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  1. Top News Stories

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    • Testament (1983) on DVD

    • The early 1980s saw an uptick in international pressures. When Ronald Reagan declared the Soviet Union an "evil empire" the possibility of nuclear war felt more real than ever. The earlier Three Mile Island nuclear accident had already raised the public's awareness of the hazards of radioactive poisoning, and PBS television specials reported on the insanity of Mutual Assured Destruction as a defense/deterrent strategy. In terms of nuclear consciousness, it was a return to the Eisenhower years. President Reagan joked about bombing Russia.

      Most movies about nuclear peril date from the 1950s science fiction boom, often expressing doomsday fears in fantastic terms. But that decade ended with Stanley Kubrick's powerful On the Beach, a realistic post-apocalyptic drama based on the idea that the radioactivity loosed by a nuclear exchange could exterminate all of humanity. After Stanley Kubrick's excellent horror-comedy Dr. Strangelove, the theme of "pushing the button" became an overused cliché.

      Ronald Reagan and Margaret Thatcher's aggressive rhetoric against the Soviet Union once again brought the subject to the forefront, and nuclear war-themed movies suddenly came back into vogue. College audiences laughed and gasped at 1982's The Atomic Cafe, an advocacy documentary made from old government films and newsreels. It re-popularized the bizarre "Duck and Cover" cartoon once shown in schools. But 1983 saw a batch of liberal-minded pictures commenting on the precarious nuclear standoff. In March NBC broadcast Special Bulletin, in which terrorists detonate a nuclear bomb in the port of Charleston, South Carolina. Using a "faux reality" format, the show was made to look like normal broadcast coverage. The juvenile thriller WarGames was released to theaters in May. It concluded peacefully, with a computer lecturing teenager Matthew Broderick and a hawkish general that nuclear war is, "A strange game. The only winning move is not to play."

      Later in the year, ABC broadcast the two-part miniseries The Day After, a doomsday tale following the fates of a number of Kansans during an all-out war. Graphic special effects depicted an entire city's population vaporized by a hydrogen blast. It is estimated that 100 million Americans tuned in.

      But arguably the most artistic and emotionally effective anti-nuke movie of the Reagan years is Lynne Littman's Testament. The low-budget production was filmed for broadcast on Public TV's American Playhouse, but Paramount was so impressed that they picked it up for theatrical distribution. It opened to critical accolades but modest business, as word of mouth spread that it was an almost intolerably sad and depressing viewing experience. Like On the Beach, Littman's film shows no atomic bombings and concentrates on the effect of atomic war on ordinary people. But unlike Stanley Kramer's movie the ordinary people in Testament are not played by glamorous movie stars. The citizens of a small Northern California town find themselves suddenly isolated, with little or no news from the outside world, and facing lonely, hopeless deathwatch.

      Screenwriter John Sacret Young concentrates most of the drama within a single household. The Wetherly family lives in Hamelin, a wooded bedroom community inland of San Francisco. Carol (Jane Alexander) is a housewife. Tom (William Devane) works in the city and likes to stay active with his older son Brad (Ross Harris). Young Scottie (Lukas Haas of Mars Attacks!) hasn't started school yet. Daughter Mary Liz (Roxana Zal) is just getting to the age that she's thinking about boys. Carol and Tom have their differences but manage to get along with a degree of harmony.

      In one afternoon everything changes. A news announcement about atomic strikes on the Eastern seaboard is cut off when the TV and all normal communications are knocked out. Carol nervously waits for Tom to return; he often works late but this day left a phone message saying that he was already on his way home. The initial fear turns into a gnawing uncertainty as days and then weeks go by. Tom doesn't appear. After some initial looting the small community draws together. The school tries to keep things as normal as possible for the kids. Brad helps round up batteries for use in radios and flashlights. Carol and her three children grow closer to their neighbors. Service station owner Mike (Mako) rations out what gas remains and comforts his developmentally challenged son Hiroshi (Gerry Murillo). Elderly Rosemary and Henry Abhart (Lurene Tuttle & Leon Ames) become the neighborhood's only link to the outside world, for Henry picks up bits of outside news on his generator-powered ham radio.

      Depression sets in as all realize that the worst is occurring: animals, babies and the infirm are the first to be affected by higher levels of airborne radiation, presumably from blasts in the cities and military targets. Young marrieds Phil and Cathy Pitkin (Kevin Costner & Rebecca De Mornay) panic when their newborn baby falls sick. Some people leave, although the news is that the same thing is happening everywhere. As homes go dark, the business of dealing with the dead begins. All Carol can do is gather her children closer and do her best to keep hope alive.

      Our society makes mock-cynical jokes about death, but most of us sing a different tune when the subject becomes unavoidable. With some emotional reserves and the support of loved ones, most of us can face mortality. We may also gain comfort if we have children that will live on after us. But the unnatural nuclear threat negates normal human values. Testament offers a convincing scenario for utter doom, as experienced by a fairly stable American family. The end doesn't arrive as a Bang but neither does it come as a Whimper. Our selected family instead dies by stages. At first Carol joins in the community effort to maintain morale. Now the man of the family, poor Brad takes to his bicycle to carry messages and show his mother that he can be a good trouper.

      The movie becomes more claustrophobic as Hamelin shuts down. Director Littman occasionally cuts to home movies of the Wetherly family, laughing and playing outdoors. One day Brad finds Hiroshi left all alone, and brings him home. Carol's burden is appalling. Raising children shouldn't be about helping them to die, and worrying if one is going to die first. A child is all about plans for the future. Mary Liz withdraws, Brad tries to support his mother and little Scottie tires to understand what's going on. He asks his mother, "Make it go away".

      The movie avoids truly intolerable events but doesn't flinch from suggesting them. At one point we see a young father in shock, carrying a dresser drawer to use as a coffin for his dead infant. No editorial speeches are delivered about the causes of the war, as in On the Beach. We're instead given a little school play, the kind that parents attend to see their kids perform on stage. The play is "The Pied Piper of Hamelin", about the irresponsibility of parents toward their children. The teachers give the play a hopeful ending -- the thoughtless people of Hamelin will get their children back "when they deserve them".

      Why put the audience through this ordeal? Testament pulls the discussion of nuclear war back down to reality. It isn't a fantasy about violence on the highways and it isn't some vague allegory with zombies. There is no special effects destruction spectacle to admire, only a very possible scenario that society cannot afford to ignore. Lynne Littman's film reached a much wider audience when it was shown on PBS in 1984. Its personal, family-oriented horrors hit us where we live.

      The Warner Archive Collection DVD-R of Testament is a re-issue of a much older Paramount disc and appears to be the exact same pressing. The enhanced image is detailed and accurate, and James Horner's sensitive music score comes across well on the clear soundtrack. English subs are encoded as well. Although the setting looks like Northern California, the film was shot in Sierra Madre, a suburb of Los Angeles. Steven Poster's cinematography makes the most of the rainy streets, and the set dressers create the illusion of trash piling up and lawns dying out.

      The extras from the original release have been included. In 2003 Lynne Littman directed Testament at 20, a making-of remembrance reunion. Several of the film's actors became stars in the interim. Now adults, the three child actors still feel like a family. Littman's second featurette Nuclear Thoughts combines more interviews with news film and talks with school children to talk about nuclear sanity in the post- September 11 world. And a text scroll offers a number of key dates for a Timeline of The Nuclear Age.

      By Glenn Erickson

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  1. New Books

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

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    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

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    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

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  1. DVD Reviews

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    • Dick Dinman & Eddie Muller Explore THE ASPHALT JUNGLE!

    • DICK DINMAN & EDDIE MULLER EXPLORE "THE ASPHALT JUNGLE": Producer/host Dick Dinman welcomes back the "Czar of Noir" himself Eddie Muller as both celebrate the Criterion Collection's pristine release on Blu-ray of John Huston's THE ASPHALT JUNGLE which remains conceivably the greatest "heist/noir" masterwork ever committed to celluloid. (It's early in the year but its difficult to conceive that any home video outfit in the ensuing year will be able to top the astonishing "special features" included on this sensational disc.)

      PLUS: Show opener "Dick's Picks" salutes the Criterion Collection's recent Blu-ray releases of Robert Altman's McCABE & MRS. MILLER, Marlon Brando's ONE EYED JACKS and Howard Hawks' HIS GIRL FRIDAY.

      COMING SOON: DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND"!

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman Salutes Air Hero Jimmy Stewart!

    • DICK DINMAN SALUTES WW2 AIR HERO JIMMY STEWART: The dual releases of Olive Films stunning Blu-ray incarnation of the James Stewart air power classic STRATEGIC AIR COMMAND as well as author Robert Matzen's awe inspiring book MISSION: JIMMY STEWART AND THE FIGHT FOR EUROPE, which for the first time ever reveals the truth about Stewart's dangerous bombing missions over Germany, give producer/host Dick Dinman ample motivation to salute the spectacular military career of screen icon Stewart and Dick is joined by returning guest Robert Matzen as they marvel at the courage, skill and fortitude of this certifiable American hero.

      The opening DICK'S PICKS segment salutes Olive Films and their latest Blu-ray releases of not only STRATEGIC AIR COMMAND but Orson Welles' MACBETH (two versions!), HOUDINI, THE PRIVATE AFFAIRS OF BEL AMI, VILLA RIDES. ONE OF OUR AIRCRAFT IS MISSING and two new 4k releases of THE QUIET MAN and JOHNNY GUITAR (first time in original widescreen format on home video!).

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Salute Ultra-Rare Noir Classics!

    • DICK DINMAN & EDDIE MULLER SALUTE ULTRA-RARE NOIR CLASSICS: Producer/host Dick Dinman and Film Noir Foundation's Czar of Noir Eddie Muller wax poetic about the first-rate Blu-ray releases of three rarely seen film noir gems: Flicker Alley's dark and deadly duo of two heretofore thought virtually lost noir thrillers TOO LATE FOR TEARS and WOMAN ON THE RUN and KL Studio Classics 99 RIVER STREET about which Dick and Eddie have a rare major disagreement regarding the validity of what some consider the most memorable two scenes in the film.

      PLUS: A preview of KL Studio Classics upcoming noir Blu-ray release CRY OF THE CITY.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Kathleen Hughes Return to 3-D "Outer Space!"

    • DICK DINMAN & KATHLEEN HUGHES RETURN TO 3-D "OUTER SPACE": Kathleen Hughes, whose breakout appearance in Universal-International's first 3-D blockbuster inspired the media to dub her the "first feminine sensation created by 3-D" rejoins producer/host Dick Dinman to salute Universal Pictures Home Entertainment's wonderfully immersive 3-D Blu-ray release of IT CAME FROM OUTER SPACE (immaculately restored by the 3-D Archive) and shares priceless memories about her career from her very first film ROAD HOUSE (just released on Blu-ray by Kino's KL Studio Classics) to her time as a contract star at Universal and 3-D Archive's Robert Furmanek chats about the challenges inherent in restoring this certifiable sci-fi classic to its current eye-poppingly spectacular 3-D grandeur.
      PLUS: OPENING "DICK PICKS" SEGMENT SALUTES UNIVERSAL'S "THE MARX BROTHERS SILVER SCREEN BLU-RAY COLLECTION." AND A PREVIEW OF THE UPCOMING KINO RELEASE OF THE 3-D ARCHIVE'S "THOSE REDHEADS FROM SEATTLE".

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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  1. Press Release

Alan Ladd: The 1940s Collection DVD
$35.95
was $44.95
The Ghost and Mrs. Muir DVD
$10.47
was $14.98
Hard-boiled detective Sam Spade gets caught up in the murderous...
$14.96
was $19.98
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca