1980, and then in the film that came out the same year, in a compromised form that was partially restored in 2004.

      The Big Red One is Fuller's most autobiographical film, at once an old-fashioned war thriller and a portrait of the insanity and senseless destruction of combat, and the most expensive and ambitious production of his career. It charts the journey of his own real life unit (1st Infantry, 1st Platoon) through the experiences of four riflemen. Robert Carradine, Mark Hamill, Bobby Di Cicco, and Kelly Ward play the "four horsemen," as their tough, taciturn Sergeant (Lee Marvin) names them, the eternal figures in a rifle squad filled out by a couple of hundred replacements whose names they finally give up trying to learn over the four years of combat. The rest are simply "dead men with temporary use of their arms and legs," explains one of the riflemen, and in Fuller's clear-eyed portrait of combat, the only glory in war is survival.

      We never learn the platoon leader's his name--he's just The Sergeant or Sarge--but this retread (the film opens on him during the final day of World War I) guides them from green volunteers to hardened survivors. A World War II vet himself, Marvin's face is a road map of the war, the worn, battered, yet unusually calm and warm face of a survivor. His heart is hidden under a helmet and three-day stubble, but the weary serenity behind his eyes turn warm and protective when the children of liberated villages follow Sarge around like puppies and he wordlessly adopts them for a few heartbreaking moments.

      Carradine's cigar-chomping, pulp-fiction-writing Zab stands-in for Fuller--his journal entries provide the narration and commentary and at one point in the film he finds out that his novel, "The Dark Deadline" (a twist on Fuller's "The Dark Page") has been published and sent to the front in a military edition--but there's a little of Fuller in all of the young men. Hamill's Griff is a marksman who doesn't think he can murder another human ("We don't murder, we kill," explains Sarge); Di Cicco's Vinci the smart aleck Brooklyn kid; and Ward's Johnson the artist who sketches his impressions along the way.

      Fuller gives us North Africa, Italy, even D-Day on Omaha Beach, all recreated on a fraction of the budget and a sliver of the cast that Steven Spielberg had at his disposal for Saving Private Ryan. He shoots with a spare, suggestive visual style, largely in close-up, in part to keep the focus on the immediate experience, but also to make the most of his limited resources. Isolated, deserted locales dominate their odyssey. Death is abrupt and brutal, ready to strike at any moment. It verges on the unreal, and these boys learn to respond instinctively to the unreality of it all. For such a sprawling portrait, it is all about the details: condoms used for everything except sex, a wooden crucifix with the crucified dead-eyed Jesus in the desert presiding over scenes of death and destruction, the indescribable, cold fury that hits Griff when he discovers the horrors that the Nazis perpetrated at the concentration camp they liberate.

      Fuller's original rough cut reportedly ran over four hours. That cut is lost to time and commerce (its ownership bounced around as studios sold off libraries) but in 2004, film critic, historian, and documentary filmmaker Richard Schickel oversaw a reconstruction using a trove of unearthed footage and Fuller's original script as a guide. It doesn't come close to the lost cut but The Big Red One: The Reconstruction fills out the film with over 45 minutes of new and expanded scenes that restore characters lost in the cutting, fill out experiences, and give the film a shape missing in the original cut. Schickel also gives the film the perfect opening Fuller quote: "This is a fictional life based on factual death." The most defining addition (apart from the sense of heft that the accumulation of details gives the experience) is a structural element: a Nazi Sergeant (Siegfried Rauch) whose journey mirrors the Sarge's. In the theatrical cut he appear at the end of the film in a collision with Sarge that bookends the opening scene. In the expanded version he's a ruthless Nazi (he kills his own soldier in one scene) and a brutal officer who winds through the film in parallel to Sarge, a warped mirror double. It gives the climactic echo of the opening scene a much more complicated resonance that reflects Fuller's distinctive approach to the war film. At the end this Nazi is, like Sarge, just a soldier and soldiers don't judge. They kill and when the war is over they stop killing.

      The Blu-ray debut of The Big Red One only upgrades the theatrical cut to high definition. It looks superb, with noticeable improvement in clarity, detail, and color. The expanded 2004 Reconstruction is included in standard definition only, making it more like a supplement than what it should be: the featured attraction. Given that, it looks very good, just not 1080p good.

