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  1. Top News Stories

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    • Arch of Triumph on Blu-ray

    • One of several independent film companies attempting to establish a foothold in Hollywood was Enterprise Productions, which generated a string of quality pictures in the late 1940s. Enterprise's directors included Andre De Toth (Ramrod), Abraham Polonsky (Force of Evil) and Max Ophüs (Caught), but its only box office hit was Robert Rosson's Body and Soul with John Garfield.

      Enterprise's biggest production is director Lewis Milestone's Arch of Triumph, from a novel by the noted Erich Maria Remarque, who had earlier written the source novel for Milestone's anti-war classic All Quiet on the Western Front. Producer David Lewis scored a coup by securing the services of stars Ingrid Bergman and Charles Boyer. After only a few years in Hollywood, Bergman had been nominated for Best Actress three times and won once, opposite Boyer in Gaslight. Remarque's story took place in Paris just prior to the Nazi invasion, a place and time that Bergman had made her own in the wildly popular romantic thriller Casablanca. The highly anticipated movie seemed a guaranteed hit.

      But author Remarque wrote few romances with happy endings. Having fled the Nazis, Austrian doctor Ravic (Charles Boyer) is an undocumented, stateless political refugee living in Paris. He earns money by practicing in secret. Helping maintain Ravic's anonymity is his best friend Maurice (Louis Calhern), a former Russian colonel who now works as a doorman at the Scheherazade Café. Ravic prevents a suicide by Joan Madou (Ingrid Bergman), an Italian-Romanian refugee who has taken a succession of lovers to survive. He cannot resist falling in love with her. Living by night and avoiding police, they travel to Antibes on the French Riviera. Joan attracts the attention of various playboys, including the wealthy & possessive Alex (Stephen Bekassy). Ravic becomes unsure of Joan's love. Back in Paris, Ravic catches a glimpse of a portly German on the streets of Paris, a man who may be Ivon Haake (Charles Laughton), the Nazi torturer who murdered Ravic's lover in Austria. Ravic is dead set on killing Haake, if he ever sees him again.

      Arch of Triumph has been out of circulation for so long that fans of Ingrid Bergman will consider it a major discovery. Charles Laughton's following also jumps at the chance to see him in something 'new'. Unfortunately, the beautifully produced and directed film was a major box office flop. Neither an escapist romance nor an audience-friendly thriller, it's a grim drama about disillusioned and desperate people. By 1948 audiences no longer welcomed stories about political misery in Europe. They had embraced the wartime morale booster Casablanca mainly because of Bogie and Bergman. Warner's well made Confidential Agent starred Charles Boyer as a Spanish Republican dodging Franco agents in wartime England. Audiences didn't care about the issues involved, and noticed only that Boyer and co-star Lauren Bacall didn't generate much romantic chemistry. Carol Reed's The Third Man was a notable exception to this trend.

      Audiences liked political complexity even less in the 1940s than they do now. Arch of Triumph was labeled as 'sluggish' and unfocused, which we can now read as, "doesn't follow the accepted pattern for wartime romance stories." The movie is surprisingly adult in its outlook. Ingrid Bergman's Joan Madou has fled to Paris. Unable to work, her only way to live is to find a man to take care of her. Dr. Ravik comes upon her because her lover has died in her bed. Terrified that the French police will nab her, she feels like a common prostitute. He's demoralized as well. It's a decidedly downbeat romance.

      Arch of Triumph is fairly faithful to the novel by Erich Maria Remarque, one of the few authors who wrote passionately about civilians displaced by the upheavals of war. It's in the same vein as Remarque's novel Flotsam, an 'annihilating epic' in which half a dozen characters fleeing Nazi Germany roam across Europe looking for a non-existent haven. It was made into the impressive Sam Wood movie So Ends Our Night. Pushed from one country to another, refugees must live like criminals to avoid being sent back to prison or death in Germany. It's a story of betrayals, murders and noble suicides. So Ends Our Night was released in 1941 just as conditions turned grim for these stateless refugees. Most had fled to the haven of France, and when the Germans invaded, the majority were rounded up and sent to an unknown fate.

      Unlike the desperate nomads of So Ends Our Night, Dr. Ravik hasn't had to walk halfway across Europe. He has some money and earns more practicing medicine on the sly. Close friend Maurice makes him welcome at the nightclub and tips him to potential trouble. Ravik is able to slip away to the South of France for a vacation with Joan. But their happiness could end at any moment. One slip-up would mean arrest and deportation to Germany, where the torturer Ivon Haake would surely finish him off.

      The movie benefits from director Milestone's formalism and attention to character detail. The lighting, sets and costumes are more realistic than we expect. Nervous pre-war Paris is seen mostly by night. The movie offers noir atmosphere, incipient doom and the haunted face of Ingrid Bergman.

      A screenwriting analyst would surely find fault with the movie's structure. Ravik and Joan's trip to Antibes dissipates much of the story's tension. How tough can things be when she's having a fine time in fancy dresses? We can see audiences wondering what's going on, as the rich are happily gambling even on the brink of war. The script also fumbles Ravik's vendetta against Ivon Haake. A flashback to a torture chamber (cue silhouette images) seems to come from a horror movie. At one point Ravik is arrested and spends months in Germany before escaping and returning to Paris. As most of this happens off-camera, we can't fully appreciate the hardships being suffered by thousands of refugees.

      The movie also fails to utilize the talented Charles Laughton. Ivon Haake is only in the movie for a scene or two, and has no scenes with Ingrid Bergman. No longer in uniform, the German is apparently commuting between Berlin and Paris to prepare a secret police network for the coming occupation. Arch of Triumph is true to the novel (and history) but the audience must have felt cheated to be deprived of a 'big' Laughton scene.

      What does work well is the romantic fireworks between Bergman and Boyer. The lovers only slowly reveal their feelings for each other, and are prevented from full commitment by their refugee status. When Ravik comes back from exile he finds Joan living in a swank apartment provided by the wealthy Alex. He forgives Joan and even gives her time to detach from Alex, who isn't happy that Ravik has re-entered the picture. But war is declared before any of this can be resolved. Ravik spots Ivon Haake again and prepares his trap.

      As we expect, Ingrid Bergman comes through with an absorbing performance. She positively glows as a troubled woman whose life is out of control. The contradictions in Joan Madou remind us of films from the 1970s, when screen characters were allowed to be complex or ambiguous. Charles Boyer is also good but Milestone underplays the suicidal streak in Ravic's drive to kill Haake, and instead treats the doctor as more of a righteous avenger. Thus we expect a much bigger comeuppance for Haake.

      Postwar audiences enjoyed dark stories, but the unsentimental Arch of Triumph asks them to be concerned about problems from a past they'd like to forget, and associated with uncomfortable politics. By 1948 America had aligned itself with occupied West Germany against new foreign enemies. We gave huge sums of money to charities helping displaced European orphans (see The Search) but mostly preferred to forget the ugly wartime situations chronicled by Erich Maria Remarque.

      The film's political complexity now seems much more attractive. We're accustomed to movies about people trapped in grim political binds -- the new A Most Wanted Man is a spy movie that sympathizes with a stateless asylum seeker navigating a dangerous path. Audiences in 1948 may have rejected Bergman and Boyer's characters because they weren't noble idealists and selfless lovers, as in Casablanca. That's probably what attracted Bergman to the role, and it's why the movie is so interesting now.

      Olive Films' Blu-ray of Arch of Triumph is a very good HD transfer of this hard-to-see picture. The show suffered a number of cuts either in reissue or when distributed to television, but UCLA has restored it to its full 133-minute running time. The images show some wear but Russell Metty's B&W cinematography looks terrific. The audio is also strong.

      Enterprise Productions put everything it had into Arch of Triumph, with production values the equal of any big studio film. But audiences didn't "discover" the film and it earned back less than a third of its budget. It was the beginning of dramatic career changes for Ingrid Bergman. Just a couple of years later her Hollywood career was destroyed by the scandal of her affair with Italian director Roberto Rossellini. The American press turned on Bergman with the kind of venom reserved for The Hollywood Ten, Charles Chaplin and the Rosenbergs. When she returned to American screens six years later, Arch of Triumph had been long forgotten. But fans of the actress will be happy to see her in such an interesting and demanding role.

      Let's hope that Erich Maria Remarque's So Ends Our Night can also be rescued from obscurity -- at the moment the only video copies available are in very poor condition.

      By Glenn Erickson

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  1. New Books

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

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    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

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    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

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  1. DVD Reviews

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    • Dick Dinman Salutes Undervalued Star Van Johnson!

    • DICK DINMAN SALUTES UNDERVALUED STAR VAN JOHNSON: Kino Lorber's KL Studio Classics division has just released on Blu-ray a sparkling brand new 4K restoration of the riveting suspense thriller 23 PACES TO BAKER STREET and producer/host Dick Dinman welcomes noted author and classic film aficionado John McElwee to the show as both pay tribute to the versatile and undervalued 23 PACES TO BAKER STREET star Van Johnson.

      PLUS: "Dick's Picks" salutes KL Studio Classics Blu-ray releases of I WAKE UP SCREAMING, Elia Kazan's BOOMERANG, THE HOUSE ON 92nd STREET, THE LODGER, Preston Sturges' BEAUTIFUL BLONDE FROM BASHFUL BEND, Fritz Lang's WESTERN UNION, Henry King's DAVID & BATHSHEBA and PRINCE OF FOXES, NO HIGHWAY IN THE SKY, THE SICILIAN CLAN and BOY ON A DOLPHIN (stunning new 4K restoration!).

      EXTRA!
      DICK DINMAN SALUTES COHEN'S CHABROL COLLECTION!


      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & William Wellman Jr. Salute BATTLEGROUND!

    • DICK DINMAN & WILLIAM WELLMAN JR. SALUTE "BATTLEGROUND!": BATTLEGROUND remains producer/host Dick Dinman's all-time favorite WW2 film and distinguished actor, writer and producer William Wellman Jr. rejoins Dick as both salute William Wellman's Oscar-winning once in a lifetime epic military drama which has just been beautifully remastered on Blu-ray by the Warner Archive.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller are ON DANGEROUS GROUND!

    • DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND": The Warner Archive has just released an astonishing looking (and sounding!) Blu-ray rendition of Nicholas Ray's dark yet hypnotically beautiful film noir ON DANGEROUS GROUND which features a steely yet sensitive performance from noir icon Robert Ryan that easily ranks up there with his finest efforts ever and producer/host Dick Dinman and his guest "Czar of Noir" Eddie Muller dissect the various qualities which make this film so captivatingly unique (including the plaintively emotional score by Bernard Herrmann which was one of his two favorites).

      PLUS: SHORT TAKES: Kino's Kl Classics' THE HOUSE ON 92nd STREET, DAISY KENYON and Cohen Film Collection's SUDDEN FEAR.

      COMING ATTRACTIONS: The Warner Archives' BAD DAY AT BLACK ROCK and Twilight Time's KISS OF DEATH.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Explore THE ASPHALT JUNGLE!

    • DICK DINMAN & EDDIE MULLER EXPLORE "THE ASPHALT JUNGLE": Producer/host Dick Dinman welcomes back the "Czar of Noir" himself Eddie Muller as both celebrate the Criterion Collection's pristine release on Blu-ray of John Huston's THE ASPHALT JUNGLE which remains conceivably the greatest "heist/noir" masterwork ever committed to celluloid. (It's early in the year but its difficult to conceive that any home video outfit in the ensuing year will be able to top the astonishing "special features" included on this sensational disc.)

      PLUS: Show opener "Dick's Picks" salutes the Criterion Collection's recent Blu-ray releases of Robert Altman's McCABE & MRS. MILLER, Marlon Brando's ONE EYED JACKS and Howard Hawks' HIS GIRL FRIDAY.

      COMING SOON: DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND"!

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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  1. Press Release

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    • Alec Baldwin to Host TCM's THE ESSENTIALS


    • Legendary Late Night Host David Letterman, Emmy and Golden Globe® Winner Tina Fey and Oscar-Winning Director William Friedkin Set to Join as Special Guests Throughout the Season.

      Premieres May 6 & Airs Saturdays at 8 p.m.



      Turner Classic Movies announced that Emmy® winner and Oscar® nominee Alec Baldwin will host The Essentials, TCM's popular franchise showcasing "must see" classic films. Joining Baldwin each week throughout the season will be one of three special guests: late-night television icon David Letterman, acclaimed actress, writer and comedian Tina Fey and legendary filmmaker William Friedkin. Together, Baldwin and his guests will introduce a hand-picked classic and offer color commentary on its cultural significance, its influence on other films, behind-the-scenes stories and their own personal reflections. The new season of The Essentials, which airs every Saturday night, premieres May 6 at 8 p.m. (ET).

      The Essentials will kick off with special guest David Letterman joining Baldwin to discuss a plethora of poplar classics including:
      • The Bad and the Beautiful (1952) - airing May 6
      • East of Eden (1955) - airing on May 13
      • No Time for Sergeants (1958) - airing on May 27
      • The Big Sleep (1946) - airing on June 16

      Tina Fey will make her guest appearance starting on June 24 to discuss her favorite classic films including:
      • Rear Window (1954) - airing June 24
      • The Lady Eve (1941) - airing on July 1
      • The Bride of Frankenstein (1935) - airing on July 8
      • Singin' in the Rain (1952) - airing on August 5

      Rounding out the entertaining new season, William Friedkin will join Baldwin to highlight another round of notable films such as:
      • The Quiet Man (1952) - airing on Aug. 12
      • The Manchurian Candidate (1962) - airing on Aug. 19
      • 2001: A Space Odyssey (1968) - airing on Sept. 2
      • The Treasure of the Sierra Madre (1948) - airing on Sept. 23

      Baldwin takes over The Essential's hosting duties following the death of his close friend and colleague, Robert Osborne, who hosted the franchise from 2006 to 2015. A longtime friend of TCM and supporter of classic films, Baldwin has appeared frequently on the network, including as co-host of The Essentials with Robert Osborne from 2009 to 2011. He demonstrated his skill as an interviewer in 2008, when he joined one of his idols, Gene Wilder, for an hour-long discussion at Wilder's home in the special Role Model: Gene Wilder. Baldwin turned the tables on Osborne in 2015 by interviewing the longtime TCM host for Private Screenings: Robert Osborne, a one-hour special that premiered as part of TCM's 20th Anniversary celebration. This past October, Baldwin was the on-air host for a month-long look at the world's greatest and most influential documentaries for TCM's Spotlight showcase.

      "I have some big shoes to fill hosting The Essentials, and I plan on doing Bob proud with this new season of The Essentials," said Baldwin. "Dave, Tina and Billy each bring a unique perspective to the movies in our lineup, and they have some fascinating, and even surprising, insights to share as we shine a spotlight on some of our favorite 'must-see' films from over a century of epic moviemaking."

      Additionally, select titles from The Essentials will also be available at 30,000 feet through Delta Studio, Delta Air Lines' industry-leading, free in-flight entertainment collection. Delta operates the world's largest in-flight entertainment-equipped fleet, offering up to 300 movies, 750 TV shows, 100 foreign film titles, 2,400 songs, 18 channels of live satellite TV on select aircraft and a selection of games on aircraft with seat-back entertainment systems.

      To view a promo and for more information including a complete schedule, bios, images and film information, please visit tcm.com/essentials.

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Sabrina (1954) DVD
$5.45
was $8.98
Some Like It Hot DVD
$11.21
was $14.98
The Randolph Scott Round-Up: Volume 2 DVD
$11.21
was $14.98
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca