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  1. Top News Stories

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    • Pickpocket on Criterion Blu-ray and DVD

    • French filmmaker Robert Bresson was a bona fide artistic iconoclast. His ideas about cinema go directly against established narrative conventions. His most frequent theme investigates the notion of spiritual transformation, and his most successful films generate a sense of spiritual mystery. Critic Paul Schrader asserts that for him this transcendent emotional rush was a consciousness-raising, inspirational event. Most films accost us, asking for our involvement. Schrader says that Pickpocket instead recedes from the viewer into its own mystery. If we're intrigued, we move toward it. Many critics consider Bresson's 1959 film Pickpocket to be his best.

      Pickpocket's melancholy loner Michel (Martin LaSalle) is a close cousin to the director's soulful, suffering Diary of a Country Priest. Vaguely referencing a philosophy about privileged 'supermen', Michel considers himself too special to work like others. He cultivates an interest in public sneak-thievery. His friend Jacques (Pierre Leymarie) tries to understand Michel's odd behavior, as does Jeanne (Marika Green), a neighbor of his mother. Michel falls into league with two accomplices led by a particularly talented pickpocket (Kassagi). He is perversely intent on pursuing his criminal life, which can only end in one way.

      We tend to champion mainstream film directors that profess a strong personal vision. Robert Bresson takes his ideas about cinema theory to an extreme. He has no use for movie stars, or even professional actors. As has been repeated in almost every review of a Bresson film, the director refers to his on-screen talent as 'models' and insists that they be non-actors. He asks his cast to behave without expression or theatrics, and employs special techniques to prevent them from performing in an expressive manner. If a 'model' says his line with too much emphasis or meaning, the shot is re-taken as many times as Bresson feels are necessary to 'deaden' the performance into a rote, neutral delivery.

      Bresson does not want his actors to project their personalities, but to serve only as a conduit for his thesis. Alfred Hitchcock sometimes talked about using actors as posed 'objects' for his visual schemes, but for the most part he depended on star personalities to bring his films to life, to establish an emotional contact with his audience. Bresson's aims are far less commercially oriented. He controls his actors as a writer chooses words, to connect with the audience only on his terms. No psychological explanation is offered for Michel's behavior. Michel mumbles a few unconvincing words about Nietzschean supermen existing above the common morality, but Pickpocket doesn't fit human behavior into a cause-and-effect dramatic pattern. Michel is essentially as unknowable as strangers we see on the street.

      Pickpocket presents realistic people in naturalistic locations -- drab rooms, metro platforms, a racetrack. Sitting in his tiny room, Michel seems absorbed by a vague discontent. When in public he's unable to commit to a few minutes of civility with his friends. He behaves as if he wants someone else to take responsibility for his existence, to change his life. Jeanne looks at him in a maddening way: interested? Neutral? To get a reaction Michel must feed her suspicions about himself. "How do you think I live without a job?" About the only thing we really know about Michel is that he's an egotist, unaware that people around him also feel trapped in their own skins.

      Bresson breaks standard narrative conventions, so that we will take nothing for granted. Music is not scored to enhance the drama. Editing rhythms are slower than normal, and cuts don't happen when we expect them to. Shots are naturalistic but actions are not. Michel and his friends move as if employing a conscious act of will to do simple things like turn around, or look in a certain direction. They tend to stare without blinking, as if they were Pod people not quite comfortable in human bodies.

      Bresson aim is to get beyond the 'movie experience' so as to involve the viewer more deeply. We're accustomed in films to casually identify with wrongdoers. We project our own thoughts and judgments onto Michel. He's not that different from us. Do Bresson's 'blank' characterizations function as a mirror for the viewer?

      The film presents the actions of the pickpockets as strange ritualized behavior, performed like magic. Bresson uses precise, clear camera angles to show Michel first practicing sneak-thief work in his room and then performing it in public. Using the sleight-of-hand skills of professional magician and sleight-of-hand expert Kassagi, we see pickpocket 'touches' carried off both singly and in coordinated attacks. When Kassagi works in concert with Michel and a third man, they're like invisible angels, lifting wallets and rifling purses with magical skill. Is this what Michel wants, to be a phantom presence, moving among ordinary people but existing on a higher level? If so, Michel fails badly. When he prowls on his own in a racetrack crowd, Michel makes eye contact with his victims, seemingly telegraphing his intentions. We feel sure that the victim must be aware of him. Is Michel trying to be caught?

      Michel's thievery provides him with the illusion of an identity free of outside control. Yet his struggle to exist independent of other people brings him more fear and doubt. Michel seems capable of appreciating another person only after losing his liberty. Much is made of the climactic scene, with its sudden reversion to conventional directorial tactics: the camera moves sharply forward to heighten an embrace. The final voice-over line is an emotional release for the audience. Yet Bresson holds back here as well -- Michel speaks the final lines as if he were narrating his life in the past tense.

      Pickpocket isn't as pessimistic as Bresson's later Au hazard Balthazar and L'argent. For some it elicits strong religious feelings, as does the director's Diary of a Country Priest. The void at the center of Michel's life seems to call out for the guidance of faith, and some aspects of the final shot validate this interpretation. It is said that Robert Bresson's characters want to transcend the limits of reality, to attain some greater truth. Does Michel experience transcendence? Or does he succeed simply by making a meaningful contact with Marika?


      Criterion's Dual-Format Blu-ray + DVD of Pickpocket improves on a very good DVD from 2003, with a sharper and more stable image. The soundtrack seems even more subtle and intimate. Bresson uses lesser-known classical music to strong effect behind his titles and sometimes during pickpocket sequences. The emotion-laden music cue the finish would seem to break with the director's avowed rules of engagement.

      Repeated from the earlier edition, disc producer Kate Elmore's extras offer is a variety of viewpoints on Bresson's methods and theories. James Quandt's commentary is a formal analysis that holds the film in proper reverence while pointing out its endless parade of oddities. Quandt notes the apparent disconnect between Michel and his voiceover. He also notes that everything in the movie seems organized in symmetrical pairs -- trips to the racetrack, talks to the policeman, etc. The articulate Robert Bresson speaks on an old French television show; our own Paul Schrader provides a video interview explaining how Bresson inspired him to become a filmmaker. All of these witnesses (even Bresson, to some extent) seem privy to a miracle, the essence of which cannot be communicated through speech.

      A pleasant TV docu tracks down all three of Pickpocket's 'model' actors, proving that human beings did indeed make the movie. Leading actor Martin La Salle is found living and working in 'obscure fame' in Mexico City. Actress Marika Green also appears in a Q&A session from a 2000 screening. Not to be missed is a French television show excerpt, in which the illusionist Kassagi performs marvelous magic tricks like eating razor blades. He also shows off his pickpocket skills, which are genuinely incredible.

      By Glenn Erickson

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  1. New Books

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    • Elizabeth and Michael

    • By Donald Bogle

      One of the country's leading authorities on popular entertainment presents an eye-opening and unique biography of two larger-than-life legends--Elizabeth Taylor and Michael Jackson--and their unlikely yet enduring friendship.

      From the moment Elizabeth Taylor and Michael Jackson met, they were hooked on each other. He peered into her violet eyes and was transfixed; she, in turn, was dazzled by his talent, intrigued by his sweet-tempered childlike personality, and moved by the stories she had already heard about his troubled early life. Soon a deep friendship blossomed, unexpectedly unlike anything either had ever experienced. Through thick and thin, through their various emotional upheavals, through the peaks and valleys of their careers, through their personal traumas and heartaches, through the unending health issues and extreme physical pain that each experienced, and through the glare of the often merciless public spotlight, their bond held them together, and their love for each other endured.


      Donald Bogle skillfully recreates the moving narrative of Taylor and Jackson's experiences together and their intense emotional connection, without shying away from the controversies that swirled around them. Through interviews with friends and acquaintances of the two stars, as well as anonymous but credible sources, Elizabeth and Michael emerges as a tender, intimate look at this famous "odd couple" and a treasure to their millions of fans.

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    • Robert Wagner's I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses

    • By Robert Wagner and Scott Eyman

      In a career that has spanned over sixty years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both film and TV. During this time, he became acquainted, both professionally and socially, with many of the greatest female screen personalities of all time. I LOVED HER IN THE MOVIES: Memories of Hollywood's Legendary Actresses (On-sale: 11/15/16) by Robert Wagner, with co-author Scott Eyman, provides an intimate and revealing account of the charisma of these women on film, why they became stars, and how their specific emotional and dramatic chemistries affected the choices they made both as actresses and as women.

      I LOVED HER IN THE MOVIES offers a privileged look behind the scenes at some of the most well-known women in show business. Among Wagner's subjects are Joan Crawford, Bette Davis, Marilyn Monroe, Gloria Swanson, Norma Shearer, Loretta Young, Joan Blondell, Irene Dunne, Rosalind Russell, Dorothy Lamour, Debra Paget, Jean Peters, Linda Darnell, Betty Hutton, Raquel Welch, Glenn Close, and the two actresses whom he ultimately married, Natalie Wood and Jill St. John. In addition to offering perceptive commentary on these women, Wagner examines topics like the strange alchemy of the camera--how it can transform the attractive into the stunning, and vice-versa--and how the introduction of color brought a new erotic charge to movies--one that enabled these actresses to become aggressively sexual beings in a way that that black and white films had only hinted at.


      Robert Wagner is the star of such films as A Kiss Before Dying, The Longest Day, The Pink Panther, and most recently, the Austin Powers franchise. On television, he starred in It Takes a Thief (with Fred Astaire), Switch (with Eddie Albert and Sharon Gless), and Hart to Hart (with Stefanie Powers). He has recently appeared on Two and a Half Men and NCIS. He is married to actress Jill St. John.

      Scott Eyman is the author of eleven books about the movies, including Lion of Hollywood: The Life of Louis B. Mayer (which the Wall Street Journal called one of the five best books ever written about Hollywood), Empire of Dreams: The Epic Life of Cecil B. DeMille, and more recently, John Wayne: The Life and Legend.

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    • King of Jazz: Paul Whiteman's Technicolor Revue

    • King of Jazz: Paul Whiteman's Technicolor Revue tells the story of the making, release, and restoration of Universal's 1930 Technicolor extravaganza King of Jazz. Authors James Layton and David Pierce have uncovered original artwork, studio production files, behind-the-scenes photographs, personal papers, unpublished interviews, and a host of other previously unseen documentation. The book offers a richly illustrated narrative with broader context on the film's diverse musical and theatrical influences. The story concludes with an in-depth look at the challenges Universal overcame in restoring the film in 2016. Additionally, the book's appendix provides a comprehensive guide to all of the film's performers, music, alternate versions, and deleted scenes.

      King of Jazz was one of the most ambitious films ever to emerge from Hollywood. Just as movie musicals were being invented in 1929, Universal Pictures brought together Paul Whiteman, leader of the country's top dance orchestra; John Murray Anderson, director of spectacular Broadway revues; a top ensemble of dancers and singers; early Technicolor; and a near unlimited budget. The film's highlights include a dazzling interpretation of George Gershwin's "Rhapsody in Blue," which Whiteman had introduced to the public in 1924; Walter Lantz's "A Fable in Jazz," the first cartoon in Technicolor; and Anderson's grand finale "The Melting Pot of Music," a visualization of popular music's many influences and styles. The film is not only a unique document of Anderson's theatrical vision and Whiteman's band at its peak, but also of several of America's leading performers of the late 1920s, including Bing Crosby in his first screen appearance, and the Russell Markert Dancers, who would soon become Radio City Music Hall's famous Rockettes.


      James Layton is Manager of the Museum of Modern Art's Celeste Bartos Film Preservation Center. Prior to this he worked at George Eastman House in Rochester, NY, where he curated two gallery exhibitions and the website Technicolor 100. Layton has also acted as Cataloguer and Workflow Coordinator at the East Anglian Film Archive in Norwich, UK, and is co-author of the Image Permanence Institute's informational poster Knowing and Protecting Motion Picture Film (2009).

      David Pierce is an independent film historian and archivist. He was formerly the Head of Preservation and Curator of the National Film and Television Archive at the British Film Institute. His articles have appeared in numerous journals, and his report on the survival of American silent feature films was published by the Library of Congress in 2013. He founded the Media History Digital Library, providing free online access to millions of pages of motion picture magazines and books.

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    • THE ESSENTIALS: 52 Must-See Movies and Why They Matter

    • By Jeremy Arnold
      Forward by Robert Osborne

      Since its inception on Turner Classic Movies in 2001, The Essentials has become the ultimate for movie lovers to expand their knowledge of must-see cinema and discover or revisit landmark films that have had a lasting impact on audiences everywhere.

      Based on the hit series, THE ESSENTIALS by Jeremy Arnold showcases 52 must-see movies from the silent era to modern times. Readers can enjoy one film per week, like on the show, for a year of great viewing, or indulge in a movie-watching binge-fest. Each film is profiled with entertaining discourse on why it's an Essential, and running commentary is provided by TCM's Robert Osborne and Essentials guest hosts past and present: Sally Field, Drew Barrymore, Alec Baldwin, Rose McGowan, Carrie Fisher, Molly Haskell, Peter Bogdanovich, Sydney Pollack, and Rob Reiner.

      Featuring full-color and black-and-white photography of the greatest stars in movie history throughout, THE ESSENTIALS is the ultimate curated guide to 52 films that define the meaning of the word "classic."


      Jeremy Arnold, a writer and film historian, is the author of Lawrence of Arabia: The 50th Anniversary, a coffee-table book companion to that film's Blu-ray release. In addition to his work for numerous film trade publications, he has written over five hundred programming articles for the Turner Classic Movies website and contributed audio commentaries and historical essays to the DVD and Blu-ray releases of classic films.

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  1. DVD Reviews

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    • Dick Dinman Salutes Undervalued Star Van Johnson!

    • DICK DINMAN SALUTES UNDERVALUED STAR VAN JOHNSON: Kino Lorber's KL Studio Classics division has just released on Blu-ray a sparkling brand new 4K restoration of the riveting suspense thriller 23 PACES TO BAKER STREET and producer/host Dick Dinman welcomes noted author and classic film aficionado John McElwee to the show as both pay tribute to the versatile and undervalued 23 PACES TO BAKER STREET star Van Johnson.

      PLUS: "Dick's Picks" salutes KL Studio Classics Blu-ray releases of I WAKE UP SCREAMING, Elia Kazan's BOOMERANG, THE HOUSE ON 92nd STREET, THE LODGER, Preston Sturges' BEAUTIFUL BLONDE FROM BASHFUL BEND, Fritz Lang's WESTERN UNION, Henry King's DAVID & BATHSHEBA and PRINCE OF FOXES, NO HIGHWAY IN THE SKY, THE SICILIAN CLAN and BOY ON A DOLPHIN (stunning new 4K restoration!).

      EXTRA!
      DICK DINMAN SALUTES COHEN'S CHABROL COLLECTION!


      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & William Wellman Jr. Salute BATTLEGROUND!

    • DICK DINMAN & WILLIAM WELLMAN JR. SALUTE "BATTLEGROUND!": BATTLEGROUND remains producer/host Dick Dinman's all-time favorite WW2 film and distinguished actor, writer and producer William Wellman Jr. rejoins Dick as both salute William Wellman's Oscar-winning once in a lifetime epic military drama which has just been beautifully remastered on Blu-ray by the Warner Archive.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller are ON DANGEROUS GROUND!

    • DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND": The Warner Archive has just released an astonishing looking (and sounding!) Blu-ray rendition of Nicholas Ray's dark yet hypnotically beautiful film noir ON DANGEROUS GROUND which features a steely yet sensitive performance from noir icon Robert Ryan that easily ranks up there with his finest efforts ever and producer/host Dick Dinman and his guest "Czar of Noir" Eddie Muller dissect the various qualities which make this film so captivatingly unique (including the plaintively emotional score by Bernard Herrmann which was one of his two favorites).

      PLUS: SHORT TAKES: Kino's Kl Classics' THE HOUSE ON 92nd STREET, DAISY KENYON and Cohen Film Collection's SUDDEN FEAR.

      COMING ATTRACTIONS: The Warner Archives' BAD DAY AT BLACK ROCK and Twilight Time's KISS OF DEATH.

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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    • Dick Dinman & Eddie Muller Explore THE ASPHALT JUNGLE!

    • DICK DINMAN & EDDIE MULLER EXPLORE "THE ASPHALT JUNGLE": Producer/host Dick Dinman welcomes back the "Czar of Noir" himself Eddie Muller as both celebrate the Criterion Collection's pristine release on Blu-ray of John Huston's THE ASPHALT JUNGLE which remains conceivably the greatest "heist/noir" masterwork ever committed to celluloid. (It's early in the year but its difficult to conceive that any home video outfit in the ensuing year will be able to top the astonishing "special features" included on this sensational disc.)

      PLUS: Show opener "Dick's Picks" salutes the Criterion Collection's recent Blu-ray releases of Robert Altman's McCABE & MRS. MILLER, Marlon Brando's ONE EYED JACKS and Howard Hawks' HIS GIRL FRIDAY.

      COMING SOON: DICK DINMAN & EDDIE MULLER ARE "ON DANGEROUS GROUND"!

      The award-winning DICK DINMAN'S DVD CLASSICS CORNER ON THE AIR is the only show devoted to Golden Age Movie Classics as they become available on DVD and Blu-ray. Your producer/host Dick Dinman includes a generous selection of classic scenes, classic film music and one-on-one interviews with stars, producers, and directors. To hear these as well as other DVD CLASSICS CORNER ON THE AIR shows please go to www.dvdclassicscorner.com or www.dvdclassicscorner.net.

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  1. Press Release

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    • Alec Baldwin to Host TCM's THE ESSENTIALS


    • Legendary Late Night Host David Letterman, Emmy and Golden Globe® Winner Tina Fey and Oscar-Winning Director William Friedkin Set to Join as Special Guests Throughout the Season.

      Premieres May 6 & Airs Saturdays at 8 p.m.



      Turner Classic Movies announced that Emmy® winner and Oscar® nominee Alec Baldwin will host The Essentials, TCM's popular franchise showcasing "must see" classic films. Joining Baldwin each week throughout the season will be one of three special guests: late-night television icon David Letterman, acclaimed actress, writer and comedian Tina Fey and legendary filmmaker William Friedkin. Together, Baldwin and his guests will introduce a hand-picked classic and offer color commentary on its cultural significance, its influence on other films, behind-the-scenes stories and their own personal reflections. The new season of The Essentials, which airs every Saturday night, premieres May 6 at 8 p.m. (ET).

      The Essentials will kick off with special guest David Letterman joining Baldwin to discuss a plethora of poplar classics including:
      • The Bad and the Beautiful (1952) - airing May 6
      • East of Eden (1955) - airing on May 13
      • No Time for Sergeants (1958) - airing on May 27
      • The Big Sleep (1946) - airing on June 16

      Tina Fey will make her guest appearance starting on June 24 to discuss her favorite classic films including:
      • Rear Window (1954) - airing June 24
      • The Lady Eve (1941) - airing on July 1
      • The Bride of Frankenstein (1935) - airing on July 8
      • Singin' in the Rain (1952) - airing on August 5

      Rounding out the entertaining new season, William Friedkin will join Baldwin to highlight another round of notable films such as:
      • The Quiet Man (1952) - airing on Aug. 12
      • The Manchurian Candidate (1962) - airing on Aug. 19
      • 2001: A Space Odyssey (1968) - airing on Sept. 2
      • The Treasure of the Sierra Madre (1948) - airing on Sept. 23

      Baldwin takes over The Essential's hosting duties following the death of his close friend and colleague, Robert Osborne, who hosted the franchise from 2006 to 2015. A longtime friend of TCM and supporter of classic films, Baldwin has appeared frequently on the network, including as co-host of The Essentials with Robert Osborne from 2009 to 2011. He demonstrated his skill as an interviewer in 2008, when he joined one of his idols, Gene Wilder, for an hour-long discussion at Wilder's home in the special Role Model: Gene Wilder. Baldwin turned the tables on Osborne in 2015 by interviewing the longtime TCM host for Private Screenings: Robert Osborne, a one-hour special that premiered as part of TCM's 20th Anniversary celebration. This past October, Baldwin was the on-air host for a month-long look at the world's greatest and most influential documentaries for TCM's Spotlight showcase.

      "I have some big shoes to fill hosting The Essentials, and I plan on doing Bob proud with this new season of The Essentials," said Baldwin. "Dave, Tina and Billy each bring a unique perspective to the movies in our lineup, and they have some fascinating, and even surprising, insights to share as we shine a spotlight on some of our favorite 'must-see' films from over a century of epic moviemaking."

      Additionally, select titles from The Essentials will also be available at 30,000 feet through Delta Studio, Delta Air Lines' industry-leading, free in-flight entertainment collection. Delta operates the world's largest in-flight entertainment-equipped fleet, offering up to 300 movies, 750 TV shows, 100 foreign film titles, 2,400 songs, 18 channels of live satellite TV on select aircraft and a selection of games on aircraft with seat-back entertainment systems.

      To view a promo and for more information including a complete schedule, bios, images and film information, please visit tcm.com/essentials.

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Sabrina (1954) DVD
$5.45
was $8.98
Some Like It Hot DVD
$11.21
was $14.98
The Randolph Scott Round-Up: Volume 2 DVD
$11.21
was $14.98
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  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca
  •  
  • Wednesday, March 20, 2011

  • Removed: 10:00pm Springfield Rifle
    12:00pm Casablanca
    Added: 1:00pm Virginia City
    12:15pm Casablanca