      The Blu-ray imports all of the supplements from the two-disc DVD special edition. Film historian and reconstruction producer Richard Schickel provides commentary on the reconstructed version, discussing the changes in terms of story and theme. The Real Glory: The Reconstruction of the Big Red One is a 48-minute documentary from 2005 that opens with the young stars (now 24 years older) doing their impressions of Fuller growling and barking orders with a gruff energy ("That was what it was like to be directed by Sam Fuller in The Big Red One") and concludes with a journey through the legend of Fuller's long lost original cut, the inspiration for the reconstruction, the process of searching for and restoring missing scenes, and the technical tools used in the reconstruction.

      There are over 30 minutes of further deleted scenes, including an eight-minute "French Vichy" scene that was an entire subplot originally shot for the opening sequence but unused in the reconstruction (for editorial as much as technical reasons). Two scenes are shown in their rough form (Sam Fuller's voice is heard in one) and there are comparisons of the Amphitheatre Cavalry Battle and the "Tank Baby" scenes from before and after the reconstruction. All are presented with commentary by reconstruction editor Bryan McKenzie and post-production supervisor Brian Hamblin (which is, frustratingly, not an optional track--you can't view the scenes without their commentary). They explain why some scenes were not incorporated and point out the differences in extended reconstruction scenes.

      It also features the complete Fuller-produced 30 minute promo reel which tantalized film historians with footage cut out of the original release and inspired the reconstruction project when it was discovered in 1999, Richard Schickel's 1973 documentary The Men Who Made the Movies: Samuel Fuller, the archival War Department documentary The Fighting First, a still gallery, original TV and radio spots and trailer and the 2004 reconstruction trailer.

      The disc is available as a stand-alone single-disc Blu-ray release and as part of the four-disc set World War II Collections: Invasion Europe, along with the feature films The Dirty Dozen, which also stars Lee Marvin, and Where Eagles Dare with Richard Burton and young Clint Eastwood, both on Blu-ray, and the documentary George Stevens: D-Day to Berlin, which is included as a "bonus DVD."

      By Sean Axmaker

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  1. New Books

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

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    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

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    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

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  1. DVD Reviews

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    • Dick Dinman & William Wellman Jr. Salute BATTLEGROUND!

    • DICK DINMAN & WILLIAM WELLMAN JR. SALUTE "BATTLEGROUND!": BATTLEGROUND remains producer/host Dick Dinman's all-time favorite WW2 film and distinguished actor, writer and producer William Wellman Jr. rejoins Dick as both salute William Wellman's Oscar-winning once in a lifetime epic military drama which has just been beautifully remastered on Blu-ray by the Warner Archive.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller are ON DANGEROUS GROUND!

    • DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND": The Warner Archive has just released an astonishing looking (and sounding!) Blu-ray rendition of Nicholas Ray's dark yet hypnotically beautiful film noir ON DANGEROUS GROUND which features a steely yet sensitive performance from noir icon Robert Ryan that easily ranks up there with his finest efforts ever and producer/host Dick Dinman and his guest "Czar of Noir" Eddie Muller dissect the various qualities which make this film so captivatingly unique (including the plaintively emotional score by Bernard Herrmann which was one of his two favorites).

      PLUS: SHORT TAKES: Kino's Kl Classics' THE HOUSE ON 92nd STREET, DAISY KENYON and Cohen Film Collection's SUDDEN FEAR.

      COMING ATTRACTIONS: The Warner Archives' BAD DAY AT BLACK ROCK and Twilight Time's KISS OF DEATH.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Explore THE ASPHALT JUNGLE!

    • DICK DINMAN & EDDIE MULLER EXPLORE "THE ASPHALT JUNGLE": Producer/host Dick Dinman welcomes back the "Czar of Noir" himself Eddie Muller as both celebrate the Criterion Collection's pristine release on Blu-ray of John Huston's THE ASPHALT JUNGLE which remains conceivably the greatest "heist/noir" masterwork ever committed to celluloid. (It's early in the year but its difficult to conceive that any home video outfit in the ensuing year will be able to top the astonishing "special features" included on this sensational disc.)

      PLUS: Show opener "Dick's Picks" salutes the Criterion Collection's recent Blu-ray releases of Robert Altman's McCABE & MRS. MILLER, Marlon Brando's ONE EYED JACKS and Howard Hawks' HIS GIRL FRIDAY.

      COMING SOON: DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND"!

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman Salutes Air Hero Jimmy Stewart!

    • DICK DINMAN SALUTES WW2 AIR HERO JIMMY STEWART: The dual releases of Olive Films stunning Blu-ray incarnation of the James Stewart air power classic STRATEGIC AIR COMMAND as well as author Robert Matzen's awe inspiring book MISSION: JIMMY STEWART AND THE FIGHT FOR EUROPE, which for the first time ever reveals the truth about Stewart's dangerous bombing missions over Germany, give producer/host Dick Dinman ample motivation to salute the spectacular military career of screen icon Stewart and Dick is joined by returning guest Robert Matzen as they marvel at the courage, skill and fortitude of this certifiable American hero.

      The opening DICK'S PICKS segment salutes Olive Films and their latest Blu-ray releases of not only STRATEGIC AIR COMMAND but Orson Welles' MACBETH (two versions!), HOUDINI, THE PRIVATE AFFAIRS OF BEL AMI, VILLA RIDES. ONE OF OUR AIRCRAFT IS MISSING and two new 4k releases of THE QUIET MAN and JOHNNY GUITAR (first time in original widescreen format on home video!).

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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  1. Press Release

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    • Bette Davis Double Feature - 4/4 at Laemmle Theatres in CA

    • Laemmle Theatres and the Anniversary Classics Series present Twofer Tuesdays, a classic movie double bill that will screen on the first Tuesday of each month as a recurring event. Our first attraction celebrates Hollywood legend Bette Davis in one of her most beloved roles, Now, Voyager (1942), on its 75th anniversary. As a bonus feature, we are pairing it with Marked Woman (1937; 80th anniversary) starring Davis and Humphrey Bogart. Both movies will show in three locations as a double feature (two movies, one admission price).

      Now, Voyager (1942) is considered a consummate "woman's film," a genre that was Davis' forte in her heyday in Hollywood's Golden Age of the 1930s and 40s, an era that she ruled as a top box office star. The plush melodrama, based on a novel by Olive Higgins Prouty (author of Stella Dallas, another classic tale of a self-sacrificing, independent woman), was adapted by Casey Robinson (Dark Victory) and directed by Irving Rapper (Deception). The film was nominated for three Academy Awards, including Davis as Best Actress as a repressed spinster who emerges from her shell in one of the screen's most dramatic makeovers. Co-starring Paul Henreid as her suave romantic partner, Oscar nominee Gladys Cooper (Supporting Actress) as her domineering mother and Claude Rains (one of Davis' favorite actors), as a paternal psychiatrist; the film was a huge commercial hit, the biggest box office success for Davis in that period. In Turner Classic Movies' The Essentials: 52 Must-See Movies and Why They Matter, author Jeremy Arnold calls it "a movie that has stood the test of time for its high entertainment value, romanticism, and subversive theme of female empowerment." Featuring a lushly romantic Oscar-winning score by Max Steiner, and with one of the most memorable closing lines in movie history, Now, Voyager was added to the National Film Registry in 2007.

      Our bonus feature, Marked Woman (1937) stars Davis as a nightclub "hostess" who becomes the target of a vengeful mobster (Eduardo Ciannelli), who in turn is prosecuted by a crusading district attorney (Humphrey Bogart). Co-written by Robert Rossen (All the King's Men, The Hustler) and Abem Finkel (Jezebel, Sergeant York), and directed by Lloyd Bacon (42nd Street), the movie is notable for its "torn from the headlines" realism that characterized Warner Bros. style in the 1930s. Because of the censorious Production Code, the brothel employing Davis' character was disguised as a clip joint. Davis' assured performance and the film's success contributed to her rise as queen of the Warner's lot, a position she held for the next decade.

      The Twofer Tuesdays double feature of Now, Voyager and Marked Woman plays April 4 at three locations: Ahrya Fine Arts, NoHo 7, and Pasadena Playhouse 7. Special Introduction by TCM film historian Jeremy Arnold at the Ahrya Fine Arts only, who will also be available to sign his book, Turner Classic Movies' The Essentials: 52 Must-See Movies and Why They Matter. Now, Voyager plays at 7:15 pm; Marked Woman at 5:00 pm and 9:45 pm.

      Ahrya Fine Arts Theatre
      8556 Wilshire Blvd.
      Beverly Hills CA 90211

      NoHo 7
      5240 Lankershim Blvd.
      North Hollywood CA 91601

      Playhouse 7
      673 E. Colorado Blvd.
      Pasadena CA 91101

      310-478-3836

      Tickets are available at the theater box offices and here:
      https://www.laemmle.com/films/41976

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The Egg and I DVD
$8.55
was $14.98
Westward The Women DVD
$14.96
was $19.99
The Graduate (Criterion Collection) DVD
$23.35
was $29.95
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca